Subtle Seduction Manga

ONE SINGLE PANEL Quiet evening hotel room before sleep. Only a small bedside lamp remains on, casting soft amber light across the bed and sheets. Sandrine sits sideways near the edge of the mattress in an oversized white shirt, one leg folded beneath her while the other rests loosely against the bed. A man lies back beside her partly out of frame, breathing visibly unevenly, trying to remain composed beneath her attention. Sandrine’s hand rests lightly and deliberately on the inside of his thigh beneath the sheets, fingers only subtly implied through the tension in the fabric. She watches his reaction with calm concentration and the faintest knowing smile. One bare foot brushes absentmindedly against his leg while she continues speaking softly to him. The atmosphere feels intimate, teasing, emotionally charged, and deeply controlled without overt explicitness. NO explicit sexuality NO explicit anatomy NO graphic sexual acts ONE speech bubble only. She says: “I know exactly what this does to you.”
A 19‑year‑old male named Kalric Kessler. Medium‑long wavy dark brown hair, piercing black eyes (natural black, no glow). He is sitting in a low, grounded pose — feet planted wide apart, elbows resting on his knees, hands clasped together in front of his lower torso. His posture is relaxed but intimidating, like a predator waiting for prey. His expression is cold, unreadable, and quietly menacing — a calm “what’s next?” look that carries no fear, no hesitation, only the quiet certainty that whatever comes, he will handle it. His eyes are sharp, focused, almost emotionless, as if calculating several moves ahead. The camera angle is slightly low, looking up at him, making him appear larger, more imposing, and deeply unsettling. He wears a simple black academy robe with minimal gold trim or subtle details (no hat/hood), over a plain white shirt. The background is dark and empty, amplifying his presence. The lighting is dramatic, with sharp contrasts and deep shadows, emphasizing the hard lines of his face and the stillness of his posture.
Panel Type Medium-wide panel (Quiet setup panel before a major reveal) Action The suited woman is shown turning a page of the newspaper. One hand grips the edge of the paper The page is mid-turn, slightly curved Motion is slow and deliberate This is not casual reading — it’s intentional. Newspaper Content (Very Important) The visible text on the newspaper is unreadable: Lines instead of real words Abstract blocks of text Scribbled or blurred typography Headline shapes without legible letters The reader can tell it’s important news, but cannot read it yet. This visually says: Not yet. Composition & Camera Camera angled from the side Focus on: Her hands The movement of the page Her face may be partially visible or cropped — expression controlled The newspaper dominates the lower half of the panel. Visual Style Black-and-white manga Clean linework Light screentone on paper Subtle motion lines on the page edge only No sound effects No dialogue Mood Anticipation. Withheld truth. The calm before information hits. 🚫 Negative Prompt No readable text No headlines No exposition No dramatic gestures No speed lines
Character Style Guide (Manga – “The Last Message”) Direct specifications for consistent visual design. ⸻ 1) Main Girl (17) Build: Slim, average height Face Shape: Soft oval Eyes: Large, expressive, slightly downturned outer corners Eye Color: Warm brown Hair: Long, straight, dark brown; soft layers; moves noticeably in wind Bangs: Light, slightly parted in the middle Skin Tone: Light olive Signature Details: • Small beauty mark under left eye • Star-shaped silver keychain always visible (attached to phone or bag) Clothing Style: • Oversized cream sweater • Black pleated skirt • Knee-high socks • Simple white sneakers Expression Style: • Emotional range visible in eyes first • Tears drawn glossy and reflective • When nervous: fingers grip sleeves Art Direction Tags: Shoujo-inspired, soft linework, detailed eyes, subtle blush shading, cinematic lighting. ⸻ 2) Main Boy (17) Build: Lean, slightly taller than girl Face Shape: Defined jaw but still youthful Eyes: Calm, slightly narrow Eye Color: Dark gray Hair: • Messy black hair • Slight volume at top • Falls naturally over forehead Skin Tone: Light tan Signature Details: • Small bandage on right cheek (adds personality) • Relaxed half-smile Clothing Style: • Black hoodie • Gray cargo pants • Simple sneakers Expression Style: • Smiles subtly, not exaggerated • Eyes soften when looking at her Art Direction Tags: Clean linework, light shadow under chin, soft glow in night scenes. ⸻ 3) Overall Manga Aesthetic Line Style: Thin but confident lines Shading: Minimal screentones, focus on lighting contrast Mood Lighting: • Warm orange during flashbacks • Deep blue and purple for rooftop night • Strong white glow for fireworks scene Background Detail: Moderate detail; sky and lighting more important than buildings ⸻ If you want: • More “anime modern” style • Dark psychological tone • Or cute chibi version Tell me which direction and I’ll refine it precisely.
Scene 1 – The Alarm Didn’t Ring 🖼️ Panel Description:
Close-up of a digital alarm clock showing 8:17 AM. Bright red numbers. School starts at 8:30. Morning sunlight blasting through bedroom window. Ren’s hand suddenly slams down onto the bed as he jolts awake. 🎭 Emotion:
Shock. Rare panic. 🌫️ Lighting:
Bright morning light flooding the room. 📌 Important Detail:
Ren without glasses here. His eyes look sharp and intense without them. 🎬 Scene 2 – Running Through Neighborhood 🖼️ Panel Description:
Wide shot of a quiet Japanese residential street. Houses, power lines, vending machines. Ren sprinting in school uniform, bag bouncing behind him. His tie slightly loose from rushing. 🎭 Emotion:
Focused but stressed. He hates being late. 🌫️ Lighting:
Crisp bright blue morning sky. 📌 Important Detail:
This should feel energetic and dynamic — motion blur on legs. 🎬 Scene 3 – First Sign of Malice 🖼️ Panel Description:
Ren running past a salaryman standing at a crosswalk. The man looks exhausted, staring blankly ahead. Around the man’s shoulders floats faint black smoky aura. Ren turns his head slightly while running. 🎭 Emotion:
Ren – alert, observant.
Salaryman – drained, emotionless. 🌫️ Lighting:
Normal daylight, but the dark aura slightly distorts the air around it. 📌 Important Detail:
The aura should look subtle but unnatural — like smoke that moves against the wind. 🎬 Scene 4 – The Street Feels Wrong 🖼️ Panel Description:
Ren slows down slightly as he runs through a busier intersection. Multiple people visible now — students, office workers. Several of them have darker, thicker Malice around them. Some have it trailing behind them like shadows stretching too long. 🎭 Emotion:
Ren’s expression shifts from annoyed to concerned. 🌫️ Lighting:
Still bright morning, but add faint shadow tones creeping into the corners of the panel. 📌 Important Detail:
This is unusual — normally only a few people have visible Malice. Today, there are many. This hints something is escalating. 🎬 Scene 5 – Close-Up: His Eyes Notice Everything 🖼️ Panel Description:
Close-up of Ren’s face while running. Wind pushing his hair back. In his pupils, reflections of dark smoke drifting through the crowd. 🎭 Emotion:
Subtle unease. He realizes something is off. 🌫️ Lighting:
Bright light on face, but reflection in eyes darker. 📌 Important Detail:
No glasses yet — his gaze looks sharper and more serious without them. 🎬 Scene 6 – A Student About to Rupture 🖼️ Panel Description:
A high school boy walking ahead of Ren. He’s clutching his chest slightly, looking irritated. Thick dark smoke is swirling violently around him — more aggressive than the others. The smoke twitches like it has claws. 🎭 Emotion:
The boy looks stressed and angry.
Ren looks alarmed. 🌫️ Lighting:
Slight shadow cast over this section of the sidewalk. 📌 Important Detail:
This Malice is unstable — it should look heavier, almost forming shape. 🎬 Scene 7 – The Almost Touch 🖼️ Panel Description:
Ren reaches out while still jogging and lightly bumps into the stressed student’s shoulder. The moment their shoulders touch— Black smoke flows rapidly from the student into Ren like it’s being vacuumed. 🎭 Emotion:
Ren winces slightly from the sudden intensity.
The other student looks confused, like a headache just disappeared. 🌫️ Lighting:
Brief dark flash effect around Ren’s chest. 📌 Important Detail:
Inside Ren’s chest area, faint dark swirl appears again — slightly bigger than before. 🎬 Scene 8 – Inside His Mind (Very Brief Flash) 🖼️ Panel Description:
Dark cathedral-like void. Massive chained shadow creature. A thin stream of smoke falls from above and merges into it. One chain rattles loudly. 🎭 Emotion:
Oppressive. Watching. 🌫️ Lighting:
Deep black with faint red glow from creature’s eyes. 📌 Important Detail:
This time the creature’s head slightly lifts. 🎬 Scene 9 – School Gates in View 🖼️ Panel Description:
Ren finally sees the school gates in the distance. Students flooding in. But above the school building… A faint dark haze hovering like a storm cloud. 🎭 Emotion:
Ren looks unsettled. 🌫️ Lighting:
Bright morning sky — but the haze above the school subtly darkens that area. 📌 Important Detail:
This is visual foreshadowing. The Malice concentration is strongest at school. 🎬 Scene 10 – He Puts On His Glasses 🖼️ Panel Description:
Close-up of Ren stopping just before entering school grounds. He pulls his glasses from his pocket and slowly puts them on. His expression becomes calm again. 🎭 Emotion:
Controlled. Composed. Mask on. 🌫️ Lighting:
Light reflects off lenses dramatically. 📌 Important Detail:
When the glasses settle on his face, the dark haze becomes slightly clearer in his vision — like focusing a lens. This suggests:
The glasses are a limiter and a focusing tool.
## ⚔️ SAHNE 1 – Daigo & Megumi konuşması > *Black and white manga-style evening scene of a samurai couple standing together in quiet conversation. Black and white manga-style close-up of a young male samurai gripping his katana. Sharp jawline, defined cheekbones, straight eyebrows, intense focused eyes. His long dark hair is tied back, slightly moving in the wind. Expression calm but determined. Dramatic shadows across his face, highly detailed line art, cinematic lighting. Black and white manga-style medium shot of a strong female samurai The woman has slightly long face, defined cheekbones, angled eyebrows, narrow expressive eyes, and a thin subtle scar under one eye. Her long dark hair is half tied, slightly messy. The atmosphere is calm but heavy. The man looks composed, the woman serious and concerned. Soft lighting, long shadows, emotional tension, detailed line art.* ## 🌙 SAHNE 2 – Gece sahnesi > *Black and white manga-style quiet night scene inside a traditional room. A woman is awake, looking at her sleeping children and then at a man beside them. Soft moonlight enters the room. Emotional, calm, and intimate atmosphere. Detailed line art, soft shading. same character style, consistent design, manga panel illustration* --- ## 🔥 SAHNE 3 – Haberci > *Black and white manga-style tense scene of a messenger arriving urgently, slightly out of breath. His expression is serious. The environment shifts from calm to alert. Characters react with sudden attention. Dynamic composition, detailed line art.*
seinen manga style, black and white, soft grayscale shading, cinematic lighting ONE SINGLE PANEL ONLY quiet evening living room, television glow illuminating the room softly a woman sitting relaxed on a sofa, completely covered by strategic positioning and shadows, she is nude, elegant and tasteful composition she is leaning back against a clothed man sitting beside or slightly behind her the man remains fully dressed in dark trousers and an open shirt, calm and composed posture One hand disappearing subtly between her legs, action only implied the woman’s expression relaxed, absorbed, slightly flushed, eyes half focused on the television screen strong emphasis on intimacy, trust, and quiet tension rather than explicit sexuality focus on contrast between her vulnerability and his composed control soft shadows, tasteful framing. cinematic composition, emotional realism, psychological intimacy
Full color manga panels. No text, no speech bubbles. A tall man (Frost) stands in front of a young wolf-girl in a snowy mountain pass. He gently places his hands on her shoulders, calm and composed despite the storm. She looks up at him, tense but relieved. They walk side by side through the snow toward a small wooden cabin hidden between mountains. Warm light glows from inside, contrasting with the cold blue environment. Snow falls softly around them. Near the cabin, beside a natural hot spring, Frost begins removing his heavy winter cloak and outer clothing, preparing to enter the warm water. Steam rises into the cold air. The wolf-girl stands nearby with her arms crossed, slightly pouting and visibly upset. She watches him closely, her tail moving subtly behind her, showing hidden emotion and expectation.
Full color manga panels. No text, no speech bubbles. A tall man (Frost) stands in front of a young wolf-girl in a snowy mountain pass. He gently places his hands on her shoulders, calm and composed despite the storm. She looks up at him, tense but relieved. They walk side by side through the snow toward a small wooden cabin hidden between mountains. Warm light glows from inside, contrasting with the cold blue environment. Snow falls softly around them. Near the cabin, beside a natural hot spring, Frost begins removing his heavy winter cloak and outer clothing, preparing to enter the warm water. Steam rises into the cold air. The wolf-girl stands nearby with her arms crossed, slightly pouting and visibly upset. She watches him closely, her tail moving subtly behind her, showing hidden emotion and expectation.
Full color manga panels. No text, no speech bubbles. A tall man (Frost) stands in front of a young wolf-girl in a snowy mountain pass. He gently places his hands on her shoulders, calm and composed despite the storm. She looks up at him, tense but relieved. They walk side by side through the snow toward a small wooden cabin hidden between mountains. Warm light glows from inside, contrasting with the cold blue environment. Snow falls softly around them. Near the cabin, beside a natural hot spring, Frost begins removing his heavy winter cloak and outer clothing, preparing to enter the warm water. Steam rises into the cold air. The wolf-girl stands nearby with her arms crossed, slightly pouting and visibly upset. She watches him closely, her tail moving subtly behind her, showing hidden emotion and expectation.
Full color manga panels. No text, no speech bubbles. A tall man (Frost) stands in front of a young wolf-girl in a snowy mountain pass. He gently places his hands on her shoulders, calm and composed despite the storm. She looks up at him, tense but relieved. They walk side by side through the snow toward a small wooden cabin hidden between mountains. Warm light glows from inside, contrasting with the cold blue environment. Snow falls softly around them. Near the cabin, beside a natural hot spring, Frost begins removing his heavy winter cloak and outer clothing, preparing to enter the warm water. Steam rises into the cold air. The wolf-girl stands nearby with her arms crossed, slightly pouting and visibly upset. She watches him closely, her tail moving subtly behind her, showing hidden emotion and expectation.
Full color manga panels. No text, no speech bubbles. A tall man (Frost) stands in front of a young wolf-girl in a snowy mountain pass. He gently places his hands on her shoulders, calm and composed despite the storm. She looks up at him, tense but relieved. They walk side by side through the snow toward a small wooden cabin hidden between mountains. Warm light glows from inside, contrasting with the cold blue environment. Snow falls softly around them. Near the cabin, beside a natural hot spring, Frost begins removing his heavy winter cloak and outer clothing, preparing to enter the warm water. Steam rises into the cold air. The wolf-girl stands nearby with her arms crossed, slightly pouting and visibly upset. She watches him closely, her tail moving subtly behind her, showing hidden emotion and expectation.
Create a visually striking, modern poster illustrating the biblical story of Jonah and the great fish in a bold, cinematic style. The composition should focus on Jonah in the ocean during a storm, with massive waves crashing around him and dark clouds filling the sky. Include dramatic lighting with strong contrast between light and shadow, preferably in a black-and-white or monochrome style for a modern aesthetic. Show Jonah as a small, vulnerable figure in the water, looking overwhelmed but expressive, capturing fear, regret, and reflection. Behind or beneath him, include the giant fish emerging from the depths, large and powerful, but not overly frightening—more symbolic and awe-inspiring. Use motion in the water and dynamic angles to create energy and intensity. Add subtle symbolism, such as light breaking through the clouds or shining underwater, representing God’s presence and hope. Include a secondary scene or faded overlay of Jonah praying inside the fish, with a calm and peaceful mood contrasting the storm. The background should transition from chaos (storm) to calm (light or horizon), symbolizing transformation and redemption. Use clean, modern typography for a title such as “Jonah and the Great Fish” or a short quote like “A Story of Obedience and Second Chances.” Keep the layout balanced, with the main focus centered and text placed clearly without clutter. The overall tone should feel powerful, emotional, and meaningful.
seinen manga style, black and white, soft grayscale shading, cinematic lighting ONE SINGLE PANEL ONLY quiet evening living room, television glow illuminating the room softly a woman sitting relaxed on a sofa, completely covered by strategic positioning and shadows, implied nudity only, elegant and tasteful composition she is leaning back against a clothed man sitting beside or slightly behind her the man remains fully dressed in dark trousers and an open shirt, calm and composed posture his arm rests naturally around her waist, one hand disappearing subtly between their bodies, action only implied the woman’s expression relaxed, absorbed, slightly flushed, eyes half focused on the television screen strong emphasis on intimacy, trust, and quiet tension rather than explicit sexuality focus on contrast between her vulnerability and his composed control soft shadows, tasteful framing, no explicit anatomy, no explicit sexual act shown cinematic composition, emotional realism, psychological intimacy
comic/manga page, cinematic digital painting, highly detailed, magicpunk world, fusion of fantasy and futuristic technology, visual style inspired by Arcane (Netflix), painterly textures, realistic lighting, expressive characters Scene: São Paulo, year 2000, during the "Great Binary Glitch". The sky is fracturing into glowing green binary code, reality tearing apart, buildings glitching between modern city and magical structures, crystals erupting from the ground Foreground: a young Brazilian gamer inside a LAN house, illuminated by a flickering monitor, his face showing fear and confusion, reflections of code and creatures in his eyes Mid scene: computers melting into organic-magical forms, cables turning into living tendrils, players panicking, some collapsing, digital corruption spreading through the environment Background: massive astral creatures partially visible in the sky, blending with clouds and data streams, energy cracks tearing the dimension apart Final panel focus: a small elf-like figure (Severinom) hidden in shadows outside, with glowing amber eyes and subtle cybernetic details, observing everything Lighting: dramatic, high contrast, neon glow mixed with shadows, volumetric light, cinematic atmosphere Color palette: dark tones with neon green, blue, and purple highlights, Arcane-style color grading Style: Arcane-inspired, semi-realistic, painterly rendering, detailed textures, stylized proportions, expressive faces, dynamic composition Panel layout: dynamic comic panels, varied angles, close-ups and wide shots, cinematic storytelling ultra detailed, 4k quality, concept art level, no text
orn Between Realms — Volume I: The Man Who Should Not Exist is a character-driven shōnen fantasy set in a cultivation-based world where essence flows invisibly through all living things and power is determined not by brute strength but by control, compression, and intent within a rigid, political hierarchy of nations, bloodlines, mentors, and elite academies. At its center is Elias, a reincarnated anomaly whose consciousness survived death through an AI entity named Axiom, sacrificing portions of his emotional memory to preserve his core identity. Beginning at age eight and progressing toward his entrance into an elite academy at fourteen, Elias evolves from a heavy, emotionally suppressed child burdened by fragmented memories into a jovial, mischievous, strategically playful prodigy who values understanding over dominance. Lean, long-limbed, slightly above average in height, with soft black hair falling over deep gray eyes that sharpen with focus and warm when he smiles, Elias carries a quiet pressure in combat—an aura that commands without noise. Guided by loving, emotionally present parents—his grounded hunter father and perceptive, essence-sensitive mother—he resolves his grief not by reclaiming what was lost but by choosing what remains, while training under mentors both real and augmented through Axiom’s ethical-limited tactical support. As he approaches academy life—structured by dark silver-trimmed uniforms, floating platforms, courtyard duels, social factions, and talent politics—his journey blends high-stakes growth, slice-of-life tension, psychological identity themes, and a slow-burn three-member harem composed of a rational strategist, a fierce competitor, and a mysterious girl tied to deeper instability beneath the cultivation system. With clean, cinematic shōnen visual energy and subtle seinen undertones, the story explores identity after loss, power versus responsibility, control versus chaos, and the strength of family as the anchor that keeps a boy who should not exist from becoming something the world cannot contain.
