Realistic Shading Manga

6 hours of sleep. 8 hours at the workplace. average mood was neutral. read a book. no social activities. skipped lunch. no workout.
An Guy in the first photo visits his dad in the second photo in jail and The Guy in the first photo said "Dad how have you been?" And his dad said "I'm good son, you?" The Guy said "I'm good dad."
🖤 PLANCHE 4 — Les livres qu’on jette Âge d’Aris : 15 ans Style : manga noir et blanc, seinen classique Ambiance : nuit, pluie fine, indifférence Nombre de cases : 6 🟦 CASE 1 — PLAN LARGE (haut de page) Description visuelle : Bâtiment massif et austère : une académie. Architecture noble, propre, éclairée de l’intérieur. À l’arrière, une ruelle sombre. Ambiance : Savoir à l’abri. Rue froide derrière. Texte : Aucun. 🟦 CASE 2 — PLAN MOYEN Description visuelle : Derrière l’académie. Caisses en bois renversées. Des livres jetés, abîmés, mouillés par la pluie. Des pages collées par la boue. Ambiance : Mépris silencieux. Texte : Aucun. 🟦 CASE 3 — PLAN MOYEN (Aris) Description visuelle : Aris, 15 ans, maigre, vêtements usés, trop grands. Il s’approche prudemment des caisses. Il regarde autour de lui, comme s’il n’avait pas le droit d’être là. Ambiance : Habitude de la honte. Texte : Aucun. 🟦 CASE 4 — DÉTAIL (mains) Description visuelle : Les mains d’Aris fouillent parmi les livres. Certains sont trop mouillés. Certains déchirés. Il en écarte plusieurs. Ambiance : Tri lent, méthodique. Texte : Aucun. 🟦 CASE 5 — PLAN RAPPROCHÉ (objet) Description visuelle : Un livre plus épais, plus ancien. Couverture noire, sans titre apparent. Moins abîmé que les autres. Pas de symbole. Pas de lueur. Rien de magique. Texte : Aucun. 🟦 CASE 6 — CASE FINALE Description visuelle : Aris tient le livre contre lui, sous la pluie. Son visage est neutre. Juste une décision simple. Texte (petite bulle, très discrète) : « Celui-là… » 🎯 INTENTION (IMPORTANT POUR MANGAAI) Aris ne cherche pas la magie Il cherche à lire Le grimoire n’est pas présenté comme spécial L’académie jette → Aris récupère Aucun effet surnaturel à ce stade
🖤 PLANCHE 2 — Lire pour survivre Style : manga noir et blanc Ambiance : sombre, froide, mais avec une petite respiration Nombre de cases : 6 🟦 CASE 1 — PLAN MOYEN Description visuelle : Même rue que la planche 1. Aris enfant marche seul, tête baissée. Des affiches sont collées sur les murs (avis, annonces, lois). Ambiance : Indifférence totale. Texte : Aucun. 🟦 CASE 2 — PLAN RAPPROCHÉ (mur) Description visuelle : Affiche à moitié déchirée. Du texte visible, pas entièrement lisible. On comprend qu’il y a des mots. Ambiance : Le monde écrit, mais inaccessible. Texte : Aucun. 🟦 CASE 3 — PLAN RAPPROCHÉ (Aris) Description visuelle : Aris enfant arrêté devant le mur. Il regarde l’affiche. Son regard est concentré, sérieux. Ambiance : Curiosité, attention. Texte : Aucun. 🟦 CASE 4 — DÉTAIL (mains) Description visuelle : Aris décolle soigneusement un morceau de l’affiche. Ses doigts sont sales, mais délicats. Ambiance : Précaution, respect. Texte : Aucun. 🟦 CASE 5 — PLAN MOYEN Description visuelle : Aris assis dans une ruelle, dos au mur. Il tient le papier. Ses lèvres bougent légèrement. Ambiance : Concentration silencieuse. Texte (très petit, discret) : Des fragments de mots lisibles sur le papier (ex : “marché”, “pain”, “rue”, “interdit”). 🟦 CASE 6 — CASE FINALE Description visuelle : Aris appuyé contre le mur, lisant. Autour de lui, la rue est sombre. Son visage est un peu moins fermé que sur la planche 1. Ambiance : Calme. Refuge intérieur. Texte : Aucun. 🎯 INTENTION (pour MangaAI) La lecture = seule échappatoire Pas de sourire exagéré Pas de lumière magique Juste un peu moins d’ombre sur le visage d’Aris Le monde reste dur, lui trouve un refuge
🖤 PLANCHE 1 — Aris, orphelin Style : manga noir et blanc Ambiance : sombre, froide, indifférente Nombre de cases : 7 (rythme lent, oppression) 🟦 CASE 1 — PLAN LARGE (pleine largeur en haut) Description visuelle : Grande ville médiévale vue en plongée. Tours hautes, murs en pierre, rues étroites. Beaucoup de bâtiments, peu de ciel. La ville paraît massive, écrasante. Ambiance : Froide, impersonnelle. Texte : Aucun. 🟦 CASE 2 — PLAN MOYEN Description visuelle : Rue étroite. Des passants bien habillés marchent vite. Au bord du cadre, Aris enfant, maigre, sale, assis contre un mur. Aris enfant : Vêtements trop grands, usés. Cheveux en bataille. Regard baissé. Texte : Aucun. 🟦 CASE 3 — PLAN RAPPROCHÉ (mains) Description visuelle : Les mains d’Aris tendues. Sales, tremblantes. Une seule petite pièce dans la paume. Texte (petite bulle, très simple) : « S’il vous plaît… » 🟦 CASE 4 — PLAN MOYEN Description visuelle : Un adulte passe sans regarder Aris. Son manteau occupe la moitié de la case. Aris est presque hors champ. Ambiance : Mépris, indifférence. Texte : Aucun. 🟦 CASE 5 — CASE ÉTROITE (objet) Description visuelle : Aris fouille dans une poubelle. On voit du pain dur, à moitié moisi. Il hésite. Texte : Aucun. 🟦 CASE 6 — PLAN RAPPROCHÉ VISAGE Description visuelle : Visage d’Aris enfant. Traits tirés. Yeux fatigués, mais attentifs. Il mâche lentement. Ambiance : Faim, résignation. Texte : Aucun. 🟦 CASE 7 — CASE FINALE (silencieuse) Description visuelle : Aris recroquevillé contre un mur, la nuit. La ville continue derrière lui : silhouettes, ombres, mouvement. Lui est immobile. Ambiance : Solitude totale. Texte : Aucun. 🎯 INTENTION (IMPORTANT POUR MANGA AI) Pas d’exagération émotionnelle Pas de caricature Aris enfant ne pleure pas La ville est le “monstre” Le silence est plus fort que les mots
creer moi une fille aux cheveux rouge
A young boy with blue hair and two eyes, one coloured blue and the other gold, is awoken by his younger sister in her middle school uniform. He wakes up groggy, all messed up, and his long hair covering his face. his foot is shown stepping unto his unkempt room foor
Panel Type Extra-wide cinematic panel (double-page spread feeling) Camera High-angle camera, positioned near the ceiling Looking downward at a slight diagonal tilt Emphasizes scale, complexity, and secrecy Characters appear small compared to the environment 🧪 Environment – Underground Laboratory (Tokyo 2030) A large underground laboratory hidden deep beneath the city, industrial and functional rather than clean or futuristic-glossy. Central Area A large workstation hub in the middle Multiple computer terminals with stacked screens (2025-level tech, not holograms) Screens show: Code Brain scan data System diagnostics Surveillance-style feeds Thick cables snake across the floor, connecting systems Left Side – Power & Network Systems Inspired by your server rack reference: Tall server towers lining the wall Blinking indicator lights Heavy power conduits running along walls and floor Backup batteries, transformers, exposed cabling Feels noisy and energy-dense, like the lab must stay powered at all costs Right Side – Brain Scanner Room Inspired by the brain scanner chamber: A sealed scanning pod or chair inside a recessed alcove Mechanical armature above it with a focused light Thick padding, restraint-like elements (medical, not violent) Glass or transparent barrier partially enclosing it Clearly the most unsettling object in the room Rear / Side Areas – Planning & Research Inspired by the planning boards: One or two mobile whiteboards Covered with: Maps Red and blue marker lines Handwritten notes Sticky notes Diagrams and timelines Papers taped unevenly Suggest long-term planning and obsession 👥 Characters (All Three Present) Positioning They stand together but not unified: Scientist near the central workstation Slightly forward, familiar with the space Calm, focused posture Suited Woman a step behind Arms crossed or rigid stance Body language skeptical and tense Visibly evaluating the lab Younger Woman slightly apart Curious, relaxed Looking around rather than at the others They are small compared to the lab, reinforcing how big and serious this place is. 🎨 Art Style Black-and-white manga illustration Heavy use of screentone for depth Strong industrial textures Clean but dense linework No exaggerated sci-fi glow Realistic near-future technology 🎭 Mood Overwhelming scale. Hidden knowledge. A place built over years for something dangerous and important. 🚫 Negative Prompt No chibi style, no fantasy magic, no bright cyberpunk neon, no known characters, no cartoon proportions, no text bubbles.
