đŸ–€ PLANCHE 6 — Les mots entrent MĂȘme structure, mĂȘme intention, juste un mĂ©dium diffĂ©rent. 🟩 CASE 1 — CALME Aris assis contre le mur. Le livre ouvert devant lui. Il lit. Silence. 🟩 CASE 2 — PREMIÈRE ANOMALIE Les mots quittent la page. Pas tous. Quelques lignes seulement. Ils flottent, comme mal accrochĂ©s au monde. Pas d’effet magique flashy. 🟩 CASE 3 — CONTACT Les mots se collent Ă  Aris : sur les bras sur le cou sur le visage sur les vĂȘtements Ils ne pĂ©nĂštrent pas encore. Ils adhĂšrent. 👉 Comme une Ă©criture qu’on ne peut plus effacer. 🟩 CASE 4 — DOULEUR Gros plan sur le visage. Les mots s’enfoncent : ils disparaissent sous la peau laissent des traces sombres certaines lettres se dĂ©forment Texte (petit, cassĂ©) : « —Gah— » Cri humain. Pas hĂ©roĂŻque. 🟩 CASE 5 — LA CHUTE Le corps lĂąche. Aris glisse, s’effondre. Les mots continuent d’entrer, mĂȘme s’il ne lit plus. Il n’a plus aucun contrĂŽle. 🟩 CASE 6 — ÉVANOUISSEMENT Aris inconscient. Les mots ont disparu. Plus rien de visible. Le livre est toujours ouvert. Silence.

Manga Story

đŸ–€ PLANCHE 6 — Les mots entrent MĂȘme structure, mĂȘme intention, juste un mĂ©dium diffĂ©rent. 🟩 CASE 1 — CALME Aris assis contre le mur. Le livre ouvert devant lui. Il lit. Silence. 🟩 CASE 2 — PREMIÈRE ANOMALIE Les mots quittent la page. Pas tous. Quelques lignes seulement. Ils flottent, comme mal accrochĂ©s au monde. Pas d’effet magique flashy. 🟩 CASE 3 — CONTACT Les mots se collent Ă  Aris : sur les bras sur le cou sur le visage sur les vĂȘtements Ils ne pĂ©nĂštrent pas encore. Ils adhĂšrent. 👉 Comme une Ă©criture qu’on ne peut plus effacer. 🟩 CASE 4 — DOULEUR Gros plan sur le visage. Les mots s’enfoncent : ils disparaissent sous la peau laissent des traces sombres certaines lettres se dĂ©forment Texte (petit, cassĂ©) : « —Gah— » Cri humain. Pas hĂ©roĂŻque. 🟩 CASE 5 — LA CHUTE Le corps lĂąche. Aris glisse, s’effondre. Les mots continuent d’entrer, mĂȘme s’il ne lit plus. Il n’a plus aucun contrĂŽle. 🟩 CASE 6 — ÉVANOUISSEMENT Aris inconscient. Les mots ont disparu. Plus rien de visible. Le livre est toujours ouvert. Silence.

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#seinen#manga#dark fantasy#psychological horror#supernatural#body horror#mystery#literary horror#reading#books#magical realism#uncontrollable powers#transformation#pain#losing control#quiet horror#suspense#seinen manga#modern setting#intense
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PAGE 1 : L'ambiance (Le calme avant la tempĂȘte) Case 1 (Plan d'ensemble - TrĂšs large) : Une vue panoramique d'une ville immense mais dĂ©truite. Des gratte-ciels Ă©ventrĂ©s, des lianes partout. Le ciel est gris, lourd. SFX : VUUUUUU (Le vent qui souffle). Case 2 (Plan moyen) : Zoom sur une ruelle sombre encombrĂ©e de dĂ©bris. On voit une silhouette encapuchonnĂ©e de dos qui marche. C'est JIN. SFX : CRIC... CRAC... (Bruits de pas sur du verre). Case 3 (Gros plan) : Focus sur la main de Jin. Elle est humaine, mais elle tient un appareil Ă©trange qui bip (un dĂ©tecteur). SFX : Bip... Bip... Case 4 (Gros plan visage) : On voit le bas du visage de Jin. Il sourit lĂ©gĂšrement. JIN : "Bingo."