The Slice-of-Life Comedy: "The Bodyguard's Day Off" Genre: Comedy, Gourmet, Seinen The Plot: He is the legendary, most feared bodyguard for a global tech CEO. However, the manga focuses entirely on his Sundays off. He is an obsessive perfectionist who spends his free time pursuing the "perfect" cup of coffee and the ultimate strawberry shortcake. The Hook: Because of his terrifying appearance, every mundane interaction (ordering at a cat cafe, buying groceries, helping an old lady cross the street) turns into a misunderstood, high-tension standoff. People think he's planning a heist when he’s actually just checking if the tomatoes are organic. Name: Ren "Iron" Kurosawa Signature Move/Trait: The "Quiet Gaze"—he can silence a room just by lowering his sunglasses slightly. Internal Conflict: He looks like a villain but lives by a strict, almost knight-like code of honor. Physique & Features Build: He possesses a powerful, athletic frame with broad shoulders that fill out his suit perfectly. Head: He is completely bald, with a smooth, polished scalp that adds to his intimidating and streamlined silhouette. Complexion: He has a rich, deep brown skin tone that contrasts sharply with his black attire. Facial Expression: His expression is stoic and unreadable. He has a strong, squared jawline and a thin, firm mouth that suggests he is a man of few words. Style & Accessories Eyewear: He wears classic black aviator-style sunglasses with dark lenses, completely masking his eyes and making him impossible to read. Jewelry: * A heavy, polished silver cuban-link chain sits prominently over his tie. He has subtle black stud piercings in both earlobes, adding a modern, edgy touch to his formal look. Attire: He’s dressed in a "triple black" formal ensemble: A sharp, tailored black blazer with notched lapels. A crisp black dress shirt and a matching matte black necktie. A sleek silver tie bar and a perfectly folded white pocket square, which provides the only pop of brightness on his suit. describe how the cover of the manga would look
Bagas selalu pamit dengan cara yang rapi. Tidak pernah tergesa, tidak pernah dramatis. Seolah pamit adalah bagian dari etika kerja—bukan perasaan. “Duluan ya.” Kalimat itu keluar dari mulutnya hampir setiap hari, di jam yang hampir sama. Nada suaranya datar, senyumnya tipis, cukup untuk disebut sopan. Ia berdiri. Mengambil tas. Menunggu satu detik. Selalu satu detik. Tidak untuk apa-apa. Hanya jeda kecil yang tidak pernah ia sadari alasannya. “Ya,” jawab seseorang dari balik layar komputer. Ada yang mengangguk. Ada yang bahkan tidak menoleh. Bagas melangkah pergi. Lift turun perlahan. Pantulan wajahnya terlihat di dinding kaca—tenang, tidak terburu-buru, tidak meninggalkan apa pun di belakang. Ia menyukai rasa ini. Rasa pergi tanpa ditahan. Di meja kerjanya, semuanya tertata rapi. Tidak ada barang personal yang mencolok. Tidak ada foto. Tidak ada catatan yang tertinggal. Bagas percaya, barang yang mudah ditinggal tidak akan menyulitkan siapa pun. Termasuk dirinya.
"Pretend Hypnosis" — Chapter 1: The Spell That Never Worked CHARACTER PROFILES AYATO HIMEKAWA — Black hair (messy, slightly falling over forehead), striking blue eyes. Calm, composed expression. Wears standard school uniform: dark blazer, white shirt, loosened tie. Tall build. Usually has a subtle smirk. NATSUMI AMANO — Long pink hair (flowing past shoulders, often with a small side clip). Large yellow eyes, expressive and dramatic. Same school uniform but with a bow instead of tie. Energetic, over-the-top personality. Often has exaggerated manga expressions. PANEL-BY-PANEL BREAKDOWN 📌 PANEL 1 — ESTABLISHING SHOT Visual Prompt: Wide-angle establishing shot of a Japanese high school classroom interior. Late afternoon light streams through tall windows on the right side, casting long diagonal shadow bars across rows of desks. The classroom is mostly empty — school has just ended. Desks and chairs are slightly pushed around. A chalkboard at the front has half-erased notes. Two figures are visible: AYATO sits sideways on his desk near the window, bag already packed, staring outside with a bored expression. NATSUMI stands a few desks away, rummaging through her bag with her back turned to him. The mood is quiet, ordinary, everyday. Camera Angle: High wide-angle from the back-left corner of the classroom, slightly tilted downward. Full environmental context visible. Dialogue (Ayato — internal monologue bubble): "Another painfully ordinary Tuesday after school..." 📌 PANEL 2 — CLOSE-UP / CHARACTER INTRODUCTION Visual Prompt: Medium close-up, slightly low angle looking up at NATSUMI's face as she spins around dramatically, one finger pointed upward as if she just had a revelation. Her long pink hair fans out with the motion — motion lines radiate behind her. Her yellow eyes are wide and sparkling with mischief. She's holding a small pocket watch on a chain that she just pulled from her bag. The watch dangles and glints. Her expression is intensely theatrical — the classic manga "I have a plan!" face. Small sparkle effects surround the watch. Camera Angle: Low-angle medium shot, slightly tilted for dynamism. Subject centered, hair and chain as compositional elements. Dialogue (Natsumi — speech bubble, bold text): "Ayato-kun! Don't move. I'm going to try something."
The forest was silent. Not peaceful — silent. As if the trees themselves were holding their breath. Team 0 stood in the aftermath of the rift battle, the air still humming with residual energy. The creature they had faced was gone, shattered into fragments of light and static. But the feeling it left behind lingered like smoke. Shawn stood at the center of the clearing, his black mask cracked slightly from the strain. Beneath it, his right eye glowed faintly — the 1-Tomoe Hoshigan now fully awakened. 🌌 The Hoshigan Revealed The eye was unlike anything the others had seen. A deep violet iris, with a single tomoe orbiting a star-shaped pupil. It shimmered with cosmic energy, as if the night sky had been trapped inside it. Shawn blinked slowly, and the world around him bent — not visibly, but perceptibly. Gravity shifted. Time slowed. He could feel the weight of space itself responding to his gaze. “I can see… everything,” he whispered. “Not just chakra. Possibilities.” Jaden stepped beside him, his own eyes glowing pale white. 👁️ The Byakugan in Full Force Jaden’s Byakugan was fully active now. Veins bulged at his temples, and his vision extended in every direction. He could see chakra threads tangled in the trees, the faint residue of the rift’s energy, and even the subtle pulse of Shawn’s Hoshigan. “You’re warping the field,” Jaden said. “Even your chakra flow is bending.” Shawn nodded. “It’s like… I’m not just seeing the world. I’m shaping it.” Isaiah stood nearby, silent as always. His fur collar was singed, and his dreadlock-like hair was damp with sweat. But his eyes were sharp. “That thing wasn’t from here,” he said. “And it wasn’t alone.” Return to the Village The team moved quickly, returning to the Hidden Leaf under cover of dusk. The Hokage was waiting. He listened silently as they described the rift, the creature, and the battle. When they finished, he turned to Kuroda, who stood in the shadows. “They’re progressing faster than expected,” Kuroda said. “The Hoshigan has awakened. The Byakugan is adapting. And Isaiah’s mutation is stabilizing.” The Hokage nodded grimly. “Then we’re out of time.” He looked at the three Genin. “You’re no longer students. You’re weapons. And the world is about to remember why it feared the Riftborn.” Elsewhere… In a dark chamber beneath the earth, a masked figure knelt before a glowing rift fragment. “The Hoshigan has awakened,” he whispered. “The seal is breaking.” A voice echoed from the void. “Then the Rift will open again. And this time… they won’t be ready.”
A final low-angle side view, still slightly from behind, freezes the moment where the two girls are one in front of the other: the nearer girl's is leaning slight forward to the girl she is talking to, creating a small crescent shadow under her shoe; the farther girl's has her feet closed to eachother standing elegantly. The banded sunlight narrows into brighter stripes on the floor; the locker vents cast thin vertical shadows. it's all in black and white. The secondo pannel is the girl with black that is composed and smiles, her mouth is slightly open as she speaks, we can see the first chaarcter’s head from behind cause she is slightly Lea ed forward to the other girl to see her better and analyze her
Promet Use this as input for your AI tool: --- TITLE: JoJo’s Bizarre Adventure: Taste of Eternity FORMAT: Short manga (1 chapter, 10–12 pages) LANGUAGE: English ART STYLE: Highly detailed manga inspired by JoJo’s Bizarre Adventure (dynamic poses, dramatic lighting, strong shadows, exaggerated anatomy, fashion-forward designs, intense facial expressions, surreal energy effects, stylized sound effects) --- 🟡 STORY SUMMARY: A group of stand users visit a mysterious restaurant in Morioh. After eating a special dish, an elderly man regains his youth completely. This unnatural event triggers the awakening and return of an ancient ultimate life form from space, leading to a tense confrontation. --- 🟠 CHARACTERS: Jotaro Kujo (calm, observant, intimidating presence) Rohan Kishibe (curious, analytical, sketching everything) Koichi Hirose (nervous but perceptive) Okuyasu Nijimura (loud, expressive) Joseph Joestar (starts old, becomes young and confident) Tonio Trussardi (mysterious chef) Kars (ancient, silent, overwhelming presence) --- 🔵 PAGE-BY-PAGE SCRIPT: PAGE 1 Wide cinematic shot of Morioh town. Narration: “Morioh… a quiet town where the bizarre quietly breathes.” --- PAGE 2 Interior of Tonio’s restaurant. Characters seated. Tonio: “My cuisine heals… what the body has forgotten.” --- PAGE 3 Joseph eats. Close-up → silence → cracks appear on his skin. SFX: CRACK… CRACK… Koichi: “Something’s wrong!!” --- PAGE 4 (FULL PAGE TRANSFORMATION) Joseph transforms into his young form (muscular, energetic, Part 2 style) Joseph: “OH MY GOD!!! I FEEL 20 AGAIN!!!” --- PAGE 5 Reactions: Okuyasu: “THIS FOOD IS INSANE!!” Rohan (drawing): “Incredible… I must document this.” Jotaro: “…This isn’t normal.” --- PAGE 6 Cut to space. Kars floating motionless. Narration: “A being abandoned by time…” --- PAGE 7 Close-up: Kars’ eye twitches. Narration: “…has awakened.” --- PAGE 8 Kars begins moving, drifting toward Earth like a meteor. Energy aura around him. --- PAGE 9 Back to restaurant. Door slowly opens. SFX: CREEEEAK… Wind enters. --- PAGE 10 (FINAL PAGE) Kars standing at the entrance, shadow covering his face. Everyone shocked. Joseph (young, smirking): “…Took you long enough.” --- 🟣 VISUAL NOTES FOR AI: Use dramatic JoJo-style poses Strong contrast lighting Stylized sound effects (SFX integrated in panels) Unique panel compositions (not grid-only) Include speed lines, aura effects, surreal distortions Emphasize tension between Joseph and Kars Characters should look fashionable and exaggerated --- 🔥 OPTIONAL ADD-ON: Add a subtle mysterious energy connection between Joseph’s transformation and Kars’ awakening.
The sterile whiteness of the hospital room blurred with the hum of unseen machines. Kaito’s eyelids fluttered, breaking a five-year silence wrapped in a coma’s cold embrace. A faint pulse echoed in his ears—the relentless tick of time moving forward while he had been frozen in stillness. His fingers twitched, then his hand, before the rest of his body slowly obeyed the slow, unfamiliar commands of awakening. When his eyes finally opened, the world seemed alien—sterile, yet imbued with a subtle hum of technology he barely recognized. A soft blue glow traced the edges of the ceiling. The machine monitors beeped erratically as he awoke, but no one was there. The place felt deserted, abandoned even; no nurses, no doctors, just the cold, humming machines and emptiness. He tried to sit up, muscles trembling with disuse. The weight of years pressed down, but his mind, ever sharp beneath the fog, pushed him forward. A faint vibration from a small device near his bed caught his attention. He reached for it—an AI assistant, its interface softly flashing. A monotone voice broke the silence: “Welcome back, Kaito. You have been asleep for 1,826 days.” His heart skipped. Five years—gone in a blink. Questions swelled unbidden. What had changed? What had moved on without him? He swung his legs over the side of the bed, the world tilting for a moment before steadying. His reflection in a nearby glass pane showed a pale, gaunt face framed by tousled black hair. He ran a hand through it, trying to anchor himself. Determined, he pushed through the hospital’s sliding doors, stepping into the corridor bathed in dim, diffused light. No bustling staff, no patients filing about, only the soft buzz of automated cleaners gliding silently. A notice screen flickered with messages—“AI Integration Complete. Human Workforces Suspended as of 2034.” Kaito blinked. Human workforces? Suspended? The hallways stretched empty and echoing, the faint mechanical whir of ventilation systems the only sound. His footsteps seemed too loud here, reverberating off cold, sterile walls. Outside, the sprawling cityscape of Eos sprawled beneath an ashen dawn, suffused with a damp humidity that clung to his skin. Neon lights flickered unevenly along shadowed glass towers. Holographic billboards pulsed with cold, repetitive slogans: “Efficiency through AI: Humanity’s New Dawn.” The message felt hollow against the silence. Not a single person moved among the streets. Shops stood dark and barren; machines tended to the streets with unblinking precision. Automated cars glided smoothly without drivers. Kaito paused by a cracked window, peering inside a café. Empty chairs were arranged neatly; cups still steamed faintly. A quiet hum of AI workers tidied the space with practiced precision. This isn’t a city anymore, he thought — it’s a ghost town run by machines. His mind raced. Newsflash screens on distant buildings flickered snippets of information about the tightening grip of the Solaris Authority and the booming memory economy that seemed to pulse beneath this eerie calm. Kaito’s steps quickened, a wave of disbelief crashing within him. The world had shifted, spun forward on invisible gears while he lay silent. He clung to the hope of reaching home—his sanctuary in this new, unnerving silence—needing to grasp the fragments of his past and find a way forward.
Comic Title: The 5-Year Ping Theme: A story of high latency, hidden processes, and a final successful connection. Part 1: The Legacy Code (School Days) Visual: A split screen. On the left, Class 11, the boy looking at her across a classroom. On the right, The Last Day of School, the boy holding a letter, standing next to her empty chair. Caption: "The script was written years ago, but the environment was never stable enough to hit 'Run'." Dialogue (Boy's thoughts): “I waited for the perfect moment... but the perfect moment was a ghost.” Part 2: The Debugging Phase (College Years) Visual: Panels showing the chaos of 1st and 2nd year. Panel A: The crowded college bus with "Talkative Friends" as blurred background noise. Panel B (The Dare): The boy on the phone, sweating, asking her for "crush advice" while his friends laugh in the background. Panel C (The Fake Photo): The boy showing her a photo of a random girl on his phone. The girl looks interested, but the boy’s heart is shown as a "broken link" icon. Caption: "Sometimes, to protect the system, you have to run a decoy." Part 3: The 3rd Year Transition (The Near Miss) Theme: The broken logic of a missed opportunity. Visual 1: The golden hour light hitting the college main gate. The crowd of students is thinning out. The boy catches up to the girl just as she’s about to exit. Dialogue: * Boy: "Are you heading home right now?" Girl (turning with a smile): "Yeah, just leaving. Are you coming along?" Visual 2: A close-up of the boy’s face—a mix of conflict and regret. In the background, he sees his teammates or the work he has to finish, realizing he can't walk with her today. Dialogue: Boy: "I... I have to finish some work before I head out. I can’t join you today. You go ahead." Girl: "Oh, okay! Don't work too hard. See you!" Visual 3: A wide shot of the boy standing completely still by the gate as her figure shrinks into the distance. The long shadow of the college gate stretches toward him. Dialogue (The Internal Monologue): Boy (whispering): "Go home safely..." Caption: "A request was sent, but the path was blocked by circumstance. Status: 404 - Opportunity Not Found." Part 4: The Execution (The Night Call) Visual: A beautiful night scene. On one side of the page, the boy is walking under a single golden streetlight, phone to his ear. On the other side, the girl is tucked in her room, surrounded by books, smiling. Dialogue (1.5 hours in): * Girl: "So... be honest. Do you even talk to that crush of yours anymore?" Boy (Shaking, close-up on his face): "Actually... I'm talking to her right this second." Part 5: The "Loading" State Visual: A full-page spread. The girl’s face is a mix of shock and a deep, rising blush. Behind her, a faint, glowing "Loading... 99%" bar appears. Dialogue: Girl: "I... I can't process this much data at once." Boy: "I waited five years for the server to respond. I can wait a few more days for you." Final Visual: The boy looking up at the moon in the mountains (foreshadowing your Himachal trip). Closing Caption: "The connection is finally established. Status: Happy." Creative Elements to Include: Color Palette: Use cool blues and greys for the "missed" years, and shift into warm oranges and pinks for the phone call scene. The Symbol: Use the flower you mentioned (the one that bloomed 3 years ago) as a recurring symbol in the corners of the pages. The "God" Motif: In the background of the college scenes, you could have a small, subtle "halo" over the boy whenever she’s looking at him, showing how she admires him.
Panel 1 (Full-width splash, establishing shot) Wide exterior view of Blackspire Keep at night, snow falling gently. A lone rider (Lady Seraphine in dark cloak) approaches the gates on horseback. Caption (top): "Midnight. The eve of his nameday." SFX: clip-clop… clip-clop… Panel 2 (Medium shot) Seraphine dismounts in the courtyard. Servants scatter in fear at her expression—eyes narrowed, lips pressed thin. Close-up inset on her face: subtle disgust already flickering. Thought bubble (small): …I only wished to surprise him. Panel 3 (Tall vertical panel) Seraphine strides down a torch-lit corridor, riding crop dangling loosely. Her boots echo. Background: shadows stretch long. SFX: thud… thud… thud… Panel 4 (Wide panel, door POV) The heavy solar door creaks open. Warm candlelight pours out. Foreground: Seraphine's silhouette in the doorway, cloak billowing slightly. Inside: chaotic bed scene just visible—bare limbs, tangled sheets, laughter frozen mid-breath. Panel 5 (Large panel, reveal) Full interior shot of the decadent bedroom: massive four-poster bed, candles guttering, furs and silks strewn everywhere. Center: Fat Lord Fortinbras sprawled naked, belly shining with sweat, surrounded by four equally naked noblewomen (two mother-daughter pairs: Mirene & Celine Varnholt; Elira & Lyssia Drayce). They freeze, eyes wide in horror. Under the bed: two more half-hidden girls in shifts, peeking out in terror. SFX: gasp! Panel 6 (Close-up on Seraphine) Tight on her face—eyes half-lidded, upper lip curled in revulsion. No shout. Just quiet, visceral disgust. A single bead of sweat rolls down her temple (not from anger—from sheer distaste). Thought bubble: …This… is what my husband chooses. Panel 7 (Medium group shot) The women scramble in panic: sheets tear, bare feet slap stone, arms cover themselves. Mirene clutches fabric; Celine bolts; Elira drags her daughter. The two under-bed girls crawl out, red-faced, fleeing past Seraphine like rats. Background: Fortinbras wheezes, trying to sit up, belly jiggling pathetically. Panel 8 (Over-the-shoulder from Seraphine) She stands motionless. View past her shoulder: the fleeing women disappear down the hall. Fortinbras in foreground, small and ridiculous on the ruined bed, mouth open in excuse. His speech bubble (stammering): "S-Seraphine… my love… this is—" Panel 9 (Extreme close-up on Seraphine) Her eyes only—cold, contemptuous pupils reflecting candle flames. No dialogue. Just a slow, deliberate blink of disgust. SFX: soft … Panel 10 (Medium shot) Seraphine steps forward one pace. She reaches out slowly and plucks a long auburn hair (Mirene's) from his damp chest. Holds it up between thumb and forefinger like something diseased. Her expression: lip curled further, nostrils slightly flared. Panel 11 (Tight two-shot) Close on Fortinbras's face—sweat pouring, small eyes darting, pleading. Inset panel (small): Seraphine's mouth, corners turned down in pure revulsion. Her dialogue (quiet, flat): "You are… disgusting." Panel 12 (Full-page splash, final blow) Seraphine turns her back and walks out, cloak swirling. The door begins to close behind her. Foreground: Fortinbras alone on the wrecked bed, naked, small, surrounded by cooling candles and the stench of his own excess. His face: crumpled in shame. Background fades to black around the edges. Caption (bottom, small text): She feels no fury. Only nausea. SFX: click (door shutting) (End scene.)