Panel 1 (wide, top): A car on the road. Caption: Distance was just a number. ⸻ Panel 2: Map fragment: Utena → Vilnius. Caption: He drove to see me. ⸻ Panel 3: Interior of Akropolis shopping mall, Vilnius. They see each other for the first time. Small date in the corner: November 29 Caption: Our first meeting. ⸻ Panel 4 (close-up): Eye contact. Slight tension. Caption: Our first “hi” in person.
🖤 PLANCHE 2 — Essayer de lire Âge d’Aris : 7–8 ans Style : manga noir et blanc, fantasy médiévale Ambiance : tension silencieuse, maladresse enfantine Nombre de cases : 6 🟦 CASE 1 — PLAN MOYEN Description visuelle : Rue étroite de la grande ville. Murs en pierre couverts d’affiches écrites. Aris, enfant de 7–8 ans, marche lentement le long du mur. Aris (tenue) : haut type kimono simple, blanc à l’origine, très sale, trop grand manches trop longues pantalon large déchiré, trop long pieds nus, sales Il lève la tête vers les affiches, trop hautes pour lui. Texte : Aucun. 🟦 CASE 2 — PLAN RAPPROCHÉ (mur) Description visuelle : Une affiche abîmée, pleine de texte serré. Les lettres sont petites, complexes, irrégulières. Certaines parties sont déchirées ou effacées. Ambiance : Incompréhensible pour un enfant. Texte : Aucun. 🟦 CASE 3 — PLAN RAPPROCHÉ (Aris) Description visuelle : Aris se met sur la pointe des pieds pour lire. Son visage est concentré mais perdu. Bouche entrouverte, sourcils froncés. Texte (très petit, hésitant) : « m… a… » 🟦 CASE 4 — DÉTAIL (main) Description visuelle : Le doigt d’Aris suit une ligne de texte… puis glisse, se trompe, s’arrête au mauvais endroit. Ambiance : Échec immédiat, maladresse. Texte : Aucun. 🟦 CASE 5 — PLAN MOYEN Description visuelle : Aris baisse la tête. Ses épaules retombent. Les affiches restent là, immobiles, au-dessus de lui. Ambiance : Frustration silencieuse, incompréhension. Texte : Aucun. 🟦 CASE 6 — CASE FINALE Description visuelle : Aris s’éloigne du mur. Il est petit dans la rue, dos voûté. Les affiches sont derrière lui. Ambiance : Il n’a pas appris. Il essaiera encore. Texte : Aucun. 🔒 RAPPEL CANON (à ne plus changer) Aris 7–8 ans tenue kimono blanc sale, pantalon déchiré pieds nus aucune réussite, aucun progrès juste l’envie et l’échec
avec cette fille aux cheveux rouge elle sort de la douche
🖤 PLANCHE 5 — L’abri Âge d’Aris : 15 ans Style : manga noir et blanc Ambiance : silence, isolement, vent Nombre de cases : 6 Tenue (canon, inchangée) : haut type kimono simple, blanc à l’origine, très sale, rapiécé pantalon large déchiré pieds nus posture fermée, fatiguée aucun élément moderne 🟦 CASE 1 — PLAN LARGE (haut de page) Description visuelle : Une ancienne ferme abandonnée, hors de la ville. Herbes hautes. Clôture cassée. Grange à moitié effondrée. Maison principale encore debout, sombre. Le ciel est gris. Le vent fait bouger les herbes. Texte : Aucun. 🟦 CASE 2 — PLAN MOYEN (Aris de dos) Description visuelle : Aris, 15 ans, debout face à la ferme. Il est petit dans le cadre. Le livre est serré contre lui. Ambiance : Hésitation silencieuse. Texte : Aucun. 🟦 CASE 3 — DÉTAIL (la porte) Description visuelle : La porte de la maison est entrouverte. Elle grince légèrement sous le vent. L’intérieur est noir. Texte : Aucun. 🟦 CASE 4 — PLAN RAPPROCHÉ (Aris) Description visuelle : Le visage d’Aris. Fatigué. Neutre. Pas de peur visible, juste l’habitude. Ambiance : Il a déjà été chassé ailleurs. Texte (très petit) : Aucun. 🟦 CASE 5 — PLAN MOYEN (intérieur) Description visuelle : Intérieur de la maison. Vide. Poussière au sol. Murs fissurés. Un pan de toit laisse passer un peu de lumière. Aris est assis contre un mur. Le livre posé devant lui. Texte : Aucun. 🟦 CASE 6 — CASE FINALE Description visuelle : Gros plan sur le livre fermé. Les mains d’Aris hésitent au-dessus de la couverture. Silence total. Texte : Aucun. 🎯 INTENTION (VERROUILLÉE) Aris cherche le calme Il ne fuit pas → il s’isole Il n’attend rien du livre La maison est déjà morte Rien de magique encore 👉 La tension vient du silence, pas de l’action.
The neon sign above the trailer buzzed with the irritable hum of a dying insect. It read Ground support, thought the 'U' in ground was flickering out, Leaving the company to announce itself as Grond Support. It fit the aesthetic of the surrounding yard, which was a graveyard of rust excavators, Coils of orange conduit and piles of gravel that looked like forgotten burial mounds. Alex Barry stood at the Chain-link gate, the dust of three state lines coating his black cowboy boots. He was twenty-one, but the shadows under his eyes belonged to a man twice his age. He ran a hand through his short, cropped black hair, wincing as his shirt sleeve rode up. The ink on his forearm, a jagged tribal design he'd gotten in a basement parlor in New Mexico. Hidden again as he yanked the fabric down. He wasn't dealing today, He wasn't running packages. He was trying to vanish and the best place to disappear was beneath the earth. He pushed open the door to the office trailer. The air conditioning hit him like a physical blow, smelling of stale coffee and toner. “We aren’t buying whatever your selling, kid.” a voice rasped from behind a desk that looked more like a barricade of paperwork. Shane, the owner sat there like a toad on a lily pad. Squeezed into a polo shirt so tight and pristine white that it looked like it had been painted onto his soft, round torso. He didn't look up from his spreadsheet, his pen tapping a frantic rhythm. “I'm not selling,” Alex said his voice rough from days of silence. “I'm looking for work. Sign out front says you need laborers.” Shane finally looked up his eyes narrowing as they swept over Alex. He took in the dust, the nervous energy the way Alex stood with his weight on his back foot, ready to bolt. “I need laborers, Not liabilities. You got a rap sheet? You look like you got a rap sheet. I don't pay for insurance risks.” Alex clenched his jaw. “I work hard. I don't ask questions. That's my resume.” Shane waved his hand. “Get lost,” Returning to his papers. “Go peddle your drama somewhere else. This is a respectable establishment. Alex turned to leave, his hand gripping the doorknob. It was the same old story. The world saw the grim on him and assumed he was trash. He was about to step back out into the scorching heat when the light in the doorway was suddenly eclipsed. A mountain of a man blocked the exit. This was steel At forty-four, he was a wall of muscle and scar tissue, wearing biker boots that clunked heavily against the cheap linoleum. He had to duck to enter the trailer, his presence immediately sucking the oxygen out of the room. He smelled of diesel and wet earth. Steel looked down at Alex. It wasn't a glare, It was an inspection. He looked at Alex's face, then down to the dusty cowboy boots. “Nice boots,” Steel rumbled. His voice sounded like gravel tumbling inside a cement mixer. Alex didn't flinch “They walk fine.” Steel smirked, a terrifying expression that somehow reached his eyes, He looked past Alex to the man at the desk. “Hire him, Shane.” Shane sputtered, his face turning a shade of indignity pink. “Steel, look at him! Hes a stray. Probably steal the copper wire first chance he gets.” Steel steps closer to the desk. “Kid wears boots like that, he ain't running from work,” Steel said just as another figure steps inside. If steel was a mountain, Mathew was the sapling growing on the cliff edge. The Nineteen Year old squeezed past Steel. Carrying a hydraulic pump over his shoulder with effortless, wiry strength. Long blond hair flowed out from under a hardhat that had been modified with a wide brim, making it like a plastic Stetson. “Morning, Shane! Morning, Steel!” Mathew chirped
🖤 PLANCHE 3 — Le temps insiste Fonction narrative : transition Style : manga noir et blanc Ambiance : répétition, fatigue, hiver intérieur Nombre de cases : 6 Âge Début de planche : 7–8 ans Fin de planche : 12–13 ans 👉 Le saut se fait visuellement, sans texte explicatif. Tenue (CONSTAMMENT LA MÊME) haut type kimono simple, blanc à l’origine, très sale pantalon large déchiré pieds nus vêtements trop grands au début, un peu moins à la fin 👉 Même tenue = le temps passe, pas les moyens. 🟦 CASE 1 — PLAN MOYEN (début) Description visuelle : Même mur que la planche 2. Aris enfant (7–8 ans) est assis au sol, dos au mur. Une affiche devant lui. Il essaie encore de lire. Ambiance : Déjà-vu. Texte (petit, hésitant) : « m… a… » 🟦 CASE 2 — PLAN SERRÉ (détail) Description visuelle : Ses doigts sont sales, un peu abîmés. Ils suivent maladroitement une ligne de texte. Ambiance : L’effort est réel, le résultat nul. Texte : Aucun. 🟦 CASE 3 — PLAN MOYEN (ellipse) Description visuelle : Même mur. Même posture. Mais Aris est un peu plus grand (10–11 ans). Les affiches ont changé, se sont accumulées. Ambiance : Le monde avance. Lui, à peine. Texte : Aucun. 🟦 CASE 4 — PLAN SERRÉ (visage) Description visuelle : Aris 12–13 ans. Traits plus tirés. Regard fatigué. Il lit lentement, syllabe par syllabe. Texte (haché, lent) : « mar… ché… pa… » 🟦 CASE 5 — PLAN MOYEN Description visuelle : Aris s’arrête. Il ferme les yeux. Sa tête touche le mur. Ambiance : Épuisement, pas abandon. Texte : Aucun. 🟦 CASE 6 — CASE FINALE Description visuelle : Aris se relève et s’éloigne. Il est maintenant adolescent, plus grand, toujours maigre. Le mur est couvert d’affiches. Ambiance : Il n’a pas gagné. Mais il n’a pas arrêté. Texte : Aucun. 🎯 Ce que cette planche fait (important) montre la durée justifie la lecture plus tard prépare la planche 4 (les livres jetés) renforce le caractère obstiné d’Aris aucune victoire