đŸ–€ PLANCHE 6 — Les mots entrent MĂȘme structure, mĂȘme intention, juste un mĂ©dium diffĂ©rent. 🟩 CASE 1 — CALME Aris assis contre le mur. Le livre ouvert devant lui. Il lit. Silence. 🟩 CASE 2 — PREMIÈRE ANOMALIE Les mots quittent la page. Pas tous. Quelques lignes seulement. Ils flottent, comme mal accrochĂ©s au monde. Pas d’effet magique flashy. 🟩 CASE 3 — CONTACT Les mots se collent Ă  Aris : sur les bras sur le cou sur le visage sur les vĂȘtements Ils ne pĂ©nĂštrent pas encore. Ils adhĂšrent. 👉 Comme une Ă©criture qu’on ne peut plus effacer. 🟩 CASE 4 — DOULEUR Gros plan sur le visage. Les mots s’enfoncent : ils disparaissent sous la peau laissent des traces sombres certaines lettres se dĂ©forment Texte (petit, cassĂ©) : « —Gah— » Cri humain. Pas hĂ©roĂŻque. 🟩 CASE 5 — LA CHUTE Le corps lĂąche. Aris glisse, s’effondre. Les mots continuent d’entrer, mĂȘme s’il ne lit plus. Il n’a plus aucun contrĂŽle. 🟩 CASE 6 — ÉVANOUISSEMENT Aris inconscient. Les mots ont disparu. Plus rien de visible. Le livre est toujours ouvert. Silence.
A 14 year old boy named Takeshi Hanata gets his sword. His sword gets taken over by a demon and he must fight the demon to get it out of his sword.
Lux Aster, a young mage with latent potential, awakens his Light magic into Celestial level magic. After surviving an encounter with the Supreme Primordial Erebo, an ancient embodiment of Primordial darkness. Instead of being consumed, Lux inherits fragment of Erebo's power. By fusing light and darkness, he achieve Astral Eclipse – a forbidden state where opposing energies exist as one.
đŸ–€ PLANCHE 5 — L’abri Âge d’Aris : 15 ans Style : manga noir et blanc Ambiance : silence, isolement, vent Nombre de cases : 6 Tenue (canon, inchangĂ©e) : haut type kimono simple, blanc Ă  l’origine, trĂšs sale, rapiĂ©cĂ© pantalon large dĂ©chirĂ© pieds nus posture fermĂ©e, fatiguĂ©e aucun Ă©lĂ©ment moderne 🟩 CASE 1 — PLAN LARGE (haut de page) Description visuelle : Une ancienne ferme abandonnĂ©e, hors de la ville. Herbes hautes. ClĂŽture cassĂ©e. Grange Ă  moitiĂ© effondrĂ©e. Maison principale encore debout, sombre. Le ciel est gris. Le vent fait bouger les herbes. Texte : Aucun. 🟩 CASE 2 — PLAN MOYEN (Aris de dos) Description visuelle : Aris, 15 ans, debout face Ă  la ferme. Il est petit dans le cadre. Le livre est serrĂ© contre lui. Ambiance : HĂ©sitation silencieuse. Texte : Aucun. 🟩 CASE 3 — DÉTAIL (la porte) Description visuelle : La porte de la maison est entrouverte. Elle grince lĂ©gĂšrement sous le vent. L’intĂ©rieur est noir. Texte : Aucun. 🟩 CASE 4 — PLAN RAPPROCHÉ (Aris) Description visuelle : Le visage d’Aris. FatiguĂ©. Neutre. Pas de peur visible, juste l’habitude. Ambiance : Il a dĂ©jĂ  Ă©tĂ© chassĂ© ailleurs. Texte (trĂšs petit) : Aucun. 🟩 CASE 5 — PLAN MOYEN (intĂ©rieur) Description visuelle : IntĂ©rieur de la maison. Vide. PoussiĂšre au sol. Murs fissurĂ©s. Un pan de toit laisse passer un peu de lumiĂšre. Aris est assis contre un mur. Le livre posĂ© devant lui. Texte : Aucun. 🟩 CASE 6 — CASE FINALE Description visuelle : Gros plan sur le livre fermĂ©. Les mains d’Aris hĂ©sitent au-dessus de la couverture. Silence total. Texte : Aucun. 🎯 INTENTION (VERROUILLÉE) Aris cherche le calme Il ne fuit pas → il s’isole Il n’attend rien du livre La maison est dĂ©jĂ  morte Rien de magique encore 👉 La tension vient du silence, pas de l’action.