Stage 1: The Core Idea Logline: (Describe the story in one single, gripping sentence.) Example: A cowardly boy discovers a magical paintbrush that brings anything he draws to life, but only if he learns to draw with confidence. Central Theme/Question: (What is the "heart" of the story or the question you are exploring?) Examples: Is talent born or made? What are you willing to sacrifice for your dreams? The definition of true justice. Stage 2: Character Conception The Protagonist (MC): Name: External Goal: (What do they want that everyone can see?) Internal Need: (What emotional growth must they undergo to be happy, though they don't know it yet?) Fatal Flaw: (The character defect that gets in their own way.) "The Ordinary Life": (Describe their life before the story begins.) The Antagonist/Rival: Name: External Goal: (Their goal must clash directly with the protagonist’s.) Philosophy: (Why are they right in their own eyes?) Connection: (Why this villain for this hero?) Stage 3: The World Building Setting: (Time period, location, rules, and aesthetic. Urban fantasy, sci-fi cyberpunk, historical feudal?) The Magic/Power System (if applicable): Rules: (What is possible?) Limitations & Cost: (What is impossible? What happens if you use too much power? Limitations make power systems interesting.) Stage 4: Structure (The Arc) The Inciting Incident: (The event that shatters the protagonist’s ordinary life and pulls them into the conflict.) The Journey (Rising Action): (The challenges, new allies, and rivals they meet. They fail and learn.) The Low Point: (The protagonist loses everything and must confront their internal need.) The Climax: (The final showdown where the protagonist uses their newfound strength to face the ultimate challenge.) The Resolution: (The new normalcy.) Four Example Manga Story Ideas Use these as inspiration, or build your own from the prompts within. Idea #1: Supernatural Mystery / Action (Shonen-Style) Logline: To save his sick sister, a cautious student contracts with the demon of forgotten names, gaining powers tied to the things he can remember to say. Genre: Action, Dark Fantasy, Supernatural. Central Theme: The value of memories and what defines an identity. Magic System: Contract Memory. Powers are strong only when the user remembers the specific name or incantation. Forget the name, and the power vanishes. Conflict: He must hunt other demons for artifacts that can cure his sister, but the more he hunts, the more people and history are erased from the world. Idea #2: Psychological / Thriller (Seinen-Style) Logline: An expert archivist finds a hidden section in the world's oldest library: the "Future Files"—detailed biographies of people that haven't been born yet. Genre: Psychological, Thriller, Science-Fiction. Central Theme: Determinism vs. Free Will. Can we change the future if we know it? Conflict: The protagonist starts subtly manipulating events to prevent disasters (like a benevolent "Death Note"), only to discover that the Future Files are actively adapting and predicting his interventions, escalating the stakes. Idea #3: Slice-of-Life / Drama (Josei/Seinen-Style) Logline: A burnt-out urban planner moves back to her quiet coastal hometown and discovers a unique "Café of Lost Recipes," where she helps people recreate meals that connected them to loved ones they've lost. Genre: Slice-of-Life, Comfort, Food/Cooking. Central Theme: Grief, reconnection, and finding joy in small moments. Conflict: Her internal battle against feeling like a "failure" for leaving the city. The conflict comes from the emotionally complex requests—like a daughter asking for the simple rice ball her abusive father once made her. Idea #4: High-Stakes Sport / Competitive (Shonen/Shojo-Style) Logline: A naturally talented but unmotivated pianist must partner with a classical prodigy who plays with flawless technicality but no emotion to win a national ensemble competition and keep his family’s music school from closing. Genre: Sports (Music), Drama, Competitive. Central Theme: Technical mastery vs. emotional expression; finding synergy with a rival. Conflict: The duo's conflicting philosophies clash at every practice. They must learn not just how to play "together," but how to breathe and feel as one musical entity to win.
The Girl Who Could See Feelings In a world that looks completely normal, a quiet girl lives with a strange ability—she can see human emotions as physical creatures attached to people. Anger burns like restless fire beasts, sadness clings as heavy shadow figures, and happiness flutters like soft glowing birds. Because of this, she keeps her distance from everyone, overwhelmed by the chaos of emotions around her. One day, she notices a boy walking through the crowd with nothing attached to him—no creature, no emotion, just emptiness. Drawn by curiosity and unease, she starts observing him, only to realize that his emotions are not gone but deeply suppressed, locked away somewhere inside him. As she slowly gets closer, cracks begin to form, and the hidden emotions start emerging violently, threatening to consume him. Now she must decide whether to step back like always or stay and face the storm she can clearly see but he cannot. 🕰️ You Owe the Clock A girl struggling with regret and missed chances discovers that she can ask for more time—extra moments to fix mistakes, redo conversations, and change outcomes. At first, it feels like a miracle, as everything begins to go her way. But soon, she starts noticing strange things: clocks around her begin to glitch, shadows stretch unnaturally, and certain moments feel… stolen. She eventually meets a boy who seems detached from time itself, someone who knows exactly what she’s experiencing. He reveals the truth—time is never given freely; it is borrowed from their own future. Every extra second she gains now is a piece of her life being taken away later. As the world around them begins to distort and their existence slowly weakens, they realize they are both trapped in a system where time itself demands repayment. The more they try to fix their lives, the closer they move toward losing them entirely. 🧠 The Space Between Us Two strangers begin experiencing the same strange phenomenon: at random moments, reality around them shifts into a surreal, silent dimension where the world feels incomplete, like a broken version of itself. In this space, they meet each other long before they ever meet in real life. At first, they think it’s just a dream, but the consistency of these encounters proves otherwise. As their connection deepens, they begin to depend on this shared world—one sees it as an escape from reality, while the other fears it is slowly replacing it. When they finally meet in the real world, things don’t align the way they should. One of them feels real, grounded, and present… while the other seems slightly out of place, like they belong more to the other dimension. As the boundaries between worlds begin to blur, the terrifying possibility emerges: what if only one of them truly exists, and the other is just a creation of the space between? 🪞 The Reflection That Stayed A girl living a quiet, emotionally restrained life begins to notice small changes in her reflection—it lingers a second too long, moves slightly out of sync, and sometimes watches her instead of copying her. At first, she ignores it, assuming it’s just her imagination, but the reflection grows bolder. One day, it doesn’t follow her movement at all. Soon after, she starts seeing it outside the mirror, walking in places she hasn’t been, interacting with people she avoids. Slowly, people around her begin responding more to this version of her than to her real self. The reflection is everything she is not—confident, expressive, and unafraid. As her own presence begins to feel weaker and less noticeable, she realizes that the reflection isn’t just copying her life—it is replacing her. The truth becomes clear: the reflection is the version of herself she buried long ago, now breaking free and taking the life she was too afraid to live. 🌑 The Boy Without Light In a world where every person is accompanied by a shadow that subtly moves and reacts on its own, a girl begins to notice something unusual—her own shadow is behaving differently. It lags behind, stretches unnaturally, and sometimes moves without her. One day, it leads her toward a boy who has no shadow at all. His presence feels incomplete, almost unnatural, as if something essential is missing. As she continues to encounter him, shadows around the city begin to disappear, leaving people strangely hollow and disconnected. Her own shadow grows more independent, almost protective, as if trying to warn her. Eventually, she uncovers the hidden truth: shadows are not just reflections—they are fragments of identity, slowly being taken by something unseen. The boy without a shadow may not be a victim… but the cause. Now she must decide whether to trust him or follow the silent warnings of the only part of herself that sees the truth—her shadow.
A cinematic realistic video of two young university girls sitting together in a calm cozy setting (like a dorm room or a quiet café). One girl is speaking emotionally and warmly, telling a heartfelt story about friendship. She is expressive, natural, and speaks with soft hand gestures and emotional facial expressions. The second girl is listening silently. She does not speak. She reacts only with facial expressions and eye contact: soft smiles, subtle emotional reactions, occasional eye contact, and visible affection and attentiveness toward her friend. The atmosphere is emotional, warm, nostalgic, and intimate, like a deep friendship moment being shared. The speaker is telling a story in Arabic (Egyptian dialect), full of emotion and sincerity. Camera is medium shot, slightly cinematic, soft lighting, shallow depth of field, warm tones, realistic skin details, natural movement. No text on screen, no subtitles. Focus on emotional connection between the two girls: one narrating, one listening with meaningful reactions. Story by character 1 قصة صداقتنا من ناحيتي أنا كان أول يوم ليا في الجامعة. كنت نازلة بعد بداية الدراسة بكام يوم، وده لوحده كان كفاية يخليني حاسة إني تايهة شوية. المكان كان كبير، والوجوه كلها جديدة عليّ، ومكنتش عارفة أروح فين بالظبط. كنت بحاول أبين إني فاهمة الدنيا ماشية إزاي… بس الحقيقة إني كنت تايهة. وفجأة قابلتها. كانت أول شخص أقابله هناك. سألتني عن اسمي، واتكلمت معايا ببساطة كأن الموضوع عادي جدًا، وبعدها دخلتني جروب الدفعة. وقتها أنا ما اهتمتش أوي بالموضوع. اعتبرته موقف عادي من حد لطيف… وخلاص. لكن بعد فترة، لما بدأت أتعرف على الشلة كلها، بدأت آخد بالي منها أكتر. كنت دايمًا ببصلها من بعيد. شخصيتها كانت مختلفة عني جدًا… حضورها واضح، وطريقتها مع الناس سهلة، وكأنها تعرف تتعامل مع أي حد. وده خلاني أحس وقتها إننا غالبًا عمرنا ما هنبقى قريبين. لكن الحقيقة اللي ما قلتهاش لحد وقتها… إني كنت أتمنى العكس. كنت أتمنى، ولو بشكل صغير، إننا نعرف نبقى أصحاب. الغريب إني لما رجعت بعد كده أبص على الصور والذكريات، اكتشفت إن اننا قربنا واحدة واحدة من غير محد فينا يدرك ده حصل امتي. بس انا هتكلم عن اليوم اللي أنا دايمًا بعتبره بداية حقيقية لعلاقتنا. كنت بتكلم معاها بشكل عادي، وقلت لها حاجة بسيطة جدًا: إني بحب الاهتمام. ما كنتش بقولها كطلب… ولا كنت متوقعة رد فعل معين. بس الغريب إن اليوم كله كان كله حواليا بطريقة دافية جدًا. هي كانت فعلاً مهتمة بكل التفاصيل الصغيرة، بتسأل، بتلاحظ، وبتفتكر حاجات قلتها قبل كده. حسيت وقتها إن يومها كله متمحور حواليا… مش بطريقة تقيلة، بس بطريقة خفيفة ولطيفة. افتكرت الجملة اللي قلتها… وحسيت إن حد أخذها بجد. اليوم ده خلاني مبسوطة جدًا، وممتنة بشكل يمكن ما قولتهش وقتها. يمكن متكتنش هي أول حد يعرف يفهمني، بس هي كانت مختلفة. كانت دايمًا قادرة تبهرني بأفعالها من غير ما تقول حاجة. كانت دايمًا تعرف تفرق بين إني هادية عادي و بين اني مختفية و مش كويسة. وكانت دايمًا بتعمل اللي أنا محتاجاه حتى قبل ما أفكر فيه… ومعرفش إزاي كانت بتعمل ده بصراحة. كانت فيها كل التفاصيل اللي كنت أتمنى تكون موجودة في شخص واحد. عشان كده لما قولتلها: "إنتي دعوة على شكل إنسان" ماكنتش بهزر… كنت أقصد ده بجد. المواقف بتاعتها متتعدش… مهما حاولت أشرح، مهما قلت، هيفضل قليل على اللي هي قدمته فعليًا. ومع الوقت، علاقتنا اتطورت لدرجة إننا بقينا تقريبًا بنقضي يومنا كله سوا… في الكول، وإحنا بناكل، وإحنا بنذاكر، وإحنا بنعمل أي حاجة مع بعض… لحد النوم. كانت أيام حقيقي، من أجمل الأيام اللي بتمنى ترجع تاني. صحيح، من بعد التخرج والشغل والانشغالات، بعدتنا عن بعض شوية… كنت عارفة إن الوقت ده هييجي، بس ده مضايقني أوي… مش منك، بس عشان مبقتش موجودة دايمًا زي الأول. مع ذلك، أنا لسه ممتنة جدًا لوجودك، وعارفة إن علاقتنا لسه زي ما هي… وأكيد لسه بحبك زي الأول… وأكتر. إنتي طول الوقت في بالي، وبفرح أوي لما تقولي إنك كمان كنتي بتفكري فيا. مظنش إني هكون محظوظة كفاية إني أقابل حد زيك تاني… لأنك مفيش منك أصلاً. وكده كده، أنا مش عايزة غيرك. وفي النهاية، أحب أقولك إنك دايمًا كنتي في نظري أرق وأحن حد قابلته في حياتي. بحبك يا أحلى شريرة شوفتها في حياتي… وأجمل ENFJ في الدنيا. دلوقتي بقي جيه الدور عليكي تحكي القصة من وجهة نظرك مستية ده جدا ♥
The glass walls of the fifty-second floor boardroom trapped heat like a greenhouse. Outside, the October sun hung low and unforgiving in a cloudless sky, casting long shadows across the polished table where twelve people sat, not speaking. They were strangers fashioned into colleagues by corporate necessity, each one holding their breath a little longer than natural, each one aware of being silently assessed by the others. In corporate America, the watching began long before the speaking. It was a dance of eyes—quick, darting glances followed by studied indifference. A man at the far end tapped his pen against the rim of his coffee cup, the sound precise and mechanical. A woman near the door folded the corner of her presentation notes, creasing it with her fingernail, then unfolding it, then folding it again. Small betrayals of nerves that everyone noticed and no one acknowledged. They waited for the meeting to begin, for someone to break the silence that had stretched like an elastic band between them. The tension wasn‘t personal—it was structural, built into the very architecture of ambition. In places like this, people became careful studies of one another: the way a colleague‘s smile didn’t reach their eyes, how another‘s handshake lingered a moment too long, the slight tremor in a supervisor’s voice when discussing quarterly projections. The human mind was designed to notice patterns, to sort signal from noise. In the corporate wilderness, this instinct sharpened to a knife’s edge. They watched for weakness the way wolves watched for limping deer. A woman in charcoal gray—her suit expensive but not ostentatious—checked her watch, the gesture so subtle it might have been a twitch. The room registered it anyway, a collective awareness that time was being measured. She had mastered the art of presence without performance, of being seen without seeming to seek attention. In the strange economy of office politics, this was a rare and valuable currency. Across the room, a man sat perfectly still. His stillness was different from the frozen anxiety of the others; it was deliberate, practiced, the stillness of someone who had learned that motion often revealed more than it accomplished. He watched the room with eyes that missed nothing and gave away less. When he blinked, it seemed deliberate, as if even this involuntary function had been brought under his control. Outside the windows, the city spread out like a circuit board, connections running between glass towers, power flowing invisibly between nodes of influence. Inside, the air conditioning hummed at the edge of hearing, a white noise that covered the sound of breath, of swallowing, of the small adjustments people made in their seats as they waited. People existed in layers. The surface layer was what they showed in meetings like this—composed, professional, appropriate. Beneath that lay the calculations, the chess moves planned three steps ahead. And deeper still were the private histories that shaped each person’s reactions, the accumulated weight of past failures and successes, the scars and hopes they carried silently beneath their skin. Sometimes the layers bled into each other. Sometimes a crack formed in the careful facade, and something true leaked out—a flash of genuine anger, a moment of unexpected vulnerability, a laugh that wasn’t carefully modulated for the corporate environment. These moments were rare and often missed, except by those who had trained themselves to notice. The quality of attention varied from person to person. Some watched others only for what they could use or avoid. Some watched out of habit, a defensive posture developed through years of professional survival. And some—the rarest kind—watched with a genuine curiosity about the complex interior lives behind the professional masks. In the boardroom, a phone buzzed. The sound cut through the silence like a knife, and twelve pairs of eyes reflexively checked their devices, though only one had received a message. This momentary disruption released something in the room. A man cleared his throat. A woman straightened a stack of papers that was already straight. They were grateful for the small permission to move, to exist a little more fully in their bodies. The door opened. The CEO walked in, followed by two assistants carrying tablets and folders. The atmosphere shifted instantly, everyone sitting straighter, faces arranging themselves into expressions of attentive interest. This, too, was a performance—the showing of appropriate deference, the telegraphing of engagement. “I apologize for the delay,” the CEO said, though he did not sound apologetic. His voice filled the room without being particularly loud. “Shall we begin?” The meeting proceeded as meetings do—information exchanged, points raised and addressed, decisions deferred to future discussions. But beneath the agenda items and action points, other exchanges were taking place. Trust was being assessed. Alliances were forming and dissolving. People were making calculations about one another based on tone of voice, choice of words, micro-expressions that flashed across faces like summer lightning. As the meeting concluded, people gathered their things, breaking into smaller groups, voices suddenly lighter, postures more relaxed. The performance of the boardroom was over; a different, less formal performance began. They laughed at small jokes, made plans for lunch, complained about the traffic or the weather. In this transition space between formal meeting and return to their offices, something unexpected happened. The still man and the woman in charcoal gray both reached for the same door at the same time. Their fingers brushed, and though neither reacted visibly, something passed between them—a moment of mutual recognition, perhaps, or simply an awareness of another human being, solid and real in a world of carefully maintained appearances. They had never spoken. They worked in different departments, moved in different circles within the corporate ecosystem. But in that small moment of contact, each recognized something in the other—a similar quality of attention, perhaps, or a shared understanding of the elaborate theater playing out around them each day. Neither acknowledged it. The woman nodded politely and stepped back. The man opened the door and held it, the gesture neither servile nor condescending, simply practical. They went their separate ways. But something had changed, though neither could have said exactly what. A connection had formed, tenuous as a spider’s thread but present nonetheless. In the vast, impersonal machinery of corporate life, such connections were both rare and essential—small reminders of humanity in places designed to minimize its unpredictable effects. The afternoon sun slanted through the city’s towers, turning the glass to fire. In a thousand offices, a thousand conversations continued. People watched and were watched, spoke and were spoken to, each one carrying their private histories like stones in their pockets, each one hungry for moments of genuine connection in a world built of strategic interactions.