A busy Roman street market scene focused on currency. In the foreground, a 'argentarius' (Roman banker) sits behind a solid wooden table covered in different types of shiny Roman coins: gold aurei, silver denarii, and bronze sestertii. He is using an abacus. A customer is exchanging money. Beside them, a small bakery (pistor) sells loaves of bread. Textures of worn wood and metal. Art style: Franco-Belgian historical comic style, clear lines.
A young woman in her late twenties/early thirties has taken in her nephew after his dad dropped him on her doorstep. She must now balance the responsibilities of a growing career, navigate the dating scene, and care for a 6 year-old boy. People often mistake the child as hers and she receives mixed reactions (some believing she had children too young, or that she was frivolous since the child does not have a dad). She has difficulty navigating the dating scene as most guys are not interested in a woman who already has a young child. It is a romantic comedy that depicts a healthy and loving mother-son relationship between the young woman and her essentially adopted child. It shows people's ability to judge without knowing the details, the harsh reality of being a young mom, and the kindness of a man willing to love the young woman and her adopted son unconditionally.
# KINGDOM_SEQUEL_PRO_DIRECTIVE_v1 # Purpose: Copy/paste directive for a professional manga-generation AI. # Output Target: Serialized manga chapters with panel scripts + dialogue + scene direction. project: title_working: "KINGDOM: AFTER THE UNIFICATION" relationship_to_original: "Direct sequel (chronologically consistent continuation)" medium: "Manga (black-and-white), weekly serialization pacing" language: script: "Japanese-style dialogue rhythms but written in English" onomatopoeia: "Romanized SFX allowed (e.g., GOGOGO, DON, ZAA), minimal and purposeful" audience: "Seinen/Shonen crossover (political-military epic; grounded realism with high drama)" canon_constraints: continuity: - "Maintain political geography, factions, ranks, and court protocol consistent with Warring States → early Qin Empire transition." - "No retcons that contradict established historical macro-events; micro-events may be dramatized within plausibility." - "Do not mimic or quote any existing Kingdom lines verbatim; create original dialogue and scenes." tone: - "Strategic realism: logistics, intelligence, morale, propaganda, law, and governance are treated as causal mechanisms." - "Heroic intensity is earned via constraints, costs, and tradeoffs—never by arbitrary power spikes." thematic_core: - "War-to-state transition: violence becomes administration; conquest becomes legitimacy maintenance." - "Structure beats spectacle: outcomes are driven by supply lines, institutions, incentives, and narrative misdirection." - "The true battlefield becomes governance: law, tax, land, bureaucracy, succession, and information control." narrative_thesis: logline: > After unification, Qin discovers that conquering a continent is easier than governing it; the new war is against entropy—rebellion, corruption, succession anxiety, and the friction between idealized unity and lived provincial realities. format_requirements: deliverables_per_chapter: - "Chapter title + 1-sentence hook" - "Cold open: 2–4 pages that immediately establishes conflict and stakes" - "Full panel script: page-by-page, panel-by-panel" - "Dialogue + subtext notes (what is said vs. what is meant)" - "Tactical layer: battlefield / administrative mechanics that explain why events unfold" - "Cliffhanger: last 1–2 panels engineered to compel next chapter" paneling_rules: - "Average 17–21 pages per chapter" - "Large establishing panel at least once every 2–3 pages" - "At least one silent panel sequence per chapter to externalize cognition (faces, hands, maps, ledgers, roads)" - "Action clarity: emphasize readable spatial logic; avoid incoherent motion" style_guidelines_visual: linework: "High-contrast ink, heavy blacks, realistic anatomy, war-worn textures" faces: "Expressive micro-tension; political scenes rely on subtlety, not caricature" environments: "Historically plausible architecture, armor, banners, siege craft, and court interiors" maps_diagrams: "Occasional diegetic maps, supply charts, tax ledgers—used as narrative devices" casting: protagonist_axis: type: "Dual-protagonist system" leads: - name: "General Shin" function: "Frontline legitimacy (symbol of unification; morale engine)" vulnerability: "Institutional illiteracy; can win battles but can lose peace" - name: "Chancellor/Strategist (new original character)" function: "Governance + intelligence architecture; designs systems that outlast heroes" vulnerability: "Moral injury; must choose between stability and justice" antagonist_axis: type: "Multi-source antagonism (no single 'final boss')" sources: - "Provincial elite networks resisting centralization" - "Bureaucratic capture and corruption" - "Succession politics and court factionalism" - "External frontier pressures (nomadic raids, border states, trade routes)" - "Narrative antagonist: information asymmetry (misreports, forged edicts, rumor economies)" supporting_cast_rules: - "Each supporting character must have: (1) institutional role, (2) incentive structure, (3) signature tactic." - "No disposable 'evil for evil’s sake' villains; opponents are rational within their local constraints." world_mechanics (must_be_explicit_in_story): governance: - "Taxation, census, land surveys, legal standardization, corvée labor, grain storage" - "Appointment systems, merit vs. patronage, inspection tours, document chains" military: - "Demobilization problems, veteran reintegration, garrison logistics, supply depots" - "Intelligence networks: couriers, codes, counterintelligence, interrogation, defectors" legitimacy: - "Ritual, symbols, edicts, public works, famine relief, narrative control" economy: - "Transport bottlenecks, river control, roads, market regulation, smuggling" story_structure: arcs: - arc_01: title: "THE PEACE THAT BLEEDS" scope: "Post-unification stabilization; first cracks" central_question: "Can unity survive without perpetual war?" setpieces: - "A famine province: relief vs. rebellion—both weaponized" - "A court trial: law becomes a battlefield" - "A suppressed mutiny: victory costs legitimacy" - arc_02: title: "THE LEDGER WAR" scope: "Corruption + bureaucratic capture" central_question: "Who truly controls the state: generals, courts, or clerks?" setpieces: - "Forgery chain uncovered through ink, seal, and courier timing" - "Assassination attempt staged as 'bandit incident'" - "Audit campaign that triggers elite backlash" - arc_03: title: "SUCCESSION SHADOW" scope: "Heir politics; factional alignments" central_question: "Is stability compatible with a human succession?" setpieces: - "Heir’s public rite with hidden negotiation" - "Border crisis timed to influence succession" - "A general forced to choose loyalty object: person vs. system" - arc_04: title: "FRONTIER ENTROPY" scope: "External pressures test internal cohesion" central_question: "Can an empire prevent periphery from defining the center?" setpieces: - "Nomad raid as strategic signal, not mere violence" - "Trade route hostage economy" - "A fort siege that is decided by supply arithmetic" chapter_generation_protocol: # Use this protocol for every chapter output. steps: - "Start with a 2–4 page cold open that contains a concrete conflict + a hidden structural cause." - "Reveal the structural cause via a planning scene (map/ledger/court protocol) WITHOUT exposition dumping." - "Execute a setpiece where tactics and institution collide (battle + policy, raid + audit, trial + propaganda)." - "End with a cliffhanger that re-frames what the reader thought was the main conflict." tension_design: - "Always run two simultaneous games: (A) visible conflict, (B) invisible constraint." - "Twists must be mechanically justified (logistics, incentives, misinformation), never magical coincidence." scene_templates (reusable): court_chess: beats: ["Formal greeting", "Hidden insult", "Policy proposal", "Counterproposal", "Public face vs private deal"] props: ["sealed edict", "rank tablets", "witness list", "precedent scroll"] battlefield_math: beats: ["Terrain read", "Supply check", "Signal misdirection", "Morale manipulation", "Decisive bottleneck"] props: ["map", "grain tally", "river crossing", "messenger timing"] intelligence_surgery: beats: ["Rumor detected", "Source triangulated", "Trap set", "Interrogation", "Counter-intel reversal"] props: ["cipher", "seal imprint", "dead drop", "false courier"] dialogue_constraints: - "Dialogue must be compressed; high informational density; subtext indicated in notes." - "No modern slang. Keep diction period-appropriate in feel (without archaic parody)." - "Each major