Manga about an architecture student spending one sleepless night in the studio. No dialogue, only thoughts and lines. Repetitive drawings, hands, drafts, floor plans, models. The story shows how architecture is formed through repetition, doubt, and quiet persistence. A manga told through one word: "Fix / Revise". Architecture student facing critiques, red lines, broken models. The word transforms from pressure into structure. Manga about an architecture student walking inside a building that feels larger than themselves. The building plans overlap with thoughts. Minimal text, strong negative space. Architecture manga focusing only on hands. No faces. Hands drawing, cutting models, erasing lines. Architecture as physical labor and persistence. Split-page manga: before and after studying architecture. Same character, different ways of seeing space. Buildings shift from dreams to systems.
đŸ–€ PLANCHE 4 — Les livres qu’on jette Âge d’Aris : 15 ans Style : manga noir et blanc Ambiance : nuit, pluie fine, indiffĂ©rence Nombre de cases : 6 Tenue (inchangĂ©e, canon) : haut type kimono simple, blanc Ă  l’origine, trĂšs sale, rapiĂ©cĂ© pantalon large dĂ©chirĂ© pieds nus silhouette maigre, posture fermĂ©e aucun Ă©lĂ©ment moderne 🟩 CASE 1 — PLAN LARGE (haut de page) Description visuelle : BĂątiment imposant : une acadĂ©mie. Façade noble, fenĂȘtres Ă©clairĂ©es. La pluie tombe doucement. À l’arriĂšre, une ruelle sombre. Texte : Aucun. 🟩 CASE 2 — PLAN MOYEN (arriĂšre de l’acadĂ©mie) Description visuelle : Caisses en bois renversĂ©es. Livres jetĂ©s au sol. Pages mouillĂ©es, couvertures abĂźmĂ©es, boue. Texte : Aucun. 🟩 CASE 3 — PLAN MOYEN (Aris) Description visuelle : Aris, 15 ans, s’accroupit prĂšs des livres. Il regarde autour de lui, par rĂ©flexe. Personne. Texte : Aucun. 🟩 CASE 4 — DÉTAIL (mains) Description visuelle : Ses mains fouillent lentement. Il Ă©carte : un livre trop mouillĂ© un autre dĂ©chirĂ© Gestes calmes, mĂ©thodiques. Texte : Aucun. 🟩 CASE 5 — PLAN RAPPROCHÉ (objet) Description visuelle : Un livre plus Ă©pais, ancien. Couverture noire, sans titre visible. Moins abĂźmĂ© que les autres. Aucun symbole. Aucune lueur. Texte : Aucun. 🟩 CASE 6 — CASE FINALE Description visuelle : Aris serre le livre contre lui, sous la pluie. Son visage est neutre. DĂ©cision simple. Texte (petite bulle) : Aris rĂ©cupĂšre ce que le monde abandonne renforce le caractĂšre obstinĂ© d’Aris aucune victoire
đŸ–€ PLANCHE 3 — Le temps insiste Fonction narrative : transition Style : manga noir et blanc Ambiance : rĂ©pĂ©tition, fatigue, hiver intĂ©rieur Nombre de cases : 6 Âge DĂ©but de planche : 7–8 ans Fin de planche : 12–13 ans 👉 Le saut se fait visuellement, sans texte explicatif. Tenue (CONSTAMMENT LA MÊME) haut type kimono simple, blanc Ă  l’origine, trĂšs sale pantalon large dĂ©chirĂ© pieds nus vĂȘtements trop grands au dĂ©but, un peu moins Ă  la fin 👉 MĂȘme tenue = le temps passe, pas les moyens. 🟩 CASE 1 — PLAN MOYEN (dĂ©but) Description visuelle : MĂȘme mur que la planche 2. Aris enfant (7–8 ans) est assis au sol, dos au mur. Une affiche devant lui. Il essaie encore de lire. Ambiance : DĂ©jĂ -vu. Texte (petit, hĂ©sitant) : « m
 a