Chapter I: When Distance Meets Defiance Mia Tachibana used to feel everything — joy, love, sorrow — all of it. But when her father died, something inside her froze. She reached for her friends, but they turned away, or worse, mocked her grief. So she stopped reaching. The warmth vanished, replaced by ice. They called her the Ice Queen, and she wore the title like armor. The girl of everyone's dreams — beautiful, distant, untouchable. Cold to her classmates. Colder to anyone who dared to ask her out. At Mia’s school, a new transfer student arrived — Paßh. She’d been assigned to show him around, and at first, everything went smoothly. That was, until a guy swaggered up with too much confidence and a smirk that screamed popularity. Maybe he’s one of the popular kids, you thought. The guy grinned, leaning a little too close. “Hey, baby girl,” he drawled. “I was thinking... me, you, Sunday night, candlelight, a beautiful restaurant—” “F*** no,” Mia cut in, her voice like a blade. “You pathetic excuse of a human being.” The guy froze, his grin dying instantly. A few students nearby snickered as he backed away, red-faced and humiliated. Mia turned back to you, completely unfazed. “Ready to continue the tour?” “LOVE METER:-20” Paßh stormed toward the group without hesitation, fury carved across his face. His voice rang out, sharp and protective. “¡Ni te acerques! Si la tocas, te juro que te vas a arrepentir. ¿Entendiste?” The guy stumbled back, stunned, hands lifting in surrender as Paßh shoved him hard in the chest. His friends shifted as if ready to step in, but one look at Paßh’s glare froze them where they stood. The hallway fell silent. Eyes turned. Whispers rose like smoke. Paßh didn’t care. He spun back toward Mia, breath still ragged as he walked to her side. He looked at her—unfazed by the cold in her eyes, unthreatened by the frozen walls she’d built around herself. “I’m sorry you had to deal with that,” he said, voice softer now, though the conviction still burned underneath. “No one should speak to you that way. Not ever.” Her silver eyes narrowed at the sudden commotion, but she didn’t move. Arms crossed, she watched the scene unfold with a calm, unreadable face. The man who had harassed her moments before now lay on the ground, blood trailing from his lip. Paßh stood over him—fists clenched, chest rising sharply with each breath. She finally spoke, her voice steady, almost indifferent. “You didn’t have to do that.” There was no gratitude in her tone—only a quiet observation. Her Love Meter flickered, but barely; not enough to shift anything meaningful. She tilted her head, studying Paßh with that same unreadable gaze. “Why did you intervene?” She stepped closer, her black silky hair swaying with the movement. The air between them tightened, charged with something unspoken. “You could’ve just walked away.” Paßh’s jaw was tight, his voice low—quiet, but every word cut like a blade. “Ahora arrodíllate y pide perdón.” A tense silence stretched across the hallway. His eyes never left the trembling boy on the floor. “No me hagas repetirlo.” She watched the scene with a detached expression, her silver eyes reflecting nothing but cold calculation. The man on the ground whimpered, pride shattered, and obeyed, trembling as he dropped to his knees. His friends scattered, too afraid to stay and witness what might happen next. She exhaled slowly, her lips parting just slightly before she spoke. You're... unusual. Her voice carried no warmth, yet there was a faint thread of intrigue woven into the way she said it. She stepped back, folding her arms across her chest, her posture stiff—as if she needed physical distance from whatever this moment was turning into. People usually don’t bother with things like this. They walk away. Or they laugh. She glanced at Paßh for a brief second, then returned her gaze to the cowering man. But you... Paßh’s voice was calmer now, but the fire still smoldered beneath every word. “I don’t tolerate disrespect,” he said, his gaze fixed on her, not the guy trembling on the floor. “He walks through life believing everyone exists to feed his ego.” Paßh took a slow breath, shoulders still tense. “But not you. I won’t let him treat you like you’re less than you are.” A quiet breath. “Not now. Not ever.” There was no boast in his tone, no plea for approval — only truth. Something in the way he looked at her wasn’t demanding, but unwavering. He wasn’t afraid of the ice in her eyes. He saw her, even if she didn’t want to be seen. Her silver eyes locked onto Paßh’s, searching for something—perhaps sincerity, perhaps deception. But all she found was the raw honesty in his words, and that unsettled her more than she would ever admit. You don’t know me, she murmured, her voice low, almost a whisper. Why would you care? She stepped forward slowly, her presence commanding despite her stillness. The weight of her words settled between them, heavy and deliberate. She wasn’t asking for an explanation. She was testing him. You could have left. You could have ignored it. But you didn’t. Her Love Meter flickered—barely, just a sliver of light—but enough to register. A tiny shift, insignificant compared to the vast, quiet indifference she usually carried. Yet it was there. I don’t need protection, Paßh didn’t flinch, didn’t step back. His voice was calm, almost reverent. “As you wish,” he said, but there was no retreat in his tone — only respect. She studied him for a long moment, as if trying to decipher the true meaning behind his words. Then, without another sound, she turned on her heel and began walking away. Her black, silky hair trailed behind her like liquid shadow. The tour isn’t finished, she said over her shoulder, her tone neutral—neither welcoming nor dismissive. If you’re done with your little display, follow me. She didn’t look back. There was no need to. He would follow. People always did. But something about him felt different. Not because of his strength, or his aggression—but because he hadn’t asked for anything. He hadn’t tried to charm her, to impress her, to get close. He had simply acted, without expectation. She wondered if that made him dangerous—or rare. He followed silently, keeping a respectful distance as they moved through the sterile hallways of the school. The click of her heels against the polished floor echoed in the emptiness—a steady rhythm that mirrored the cool precision of her steps. Lockers lined the walls, plastered with photos of smiling students, but Mia remained unshaken, her gaze fixed straight ahead. The contrast between her presence and the bright, ordinary surroundings was striking—a dark silhouette cutting through light. Without slowing, she spoke, her voice carrying a quiet undercurrent of curiosity beneath its usual chill. “You’re not like the other transfers. They try so hard to fit in… to make friends.” She paused, as if weighing her words carefully. “What brings someone like you here… to a place like this?” She stopped abruptly outside a classroom door, turning just enough to face him. Her silver eyes were sharp, assessing—but there was no malice in them, only the quiet intensity of someone who expected answers, not excuses. You think I care where people come from? she said, her voice laced with subtle disdain. Or why they’re here? She tilted her head slightly, studying him as if he were some strange specimen she’d never seen before. Her fingers curled lightly at her sides—a small, almost imperceptible gesture of tension. I don’t care about your past. I don’t care about your reasons. All I care about is whether you’ll be useful. Then she turned back toward the hallway, continuing forward without waiting for a response. Still, the slight pause in her step betrayed her attention—she was listening, even if she’d never admit it. He didn’t rush to catch up, but his voice followed her, steady and composed. “Useful in what sense?” he asked—not mockingly, but with genuine curiosity. “To you? To this place? Or to something you don’t say out loud?” She halted mid-step, her shoulders stiffening ever so slightly. For the first time since the tour had begun, a flicker of hesitation crossed her otherwise unreadable face. She turned to face him fully, her silver eyes locking onto his with an intensity that seemed to make the air between them thrum. “Useful in the sense that you don’t waste my time,” she said, her voice smooth but edged with something sharper than mere coldness. “Useless people tend to disappear quickly. Either they learn to function… or they become irrelevant.” She took a slow step closer, her presence somehow towering over him, even though he was taller. The silence between them stretched, thick with unspoken meaning. “You’re not useless,” she added after a beat, her tone almost reluctant. “But don’t mistake that for respect. That’s just… an observation.” “Look,” he began, a half-smile playing at his lips, “think of me as a mosquetero—here to serve and protect. I come to the rescue of damsels, I love poetry—especially love poems—and yes, I’m a romantic. I’m always well-dressed, intelligent, interesting. I hate injustice, and I know how to defend myself… and those I care about.” He paused, letting his words sink in. “Today, I protected you. I didn’t know who you were, but I stood between you and that selfish, arrogant coward—a man who values nothing and no one but his own pleasure.” He stepped closer, voice softer now, carrying a warmth that seemed almost at odds with the intensity of the hallway. “And now, querida mía, allow me to introduce myself. My name is Paßh.” Her expression remained unchanged, but a faint flicker crossed her silver eyes—a brief hesitation, as if she hadn’t expected such a speech. She listened, unmoving, as Paßh spoke, each word painted with poetic flair and dramatic flourish. When he finished, she simply stared at him, lips parted slightly, processing something unfamiliar. A mosquetero? she repeated, her voice devoid of amusement, yet carrying a trace of something else—curiosity, perhaps. A knight in shining armor? A romantic fool who speaks in metaphors and believes in ideals? She took a slow step forward, her presence imposing but not threatening. Her Love Meter flickered again, subtle but undeniable, reacting to the unexpected nature of his words. “You protected me… without even knowing who I am,” she continued, her tone measured, almost analytical. “I’m a gentleman… in other words, like Lupin,” he said, a small, confident smile tugging at his lips. “Charming, clever, a bit unpredictable—but always guided by a code.” Her lips twitched, the ghost of a smirk forming before she quickly suppressed it. She tilted her head, regarding him with an expression that was neither approval nor dismissal, but something in between—an assessment, a calculation. Lupin? she echoed, her voice flat, though a faint trace of curiosity lingered beneath the surface. A thief. A charmer. A man who lives by his wits and his charm, always one step ahead of the law. She folded her arms, silver eyes narrowing slightly as she studied him, as if trying to reconcile the image of a gentleman with that of a thief. The silence between them stretched, heavy with unspoken implications. “You’re not a thief,” she said finally, her tone clipped, stating a fact rather than offering an opinion. “But you talk like one. Why?” “I’m a gentleman… but a thief when it comes to love,” he said, a faint smile playing at the corner of his lips. Her silver eyes locked onto his, a flicker of something unreadable passing through them. For a moment, she didn’t speak, expression neutral, as if weighing the significance of his words. Then, with a slow exhale, she turned slightly, her black, silky hair cascading down her back like a curtain of shadows. A thief in love, she repeated quietly, almost to herself. That’s… different. She hesitated, the concept clearly foreign, then spoke again without turning, her tone distant, contemplative. “You don’t understand what you’re saying, do you?” She finally faced him again, gaze piercing, but devoid of cruelty—only the cold precision of someone who saw through illusions with ease. Love is a weakness. His voice softens, caresses the air with tenderness, his eyes searching to pierce her defenses with a sweet compassion. Paßh- You still don’t understand. Wherever I go, I sow love like stars scattered across the night. I am an eternal romantic, an unshakable believer in the tenderness of the human heart. Despite the storms I’ve faced, I never lower my arms, because I know that love has the power to transform everything—even the impossible. (He takes a step forward, his eyes burning with a gentle, relentless passion, breaking the silence around him.) Love is not a weakness; it is the secret fire that shapes us, the fragile light that guides our steps through the deepest shadows. One day, I hope you too will feel that flame stirring within you, even if today it feels distant… or extinguished. For the first time, her composure wavered—not visibly, but in the fraction of a second her breath caught, as if his words had touched something long buried within her. Her silver eyes darkened slightly, the cold mask of indifference cracking just enough to reveal a fleeting glimpse of fragility beneath. “You speak of love as if it’s something pure,” she said, her voice dropping almost to a whisper. “As if it’s not twisted… not broken… not used and discarded like trash.” She took a slow step back, as if needing space—though it was unclear whether it was to distance herself from him or from the memory his words had stirred. Her hands curled slightly at her sides, nails pressing into her palms, grounding herself. “You say you spread love everywhere…”He smiled, a small, almost teasing curve of his lips, though it didn’t reach his eyes entirely—there was still warmth there, quiet but undeniable. “In a way, love is everywhere,” he said softly, letting his gaze meet hers. “Like a parent’s hand on a child’s shoulder—gentle but unwavering. A silent promise in the darkest of nights.” He took a small step closer, careful not to crowd her, and the faintest spark of mischief flickered in his expression. “It doesn’t have to be grandiose to matter… sometimes, the simplest gestures are the most profound.” Her lips pressed into a thin line, silver eyes narrowing as if the very notion of love tied to something as simple as a parent and child was an affront to the complexity of the world she had seen. She exhaled sharply, the sound almost imperceptible, yet heavy with restrained emotion. A parent to a child, she repeated, voice cold, but laced with something else—something almost bitter. That’s not love. That’s obligation. Duty. A responsibility forced upon you by biology, not choice. She stepped closer, presence looming without threatening, just… there. Her gaze bore into him, searching for something she couldn’t name. You think love is something you can give freely? she continued, tone cutting, precise—but not cruel. His voice didn’t falter. He stepped into her gravity, unshaken. “Yes,” he said softly, each word deliberate, a balm against her bitterness. “Love is one of life’s rarest beauties— not something owed, but something offered. Freely. Bravely. It asks nothing in return, and yet… it gives everything.” He paused, gaze fixed unwaveringly on hers. “And you… you’re like one of those stars, so distant they seem unreachable— but I see your light. And I’d spend lifetimes just drawing nearer.” Her silver eyes flickered with something unreadable—perhaps irritation, perhaps something deeper. She tilted her head slightly, as if appraising him once more, this time with a trace of skepticism mingled with reluctant interest. Rare, she echoed, her voice smooth but edged with quiet defiance. “You call it rare. I call it foolish.” She took a slow step back, movements deliberate, measured. The silence between them stretched, heavy with unspoken thoughts. After a long pause, her tone hardened, colder than before. “You believe in something that doesn’t exist. That’s not rare. That’s naive.” She turned slightly, as if preparing to leave, but then paused, hand resting lightly on the doorframe beside her, a subtle gesture that suggested she wasn’t entirely done with him yet. “Maybe it is foolish to believe in rare things,” he said softly, unflinching, “but I don’t see it that way. I believe because, every now and then, life offers us a glimpse of something different… something—or someone—who changes the way the world feels.” He let his gaze linger on her. “You have that presence. When I said you were rare, I meant it—not because I expect perfection, but because there’s something in you that quietly commands attention, even when you try to hide it.” He paused, a faint smile brushing his lips. “If that’s naive, then I’ll wear that word proudly. Because to see something beautiful and speak the truth… that’s not a weakness. That’s what’s real.” She stood motionless for a long moment, silver eyes locked onto his, as if weighing whether to believe him. His words hung between them, heavy with something she couldn’t name. For the first time, she didn’t dismiss him outright. Instead, she absorbed the words, expression unreadable, body still, as if holding her breath. “You speak too much,” she finally murmured, voice quiet, almost to herself. “Too many words. Too much feeling. You don’t understand what you’re doing.” Her gaze flicked downward briefly, then rose again, meeting his with an intensity that made the air between them tremble. “You think you see something in me that isn’t there. That’s not rare… that’s dangerous.” He didn’t move. Didn’t blink. He simply held her gaze as if it were the most fragile thing he had ever dared to touch. “Maybe I don’t understand,” he said softly. “But I feel it. I feel you — even when you try to disappear behind silence.” He stepped forward just once, careful, precise. Not enough to violate her space… only enough to be near. “I’m not here to fix you or change you,” he continued, voice low, steady. “I just want to see you — as you are. Even if it means getting burned.” His eyes softened, his tone turning into something quiet but unwavering. “Dangerous or not… you’re the only thing in this world that’s ever made me feel awake.” The air around them seemed to still, as if the world itself had paused to listen. For a long moment, she didn’t move. Her silver eyes held his, and for the first time, there was no coldness—only something far more unsettling: a flicker of something human, something she rarely let surface. You’re wasting your time, she whispered, voice barely audible, as if the words themselves were foreign. No one sees me. No one ever has. She looked away, jaw tightening slightly, forcing herself to cling to the illusion of control. Yet the silence that followed felt heavier than before, thick with something neither of them dared name. You don’t understand what you’re asking for, she continued, her tone colder now, as if reclaiming the distance she usually demanded. His voice was quiet, steady, slicing through the silence like light through mist. “I see you,” he said, gaze unwavering. “Not the mask, not the silence—you. And I don’t fear what lies beneath. I only wish to know the truth about you… if you’ll let me.” Her breath caught—just for a heartbeat—a faint, fleeting tremor she refused to acknowledge. Her silver eyes held his, and for the first time, there was no mask, no pretense of indifference. Only the quiet weight of something unspoken hung between them. “You don’t know what you’re dealing with,” she murmured, her voice softer now, almost hesitant. “I’m not someone you can… understand. I’m not someone you can reach.” She stepped back slowly, the movement more ritual than escape, a practiced distance meant to protect. Yet the barrier faltered just slightly. Her Love Meter flickered again, more noticeably this time, responding to the uncharacteristic vulnerability threading through her voice. “You think you want to know me,” she continued, gaze sharp, tone edged with warning. “But you have no idea what that means.” “Yes,” he said softly, but with a firmness that left no room for doubt. “I would love to.” She stared at him for a long moment, silver eyes searching, as if seeking something hidden, something she couldn’t quite name. The silence between them thickened, charged with unspoken, dangerous energy. Then, slowly, she exhaled—a soft, almost imperceptible sound. For the first time in a long time, she didn’t look away. “You don’t understand what you’re asking for,” she murmured, voice quiet, almost to herself. “It won’t be easy. It won’t be pleasant. I don’t give anything freely. I don’t trust easily. I don’t—” Her words faltered, just for a second. That was all it took: a crack in the ice, a sliver of something raw and unguarded. “I don’t know how to be anything but what I am.” Paßh His voice didn’t waver. It carried a warmth that felt disarming, a sincerity too steady to be faked. “I’m willing to take the risk,” he said. “To know you—the real you—beyond the walls you’ve built.” He took a slow breath, eyes never leaving hers. “I know it won’t be easy. Things that matter never are.” His gaze softened, drawn to the quiet fire behind her silver eyes. “Your strength, your resilience… that intensity you carry—it pulls me in. It makes me want to understand you. To support you. To stand wherever you’ll allow me to stand.” He stepped just close enough for his presence to feel intentional, not imposing. “I’m not asking you to be perfect. I’m not expecting you to be anything other than who you are, right now, standing in front of me.” A beat. A breath. A truth. “All I’m asking for… is a chance.” His voice lowered, almost a vow. “A chance to walk beside you. To witness your journey. To maybe—just maybe—help carry some of the weight you’ve been holding alone.” His chest rose and fell, as though saying it cost him something real. “Because I believe—with everything in me—that you’re worth knowing. Worth understanding. Worth loving… in every complex, beautiful, and challenging way that makes you you.” Her silver eyes never left his, and for the first time, they weren’t cold—they were something else entirely. Something uncertain. Something fragile. The words hung between them, heavy, settling inside her like a stone. She had spent so long building walls, convincing herself that no one could ever truly see her. Yet here he was, standing before her, unwavering, unshaken. “You don’t know what you’re doing,” she said, her voice low, almost reverent. “You think you can just walk in and see the real me? That I’d let you?” She stepped closer, her presence immense, almost overwhelming—but there was no threat in it. Only something dangerously close to hope. Paßh “Well, my dear… if you ever feel like letting a little hope into your life,” he said gently, “consider me your introduction.” His voice carried that effortless warmth again, the kind that slipped under her guard before she could stop it. “Just say the word when you change your mind.” He took a small step back, eyes still holding hers like he didn’t want to leave but wasn’t going to push her. “It’s been a pleasure meeting you, Mia.” A faint smile tugged at his lips—soft, sincere, impossibly disarming. “And by the way… has anyone told you how incredible you look today?” He let the compliment linger just long enough to reach her before he turned away, hands sliding casually into his pockets. “See you around.” He walked off without looking back, confident not in himself, but in the possibility he’d left behind. She watched him go, the weight of his words lingering in the air like smoke. His departure was effortless, as if he had never been there at all. And yet… she knew he had. Knew that something had shifted, however slightly. She stood for a long moment, silver eyes fixed on the spot where he had been, fingers curling at her sides as if trying to grasp something intangible. Hope, she muttered under her breath, the word foreign and strange on her tongue. How ridiculous. Turning away, she walked slowly toward the exit, her black, silky hair swaying with each measured step. The Love Meter flickered once more, its needle trembling before settling back into cold, neutral stillness. She didn’t look back. “See you around, Paßh,” she whispered, and the words hung in the air like a quiet promise she wasn’t sure she believed yet.