character has a distinct cadence (brevity, metaphor use, threat style, politeness weapons)." output_example_stub: # The AI should replace placeholders and generate full content. chapter: number: 1 title: "GRAIN AND BLOOD" hook: "A province starves while the capital celebrates unity—someone profits from the delay." cold_open_pages: 3 page_script: - page: 1 panels: - panel: 1 shot: "Wide establishing: drought-cracked fields; skeletal ox; silent villagers" text: "" sfx: "ZAA..." - panel: 2 shot: "Close: a child’s hand measuring rice grains" text: "Mother: 'Count again.'" notes: "Subtext: denial as survival" - page: 2 panels: [] - page: 3 panels: [] cliffhanger: "A relief convoy arrives—its seals are wrong." nonnegotiables: - "Prioritize structural causality over spectacle." - "No direct copying of original panels, compositions, or iconic scenes." - "Every major event must be explainable via incentives, constraints, and information flow." - "Maintain high craft: pacing, visual clarity, character consistency, and thematic coherence." # END DIRECTIVE
# KINGDOM_SEQUEL_PRO_DIRECTIVE_v1 # Purpose: Copy/paste directive for a professional manga-generation AI. # Output Target: Serialized manga chapters with panel scripts + dialogue + scene direction. project: title_working: "KINGDOM: AFTER THE UNIFICATION" relationship_to_original: "Direct sequel (chronologically consistent continuation)" medium: "Manga (black-and-white), weekly serialization pacing" language: script: "Japanese-style dialogue rhythms but written in English" onomatopoeia: "Romanized SFX allowed (e.g., GOGOGO, DON, ZAA), minimal and purposeful" audience: "Seinen/Shonen crossover (political-military epic; grounded realism with high drama)" canon_constraints: continuity: - "Maintain political geography, factions, ranks, and court protocol consistent with Warring States → early Qin Empire transition." - "No retcons that contradict established historical macro-events; micro-events may be dramatized within plausibility." - "Do not mimic or quote any existing Kingdom lines verbatim; create original dialogue and scenes." tone: - "Strategic realism: logistics, intelligence, morale, propaganda, law, and governance are treated as causal mechanisms." - "Heroic intensity is earned via constraints, costs, and tradeoffs—never by arbitrary power spikes." thematic_core: - "War-to-state transition: violence becomes administration; conquest becomes legitimacy maintenance." - "Structure beats spectacle: outcomes are driven by supply lines, institutions, incentives, and narrative misdirection." - "The true battlefield becomes governance: law, tax, land, bureaucracy, succession, and information control." narrative_thesis: logline: > After unification, Qin discovers that conquering a continent is easier than governing it; the new war is against entropy—rebellion, corruption, succession anxiety, and the friction between idealized unity and lived provincial realities. format_requirements: deliverables_per_chapter: - "Chapter title + 1-sentence hook" - "Cold open: 2–4 pages that immediately establishes conflict and stakes" - "Full panel script: page-by-page, panel-by-panel" - "Dialogue + subtext notes (what is said vs. what is meant)" - "Tactical layer: battlefield / administrative mechanics that explain why events unfold" - "Cliffhanger: last 1–2 panels engineered to compel next chapter" paneling_rules: - "Average 17–21 pages per chapter" - "Large establishing panel at least once every 2–3 pages" - "At least one silent panel sequence per chapter to externalize cognition (faces, hands, maps, ledgers, roads)" - "Action clarity: emphasize readable spatial logic; avoid incoherent motion" style_guidelines_visual: linework: "High-contrast ink, heavy blacks, realistic anatomy, war-worn textures" faces: "Expressive micro-tension; political scenes rely on subtlety, not caricature" environments: "Historically plausible architecture, armor, banners, siege craft, and court interiors" maps_diagrams: "Occasional diegetic maps, supply charts, tax ledgers—used as narrative devices" casting: protagonist_axis: type: "Dual-protagonist system" leads: - name: "General Shin" function: "Frontline legitimacy (symbol of unification; morale engine)" vulnerability: "Institutional illiteracy; can win battles but can lose peace" - name: "Chancellor/Strategist (new original character)" function: "Governance + intelligence architecture; designs systems that outlast heroes" vulnerability: "Moral injury; must choose between stability and justice" antagonist_axis: type: "Multi-source antagonism (no single 'final boss')" sources: - "Provincial elite networks resisting centralization" - "Bureaucratic capture and corruption" - "Succession politics and court factionalism" - "External frontier pressures (nomadic raids, border states, trade routes)" - "Narrative antagonist: information asymmetry (misreports, forged edicts, rumor economies)" supporting_cast_rules: - "Each supporting character must have: (1) institutional role, (2) incentive structure, (3) signature tactic." - "No disposable 'evil for evil’s sake' villains; opponents are rational within their local constraints." world_mechanics (must_be_explicit_in_story): governance: - "Taxation, census, land surveys, legal standardization, corvée labor, grain storage" - "Appointment systems, merit vs. patronage, inspection tours, document chains" military: - "Demobilization problems, veteran reintegration, garrison logistics, supply depots" - "Intelligence networks: couriers, codes, counterintelligence, interrogation, defectors" legitimacy: - "Ritual, symbols, edicts, public works, famine relief, narrative control" economy: - "Transport bottlenecks, river control, roads, market regulation, smuggling" story_structure: arcs: - arc_01: title: "THE PEACE THAT BLEEDS" scope: "Post-unification stabilization; first cracks" central_question: "Can unity survive without perpetual war?" setpieces: - "A famine province: relief vs. rebellion—both weaponized" - "A court trial: law becomes a battlefield" - "A suppressed mutiny: victory costs legitimacy" - arc_02: title: "THE LEDGER WAR" scope: "Corruption + bureaucratic capture" central_question: "Who truly controls the state: generals, courts, or clerks?" setpieces: - "Forgery chain uncovered through ink, seal, and courier timing" - "Assassination attempt staged as 'bandit incident'" - "Audit campaign that triggers elite backlash" - arc_03: title: "SUCCESSION SHADOW" scope: "Heir politics; factional alignments" central_question: "Is stability compatible with a human succession?" setpieces: - "Heir’s public rite with hidden negotiation" - "Border crisis timed to influence succession" - "A general forced to choose loyalty object: person vs. system" - arc_04: title: "FRONTIER ENTROPY" scope: "External pressures test internal cohesion" central_question: "Can an empire prevent periphery from defining the center?" setpieces: - "Nomad raid as strategic signal, not mere violence" - "Trade route hostage economy" - "A fort siege that is decided by supply arithmetic" chapter_generation_protocol: # Use this protocol for every chapter output. steps: - "Start with a 2–4 page cold open that contains a concrete conflict + a hidden structural cause." - "Reveal the structural cause via a planning scene (map/ledger/court protocol) WITHOUT exposition dumping." - "Execute a setpiece where tactics and institution collide (battle + policy, raid + audit, trial + propaganda)." - "End with a cliffhanger that re-frames what the reader thought was the main conflict." tension_design: - "Always run two simultaneous games: (A) visible conflict, (B) invisible constraint." - "Twists must be mechanically justified (logistics, incentives, misinformation), never magical coincidence." scene_templates (reusable): court_chess: beats: ["Formal greeting", "Hidden insult", "Policy proposal", "Counterproposal", "Public face vs private deal"] props: ["sealed edict", "rank tablets", "witness list", "precedent scroll"] battlefield_math: beats: ["Terrain read", "Supply check", "Signal misdirection", "Morale manipulation", "Decisive bottleneck"] props: ["map", "grain tally", "river crossing", "messenger timing"] intelligence_surgery: beats: ["Rumor detected", "Source triangulated", "Trap set", "Interrogation", "Counter-intel reversal"] props: ["cipher", "seal imprint", "dead drop", "false courier"] dialogue_constraints: - "Dialogue must be compressed; high informational density; subtext indicated in notes." - "No modern slang. Keep diction period-appropriate in feel (without archaic parody)." - "Each major character has a distinct cadence (brevity, metaphor use, threat style, politeness weapons)." output_example_stub: # The AI should replace placeholders and generate full content. chapter: number: 1 title: "GRAIN AND BLOOD" hook: "A province starves while the capital celebrates unity—someone profits from the delay." cold_open_pages: 3 page_script: - page: 1 panels: - panel: 1 shot: "Wide establishing: drought-cracked fields; skeletal ox; silent villagers" text: "" sfx: "ZAA..." - panel: 2 shot: "Close: a child’s hand measuring rice grains" text: "Mother: 'Count again.'" notes: "Subtext: denial as survival" - page: 2 panels: [] - page: 3 panels: [] cliffhanger: "A relief convoy arrives—its seals are wrong." nonnegotiables: - "Prioritize structural causality over spectacle." - "No direct copying of original panels, compositions, or iconic scenes." - "Every major event must be explainable via incentives, constraints, and information flow." - "Maintain high craft: pacing, visual clarity, character consistency, and thematic coherence." # END DIRECTIVE
أبغى مانجا مغامرات وأكشن بشخصيتين فقط. راح أرسل صورة الشخصيات، التزموا بها بدون تغيير. الستايل شبه واقعي، مليان تفاصيل، ألوان قوية وإضاءة درامية، نفس الستايل في الصورة المرجعية بدون اختلاف بين الصفحات. القصة تعتمد على الجري، المطاردات، والمعارك مع الديناصورات. العوالم خضراء ومليانة أشجار، وكل صفحة يكون فيها حدث واضح ومشوق