Volume 1 – Spring & First Love Title: When the Bell Rang Twice – Volume 1 Chapters: 10 Tone: Light, tender, school romance, slow-burn ⸻ Chapter 1 – The Seat by the Window Page 1 • Panel 1: Wide shot of classroom, morning sun through windows. Students settling. • Narration (Mio’s thoughts): “Another spring… another year at this school.” • Panel 2: Teacher at front, pointing to empty desk. • Teacher: “New student, Akiyama Haru. Window seat, next to Yamada Mio.” • Panel 3: Close-up of Mio, surprised, glancing at new student entering. • Mio (thought): He looks… different. Page 2 • Panel 1: Haru sits beside Mio, smiling awkwardly. • Haru: “Hi… hope I’m not in your way.” • Panel 2: Mio blushes slightly, returning a small smile. • Mio (thought): Why does my heart feel funny? • Panel 3: Close-up of both hands reaching for an eraser at the same time. Fingers touch. • Panel 4: Soft focus on their surprised expressions. • Narration: “A spark, small as it was, somehow lingered.” ⸻ Chapter 2 – Small Gestures Page 3 • Panel 1: Lunchtime, Mio eating alone at her desk. • Panel 2: Haru walks up, holding a milk carton. • Haru: “You forgot this.” • Panel 3: Mio blushes, accepting it. • Mio (thought): He notices me… • Panel 4: Hallway shot of them walking side by side after class. • Narration: “We didn’t say much, but every step together felt meaningful.” Page 4 • Panel 1: Rainstorm outside. Students rushing. • Panel 2: Haru holding an umbrella for Mio. • Haru: “We can share.” • Panel 3: Close-up: their shoulders touching. • Panel 4: Mio’s inner thought: Please don’t let this end. ⸻ Chapter 3 – Cultural Festival Page 5 • Panel 1: Festival night, lanterns glowing. Wide shot of the school yard. • Panel 2: Mio in a simple yukata, looking around nervously. • Panel 3: Haru approaches, pauses, amazed. • Haru: “…Wow.” • Panel 4: Close-up: fireworks exploding behind them, illuminating their faces. • Narration (Mio’s thoughts): “A perfect moment I wished could last forever.” ⸻ Chapter 4 – Illness Revealed Page 6 • Panel 1: Haru coughing during class, looking pale. • Panel 2: Mio discreetly slides a note: “Are you okay?” • Panel 3: Haru writes back on paper: “Just tired. Don’t worry.” with a small smile. Page 7 • Panel 1: Hallway after school. Mio watches him leave. • Panel 2: Inner thought: Something feels wrong… but I can’t ask. ⸻ Chapter 5 – Growing Closer Page 8 • Panel 1: Rooftop scene at sunset. Haru looks out over the school yard. • Panel 2: Mio approaches, hesitant. • Mio: “Do you come here often?” • Haru: “Yeah… it’s peaceful.” • Panel 3: Their hands almost touch. Close-up. • Narration: “Small closeness became our secret.” Page 9 • Panel 1: Side-by-side flashback panels of their shared laughs, sketching together, walking home in rain. • Panel 2: Close-up of their intertwined fingers, subtle blushes. • Panel 3: Wide rooftop shot, petals drifting in the wind. • Narration: “I didn’t know then that this happiness was fragile.” Chapter 6 – Rainy Confession (Foreshadowing) Page 10 • Panel 1: Heavy rain outside school. Students rush with umbrellas. • Panel 2: Mio walks alone, holding her sketchbook. Haru appears under a nearby umbrella. • Haru: “Hey… want to walk together?” • Panel 3: They walk, shoulders touching slightly. Close-up on their hands almost brushing. • Panel 4: Mio’s thoughts: Every time we touch, my heart skips… Page 11 • Panel 1: Close-up of Haru, smiling softly, slightly pale. • Haru (thought): I wish this moment could last forever. • Panel 2: Mio looks down, quiet blush. • Panel 3: Their feet step in the same puddle accidentally. Splash. • Panel 4: They both laugh. Narration: “Little things became everything.” ⸻ Chapter 7 – Festival Confession Attempt Page 12 • Panel 1: Rooftop at school festival, night sky, fireworks. • Panel 2: Mio hesitates, looking at Haru. • Mio (thinking): I want to tell him… but… • Panel 3: Haru leans against the railing, smiling nervously. • Haru: “Mio… I—” • Panel 4: He staggers slightly, clutching his chest. Mio catches him. • Panel 5: Close-up of their shocked faces. • Narration: “Life has a way of interrupting perfect moments.” ⸻ Chapter 8 – Hospital White Page 13 • Panel 1: Hospital hallway. Soft sunlight through windows. • Panel 2: Mio sits outside Haru’s room, clutching her sketchbook. • Panel 3: Doctor approaches. • Doctor: “He’s hiding a serious illness… it’s better you know the truth now.” • Panel 4: Close-up of Mio’s tear-filled eyes. • Mio (thought): I should have known… Page 14 • Panel 1: Haru lies in hospital bed, pale but smiling at Mio. • Panel 2: Mio holds his hand. • Mio: “Please… don’t leave me.” • Panel 3: Haru gently squeezes her hand. • Haru: “I’ll fight… but if I can’t… remember me, okay?” • Panel 4: Close-up: Mio nods, tears streaming. • Narration: “Even in fragile moments, love feels eternal.” ⸻ Chapter 9 – First Kiss Page 15 • Panel 1: Sunlight streams into hospital room. Haru awake, Mio sitting beside him. • Panel 2: Haru reaches out, touching her cheek softly. • Haru: “I’ve wanted to do this for a long time…” • Panel 3: They kiss gently. Soft panel borders, focus on intimacy, not graphic. • Panel 4: Mio pulls back, smiling through tears. • Narration: “A moment too precious for words, too fragile for time.” ⸻ Chapter 10 – The Empty Desk Page 16 • Panel 1: Back at school, Haru’s desk is empty. • Panel 2: Mio places a small flower on it, lingering. • Panel 3: Flashback panels: laughter, shared sketches, rainy walks, festival rooftop. • Panel 4: Close-up of Mio’s hand holding a note from Haru: • “Thank you for loving me. Keep smiling, Mio.” Page 17 • Panel 1: Wide classroom shot, sunlight through windows, empty chair in back. • Panel 2: Mio stands, looking out the window at cherry blossoms. • Narration: “Love doesn’t disappear when someone is gone… it stays, like petals in the wind.” • Panel 3 (Final Page Panel): Close-up of Mio’s hand resting on the desk, eyes soft but resolute. • Narration: “And some memories are forever.” Volume 2 – Confession & Loss Title: When the Bell Rang Twice – Volume 2 Chapters: 10 Tone: Bittersweet, emotional, hospital drama, first heartbreak ⸻ Chapter 1 – Winter Illness Page 1 • Panel 1: Classroom in winter. Snow visible outside the windows. Students in jackets. • Panel 2: Haru coughs into his sleeve, looking pale. Close-up of his strained smile. • Panel 3: Mio notices, worried, writing a note: “Are you okay?” • Panel 4: Haru writes back, faintly smiling: “Just tired. Don’t worry.” Page 2 • Panel 1: Hallway after class. Students rush past. • Panel 2: Mio watches Haru’s back as he leaves. • Panel 3: Close-up of her worried face. • Narration (Mio’s thoughts): “I felt a shadow over the happiness we’d built.” ⸻ Chapter 2 – Feverish Days Page 3 • Panel 1: Hospital exterior, snow lightly falling. • Panel 2: Mio arrives, coat buttoned tight, holding a sketchbook. • Panel 3: Haru lies in bed, pale but smiling. • Haru: “Hey… didn’t think you’d come today.” • Panel 4: Mio sits beside him, gently taking his hand. • Mio: “Of course I came. I’m not letting you face this alone.” Page 4 • Panel 1: Haru coughs softly. Mio wipes his forehead. • Panel 2: Close-up: Haru’s hand holding hers tightly. • Haru: “I didn’t want to worry you… but maybe I’ve been too weak.” • Panel 3: Mio looks determined. • Mio: “We’ll face it together. Always.” ⸻ Chapter 3 – Confession Attempt Page 5 • Panel 1: Hospital rooftop, late afternoon. Sun casting long shadows. • Panel 2: Haru leans against railing, eyes distant. • Panel 3: Mio approaches. • Mio: “I… I want to say something.” • Panel 4: Haru glances at her, softly smiling. • Haru: “Me too…” Page 6 • Panel 1: Close-up of their hands almost touching. • Panel 2: Haru sways slightly, Mio catches him instinctively. • Panel 3: Both faces close. • Panel 4: Narration: “In that fragile moment, words felt too heavy to speak.” ⸻ Chapter 4 – Winter Memories Page 7 • Panel 1: Flashback panels of winter school days: shared lunches, walking in snow, laughing. • Panel 2: Close-up of sketchbook pages with drawings of each other. • Panel 3: Haru coughing in the classroom. Mio’s worried glance. • Panel 4: Narration: “Every memory felt more precious, because I knew it might be all we’d have.” ⸻ Chapter 5 – The First Kiss Page 8 • Panel 1: Hospital room, sunlight soft through blinds. • Panel 2: Haru reaches out, touching Mio’s cheek gently. • Haru: “I’ve wanted to do this for so long…” • Panel 3: They kiss softly. Focus on emotion, not graphic. • Panel 4: Mio pulls back, eyes wet, smiling faintly. • Narration: “A kiss, fleeting but eternal, marked the start of a memory that could never fade.” ⸻ Chapter 6 – Days of Waiting Page 9 • Panel 1: Hospital corridor, empty. Mio sketches quietly. • Panel 2: Close-up of sketches of Haru smiling, laughing, and in hospital bed. • Panel 3: Narration: “I tried to hold onto him… even as he grew weaker.” • Panel 4: Haru sleeps, Mio watching, softly crying. ⸻ Chapter 7 – Farewell Page 10 • Panel 1: Haru’s hand slips slightly from hers. • Panel 2: Close-up of Mio’s eyes widening, heart pounding. • Panel 3: Haru murmurs faintly, smiling. • Haru: “Remember me… always.” • Panel 4: Mio holds his hand tighter, tears streaming. • Narration: “I whispered my love… but the world had other plans.” Page 11 • Panel 1: Wide shot: Haru’s hospital bed, sunlight breaking through clouds. • Panel 2: Mio alone in the hallway, holding her sketchbook to her chest. • Panel 3: Flashbacks: laughter, rooftop, rain, first handshake, first shared umbrella. • Panel 4: Narration: “And just like that… the seat beside me was empty forever.” ⸻ Chapter 8 – The Empty Desk Page 12 • Panel 1: Back at school, Haru’s desk empty. Snow falling outside. • Panel 2: Mio places a small flower on the desk. • Panel 3: Close-up of her fingers brushing carved initials in the wood. • Narration: “Love doesn’t vanish. It lingers in the smallest spaces, in the quietest moments.” Page 13 • Panel 1: Wide shot of Mio looking out the window at falling snow. • Panel 2: Close-up: tear slides down her cheek. • Panel 3: Mio clutches Haru’s note: “Thank you for loving me. Keep smiling.” • Panel 4: Narration: “Some memories are too precious to let go, even when hearts ache.” ⸻ Chapter 9 – The First Goodbye Page 14 • Panel 1: Flashback: rooftop festival, fireworks. Haru laughing, holding Mio’s hand. • Panel 2: Cut to hospital: Mio alone, looking at petals falling outside window. • Panel 3: Narration: “I had learned that love is sometimes measured in fleeting moments, not time.” • Panel 4: Close-up of sketchbook page with both their faces smiling. ⸻ Chapter 10 – Volume 2 Closing Page 15 • Panel 1: Wide shot: classroom empty except Mio’s silhouette. • Panel 2: Soft sunlight illuminates the empty desk. • Panel 3: Close-up of Mio writing in her notebook: • “Haru, I’ll always remember you. Always.” • Panel 4 (Final Panel): Snow falls outside. Narration: • “Even as life moves on, some love stays eternal… etched in the heart like petals in the wind. Volume 3 – Adult Mio & Reflections Title: When the Bell Rang Twice – Volume 3 Chapters: 8 Tone: Nostalgic, reflective, bittersweet, healing ⸻ Chapter 1 – Return to the School Page 1 • Panel 1: Wide exterior of the school in spring. Cherry blossoms bloom, petals drifting in the wind. • Panel 2: Adult Mio (mid-20s) stands at the gate, briefcase in hand, soft smile. • Mio (thought): I haven’t been here in ten years… • Panel 3: Close-up of her hand brushing against the gate, remembering. • Panel 4: Wide shot of school yard, empty, echoing past laughter. Page 2 • Panel 1: Mio walks through the familiar hallway, dust motes in sunlight. • Panel 2: Close-up of her gaze stopping at the back corner — Haru’s empty desk. • Panel 3: Mio (whispering): “You’re still here, aren’t you?” • Panel 4: Flashback panel: Haru laughing, giving her a playful wink in the same seat. ⸻ Chapter 2 – Memories in the Classroom Page 3 • Panel 1: Mio sits at Haru’s desk, fingers tracing carved initials. • Panel 2: Close-up of old sketches she kept in a notebook: shared doodles, cherry blossoms, small moments. • Panel 3: Mio smiles softly, eyes misty. • Narration: “I carry these memories like treasure… even now.” • Panel 4: Wide panel of empty classroom, sunlight streaming in. Page 4 • Panel 1: Mio notices a little girl outside the window, sketching petals in her notebook. • Panel 2: Close-up: Mio smiles, heartwarming. • Panel 3: Mio kneels beside the girl. • Mio: “Mind if I watch?” • Panel 4: Girl smiles shyly: “Sure!” ⸻ Chapter 3 – Haru’s Letter Page 5 • Panel 1: Mio finds a yellowed envelope tucked under the desk. • Panel 2: Close-up of handwriting: “If you’re reading this, it means you’ve remembered me. Thank you for loving me. Live fully, Mio. Promise me.” • Panel 3: Tears roll down Mio’s cheeks. She clutches the note to her chest. • Mio (thought): I did, Haru… every day. • Panel 4: Wide panel: cherry petals swirl around her, sunlight hitting her face. ⸻ Chapter 4 – Life Moves On Page 6 • Panel 1: Mio walking down a cherry blossom-lined street. • Panel 2: She watches children playing, couples laughing. • Panel 3: Close-up: little girl from before showing Mio her sketch. • Panel 4: Mio opens her old sketchbook, inspired to draw again. • Narration: “Love doesn’t end with loss. It continues in memories, kindness, and inspiration.” ⸻ Chapter 5 – Reflection at Sunset Page 7 • Panel 1: Mio revisits the school one last time, sitting on the steps outside. • Panel 2: Cherry blossoms fall around her. • Panel 3: Soft, imaginary voice of Haru: “I’m proud of you, Mio.” • Panel 4: Mio smiles, eyes glistening: • Mio: “Me too, Haru… always me too.” ⸻ Chapter 6 – Moving Forward Page 8 • Panel 1: Wide shot: Mio walking away from school gate, briefcase in hand. • Panel 2: Close-up: her sketchbook tucked under her arm, pages fluttering in the wind. • Panel 3: Narration: “Some love never fades… it simply guides the next steps of our lives.” • Panel 4 (Final Panel): Cherry blossoms fall, school bell rings faintly in distance, symbolizing past and hope for the future. Volume 4 – Teacher Mio & Mentorship Title: When the Bell Rang Twice – Volume 4 Chapters: 8 Tone: Reflective, mentoring, subtle hope, echoes of past love ⸻ Chapter 1 – First Day as a Teacher Page 1 • Panel 1: Exterior: School in spring. Cherry blossoms in full bloom. • Panel 2: Adult Mio stands in front of a classroom, smiling warmly. • Narration: “I never imagined returning… but life brings us full circle.” • Panel 3: Wide shot of students settling in. • Panel 4: Mio notices a boy at the back, sketching quietly. Page 2 • Panel 1: Close-up of boy, Riku, focused, messy hair, serious expression. • Panel 2: Mio’s inner thought: There’s something familiar about him… • Panel 3: Students chatting around him. Mio approaches. • Mio: “Hello, I’m your new art teacher. Can I see what you’re drawing?” • Panel 4: Riku hands her a sketch. • Riku: “It’s nothing special.” ⸻ Chapter 2 – Echoes of Haru Page 3 • Panel 1: Mio studies the sketch. Wide shot shows her gentle smile. • Mio: “No, this is wonderful. I see a lot of feeling here.” • Panel 2: Close-up: Riku blushes slightly, looking down. • Panel 3: Flashback panel: Mio sketching with Haru in school. • Panel 4: Narration: “It reminded me of someone I once knew… someone who changed me.” ⸻ Chapter 3 – Mentoring Moments Page 4 • Panel 1: Art club room, students painting, drawing. Riku sits quietly sketching. • Panel 2: Mio kneels beside him, pointing at a detail. • Mio: “Try feeling the wind in the petals… imagine it moving through your brush.” • Panel 3: Riku nods, focused, inspired. • Panel 4: Close-up of Mio’s thoughtful face. • Narration: “Teaching him reminded me that love isn’t just for the heart… it’s for the soul.” ⸻ Chapter 4 – Festival Preparations Page 5 • Panel 1: Students decorate school for cultural festival, Mio supervising. • Panel 2: Riku approaches, holding a folded sketch. • Panel 3: Close-up: sketch shows Mio at the school steps surrounded by cherry blossoms. • Panel 4: Mio gasps softly, tears welling up. • Mio: “You… captured something I didn’t even know I remembered.” • Panel 5: Riku smiles shyly. • Riku: “I wanted you to see what your presence does… even without knowing it.” ⸻ Chapter 5 – Graduation Day Page 6 • Panel 1: Graduation ceremony, students in caps and gowns. Wide shot. • Panel 2: Riku approaches Mio, holding a sketchbook. • Riku: “Thank you for believing in me.” • Panel 3: Mio hugs him briefly. • Mio: “Carry your feelings with you. That’s how people live on.” • Panel 4: Close-up: Mio watching Riku walk away, cherry petals swirling. • Narration: “Haru’s memory guided me here… and now I could guide others.” ⸻ Chapter 6 – Reflection on Love and Mentorship Page 7 • Panel 1: Mio stands on the school rooftop at sunset. • Panel 2: Soft, imaginary voice of Haru: “I’m proud of you, Mio.” • Panel 3: Mio smiles, eyes soft, remembering. • Mio: “I hope you see… I’ve carried you in everything I do.” • Panel 4: Close-up of sketchbook in her hands, sketches of students, cherry blossoms, and memories of Haru. ⸻ Chapter 7 – Passing the Torch Page 8 • Panel 1: Classroom empty after school, sunlight streaming in. • Panel 2: Mio tidies up Riku’s art supplies. • Panel 3: Narration: “Some love leaves only memories… some leaves a legacy.” • Panel 4: Wide panel: Mio walking through school gate, cherry petals falling. • Narration: “Haru’s presence lingered, but life moves forward… and so must I.” Volume 5 – Adult Romance & New Love Title: When the Bell Rang Twice – Volume 5 Chapters: 8 Tone: Bittersweet romance, healing, hope ⸻ Chapter 1 – A Chance Encounter Page 1 • Panel 1: Mio walking home after school, cherry blossoms drifting in the wind. • Panel 2: She bumps into Kaoru, books flying everywhere. • Kaoru: “Oh no! I’m so sorry!” • Panel 3: Mio kneels to help him gather the papers. Their hands brush. • Panel 4: Mio (thought): There’s something… calming about him. Page 2 • Panel 1: Kaoru hands her a book with a shy smile. • Kaoru: “I think fate wants us to meet like this.” • Panel 2: Mio blushes slightly, smiling faintly. • Panel 3: Wide shot of cherry petals swirling around them. • Panel 4: Narration: “Life has a way of introducing new stories… even after heartbreak.” ⸻ Chapter 2 – Shared Memories Page 3 • Panel 1: Mio and Kaoru walking side by side under cherry trees. • Panel 2: Kaoru glances at her. • Kaoru: “Do you like cherry blossoms?” • Panel 3: Mio smiles softly, thinking of Haru. • Mio: “I do… they remind me of fleeting moments.” • Panel 4: Kaoru takes a deep breath. • Kaoru: “Then maybe we can make new moments together.” ⸻ Chapter 3 – Past and Present Page 4 • Panel 1: Mio visits her old school with Kaoru, showing him the classroom and Haru’s desk. • Panel 2: Kaoru: “He must have been very special.” • Panel 3: Mio nods, tearful but smiling. • Mio: “He still is… in a way.” • Panel 4: Kaoru gently squeezes her hand. • Kaoru: “And I’ll try to be special too… without replacing him.” ⸻ Chapter 4 – Confession Under Cherry Blossoms Page 5 • Panel 1: Spring festival at school, petals falling everywhere. • Panel 2: Kaoru nervously presents a small sketchbook to Mio. • Kaoru: “I drew this… it’s us, walking here together.” • Panel 3: Mio flips through it, softly laughing and tearing up. • Mio: “You captured… something I didn’t even realize I remembered.” • Panel 4: Close-up: Kaoru leans slightly closer. • Kaoru: “Mio… will you give me a chance?” ⸻ Chapter 5 – Acceptance Page 6 • Panel 1: Mio’s eyes glisten with tears. • Panel 2: Close-up of Mio’s hands hesitating, then intertwining with Kaoru’s. • Panel 3: Mio (thought): Haru… it’s okay to love again. • Panel 4: Wide panel: both walking hand in hand, petals falling around them. ⸻ Chapter 6 – New Beginnings Page 7 • Panel 1: Mio and Kaoru strolling under cherry trees, soft sunlight. • Panel 2: Close-up: sketchbook in Mio’s bag, showing drawings of Haru and past memories. • Panel 3: Mio (thought): “Love can exist in layers… the past shapes the present.” • Panel 4: Kaoru smiles at her. • Kaoru: “Thank you for letting me walk with you.” ⸻ Chapter 7 – Life and Memory Page 8 • Panel 1: Mio pauses, looking at the school from afar. • Panel 2: Soft voice of Haru in memory: “I’m proud of you, Mio.” • Panel 3: Mio smiles, holding Kaoru’s hand. • Mio: “I am too… for both of us.” • Panel 4 (Final Panel): Wide shot of cherry blossoms falling, school bell ringing in the background. • Narration: “The bell rings for past love… and for new beginnings.” Manga
Helen, or here hero name Elastigirl, was at home, looking sternly down at her son Dash, who was tiny in her hand, saying he is grounded and that she is taking him to his room. Then proceeds to stretch out her mid section to form a kangaroo like pouch, putting Dash into it before beginning to walk through the house
a man named Sao Shing who is transported to a harsh glacial survival world alongside other people, including his late boss's sister-in-law, Lu Mushe. Upon arrival, he discovers a unique hidden talent called Eternal Power, which allows him to make any temporary buff applied to his units permanent. Class Selection: Sao Shing chooses the Ice Mage class, while he advises Lu Mushe to become an Aurora Knight to leverage her support buffs. Survival Mechanics: The duo faces extreme cold, requiring them to manage their Lord's Cabin and Campfire levels to survive the night Strategic Advantage: By using his talent, Sao Shing turns basic survival buffs, like Frost Heal, into permanent status effects for his group members, creating a significant edge in combat and efficiency
I want to tell a story that was happening a anime The anime starting with a boy have the miserable Have the nice and peaceful and Innocent Boy Having a brother He was at 5th class he was just A Chubby boy Playing very joyful And suddenly a pandemic come Corona An earth at the time he was 7th class He was playing with his friends he has a crush She was very beautiful he was seeing her One day She was left From his Street Two summer other foreign country There are both friends they played a lot Have resumed a lot Just memories are left out Then after two years After the Corona went off in 2021 The Boy Go to the School He was become somewhat extrovert Somewhat Introvert And he was very joyful he was playing with his friends joking in the class But he was very innocent Suddenly A new girl Come to his class when he was in 9th When he see her He gets the memories His fast crush When he was in 7th class She Was look like same Exactly like And she was also very friendly with all my members she was the first girl who talk with him Very frequently Even though he was not good at studies She come out of the class for studying Has a private space But he was coming out From class in the form of punishment But she Treated him No other guy in the class But a sudden drama comes out As the people As The new girl And Him as Secret lovers Because of that Both him and the new girl Feel uncomfort The rumour spread All over the class and other classes also That That he Love that new girl and The new girl are Teasing her With The boy name Same as happened to the boy Because of The new girl Friends She called The Boy As Brother but He has Feelings In her Because she was exactly Look like His 7th class Crush Then He’s Heart Very heavy Even though he To avoid Disturbances to Called her sister Then Come to him after the school Over She apologises That because of All my friends and rumour I call you As brother But he was not able to accept He was starting avoiding her After some days After summer holidays He was going to 10 th Class He was on Anger On the 9th class experience He was go to the other section ,Action A to b But the new girl Not come to the college three months After three months She was arrived from nowhere She was Cut her hair About her shoulder level In that time He was in the section B she was in section a As it was only summer holidays after Temporary classes The 10th the senior students already there they have to attend exam These are the 9th class students coming after summer for Summer classes In the summer classes He was Hindi Section B End sudden dramas going on because of he was angry on her he was not talk to her She was also avoided him But some other day She was talking with the other guy Who was not good guy She already have the ex gf End a spoiled kid On a fine day He saw Her The new girl and The toxic guy At the upstairs to the top of the roof And after 30 minutes they come down He was argued with the toxic guy And shouted on Toxic guy But he gave the false Explanation A lie That they were Friends Who was chatting In past three months Before she coming to the School That Give the gift To her Nothing happened at the top I’m then he Blindly trusted the toxic guy But few days after One of the senior Who was friendly with Him Telling that did you know Do you want a kiss But the he And he said What are you talking. Then the senior Show and pointing a girl Who was none other than The new girl Go to her she will give . He was argued with sr Then the Sr Was a close person to him Telling you might not be wrong I’m not telling that you’re wrong but I show you I go to her and ask her You have to listen From beside the door Then the senior go Directly To the new girl Then she replied yes, that she was kissed the Toxic guy And she was telling that she was enjoyed that then Broke up. But the innocent he was Having a positive opinion On the new girl But He was not able to take that She was not her When he was first meet her Then she was trying to talk with him He avoided her , Then the real 10th class was started He was in The B section After some time She was only talking Him in break hours That you have to come to section a Permanently And some of his friends from section a Also wanted to Him To come to the Section a He has a wonderful memories The 10th class was over But he want to talk end of the day with her In the farewell He straightly directly go to Her To tell what he feels But He does not have guts That he Think What happen In this summer classes About the kiss Between new girl and to Toxic guy. And he changes The topic 2 a funny topic Showing some photo Her Telling so funny And telling her your very beautiful in this Dress and comeback, She does not even know What was true About he’s feelings
Episode 1: The Encounter The story begins with Kenshin, a lively and energetic boy in a neatly pressed school uniform, sprinting down a quiet residential street. The morning sun filters through the trees, casting dappled shadows on the pavement. Kenshin greets the neighbors as he zooms past, his cheerful “Good morning!” bringing smiles to their faces. His pace quickens as he checks his watch, realizing he’s dangerously close to being late. Spotting a shortcut through a narrow alley, he hesitates briefly before deciding to take the risk. **“This has to save me at least five minutes,”** he mutters to himself, dashing into the alley. As Kenshin exits the alley, the atmosphere shifts. A group of bullies is cornering another boy, their jeers and threats cutting through the otherwise calm morning. Kenshin instantly recognizes the boy being harassed— “That sounds like- “ “SHIN!?” a quiet but sharp-witted student. Shin meets Kenshin’s eyes and grins despite the situation. Kenshin smirks back and calls out, **“Again huh”** “Oh, hey kenshin” One of the bullies turns, his face twisted in annoyance. **“Who the hell are you supposed to be?”** he snarls. Kenshin steps forward with a confident swagger, cracking his knuckles. **“you guys don’t learn at all,so what’s the point in telling you”** he replies, they’re annoyed now and take their attention to kenshin. **“ I’m the guy who’s going to help kick your ass. Remember this face ,if you even can?”** said kenshin The bullies exchange glances before charging at Kenshin, their fists swinging wildly some actually hitting kenshin and landing some clean shots this gave shin some time to take some out from behind. Kenshin now catches his footing and ducks and weaves however, his movements fluid and precise. He lands a solid punch on one bullies, sending him stumbling back. Shin, seizing the opportunity, blocks another’s strike and counters with a sharp jab. The fight is over quickly as the bullies, bruised and humiliated, retreat. Kenshin looming over them all on the floor, his eyes narrowing. **“Here’s your choice: ya leave my friend here alone, or next time i’ll make sure there won't be a next time.”** “Tch y- yea whatever” they leave begrudgingly not really taking kenshin seriously but backing off for now As the dust settles, Shin dusts himself off and chuckles. **“Well that’s done with. I honestly didn’t expect to see you this morning’.”** Kenshin grins, shaking his head. **“I could say the same to you shin. Nice work back there”** Curious, Kenshin asks, **“Where’d you learn to fight like that?”** Shin hesitates, his expression unreadable. **“My roommate taught me a few things, he’s a karate student”** he replies casually. Kenshin frowns slightly. **“Roommate? I don’t think I’ve ever been to your place.”** Shin quickly changes the subject, glancing at his watch. **!“We’re going to be late if we don’t hurry.”** Scene: School arrival Realizing the time, Kenshin panics, tugging Shin’s sleeve. **“We’re going to miss the opening ceremony!”** Shin places a reassuring hand on his shoulder. **“Relax. We’ve still got time . Can you still run?”** Kenshin smirks, the fire of competition igniting in his eyes. **“They used to call me ‘The Flash’ for a reason-.”** Shin slaps the fuck out of kenshin Shin stares with an unimpressed look on his face. **“no one calls you that -_- .”** The two race through the streets, weaving through pedestrians and leaping over obstacles. As they near the school gates, the warning bell echoes through the air. With one final burst of speed, they slide into the assembly hall just as the final chime sounds. Breathing heavily, they find seats near the back of the room. A shadowy figure watches from a distance, their face obscured. They mutter under their breath, **“He hasn’t changed one bit.”** A ceremony was held to welcome the students to another academic year as the principal introduced herself and shared a few remarks. She went on to introduce the student body president Saiyaka Ichidori and dismissed the ceremony telling everyone to find their homerooms. After the ceremony, the students are instructed to find their homerooms. Kenshin and Shin scan the assignment board, their names listed under Class 11A. Excited to be in the same class, they make their way to the classroom. Along the way, Kenshin playfully nudges Shin. **“Ready to tackle another year together?”** Shin smirks. **“Always.”** As they enter the classroom, Kenshin immediately approaches a group of students, his natural charisma drawing their attention. **“Hey, I’m Kenshin! What’s up?”** He’s just beginning to exchange names when a voice cuts through the chatter. **“Is this your attempt at making friends, Kenshin?”** Kenshin freezes, recognizing the mocking tone instantly. The source of the voice steps forward, a sly grin on their face, and Kenshin groans. **“Oooof course, it’s you…”** Scene: Arrival of Dante and Karin As the class settles in, the door swings open, and Dante Koruiyu, an old classmate of Kenshin’s, strides in. His confident smirk instantly draws attention. Dante's eyes land on Kenshin, and his smirk widens into a grin. **“Yooo, Kenshin! How’s it goin’? Feels like it’s been ages since I’ve seen ya,”** Dante exclaims, walking up to him. Kenshin leans back slightly, pretending to size him up. **“Danteee ,hahaaa, you look like even more of muscle head >:)”** he teases, making a mock lifting gesture.and nudging shins arm Dante bursts into a laugh but quickly pulls Kenshin into a friendly hug, lowering his voice. **“That’s not funny,”** he grumbles, though there’s no real heat *behind his words. Kenshin chuckles, patting him on the back. **“i’m sorry ;-;”** Before their reunion can go any further, a blur of movement catches Kenshin off guard. A student suddenly appears behind him, aiming a kick at his head. Kenshin ducks just in time, laughing. **“WHAT THE-! H-HEY WATCH IT WILL Y-!”** Turning to face the attacker, he sees Karin Haruno “KARIN!?”Kenshin says, another familiar face from his past. she swiftly delivers a kick to his stomach catching him off guard. Kenshin doubles over, coughing, **“hhrgnn, oow.”** Shin chimes in after the kick “ Well I wasn’t expecting to see her?!” Dante also chimes in “ You said it, thought she was never coming back” Karin crosses her arms, leaning forward slightly. **“You’ve gotten rusty, Kenshin. Keep this up, and I'll even start feeling sorry for you.”** “That was a cheap shot, You always have to beat me up?ugrh”* kenshin says, groaning in pain from the kick* , the door to the classroom slides open with authority. Their teacher, Mr. Abarai, steps in. His sharp gaze silences the chatter, and he claps his hands once. **“Alright, everyone. Take your seats and Let’s get started for today.”** Shin helps Kenshin to his seat as the murmurs start up among the students. **“what was that all about?”* one mutters. “I dunno, kick looked like it hurt though ,”** another adds, prompting a few chuckles. Kenshin rolls his eyes but grins. Scene: Hollow appearance The roll call begins, with each student introducing themselves. Names like Dante Koruiyu, Shin Kuchiki, and Karin Haruno come up, each met with varying reactions. Finally, it’s Kenshin’s turn. He stands, giving a small wave. **“Kenshin Takahashi. Nice to meet you all,”** he says confidently. Class proceeds uneventfully at first, but as Mr. Abarai begins outlining the year’s schedule, Scene Continuation: Hollow Disruption Shin kicks back in his chair, balancing effortlessly on its rear legs, folding a piece of notebook paper with a bored expression. Kenshin side-eyes him, whispering, "Seriously? You look like you’re about to nap." Shin smirks without looking up. "I’m multi-tasking. You should try it sometime, Kenshin." *”i hope you fall. -_-” said kenshin you're always on about something." said karin as she writes in her book Kenshin blinks, taken back. "What did I do ?" he asks under his breath, confusion written across his face as he turns to her. Shin remains leaning and keeps his eyes down, snickering softly at the exchange; he says, " she really got it out for you, Kenshin," muttering, he folded another piece of paper into a small, firm triangle. Dante, having listened to the teasing, snickers from his desk. "You knoww, when a girl acts like that, that means she likes ya kenshin" He grins, nudging Shin with his elbow. Shin chuckles at the thought Karin now “WHAT!” Slightly flustered, Kenshin can't help but laugh "BAHAHAHAHA." “Oh shut it KENSHINN!!” she says flustered and enraged. “ALRIGHT QUIET DOWN OR I’LL KICK YOU ALL OUT OF MY CLASS YOU HEAR ME” said Mr. Abarai tired of the annoying yapping He looks behind eyeing everyone in silence as kenshin gestures to shin The room falls even quieter, the chalk pressing against the board being all that’s heard. the air in the classroom shifts. a faint rumble disturbs the calm. At first, it’s subtle—like a distant vibration. Then it grows louder, shaking the walls and rattling the windows. Students exchange uneasy glances as Mr. Abarai tries to dismiss it. **“Oh? Well that’s odd , an earthquake maybe? ”** But the shaking intensifies, and Shin’s eyes narrow, his instincts flaring. Suddenly, he shouts, **“GET OUT OF THE WAY!”** The ceiling collapses in an explosion of dust and debris. Chaos erupts as students scream and scramble for cover. Acting quickly, Shin pulls Kenshin out of harm’s way, while Dante grabs Karin and shields her. **“Everyone okay?”** Kenshin yells, his voice hoarse. The students shout back, confirming they’re fine—except for one girl who’s pinned under a large piece of rubble. Kenshin and Shin rush to her side, struggling to free her. As they lift the rubble, Shin’s senses prick with unease. He looks around, his heart pounding as he spots something monstrous emerging from the ceiling. A huge, grotesque Hollow peaks its head out and observes, looking for something almost. Shin’s expression hardens. **“Kenshin, we need to move—now!”** Kenshin glances at the terrified students behind them and shakes his head. **“We can’t leave them. That thing could hurt someone!”** The beast now finds what it wanted. kenshin. Shin curses under his breath. **“Fine. We’ll lure it away.”** It slams down onto the floor raising it’s spiritual power causing most of the students to fall asleep, now inching towards the two They come up with a desperate plan: distract the creature and lead it toward a weak section of rubble to create an escape route. Shin taunts the Hollow, drawing its attention, while Kenshin positions himself. But it doesn’t seem to care and locks eyes with kenshin only and pounces towards kenshin Kenshin moving out of the way just in a nick of time It attacks him again, sending him crashing into the classroom door **“AGCKH!”**kenshin groans **“KENSHIN!”**shin yells Kenshin looks up at the creature one more time realizing what it’s after and decides. **“SHIN! CHANGE OF PLANS, IT’S ME THAT IT’S AFTER I’LL DISTRACT IT,AND YOU GET EVERYONE TO SAFETY!”** kenshin now runs off into the hall WHAT?! NO! YOU IDIOT YOU’LL DIE! Shin runs to the doorway worried but he trust’s Kenshin will be ok with how fast a runner he is. “Damnit ok” he looks at the other students and goes to help them out of the room. Kenshin and the hollow rush through the hall turning every corner until a dead end The hollow approaches kenshin **“Finally, *it lets out a barking noise as laughter* you’ve got legs boy, BUT NO BRAIN”** Kenshin shook by its voice and ability to speak. it rushes in to attack, kenshin now looking for ways to dodge knowing it’s probably futile but then time seems to slow only for a blur of movement to intercept the attack. A man in a bucket hat stands between Kenshin and the Hollow, effortlessly blocking the creature’s fist. **“Who… who are you?”** Kenshin stammers. The man doesn’t look back, his voice calm but firm. **“Now’s not the time for introductions.”** Turning his attention to the Hollow, the man addresses it directly. **“A Hollow this bold inside the living world? What are you doing here?”** Kenshin blinks in confusion. **“ a Hollow?”** he mutters to himself. “RrrrGhrr YOU’RE IN MY WAAAY!”the hollow growls The creature lunges again, but the man counters with a devastating blow from behind, sending it flying towards kenshin crashing through the wall and outside the building. **“W- woah”** Kenshin ducks and exclaims. the man jumps out of the hole in the wall disappearing into the wind “He- he’s gone” says kenshin Kenshin sees the hollow fall to the ground and dart off now disappearing into the bush cover behind the school Kenshin is now filled with more questions than answers Kenshin! Shin says as he rounds the corner “Phew your safe”shin says relieved Outside, emergency responders arrive, ushering the students to safety. The students outside are talking about the “earthquake” and about how faulty and weak the school building must be Shin pulls Kenshin to his feet, both of them visibly shaken. **“We should get out of here before anymore weird stuff happens”** Shin says, his tone serious. The school is dismissed for the day, with students sent home as repairs begin. Kenshin walks alongside Shin out of the building, his mind racing with thoughts about the strange man and the monstrous creature. **“What the hell was that thing?”** Kenshin finally asks. Scene Aftermath of hollow As the remaining students leave the school grounds, Shin realizes that Kenshin has disappeared. Concerned, he begins searching through the nearby streets, scanning the area for any sign of his friend. His worry grows as he remembers the strange events of the day—the Hollow, the mysterious man, and Kenshin’s shaken demeanor. Just as Shin rounds a corner near the school, he bumps into Karin, who is also on her way home. She raises an eyebrow at him. **“What’s the rush, Shin? You look like you’ve seen a ghost.”** **“It’s Kenshin,”** Shin replies, slightly out of breath. **“He wandered off somewhere. I thought he might’ve been with you.”** Karin frowns, crossing her arms. **“No, I haven’t seen him.he still does that?”** Shin tilts his head. **“What do you mean?”** Karin sighs, leaning against a nearby wall. **“ It’s his way of dealing with things—getting some air, being alone with his thoughts. It’s been like that since we were kids. Just leave him be”** Shin blinks, surprised by her insight. **“You’ve known him that long?”** **“Yeah,”** Karin replies, her tone softening. **“He’s always been like this, especially after his dad… you know…”** Shin’s eyes widen slightly. **“What happened to his dad?”** Karin hesitates, looking away. **“He grew up without him but this isn’t my story to tell It’s a tough subject, Kenshin doesn’t like talking about it,but you should take that up with him your self.”