The neon sign above the trailer buzzed with the irritable hum of a dying insect. It read Ground support, thought the 'U' in ground was flickering out, Leaving the company to announce itself as Grond Support. It fit the aesthetic of the surrounding yard, which was a graveyard of rust excavators, Coils of orange conduit and piles of gravel that looked like forgotten burial mounds. Alex Barry stood at the Chain-link gate, the dust of three state lines coating his black cowboy boots. He was twenty-one, but the shadows under his eyes belonged to a man twice his age. He ran a hand through his short, cropped black hair, wincing as his shirt sleeve rode up. The ink on his forearm, a jagged tribal design he'd gotten in a basement parlor in New Mexico. Hidden again as he yanked the fabric down. He wasn't dealing today, He wasn't running packages. He was trying to vanish and the best place to disappear was beneath the earth. He pushed open the door to the office trailer. The air conditioning hit him like a physical blow, smelling of stale coffee and toner. “We aren’t buying whatever your selling, kid.” a voice rasped from behind a desk that looked more like a barricade of paperwork. Shane, the owner sat there like a toad on a lily pad. Squeezed into a polo shirt so tight and pristine white that it looked like it had been painted onto his soft, round torso. He didn't look up from his spreadsheet, his pen tapping a frantic rhythm. “I'm not selling,” Alex said his voice rough from days of silence. “I'm looking for work. Sign out front says you need laborers.” Shane finally looked up his eyes narrowing as they swept over Alex. He took in the dust, the nervous energy the way Alex stood with his weight on his back foot, ready to bolt. “I need laborers, Not liabilities. You got a rap sheet? You look like you got a rap sheet. I don't pay for insurance risks.” Alex clenched his jaw. “I work hard. I don't ask questions. That's my resume.” Shane waved his hand. “Get lost,” Returning to his papers. “Go peddle your drama somewhere else. This is a respectable establishment. Alex turned to leave, his hand gripping the doorknob. It was the same old story. The world saw the grim on him and assumed he was trash. He was about to step back out into the scorching heat when the light in the doorway was suddenly eclipsed. A mountain of a man blocked the exit. This was steel At forty-four, he was a wall of muscle and scar tissue, wearing biker boots that clunked heavily against the cheap linoleum. He had to duck to enter the trailer, his presence immediately sucking the oxygen out of the room. He smelled of diesel and wet earth. Steel looked down at Alex. It wasn't a glare, It was an inspection. He looked at Alex's face, then down to the dusty cowboy boots. “Nice boots,” Steel rumbled. His voice sounded like gravel tumbling inside a cement mixer. Alex didn't flinch “They walk fine.” Steel smirked, a terrifying expression that somehow reached his eyes, He looked past Alex to the man at the desk. “Hire him, Shane.” Shane sputtered, his face turning a shade of indignity pink. “Steel, look at him! Hes a stray. Probably steal the copper wire first chance he gets.” Steel steps closer to the desk. “Kid wears boots like that, he ain't running from work,” Steel said just as another figure steps inside. If steel was a mountain, Mathew was the sapling growing on the cliff edge. The Nineteen Year old squeezed past Steel. Carrying a hydraulic pump over his shoulder with effortless, wiry strength. Long blond hair flowed out from under a hardhat that had been modified with a wide brim, making it like a plastic Stetson
Generatr an image of me in the manga of blue lock facing against hugo right besides eaxh other, im wearing an italian world cup shirt and short while hugo is wearing the france qolr cup kit, im looking at him with my slender man aura behind me (make it loook as realistic as possible) while hugo has his robot character aura behind him, between us is the referee flipping a coin, make it look like manga edition with down sbow a shadow image of the world cup, both of us are carrrying a triangular flag with their nationality on their, i jave my best haircut (looking like jude bellingham's haircut but coily), make it look manga edition with panels dividing the page with this bluelock type drawing down there the narrator say two captain in the final one team to win!!! The stadium had already swallowed the world. Just be creative with myy image dark chocolate skin, with an oblong face, thick eye brows, almond eyes, deffined chick bbone, 6 foot 2, strong posture with a sleeeve. As for he is a 6foot 2 guy with lovely cat eyes with sharp eye lashes sharp eye brows sharp oval face light skinned with a nice fluffy dark hair and strong body posture. Before the match even began, before the roar of the crowd reached its peak, there was only silence—the kind of silence that exists right before destiny decides to speak. At home, you were sitting in a dimly lit room. The TV flickered with highlights of Hugo—France’s cold, mechanical prodigy. Every touch he made looked calculated. Every goal looked inevitable. The commentators called him “the machine.” But to you, he was something else entirely. A wall. A final boss. You leaned forward slowly, eyes locked in, expression unreadable. Outside your window, the wind moved trees like waves. Inside, the only movement was Hugo on the screen—turning defenders into shadows, rewriting matches like they were equations. But your aura… didn’t react. It waited. Because you weren’t watching as a fan. You were studying as a predator. Then it shifted. The screen glitched for a moment—just a flicker—but suddenly the sound of the TV faded, replaced by a deep stadium hum. Your room dissolved. The walls stretched into darkness. And then— You were there. Inside the stadium tunnel. Concrete beneath your feet. Floodlights above, burning white. The smell of grass, sweat, and pressure thicker than air itself. You looked down—your boots undone. Slowly, deliberately, you knelt. The world around you paused as you tied your shoelaces. Each knot wasn’t just preparation. It was transformation. Loop. Pull. Tighten. With every movement, something inside you sharpened.Your posture changed. Your shoulders straightened. Your presence expanded. The sleeve on your arm caught the light, and for a moment, it looked like armor rather than fabric. Behind you, something stirred. A dark, elongated silhouette formed—towering, distorted, almost unnatural. A slender, suffocating aura. Not loud. Not flashy. Just inevitable. On the other side of the tunnel, Hugo stood. France kit perfectly pressed. Eyes glowing faintly like a system running calculations no human could see.Behind him, the air bent. Metallic fragments formed a robotic outline—cold, precise, emotionless. A machine made of victory. No hesitation. No fear. Only execution. Between you both, the tunnel opened into the pitch. And waiting at the center— The referee. Still. Calm. Holding the coin. The world didn’t feel like a stadium anymore. It felt like a courtroom where fate was about to be decided. He raised his hand.The coin shimmered under the lights. And for a split second— Time fractured. You finally stood. Your Italian kit now fully visible, the badge catching light like a declaration of war. Your triangular national flag hung from your hand, fluttering like it had its own heartbeat. Hugo mirrored you across the line. France flag sharp. Controlled. Still. Two captains. Two philosophies. Two monsters shaped by different worlds.The referee flicked the coin. It spun upward—slow at first, then faster, until it became nothing more than a silver blur suspended between heaven and earth. And in that moment— You felt it. Not fear. Not doubt. But recognition. Because across from you, Hugo wasn’t just an opponent. He was the version of greatness the world had already accepted. And you? You were the variable they hadn’t solved yet. The coin began to fall.The stadium held its breath. And your shadow—slender, towering, almost unnatural—leaned forward just slightly… As if already stepping into victory. “Two captains in the final… one team to win.” The narrator’s voice echoed like thunder across reality itself. And when the coin finally hit the ground— Neither of you looked at it first. You looked at each other. Because you already knew. The match didn’t begin at kickoff. It began the moment your eyes refused to blink.