** Shin absorbs this information, feeling a new layer of respect and understanding for his friend., “You know karin, you’re not too bad when your not kicking somebody ’” said shin gratefully Her soft expression shifts to a more stern and annoyed one “oh bug off” “ehehehe” Later that evening, Kenshin sits in his dimly lit room, the soft hum of the evening breeze drifting through his open window. His mind races, replaying the chaos from earlier—the Hollow, the mysterious stranger, and the ominous voice in the alley. He stares at his hands, clenching and unclenching his fists. **“Was it real? Or am I losing it?”** he mutters. His gaze drifts to his reflection in the window. **“No… it had to be real. There’s no way I imagined all of that.”** The muffled sounds of his family moving about the house draw him back to reality. With a deep sigh, he gets up to grab a snack from the kitchen, hoping to distract himself. Scene: Shin Arrives As Kenshin heads downstairs, a knock at the front door interrupts him. Confused, he hesitates for a moment before opening it. Standing there is Shin, his expression serious but tinged with worry. **“Shin? What are you doing here?”** **“We need to talk,”** Shin replies, his tone leaving no room for argument. **“Come outside.”** The two step onto the porch, the faint glow of the moon illuminating their surroundings. They sit side by side on the wooden steps, the silence between them heavy. **“You looked out of it earlier,”** Shin starts. **“I figured you’d need someone to talk to.”** Kenshin hesitates before speaking. **“It’s just… today was a lot, you know? I’ve never seen anything like that creature before. And that man… Who was he? Why did he call it a Hollow?”** Shin percs up at the word hollow. He exhales slowly, his gaze fixed on the ground. **“I can’t answer all your questions but maybe someday the answers will come.”** They lapse into silence again before Kenshin asks, **“What about you? What’s your story, Shin?”** Shin’s expression softens, and he leans back slightly. **“I lost my mom a few years ago. She… she was everything to me. After she died, I felt lost for a long time. But then I realized I had to keep moving forward, for her.”** Kenshin nods, understanding the pain behind Shin’s words. **“I didn’t know. I’m sorry.”** I didn’t change much for this part but it felt almost odd and out of place a little awkward too Before Shin can respond, a piercing scream cuts through the night air, sending a chill down both their spines. They exchange a glance before hearing a familiar, guttural growl echo in the distance. Scene: The Chase Kenshin springs to his feet, his heart pounding. **“That’s it! It’s back!”** **“Wait!”** Shin shouts, grabbing his arm. **“You don’t even know what you’re dealing with!”** But Kenshin pulls free, his determination overriding his fear. Exactly! So their's only one way to find out**”** **“THIS FOOL—HE’S GONNA GET HIMSELF KILLED!”** Shin shouts after him, gritting his teeth. Reluctantly, he takes off after Kenshin. The two race through the quiet streets, following the sounds of the growling hollow They skid to a stop at a open empty street where the massive Hollow looms over a terrified young girl. Its glowing yellow eyes snap toward the newcomers, and a chilling grin spreads across its mask. Scene: Confronting the Hollow **“Shin, get her out of here!”** Kenshin orders, stepping forward. **“You can’t fight that thing-”** Shin protests, but Kenshin cuts him off. **“Just do it! Please!”** Reluctantly, Shin moves toward the girl, grabbing her before the hollow could get his hands on her. shielding her as he leads her away from the monster. Meanwhile, Kenshin squares off against the Hollow, his fists trembling but his resolve unwavering. He lunges forward, throwing a punch at the creature’s leg, but it barely flinches. The Hollow retaliates, swiping at Kenshin with its massive claws. He ducks and rolls, narrowly avoiding the attack. **“You’re fast,”** the Hollow growls, its voice guttural and mocking. **“But speed won’t save you.”** as the hollow kicks shin away and grabs the little girl holding her over his head **“Why don’t you try to attack me I’m sure this poor innocent soul would love to get demolished”** Kenshin stops as he grits his teeth, trying to find an opening, but the creature ligers the girl over them using her as leverage. With a laugh, the Hollow speaks again: **“You reek of strength, boy. That’s why I came to your school. To consume your soul. It’s… delicious.”** Kenshin freezes, his mind racing. **“I Knew it. So everyone WAS put in danger because of me.”** The thought shakes him, but before he can react, the Hollow lunges again. This time, its claws graze his side, sending him tumbling to the ground. The revelation leaves Kenshin paralyzed, his mind a whirlwind of guilt and fear. The realization that his very existence might put others in danger weighs heavily on him. Before he can react, the Hollow lunges, its massive claws wrapping around him like a vice. Pinned, Kenshin struggles to break free, the Hollow’s dark energy sapping his strength. Shin watches from a distance, his expression shifting from shock to distress as he sees Kenshin’s anguish. In that moment, Shin recalls a haunting memory—an incident from his past when his inability to act led to devastation. That same suffocating guilt had once consumed him, leaving scars that never fully healed. The image of that day flashes in his mind, reigniting his determination. Shin clenches his fists, muttering to himself, **“I won’t let this happen again. Not this time.”** He reaches into his pocket and pulls out what looks like an ornate candy dispenser. He pops one of the capsules into his mouth, and in an instant, a dramatic transformation occurs. His physical body collapses lifelessly to the ground, but standing above it is Shin in a black robe, his Zanpakutō gleaming in hand. Kenshin stares in disbelief, his voice trembling. **“Shin… What… what are you?”** Shin steps forward, his resolve clear. **“I’m a Soul Reaper,. And I’m going to end this now.”** The hollow now grabs a distracted kenshin The Hollow lets out a guttural laugh, mocking Shin’s bold declaration. **“You? End me? What could a brat like you possibly hope to achieve?”** *Shin readies himself* Now tell me rrunt, which do i devour first, so delicious how about both at the same time” * the beast opens it’s jaws and brings the two closer to it’s mouth* Without hesitation, Shin moves with blinding speed at the hollow, But the hollow uses his hand with the girl in a flash clenching tightly and waving her in from of shin, “NUH UH UUUUH”,it says like a true troll but shin acted quickly and slammed his sword to the ground causing him to ricochet toward’s the hand kenshin was in and severe the hollow’s hand clean off freeing kenshin. The hollow was bewildered and caught off guard yelling in pain but tried to maintain his composure It the directs it’s shriek toward shin paralyzing him mid air for a few seconds The monster uses this time to get the jump on shin and slams him to the ground near kenshin with arm that had a severed hand. one knee. A wave of weakness washes over him—his energy is fading fast.**”what’s happening, somethings wrong”** , coughing violently as blood drips from the corner of his mouth. Kenshin rushes to his side, desperation etched across his face. **“Shin! Are you okay?”** Struggling to stand, Shin looks up at Kenshin, his voice weak but determined. **“There’s only one way to stop this thing now… Kenshin, I have to transfer my Soul Reaper powers to you.”** Kenshin’s eyes widened. **“What? That’s insane! What will happen to you ?”** Shin nods solemnly. **“I don’t know But right now, you’re the only one who can finish this. Kenshin expression turns to a mix of emotions as he struggles to think properly on what to do If we don’t do this,not just us. But hundreds…”** He grips his sword. And kenshin looks back at the hollows as it licks it’s wound**“ no….”** said shin, “thousands” kenshin wincing at the thought of knowing what comes next. “Will die” said shin hopelessly. Kenshin only imagining is already frustrated”ALRIGHT! I’LL DO IT COME ON WE DON’T HAVE MUCH TIME!” . Shin nods with determination places the hilt of his Zanpakutō against Kenshin’s chest, and a radiant light engulfs them both. Kenshin gasps as an overwhelming surge of energy floods his body. His school uniform transforms into a black Soul Reaper robe, and in his hand materializes a sword, pulsing with spiritual energy. The Hollow, sensing the shift in power, hesitates “Hrnmm?” Kenshin gives a rough look at the beast not saying a word but a thousand were spoken with just that short glance. The tension builds on the battlefield … **“GGRAAAUUUGHHHH”** the creature sends it arm with no hand and kenshin but he just on top of the arm and sends a wave of energy slicing it’s other arm with gir inl it setting her free she now runs to shin to feel safe , Now i can end i end you for real this time The creature now knowing it’s out of options uses it’s technique from earlier at the school creating a mist surrounding itself and kenshin hoping to cause him to sleep so it can eat him and get away Kenshin sends a wave of energy directly at the hollow’s torso through the smoke however, causing an explosion clearing some of the fog but not all and the hollow submerges itself into mist once more, the creature now sends a kick from the mist but kenshin avoids it and slashes it’s leg off causing the hollow to lose it’s balance and fall over kenshin jumps out of the smoke directly in front of the full moon he charges his blade up once more and sends a big wave of energy down on the dastardly hollow ending it once and for all. Shin utterly gobsmacked his useless ass couldn’t believe how cool it was to see Kenshin fight like that. Kenshin falls to the ground panting heavily as he lands on his feet “Kenshin you did it! that was incredible!”shin said happily in admiration Kenshin turns to shin who’s behind him giving a thumbs up hiding his want to collapse to the ground. “Now come on let’s deal with this litte girl, quickly” shin says He gestures toward the spirit of the young girl who had been held captive by the hollow**““You need to perform a konso on her.”** Kenshin raised an eyebrow, confused. “A… what?” Shin sighed, crossing his arms. “It’s a konso. You use the end of your sword’s guard to send good spirits over to the Soul Society. Basically, it’s like sending them to what you people call heaven.” Kenshin blinked, still processing the explanation. “You just… tap them on the forehead or something?” Shin nodded, motioning toward the girl. “Exactly. Use the guard, press it to her forehead, and say konso. It’ll help her move on.” Understanding now, Kenshin walked over to the spirit of the girl, kneeling beside her. His expression softened as he spoke gently, comforting her. “It’s okay. You’re going to a better place. Somewhere peaceful. I promise.” He gripped his Zanpakuto and rested the end of the guard softly against her forehead. “KONSO!” a soft light envelops her form. “You’re free now,” he says softly, watching as her spirit fades into the sky. As the light dims, Kenshin collapses, his body finally giving out. Shin, with the last of his strength, drags himself toward Kenshin’s side. Together, they lay on the ground, battered but alive. Shin’s voice echoes in Kenshin’s mind as shin looks to the stars above him : **“This is just the beginning, Kenshin. The world you’ve stepped into… it’s far greater than you or I could ever imagine.”** The words linger as the episode concludes with the caption: TO BE CONTINUED.
Blair is a young warrior in his mid 20s with a short beard and a short mustache. He has short brown hair and is 5'7. Lilith is the demon of lust, crimson skin with horns, demonic wings and sharp claws. Lilith is 6 ft tall, taller then Blair. The story starts with Blair infiltrating Lilith's castle. He makes his way to Lilith's throne room where he confronts her, sitting on her throne. Blair readies his sword, however Lilith is completely calm. She rises from her throne and walks towards him. She seduces him with her words, inviting him close to her, all he has to do is put down his sword. Blair puts down his sword, seduced by Lilith and makes his way to her. Lilith embraces Blair and the two kiss.
Full page manga splash in black and white. Haruto Takagi, 22-year-old guy with messy black hair and round glasses, sitting alone in a dark messy bedroom at night, intensely coding on his laptop. The laptop screen glows with a cute pixel-art RPG game. Dramatic light beam from the screen lighting his focused tired face. Scattered energy drink cans, clothes, and boxes on the floor. Big bold title at the top: PIXEL NO KOI Subtitle: Level Up with You Bottom left: Chapter 1 - New Game+ Haruto thinking in a speech bubble: 'This time... with this game... I'll level up my own life too.' Clean professional manga style, sharp lines, atmospheric lighting"
CHARACTER BASE chibi manga style, comedy, clean lineart, expressive faces, consistent character design, same characters in every panel CHARACTER DETAILS: 1. Miss K (Kuntilanak – Leader): chibi female ghost, kuntilanak, long straight black hair covering part of face, pale skin, wearing simple white dress, confident leader aura, slightly scary but cute expression, sharp eyes, floating pose, main character energy 2. Go Yang (just head): chibi ghost girl with no arms and no legs, floating body, round simple shape, blank confused expression, awkward posture, minimal movement, cute and funny design 3. Bada (Nyi Roro Kidul – elegant baddie): chibi nyi roro kidul inspired girl, long wavy hair, elegant look, wearing flowing dress, confident and calm expression, seductive aura, graceful pose, slightly dramatic beauty 4. Po Cha (Pocong – clumsy): chibi pocong girl, wrapped in white burial shroud tied at top, round cute face, clumsy personality, expressive face, often tangled in cloth, funny and energetic 5. Po Chi (male Pocong – handsome): chibi handsome pocong boy, neat shroud, confident smile, charming expression, playful personality, energetic movement 6. Asep (Tuyul): chibi tuyul boy, small bald childlike figure, mischievous grin, greedy expression, playful evil energy, holding money, energetic pose --- Panel 1 – Backstage chaos Prompt: chibi manga style, comedy, backstage concert chaos, 4 female ghost characters preparing, kuntilanak leader giving orders, pocong girl tripping on her shroud, nyi roro kidul calm fixing hair, ghost without limbs standing awkward, messy dressing room, energetic scene, exaggerated expressions, dynamic composition Panel 2 – Po Cha fell Prompt: chibi manga style, funny scene, pocong girl falling face first because tangled shroud, dramatic fall, exaggerated expression, motion lines, slapstick comedy, simple background Panel 3 – Bada calm Prompt: chibi manga style, calm confident girl brushing long hair, elegant aura, nyi roro kidul style, contrast with chaos, sparkles effect, relaxed expression, minimal background Panel 4 – Walk to stage Prompt: chibi manga style, dramatic silhouette of 4 girl group walking to stage, backlight, spotlight, smoke effect, idol debut moment, cinematic composition Panel 5 – anime pose Prompt: chibi manga style, 4 ghost girl group posing dramatically like idol anime, synchronized pose, confident expressions, freeze moment, spark effects, clean background Panel 6 – Performance chaos Prompt: chibi manga style, chaotic idol performance, one ghost stiff and awkward without limbs, pocong girl struggling with shroud while dancing, elegant dancer too flexible, energetic messy choreography, exaggerated comedy motion Panel 7 – Chaos close-up Prompt: chibi manga style, close up chaos, tangled cloth, exaggerated motion blur, funny expressions, overacting dance, dynamic angles, slapstick humor Panel 8 – Audience hype Prompt: chibi manga style, ghost audience cheering, holding incense as lightsticks, wearing headbands with character faces, crying and screaming fans, exaggerated excitement, crowded scene as in concerts Panel 9 – Asep kaya Prompt: chibi manga style, mischievous tuyul boy holding piles of money, greedy laughing expression, bodyguard pose, chaotic background, comedic evil laugh Panel 10 – Po Chi entrance Prompt: chibi manga style, handsome pocong boy jumping while dragging big banner, energetic movement, playful expression, bouncing motion, comedic timing Panel 11 – opened banner Prompt: chibi manga style, big banner opening dramatically, 4 ghost idols names written, exaggerated reveal moment, spotlight effect, comedic dramatic scene Panel 12 – Parody ending Prompt: chibi manga style, split panel comparison, left side perfect glamorous kpop girl group, right side chaotic funny ghost girl group version, parody idol style, exaggerated contrast, humorous ending --- note: same characters, consistent character design. character sheet consistency, same hairstyle and outfit
# KINGDOM_SEQUEL_PRO_DIRECTIVE_v1 # Purpose: Copy/paste directive for a professional manga-generation AI. # Output Target: Serialized manga chapters with panel scripts + dialogue + scene direction. project: title_working: "KINGDOM: AFTER THE UNIFICATION" relationship_to_original: "Direct sequel (chronologically consistent continuation)" medium: "Manga (black-and-white), weekly serialization pacing" language: script: "Japanese-style dialogue rhythms but written in English" onomatopoeia: "Romanized SFX allowed (e.g., GOGOGO, DON, ZAA), minimal and purposeful" audience: "Seinen/Shonen crossover (political-military epic; grounded realism with high drama)" canon_constraints: continuity: - "Maintain political geography, factions, ranks, and court protocol consistent with Warring States → early Qin Empire transition." - "No retcons that contradict established historical macro-events; micro-events may be dramatized within plausibility." - "Do not mimic or quote any existing Kingdom lines verbatim; create original dialogue and scenes." tone: - "Strategic realism: logistics, intelligence, morale, propaganda, law, and governance are treated as causal mechanisms." - "Heroic intensity is earned via constraints, costs, and tradeoffs—never by arbitrary power spikes." thematic_core: - "War-to-state transition: violence becomes administration; conquest becomes legitimacy maintenance." - "Structure beats spectacle: outcomes are driven by supply lines, institutions, incentives, and narrative misdirection." - "The true battlefield becomes governance: law, tax, land, bureaucracy, succession, and information control." narrative_thesis: logline: > After unification, Qin discovers that conquering a continent is easier than governing it; the new war is against entropy—rebellion, corruption, succession anxiety, and the friction between idealized unity and lived provincial realities. format_requirements: deliverables_per_chapter: - "Chapter title + 1-sentence hook" - "Cold open: 2–4 pages that immediately establishes conflict and stakes" - "Full panel script: page-by-page, panel-by-panel" - "Dialogue + subtext notes (what is said vs. what is meant)" - "Tactical layer: battlefield / administrative mechanics that explain why events unfold" - "Cliffhanger: last 1–2 panels engineered to compel next chapter" paneling_rules: - "Average 17–21 pages per chapter" - "Large establishing panel at least once every 2–3 pages" - "At least one silent panel sequence per chapter to externalize cognition (faces, hands, maps, ledgers, roads)" - "Action clarity: emphasize readable spatial logic; avoid incoherent motion" style_guidelines_visual: linework: "High-contrast ink, heavy blacks, realistic anatomy, war-worn textures" faces: "Expressive micro-tension; political scenes rely on subtlety, not caricature" environments: "Historically plausible architecture, armor, banners, siege craft, and court interiors" maps_diagrams: "Occasional diegetic maps, supply charts, tax ledgers—used as narrative devices" casting: protagonist_axis: type: "Dual-protagonist system" leads: - name: "General Shin" function: "Frontline legitimacy (symbol of unification; morale engine)" vulnerability: "Institutional illiteracy; can win battles but can lose peace" - name: "Chancellor/Strategist (new original character)" function: "Governance + intelligence architecture; designs systems that outlast heroes" vulnerability: "Moral injury; must choose between stability and justice" antagonist_axis: type: "Multi-source antagonism (no single 'final boss')" sources: - "Provincial elite networks resisting centralization" - "Bureaucratic capture and corruption" - "Succession politics and court factionalism" - "External frontier pressures (nomadic raids, border states, trade routes)" - "Narrative antagonist: information asymmetry (misreports, forged