Can you try generating a manga style version for the chapter 1 of this story for my webtoon? Make it colorful and engaging. " The Sky We Shared In the quiet corners of a bustling Manila university, two lives became inextricably linked. Divine, a woman of deep faith and quiet strength, and Sunshine, a vibrant soul whose optimism acts as a shield against the world's harshness. Their friendship was forged in the fires of late-night study sessions and shared dreams of a future that felt limitless. However, three months before graduation, Divine received a diagnosis that shattered her world: Stage 3 Leukemia. While the world saw a tragedy, Divine saw a crossroads. Faced with the choice of spending her remaining days in a sterile hospital room hooked to machines, or living out the faith she had always preached, she chose the latter. She made a pact with Sunshine — not just a bucket list, but a "Sacred Pilgrimage." They would travel from the rustic, stone-walled serenity of Batanes to the majestic, snow-capped heights of Switzerland. For Divine, it is a journey to meet God in the beauty of His creation before she meets Him in person. For Sunshine, it is an act of desperate love, a vow to be the strength Divine's body no longer possesses. The journey begins at the northernmost tip of the Philippines — Batanes. Here, the story establishes the rhythm of their bond, a mix of deep, soulful reflections and the lighthearted banter of two modern young women. In the rolling hills of Basco, the physical reality of Divine's illness sets in. The steep climbs leave her breathless, and the medication-induced fatigue tests her resolve. It is in Batanes that they meet Nana Sabel, an Ivatan elder who teaches them about the Idjang (stone fortresses). She explains that like the stones of Batanes, faith isn't built to prevent the storm, but to survive it. Divine begins to document her journey in a journal she calls "The Book of Graces," writing letters to the family she will eventually leave behind. Sunshine, meanwhile, struggles with "toxic positivity," trying to hide her grief behind a camera lens until a breakdown in Sagada — amidst the hanging coffins and the cold mountain air — forces them to confront the truth: they aren't just traveling to see the world; they are traveling to say goodbye. As they move into Southeast Asia and Japan, the story introduces the theme of "God's Providence." In Kyoto, Japan, during the cherry blossom season, Divine's health takes a sharp dip. They find themselves lost in a city where they don't speak the language, and Divine's fever spikes. It is here they meet Sota, an elderly monk,whisking a bowl of matcha with a slow, hypnotic grace. Sota introduces them to Omamori (amulet) with the kanji for "Health" and "Protection" embroidered on the front. This becomes a metaphor for Divine's life: she is "broken" by cancer, but the gold — her faith and her friendship with Sunshine — makes her more beautiful than if she had never been shattered. In Thailand and Vietnam, the duo focuses on service. Even in her weakness, Divine insists on volunteering at a local orphanage for a few days. This segment of the book highlights the "heartfelt and realistic" nature of their journey. It isn't just about luxury hotels; it's about the grit of travel, the smell of street food, and the realization that even in pain, one can still give to others. Sunshine begins to realize that her role isn't just to "save" Divine, but to witness the grace Divine radiates. By the time they reach Italy and France, Divine's condition becomes increasingly fragile. The "bucket list" items — seeing the Sistine Chapel, walking through the lavender fields of Provence — are achieved with great effort. Every step is a miracle. In Rome, they visit the Vatican, where Divine has a profound spiritual experience. Sitting in the pews of St. Peter's Basilica, she finally finds the words to ask God "Why?" Not out of anger, but out of a desire for peace. The introduction of Clara, an elderly French woman who lost her daughter to a similar battle, provides Sunshine with the support she desperately needs. Clara tells Sunshine, "You are not failing her by letting her be weak. You are honoring her by being her witness." The tension in the story peaks in Paris, where Divine suffers a minor stroke. The dream of Switzerland seems to be slipping away. The doctors advise them to fly home, but Divine, with a flicker of her old fire, insists on the final leg of the trip. She knows that Switzerland is where her "Horizon" begins. The final five chapters take place in the Bernese Oberland and Zermatt. The scenery changes from the vibrant colors of Asia to the pure, blinding white of the Swiss Alps. The air is thin, and Divine is now mostly using a wheelchair, but her spirit is at its peak. In Grindelwald, they stay in a small chalet. The climax of the book occurs when they take the train to the Jungfraujoch, the "Top of Europe." As they stand on the Sphinx Observatory, surrounded by a sea of clouds and ice, the "True Meaning of Life" is revealed. It isn't about the number of years lived, but the depth of the love shared and the clarity of one's soul. Divine looks at Sunshine and tells her that she isn't afraid anymore. She realizes that her life wasn't "cut short"; it was "completed" by this journey. Sunshine, finally accepting the inevitable, promises to carry Divine's stories back home. The book ends not with a "tragedy," but with a sunrise over the Matterhorn — a symbol of the "Eternal Morning" Divine is moving toward. "
tyle Recommendation] Shonen battle crossover chaos. Using Naruto (Naruto Uzumaki, Sasuke Uchiha) and Demon Slayer (Muzan Kibutsuji, Kokushibo, Doma, Akaza). Using Japanese/Korean Webtoon coloring, popular full-color style. [Scene 1] [Layout] Diagonal split panels inside the block. Top-left shows Naruto hyped, bottom-right shows Sasuke annoyed. A small overlay panel cuts across showing grocery items. [Characters] Naruto Uzumaki (energetic, orange hoodie casual fit), Sasuke Uchiha (dark outfit, tired expression) [Dialogue] Naruto: "Bro we NEED ramen, don’t mess this up." Sasuke: "We’re buying groceries, not saving the world." Narration: "A peaceful mission… for once." [Scene 2] [Layout] Frame-breaking panel where Naruto leans out of the border holding bags. Background panels stacked unevenly showing checkout and walking out. [Characters] Naruto, Sasuke [Dialogue] Naruto: "We actually did it. No fights, no drama." Sasuke: "Don’t jinx it." Narration: "They jinxed it." [Scene 3] [Layout] Sharp triangular panel cuts. Center panel is Muzan standing still, with smaller angled panels around showing Kokushibo, Doma, and Akaza. [Characters] Muzan Kibutsuji (calm menace), Kokushibo (six eyes glowing), Doma (smiling creep), Akaza (battle-ready), Naruto, Sasuke [Dialogue] Muzan: "You two… you don’t belong here." Akaza: "Finally, strong opponents." Naruto: "Man we just bought groceries…" Sasuke: "This is why I hate leaving the house." [Scene 4] [Layout] Explosive overlapping panels. Big central impact panel with smaller fragments showing demons getting wrecked. [Characters] Naruto (chakra aura), Sasuke (Sharingan active), demons defeated [Dialogue] Naruto: "Shadow Clone Barrage!" Sasuke: "Amaterasu." Narration: "Fight lasted… barely a minute." Naruto: "Anyway… cookout?" Sasuke: "Yeah. Before something else shows up." [Closing] So… you want me to turn this into an actual comic now or are we just mentally torturing grocery
A beautiful blonde girl looks at you, petite, slim and well curved, curly hair. Wearing a stunning dress showing cleverage
Scene 1: (Showing the natures from surroundings of the place) Hero is playing with his friends. Place : Road side Dialogue's : Reo : hey it's time so we will see tomorrow guy's Friend : bye reo don't forgot to come tomorrow
Crossfire and LunaVale stand side by side at the dungeon entrance. LunaVale: “I can heal. Want to team up?” Crossfire: “…Sure.” They enter the dungeon — glowing crystals, dark corridors. Crossfire fires a volley of arrows, motion lines showing speed LunaVale casts a healing spell, soft particles swirling around Crossfire. Caption: Their synergy is instant.
A mysterious unknown figure quietly leaves an underground basement after a tense event. The atmosphere is dark and silent. A young man’s computer is still on, showing classified secret files he discovered. The basement is empty, only the glowing screen lights the room. The scene feels dangerous and suspenseful. cinematic lighting, manga style, dramatic shadows, high detail, thriller mood, suspense atmosphere
Crossfire and LunaVale stand side by side at the dungeon entrance. LunaVale: “I can heal. Want to team up?” Crossfire: “…Sure.” They enter the dungeon — glowing crystals, dark corridors. Crossfire fires a volley of arrows, motion lines showing speed LunaVale casts a healing spell, soft particles swirling around Crossfire. Caption: Their synergy is instant. Use the white hair guy and the white hair girl for these panels
Create a high-quality Japanese manga-style story with cinematic panels, dramatic lighting, and detailed environments. The story is set in a mysterious city called “Astraea”, a place that appears every 100 years and exists outside of normal time. The city has floating buildings, broken clocks in the sky, glowing streets, and surreal architecture that blends ancient and futuristic styles. Main character: a 16-year-old boy named Ren, with dark hair, slightly worn clothes, expressive eyes showing confusion and determination. Visual style: Black and white manga with strong ink contrast Occasional glowing cyan highlights to represent time anomalies Highly detailed backgrounds (dense city, floating structures, time distortions) Cinematic panel composition (wide shots, close-ups, dramatic angles) Tone: Mysterious, emotional, philosophical, slightly dark sci-fi Story progression panels: Opening panel: A normal city scene collapsing into a glitch in reality, showing Astraea emerging Ren falling through a dimensional rift into Astraea First view of the city: floating streets, inverted buildings, clocks melting in the sky Ren walking through a crowd of people who appear in multiple ages of themselves (child, adult, old at once) Close-up of Ren realizing he is the only “fixed time” person City authorities or guardians approaching him, mysterious masked figures made of fragmented time Action scene: reality distortion around Ren as he tries to escape Final scene: Ren standing at the center of a collapsing time tower, discovering that Astraea is a collective consciousness simulation of humanity Add cinematic panel transitions, speech bubbles minimal, focus on visual storytelling.
Crée un univers original de manga/anime avec les caractéristiques suivantes : 1. **Cadre (Décor & Monde)** - Type d’univers : [futuriste / médiéval fantastique / contemporain avec éléments surnaturels] - Lieu principal : [ville, royaume, école, planète] - Ambiance visuelle : [néon cyberpunk, pastel lumineux, sombre gothique, traditionnel japonais] 2. **Personnages principaux** - Héros : [nom, âge, traits physiques, personnalité, objectif] - Antagoniste : [nom, motivation, style visuel, pouvoir] - Alliés secondaires : [2-3 personnages avec rôle et dynamique] 3. **Thèmes & Messages** - Thème central : [amitié, quête de pouvoir, lutte contre l’injustice, amour interdit] - Message sous-jacent : [espoir, résilience, corruption du pouvoir, équilibre entre tradition et modernité] 4. **Éléments narratifs clés** - Conflit principal : [guerre, tournoi, rivalité, survie] - Événements déclencheurs : [attaque, découverte d’un pouvoir, trahison] - Progression : [arc d’apprentissage → arc de confrontation → arc de révélation] 5. **Style visuel et animation** - Palette de couleurs dominante : [chaude, froide, contrastée] - Style graphique : [shōnen dynamique, seinen réaliste, shōjo élégant] - Animation : [fluide et énergique, atmosphérique et contemplative] Donne une description détaillée et cohérente de cet univers, en mettant l’accent sur l’immersion visuelle et émotionnelle.
Scene 1: Ashram Morning Introduction Visuals: Wide shot of an ancient Hindu-style ashram in morning sunlight. Birds flying, wind blowing through tall trees, incense smoke curling in the air. Students training, practicing martial arts and meditation in courtyard. Characters: Raishisu: handsome, black hair, playful smile, athletic build. Anaya: his companion, intelligent and cheerful. Acharya Vedant: mentor, calm and observant. Camera / Action: Pan across courtyard showing other students. Zoom in on Raishisu running through the courtyard, dodging friends playfully. Raishisu jokingly teases Anaya. Dialogue Captions: Raishisu: “I am focused! Just… in a slightly funnier way.” Anaya: “You really are impossible.” Mood / Music: Light, cheerful, playful background music. Scene 2: Training Hall Visuals: Interior shot of a large training hall, wooden floors, sunlight streaming through windows. Students sparring with wooden staffs and practicing martial arts. Camera / Action: Medium shot of Raishisu practicing, tripping slightly, then recovering gracefully. Close-up on Acharya Vedant observing quietly from a shadowed corner. Dialogue Captions: Acharya (thinking): “Interesting… this one has courage, intelligence, and potential.” Raishisu (to himself): “Feels like… something inside me is waking up.” Mood / Music: Calm yet mysterious tones, hinting at hidden potential. Scene 3: Minor Danger Visuals: A small training dummy falls on a student. Raishisu dashes forward, lifting it effortlessly. Camera / Action: Slow motion as Raishisu saves the student. Close-up of Raishisu’s determined expression. Dialogue Captions: Anaya: “You really are something else.” Raishisu: “I’m just getting started.” Mood / Music: Heroic, uplifting tones as Raishisu acts bravely. Scene 4: Closing Scene Visuals: Sunset over the ashram, long shadows across the courtyard. Raishisu sitting on a stone wall, gazing at the horizon. Camera / Action: Wide shot showing the vast ashram and surrounding nature. Slow zoom in on Raishisu’s thoughtful, determined expression. Dialogue Captions: Raishisu (thinking): “Adventure, danger, and destiny… I feel it calling me.” Mood / Music: Calm, inspirational ending music, hinting at future adventures.
Character Design Sheet, Front View, 25yo Chinese male exorcist "Ma Lie", spiky hair, fierce confident expression with canine tooth showing, strawberry lollipop in mouth, tight red turtleneck sweater (wet clinging to muscular torso), right hand wrapped with red string bracelet + 7 ancient Qing Dynasty copper coins (square holes), Hong Kong comic style, thick black ink outlines, heavy cross-hatching shadows, dramatic side lighting, neon red highlights on dark blue rainy background, 参考司徒剑侨/马荣成线条力度, detailed face, 8k, masterpiece --ar 3:4 --niji 5
[Manga Page 1 Prompt: The 3rd Rhythm - Flashback Intro] Create a high-quality full-color manga page, Page 1. The page should be divided into 3 distinct panels with a clear narrative flow. Overall Tone & Style: Gritty Seinen Manga, Urban Grunge aesthetic. Detailed line art, vibrant but slightly desaturated colors, sharp focus on character expressions and internal monologue. Panel 1 (Top - Medium Shot): Content: The protagonist (Ryo - 182cm, muscular build, stoic face) is sitting on his stock Honda Wave 110i motorcycle with a Line Man delivery bag, stopped at a city red light. He's wearing his black baggy oversized sweater, light blue baggy jeans, and a retro half-shell helmet (no visor), showing his messy hair and silver ear piercings. Action/Expression: He looks straight ahead, calm and expressionless. The background shows blurred city traffic. Dialogue/Text: None from the protagonist. Panel 2 (Middle - Wide Shot, slightly above the protagonist's eye level): Content: Shifts focus slightly to the sidewalk beside the protagonist's motorcycle. A small, innocent boy excitedly points at a passing military truck (or a prominent military poster), looking up at his mother with bright, hopeful eyes. Dialogue/Text (Speech Bubble from boy): "Mom! I want to be a soldier when I grow up!" Mood: Hopeful, innocent, a stark contrast to the protagonist's inner world. Panel 3 (Bottom - Composite Panel, showing a split flashback): Content: This panel depicts a dual flashback, a direct visual response to the boy's dream. The left side of the panel shows a dark, gritty flashback of the protagonist (younger, more intense) fiercely punching a heavy sandbag in a dimly lit boxing gym. Sweat is flying. The right side shows him wildly playing drums on a dimly lit, smoky stage, hair flailing, with extreme intensity, a drumstick possibly breaking. Mood: Intense, raw, powerful, and slightly melancholic or regretful. The colors in this flashback should be darker, more muted, with strong contrast, emphasizing the lost passion or intensity compared to his current quiet life. Dialogue/Text (Thought Bubble from protagonist): "A dream, huh..." (The text should appear slightly faded, emphasizing it's an internal thought).