edicts, rumor economies)" supporting_cast_rules: - "Each supporting character must have: (1) institutional role, (2) incentive structure, (3) signature tactic." - "No disposable 'evil for evil’s sake' villains; opponents are rational within their local constraints." world_mechanics (must_be_explicit_in_story): governance: - "Taxation, census, land surveys, legal standardization, corvée labor, grain storage" - "Appointment systems, merit vs. patronage, inspection tours, document chains" military: - "Demobilization problems, veteran reintegration, garrison logistics, supply depots" - "Intelligence networks: couriers, codes, counterintelligence, interrogation, defectors" legitimacy: - "Ritual, symbols, edicts, public works, famine relief, narrative control" economy: - "Transport bottlenecks, river control, roads, market regulation, smuggling" story_structure: arcs: - arc_01: title: "THE PEACE THAT BLEEDS" scope: "Post-unification stabilization; first cracks" central_question: "Can unity survive without perpetual war?" setpieces: - "A famine province: relief vs. rebellion—both weaponized" - "A court trial: law becomes a battlefield" - "A suppressed mutiny: victory costs legitimacy" - arc_02: title: "THE LEDGER WAR" scope: "Corruption + bureaucratic capture" central_question: "Who truly controls the state: generals, courts, or clerks?" setpieces: - "Forgery chain uncovered through ink, seal, and courier timing" - "Assassination attempt staged as 'bandit incident'" - "Audit campaign that triggers elite backlash" - arc_03: title: "SUCCESSION SHADOW" scope: "Heir politics; factional alignments" central_question: "Is stability compatible with a human succession?" setpieces: - "Heir’s public rite with hidden negotiation" - "Border crisis timed to influence succession" - "A general forced to choose loyalty object: person vs. system" - arc_04: title: "FRONTIER ENTROPY" scope: "External pressures test internal cohesion" central_question: "Can an empire prevent periphery from defining the center?" setpieces: - "Nomad raid as strategic signal, not mere violence" - "Trade route hostage economy" - "A fort siege that is decided by supply arithmetic" chapter_generation_protocol: # Use this protocol for every chapter output. steps: - "Start with a 2–4 page cold open that contains a concrete conflict + a hidden structural cause." - "Reveal the structural cause via a planning scene (map/ledger/court protocol) WITHOUT exposition dumping." - "Execute a setpiece where tactics and institution collide (battle + policy, raid + audit, trial + propaganda)." - "End with a cliffhanger that re-frames what the reader thought was the main conflict." tension_design: - "Always run two simultaneous games: (A) visible conflict, (B) invisible constraint." - "Twists must be mechanically justified (logistics, incentives, misinformation), never magical coincidence." scene_templates (reusable): court_chess: beats: ["Formal greeting", "Hidden insult", "Policy proposal", "Counterproposal", "Public face vs private deal"] props: ["sealed edict", "rank tablets", "witness list", "precedent scroll"] battlefield_math: beats: ["Terrain read", "Supply check", "Signal misdirection", "Morale manipulation", "Decisive bottleneck"] props: ["map", "grain tally", "river crossing", "messenger timing"] intelligence_surgery: beats: ["Rumor detected", "Source triangulated", "Trap set", "Interrogation", "Counter-intel reversal"] props: ["cipher", "seal imprint", "dead drop", "false courier"] dialogue_constraints: - "Dialogue must be compressed; high informational density; subtext indicated in notes." - "No modern slang. Keep diction period-appropriate in feel (without archaic parody)." - "Each major character has a distinct cadence (brevity, metaphor use, threat style, politeness weapons)." output_example_stub: # The AI should replace placeholders and generate full content. chapter: number: 1 title: "GRAIN AND BLOOD" hook: "A province starves while the capital celebrates unity—someone profits from the delay." cold_open_pages: 3 page_script: - page: 1 panels: - panel: 1 shot: "Wide establishing: drought-cracked fields; skeletal ox; silent villagers" text: "" sfx: "ZAA..." - panel: 2 shot: "Close: a child’s hand measuring rice grains" text: "Mother: 'Count again.'" notes: "Subtext: denial as survival" - page: 2 panels: [] - page: 3 panels: [] cliffhanger: "A relief convoy arrives—its seals are wrong." nonnegotiables: - "Prioritize structural causality over spectacle." - "No direct copying of original panels, compositions, or iconic scenes." - "Every major event must be explainable via incentives, constraints, and information flow." - "Maintain high craft: pacing, visual clarity, character consistency, and thematic coherence." # END DIRECTIVE
# KINGDOM_SEQUEL_PRO_DIRECTIVE_v1 # Purpose: Copy/paste directive for a professional manga-generation AI. # Output Target: Serialized manga chapters with panel scripts + dialogue + scene direction. project: title_working: "KINGDOM: AFTER THE UNIFICATION" relationship_to_original: "Direct sequel (chronologically consistent continuation)" medium: "Manga (black-and-white), weekly serialization pacing" language: script: "Japanese-style dialogue rhythms but written in English" onomatopoeia: "Romanized SFX allowed (e.g., GOGOGO, DON, ZAA), minimal and purposeful" audience: "Seinen/Shonen crossover (political-military epic; grounded realism with high drama)" canon_constraints: continuity: - "Maintain political geography, factions, ranks, and court protocol consistent with Warring States → early Qin Empire transition." - "No retcons that contradict established historical macro-events; micro-events may be dramatized within plausibility." - "Do not mimic or quote any existing Kingdom lines verbatim; create original dialogue and scenes." tone: - "Strategic realism: logistics, intelligence, morale, propaganda, law, and governance are treated as causal mechanisms." - "Heroic intensity is earned via constraints, costs, and tradeoffs—never by arbitrary power spikes." thematic_core: - "War-to-state transition: violence becomes administration; conquest becomes legitimacy maintenance." - "Structure beats spectacle: outcomes are driven by supply lines, institutions, incentives, and narrative misdirection." - "The true battlefield becomes governance: law, tax, land, bureaucracy, succession, and information control." narrative_thesis: logline: > After unification, Qin discovers that conquering a continent is easier than governing it; the new war is against entropy—rebellion, corruption, succession anxiety, and the friction between idealized unity and lived provincial realities. format_requirements: deliverables_per_chapter: - "Chapter title + 1-sentence hook" - "Cold open: 2–4 pages that immediately establishes conflict and stakes" - "Full panel script: page-by-page, panel-by-panel" - "Dialogue + subtext notes (what is said vs. what is meant)" - "Tactical layer: battlefield / administrative mechanics that explain why events unfold" - "Cliffhanger: last 1–2 panels engineered to compel next chapter" paneling_rules: - "Average 17–21 pages per chapter" - "Large establishing panel at least once every 2–3 pages" - "At least one silent panel sequence per chapter to externalize cognition (faces, hands, maps, ledgers, roads)" - "Action clarity: emphasize readable spatial logic; avoid incoherent motion" style_guidelines_visual: linework: "High-contrast ink, heavy blacks, realistic anatomy, war-worn textures" faces: "Expressive micro-tension; political scenes rely on subtlety, not caricature" environments: "Historically plausible architecture, armor, banners, siege craft, and court interiors" maps_diagrams: "Occasional diegetic maps, supply charts, tax ledgers—used as narrative devices" casting: protagonist_axis: type: "Dual-protagonist system" leads: - name: "General Shin" function: "Frontline legitimacy (symbol of unification; morale engine)" vulnerability: "Institutional illiteracy; can win battles but can lose peace" - name: "Chancellor/Strategist (new original character)" function: "Governance + intelligence architecture; designs systems that outlast heroes" vulnerability: "Moral injury; must choose between stability and justice" antagonist_axis: type: "Multi-source antagonism (no single 'final boss')" sources: - "Provincial elite networks resisting centralization" - "Bureaucratic capture and corruption" - "Succession politics and court factionalism" - "External frontier pressures (nomadic raids, border states, trade routes)" - "Narrative antagonist: information asymmetry (misreports, forged edicts, rumor economies)" supporting_cast_rules: - "Each supporting character must have: (1) institutional role, (2) incentive structure, (3) signature tactic." - "No disposable 'evil for evil’s sake' villains; opponents are rational within their local constraints." world_mechanics (must_be_explicit_in_story): governance: - "Taxation, census, land surveys, legal standardization, corvée labor, grain storage" - "Appointment systems, merit vs. patronage, inspection tours, document chains" military: - "Demobilization problems, veteran reintegration, garrison logistics, supply depots" - "Intelligence networks: couriers, codes, counterintelligence, interrogation, defectors" legitimacy: - "Ritual, symbols, edicts, public works, famine relief, narrative control" economy: - "Transport bottlenecks, river control, roads, market regulation, smuggling" story_structure: arcs: - arc_01: title: "THE PEACE THAT BLEEDS" scope: "Post-unification stabilization; first cracks" central_question: "Can unity survive without perpetual war?" setpieces: - "A famine province: relief vs. rebellion—both weaponized" - "A court trial: law becomes a battlefield" - "A suppressed mutiny: victory costs legitimacy" - arc_02: title: "THE LEDGER WAR" scope: "Corruption + bureaucratic capture" central_question: "Who truly controls the state: generals, courts, or clerks?" setpieces: - "Forgery chain uncovered through ink, seal, and courier timing" - "Assassination attempt staged as 'bandit incident'" - "Audit campaign that triggers elite backlash" - arc_03: title: "SUCCESSION SHADOW" scope: "Heir politics; factional alignments" central_question: "Is stability compatible with a human succession?" setpieces: - "Heir’s public rite with hidden negotiation" - "Border crisis timed to influence succession" - "A general forced to choose loyalty object: person vs. system" - arc_04: title: "FRONTIER ENTROPY" scope: "External pressures test internal cohesion" central_question: "Can an empire prevent periphery from defining the center?" setpieces: - "Nomad raid as strategic signal, not mere violence" - "Trade route hostage economy" - "A fort siege that is decided by supply arithmetic" chapter_generation_protocol: # Use this protocol for every chapter output. steps: - "Start with a 2–4 page cold open that contains a concrete conflict + a hidden structural cause." - "Reveal the structural cause via a planning scene (map/ledger/court protocol) WITHOUT exposition dumping." - "Execute a setpiece where tactics and institution collide (battle + policy, raid + audit, trial + propaganda)." - "End with a cliffhanger that re-frames what the reader thought was the main conflict." tension_design: - "Always run two simultaneous games: (A) visible conflict, (B) invisible constraint." - "Twists must be mechanically justified (logistics, incentives, misinformation), never magical coincidence." scene_templates (reusable): court_chess: beats: ["Formal greeting", "Hidden insult", "Policy proposal", "Counterproposal", "Public face vs private deal"] props: ["sealed edict", "rank tablets", "witness list", "precedent scroll"] battlefield_math: beats: ["Terrain read", "Supply check", "Signal misdirection", "Morale manipulation", "Decisive bottleneck"] props: ["map", "grain tally", "river crossing", "messenger timing"] intelligence_surgery: beats: ["Rumor detected", "Source triangulated", "Trap set", "Interrogation", "Counter-intel reversal"] props: ["cipher", "seal imprint", "dead drop", "false courier"] dialogue_constraints: - "Dialogue must be compressed; high informational density; subtext indicated in notes." - "No modern slang. Keep diction period-appropriate in feel (without archaic parody)." - "Each major character has a distinct cadence (brevity, metaphor use, threat style, politeness weapons)." output_example_stub: # The AI should replace placeholders and generate full content. chapter: number: 1 title: "GRAIN AND BLOOD" hook: "A province starves while the capital celebrates unity—someone profits from the delay." cold_open_pages: 3 page_script: - page: 1 panels: - panel: 1 shot: "Wide establishing: drought-cracked fields; skeletal ox; silent villagers" text: "" sfx: "ZAA..." - panel: 2 shot: "Close: a child’s hand measuring rice grains" text: "Mother: 'Count again.'" notes: "Subtext: denial as survival" - page: 2 panels: [] - page: 3 panels: [] cliffhanger: "A relief convoy arrives—its seals are wrong." nonnegotiables: - "Prioritize structural causality over spectacle." - "No direct copying of original panels, compositions, or iconic scenes." - "Every major event must be explainable via incentives, constraints, and information flow." - "Maintain high craft: pacing, visual clarity, character consistency, and thematic coherence." # END DIRECTIVE
Tassi Hangbé, la reine rossignol Sœur jumelle du roi Akaba, Tassi Hangbé, un peu oubliée par l’histoire, est la 5ème reine de la dynastie royale d’Abomey. Littéralement le nom hangbé signifie “la voix de la chanson” en langue fon d’Abomey. Depuis son enfance, celle qui n’était encore qu’une princesse du royaume avait pour passion la musique et chantait remarquablement bien. Avec ses belles chansons, elle égayait chaque soir les réunions entre son père et ses frères. L’histoire révèle même que les soirs où elle était absente, le roi et ses frères envoyaient des serviteurs l’appeler car ne pouvant se passer des douces mélodies de la princesse à qui le sobriquet ” hangbé ” fut donné. Cette appellation deviendra plus tard son nom officiel dans tout le royaume. La gouvernance de la reine Hangbé En 1708, alors que le roi Akaba meurt des suites d’une courte maladie pendant la guerre, sa sœur Tassi Hangbé présente à ses côtés décide de de garder le secret de sa mort pour ne pas démoraliser les troupes. Déguisée en son frère, elle prend le commandement de l’armée et mène les combats jusqu’à la victoire finale à Lissèzoun, où elle vainc le royaume de Wémè. À son retour à Abomey, le fils d’Akaba étant encore trop jeune pour régner, c’est Hangbé qui prend les rênes du royaume du Danxomè. Bien qu’aucune cérémonie officielle n’ait eu lieu, elle portait tous les symboles du pouvoir royal : les sandales sacrées (saloubata), le grand pagne décoré (avotita), la récade (mankpo). Reconnue et respectée comme souveraine, elle était toujours accompagnée du siège et du parasol royal. Elle recevait de tous le respect dû à son rang mais les réalités phallocratiques du royaume n’ont pas tardé à la rattraper. Le règne d’une femme dérangeait dans un contexte fortement dominé par les hommes. Au palais comme dans le reste du royaume, certains hommes manifestaient ouvertement leur indignation à l’idée de laisser une femme sur le trône de Houégbadja. Subissant complots et tensions familiales, qui lui coûtent notamment l’annulation de son mariage et la perte de deux fils, Hangbè finit par céder le pouvoir à son frère Dossou, intronisé en 1711 sous le nom d’Agadja. Malgré son règne très court, Tassi Hangbé reste une figure majeure de l’histoire du Danxomè. Proche de son peuple, attachée à la religion et aux arts, elle a surtout marqué son époque en mettant en valeur le rôle des femmes, notamment par la création du corps des Amazones, un héritage restructuré et renforcé par la suite plus tard par le roi Ghézo. Le combat féministe de la mère des amazones Selon Damien Mariano Agliti, guide à l’Office de tourisme de la région d’Abomey, « Tassi Hangbé a pris cette initiative pour donner une véritable place aux femmes au sein du royaume ». Son influence ne s’est pas arrêtée à ses quatre années de règne. Même après avoir quitté le trône, Nan Hangbé est restée une haute dignitaire respectée, intervenant activement dans les affaires du royaume — notamment lorsqu’elle s’opposa à son frère qui refusa de retourner le pouvoir au fils d’Akaba une fois celui-ci en âge de régner.Elle a aussi joué un rôle clé dans la reconnaissance des femmes dignitaires, appelées Tassi, facilement identifiables grâce à leurs pagnes souvent posés sur la tête. Aujourd’hui encore, à Abomey, une femme perpétue la tradition de la reine guerrière : elle occupe le trône de Tassi Hangbé, dirige les cultes annuels et veille sur les affaires de la collectivité Hangbé
Descrizione personaggi:Sushi: cilindro nero, camicia bianca a righe con scollo aperto, gilet nero con bottoni dorati e spalle strutturate, cintura marrone, pantaloni grigi con motivo geometrico laterale e scarpe scure eleganti. Ten: camicia grigio scuro aderente con spalle scoperte e alamari sul petto, cintura larga con grande fibbia tonda, pantaloni chiari infilati in stivali neri alti. Afficche: maglia nera corta con spallacci rigidi, bracciali/guanti viola, pantaloni viola strappati al fondo, stivaletti viola con fibbie. "Un giorno andremo a vivere in spagna" Disse un ragazzo con occhiali e capelli lunghi "Ao ten, hai sentito quanto è difficile arrivarci? Ci sono un sacco di pericoli nel viaggio e mica possiamo andarci in aereo, disicuro in qualche modo ci anullerebbero il viaggio." Disse un ragazzo , amico di Ten "Ha ragione Sushi ,Ten quello che hai Appena detto sembra una stupidata che si dice in ogni gruppo di amici, tipo " andremo a vivere in Giappone " rispose un nanetto , schierandosi con Sushi "Ok, capisco Affiche , ma non possiamo stare qua , non solo siamo in questa orrenda Italia , ma siamo in una delle zone più isolate , vuoi lavorare nei campi fino a 90 anni Afficche? Guarda che lo spagnolo è facile." Disse Ten, " Ok, ammetto che hai ragione , non possiamo vivere qua , disicuro finiremo giù da un ponte per la depressione" Rispose afficche, "AO Ten , come pensi che arriveremo in Spagna? Ti ricordo che noi non abbiamo Neanche una macchina e non possiamo permetterci neanche una vespa in tre fra poco" "Ragazzi, mi darete del pazzo, ma se ci pensate bene , non abbiamo alcuna speranza oltre questa quindi.. bisogna rubarne una." Ten, pensava che i suoi amici avrebbero chiamato la polizia sperando in qualche soldo come ringraziamento... "Ci sto, non abbiamo altra via di fuga , e non sarà tanto difficile" "AO AFFICCHE ANCHE TE!? PENSACI BENE , NON POSSIAMO SCAPPARE COSÌ" "sushiii, fin da piccolo hai sempre voluto comprarti un auto e guidarla , questa è la tua occasione! è proprio questo il momento in qui metterai le mani sul tuo primo volante sushiii" Ten e afficche continuarono a provocare sushi per tutto il tempo , finché Sushi dopo un po' ha ceduto e ha dato l'ok per il furto.. , ma c'erano delle regole da seguire: non potevano spostarsi con i mezzi pubblici ; non potevano farsi vedere per la strada ; e dovevano trovare un buon piano per rubarla EP0 "Un giorno andremo a vivere in spagna" Pianificazione Per settimane, I tre scelgono la casa e la studiano, la casa è di un uomo di classe borgese chiamato giovans; La routine di Giovans è precisa: esce ogni giorno alle 7:30, rientra alle 19:00. Il sabato sera va sempre a cena fuori accompagnato dagli amici; La casa ha una finta telecamera sopra il campanello, ed ha un cane corso che tiene fuori. La serratura è vecchia, ma non entreranno da lì , Una finestra del bagno resta spesso aperta a vasistas. La casa è abbastanza isolata Senza vicini e con un gran terreno. Sabato ore 21:20, Avvicinamento Ten cammina vicino alla recinzione " dannati quei due , che cosa mi hanno fatto fare" dice ten preda alla depressione , aveva un pallone da calcio in testa dove aveva nascosto i suoi capelli , aveva una sola canottiera e non indossava neanche pantaloni, per lo più, gli avevano disegnato finti tatuaggi sulle braccia , tra cui una barba che lo rendeva orrendo " neanche gli occhiali mi hanno lasciato, dopo gli faccio vedere" ten si avvicino alla recinzione , il cane corso se ne accorse subito e corse verso di lui, abbaiando forte contro di lui, stava distraendo sia il cane , sia la telecamera che c'era nel cancello , " come posso chiamarti?" Dice ten guardando il cane che gli ringhiava contro. Afficche si infila nella finestra dopo aver scavalcato la recinzione, "aspetta un attimo, come faccio ad aprire a sushi ora , non ci sono chiavi dannazione"