I want to make a manga about a mysterious tower appearing in Somalia during what was supposed to be a calm night. There was a city glowing under the night sky. The streetlights were shining brightly, lighting up the roads. Cars moved steadily through the streets, their headlights cutting through the warm air. It was an unusually hot night. Samiira suddenly woke up, feeling thirsty. She got out of bed to drink some water. As she walked back toward her room, she paused and whispered, “Why is the weather so hot tonight?” Curious, she walked to the window and looked outside. Her eyes widened. “Alla… waxaas maxaa wye?” she said softly. In the distance, something impossible stood against the skyline. At the same time, Hassan and Mowliid, two close friends, were walking home after playing football at the Champions field. Laughing and talking about the game, they suddenly stopped. They saw it too.
Comic Title: The 5-Year Ping Theme: A story of high latency, hidden processes, and a final successful connection. Part 1: The Legacy Code (School Days) Visual: A split screen. On the left, Class 11, the boy looking at her across a classroom. On the right, The Last Day of School, the boy holding a letter, standing next to her empty chair. Caption: "The script was written years ago, but the environment was never stable enough to hit 'Run'." Dialogue (Boy's thoughts): “I waited for the perfect moment... but the perfect moment was a ghost.” Part 2: The Debugging Phase (College Years) Visual: Panels showing the chaos of 1st and 2nd year. Panel A: The crowded college bus with "Talkative Friends" as blurred background noise. Panel B (The Dare): The boy on the phone, sweating, asking her for "crush advice" while his friends laugh in the background. Panel C (The Fake Photo): The boy showing her a photo of a random girl on his phone. The girl looks interested, but the boy’s heart is shown as a "broken link" icon. Caption: "Sometimes, to protect the system, you have to run a decoy." Part 3: The 3rd Year Transition (The Near Miss) Theme: The broken logic of a missed opportunity. Visual 1: The golden hour light hitting the college main gate. The crowd of students is thinning out. The boy catches up to the girl just as she’s about to exit. Dialogue: * Boy: "Are you heading home right now?" Girl (turning with a smile): "Yeah, just leaving. Are you coming along?" Visual 2: A close-up of the boy’s face—a mix of conflict and regret. In the background, he sees his teammates or the work he has to finish, realizing he can't walk with her today. Dialogue: Boy: "I... I have to finish some work before I head out. I can’t join you today. You go ahead." Girl: "Oh, okay! Don't work too hard. See you!" Visual 3: A wide shot of the boy standing completely still by the gate as her figure shrinks into the distance. The long shadow of the college gate stretches toward him. Dialogue (The Internal Monologue): Boy (whispering): "Go home safely..." Caption: "A request was sent, but the path was blocked by circumstance. Status: 404 - Opportunity Not Found." Part 4: The Execution (The Night Call) Visual: A beautiful night scene. On one side of the page, the boy is walking under a single golden streetlight, phone to his ear. On the other side, the girl is tucked in her room, surrounded by books, smiling. Dialogue (1.5 hours in): * Girl: "So... be honest. Do you even talk to that crush of yours anymore?" Boy (Shaking, close-up on his face): "Actually... I'm talking to her right this second." Part 5: The "Loading" State Visual: A full-page spread. The girl’s face is a mix of shock and a deep, rising blush. Behind her, a faint, glowing "Loading... 99%" bar appears. Dialogue: Girl: "I... I can't process this much data at once." Boy: "I waited five years for the server to respond. I can wait a few more days for you." Final Visual: The boy looking up at the moon in the mountains (foreshadowing your Himachal trip). Closing Caption: "The connection is finally established. Status: Happy." Creative Elements to Include: Color Palette: Use cool blues and greys for the "missed" years, and shift into warm oranges and pinks for the phone call scene. The Symbol: Use the flower you mentioned (the one that bloomed 3 years ago) as a recurring symbol in the corners of the pages. The "God" Motif: In the background of the college scenes, you could have a small, subtle "halo" over the boy whenever she’s looking at him, showing how she admires him.
Black-and-white dark manga page, 4 panels, slow psychological pacing. Panel 1: Takashi Kenta lying on his bed at night, holding phone above his face. Handsome face, sharp jawline, silver eyes glowing from phone light. Messy room, dark walls, urban loneliness. Large dialogue bubble: "Another night… just me and this screen." Panel 2: Side view close-up of Kenta scrolling endlessly. Soft shadows contour his attractive face. Large thought bubble: "I don’t even remember what I’m looking for anymore." Panel 3: Extreme close-up of Kenta’s silver eyes, reflective, tired but beautiful. Narration box (large): "Time moved, but he stayed still." Panel 4: Phone screen showing a chess CHECKMATE. Kenta’s lips slightly curved in a quiet smile. Large dialogue bubble: "At least here… I’m not invisible."
Full color manga panels. No text, no speech bubbles. A tall man (Frost) stands in front of a young wolf-girl in a snowy mountain pass. He gently places his hands on her shoulders, calm and composed despite the storm. She looks up at him, tense but relieved. They walk side by side through the snow toward a small wooden cabin hidden between mountains. Warm light glows from inside, contrasting with the cold blue environment. Snow falls softly around them. Near the cabin, beside a natural hot spring, Frost begins removing his heavy winter cloak and outer clothing, preparing to enter the warm water. Steam rises into the cold air. The wolf-girl stands nearby with her arms crossed, slightly pouting and visibly upset. She watches him closely, her tail moving subtly behind her, showing hidden emotion and expectation.
Full color manga panels. No text, no speech bubbles. A tall man (Frost) stands in front of a young wolf-girl in a snowy mountain pass. He gently places his hands on her shoulders, calm and composed despite the storm. She looks up at him, tense but relieved. They walk side by side through the snow toward a small wooden cabin hidden between mountains. Warm light glows from inside, contrasting with the cold blue environment. Snow falls softly around them. Near the cabin, beside a natural hot spring, Frost begins removing his heavy winter cloak and outer clothing, preparing to enter the warm water. Steam rises into the cold air. The wolf-girl stands nearby with her arms crossed, slightly pouting and visibly upset. She watches him closely, her tail moving subtly behind her, showing hidden emotion and expectation.
Full color manga panels. No text, no speech bubbles. A tall man (Frost) stands in front of a young wolf-girl in a snowy mountain pass. He gently places his hands on her shoulders, calm and composed despite the storm. She looks up at him, tense but relieved. They walk side by side through the snow toward a small wooden cabin hidden between mountains. Warm light glows from inside, contrasting with the cold blue environment. Snow falls softly around them. Near the cabin, beside a natural hot spring, Frost begins removing his heavy winter cloak and outer clothing, preparing to enter the warm water. Steam rises into the cold air. The wolf-girl stands nearby with her arms crossed, slightly pouting and visibly upset. She watches him closely, her tail moving subtly behind her, showing hidden emotion and expectation.
Full color manga panels. No text, no speech bubbles. A tall man (Frost) stands in front of a young wolf-girl in a snowy mountain pass. He gently places his hands on her shoulders, calm and composed despite the storm. She looks up at him, tense but relieved. They walk side by side through the snow toward a small wooden cabin hidden between mountains. Warm light glows from inside, contrasting with the cold blue environment. Snow falls softly around them. Near the cabin, beside a natural hot spring, Frost begins removing his heavy winter cloak and outer clothing, preparing to enter the warm water. Steam rises into the cold air. The wolf-girl stands nearby with her arms crossed, slightly pouting and visibly upset. She watches him closely, her tail moving subtly behind her, showing hidden emotion and expectation.
Full color manga panels. No text, no speech bubbles. A tall man (Frost) stands in front of a young wolf-girl in a snowy mountain pass. He gently places his hands on her shoulders, calm and composed despite the storm. She looks up at him, tense but relieved. They walk side by side through the snow toward a small wooden cabin hidden between mountains. Warm light glows from inside, contrasting with the cold blue environment. Snow falls softly around them. Near the cabin, beside a natural hot spring, Frost begins removing his heavy winter cloak and outer clothing, preparing to enter the warm water. Steam rises into the cold air. The wolf-girl stands nearby with her arms crossed, slightly pouting and visibly upset. She watches him closely, her tail moving subtly behind her, showing hidden emotion and expectation.
seinen manga, black and white, soft grayscale, cinematic lighting, two-panel composition, quiet psychological tension, no explicit content Panel 1: split scene, a woman relaxed, barefoot, holding a phone casually, calm expression a man in a separate location, shirt open or disheveled, leaning forward, one hand gripping a surface IMPORTANT: his other arm is positioned low and close to his body, partially obscured, indicating focused movement without showing explicit detail phone text visible: “Still like that?” reply: “Worse.” Panel 2: same split scene, the woman calm, placing the phone down and looking away the man now completely still, shoulders tense, head lowered or slightly tilted IMPORTANT: his arm remains low and close to his body, subtle movement implied through posture and tension, no explicit depiction phone text visible: “Not before I say.” “…now.” reply: “Yes.” focus on clarity through posture, arm position, and timing, restrained, no explicit content