 » 🟩 CASE 2 — PLAN SERRÉ (dĂ©tail) Description visuelle : Ses doigts sont sales, un peu abĂźmĂ©s. Ils suivent maladroitement une ligne de texte. Ambiance : L’effort est rĂ©el, le rĂ©sultat nul. Texte : Aucun. 🟩 CASE 3 — PLAN MOYEN (ellipse) Description visuelle : MĂȘme mur. MĂȘme posture. Mais Aris est un peu plus grand (10–11 ans). Les affiches ont changĂ©, se sont accumulĂ©es. Ambiance : Le monde avance. Lui, Ă  peine. Texte : Aucun. 🟩 CASE 4 — PLAN SERRÉ (visage) Description visuelle : Aris 12–13 ans. Traits plus tirĂ©s. Regard fatiguĂ©. Il lit lentement, syllabe par syllabe. Texte (hachĂ©, lent) : « mar
 ché  pa
 » 🟩 CASE 5 — PLAN MOYEN Description visuelle : Aris s’arrĂȘte. Il ferme les yeux. Sa tĂȘte touche le mur. Ambiance : Épuisement, pas abandon. Texte : Aucun. 🟩 CASE 6 — CASE FINALE Description visuelle : Aris se relĂšve et s’éloigne. Il est maintenant adolescent, plus grand, toujours maigre. Le mur est couvert d’affiches. Ambiance : Il n’a pas gagnĂ©. Mais il n’a pas arrĂȘtĂ©. Texte : Aucun. 🎯 Ce que cette planche fait (important) montre la durĂ©e justifie la lecture plus tard prĂ©pare la planche 4 (les livres jetĂ©s) renforce le caractĂšre obstinĂ© d’Aris aucune victoire
đŸ–€ PLANCHE 2 — Essayer de lire Âge d’Aris : 7–8 ans Style : manga noir et blanc, fantasy mĂ©diĂ©vale Ambiance : tension silencieuse, maladresse enfantine Nombre de cases : 6 🟩 CASE 1 — PLAN MOYEN Description visuelle : Rue Ă©troite de la grande ville. Murs en pierre couverts d’affiches Ă©crites. Aris, enfant de 7–8 ans, marche lentement le long du mur. Aris (tenue) : haut type kimono simple, blanc Ă  l’origine, trĂšs sale, trop grand manches trop longues pantalon large dĂ©chirĂ©, trop long pieds nus, sales Il lĂšve la tĂȘte vers les affiches, trop hautes pour lui. Texte : Aucun. 🟩 CASE 2 — PLAN RAPPROCHÉ (mur) Description visuelle : Une affiche abĂźmĂ©e, pleine de texte serrĂ©. Les lettres sont petites, complexes, irrĂ©guliĂšres. Certaines parties sont dĂ©chirĂ©es ou effacĂ©es. Ambiance : IncomprĂ©hensible pour un enfant. Texte : Aucun. 🟩 CASE 3 — PLAN RAPPROCHÉ (Aris) Description visuelle : Aris se met sur la pointe des pieds pour lire. Son visage est concentrĂ© mais perdu. Bouche entrouverte, sourcils froncĂ©s. Texte (trĂšs petit, hĂ©sitant) : « m
 a
 » 🟩 CASE 4 — DÉTAIL (main) Description visuelle : Le doigt d’Aris suit une ligne de texte
 puis glisse, se trompe, s’arrĂȘte au mauvais endroit. Ambiance : Échec immĂ©diat, maladresse. Texte : Aucun. 🟩 CASE 5 — PLAN MOYEN Description visuelle : Aris baisse la tĂȘte. Ses Ă©paules retombent. Les affiches restent lĂ , immobiles, au-dessus de lui. Ambiance : Frustration silencieuse, incomprĂ©hension. Texte : Aucun. 🟩 CASE 6 — CASE FINALE Description visuelle : Aris s’éloigne du mur. Il est petit dans la rue, dos voĂ»tĂ©. Les affiches sont derriĂšre lui. Ambiance : Il n’a pas appris. Il essaiera encore. Texte : Aucun. 🔒 RAPPEL CANON (Ă  ne plus changer) Aris 7–8 ans tenue kimono blanc sale, pantalon dĂ©chirĂ© pieds nus aucune rĂ©ussite, aucun progrĂšs juste l’envie et l’échec
Giantees
đŸ–€ PLANCHE 4 — Les livres qu’on jette Âge d’Aris : 15 ans Style : manga noir et blanc, seinen classique Ambiance : nuit, pluie fine, indiffĂ©rence Nombre de cases : 6 🟩 CASE 1 — PLAN LARGE (haut de page) Description visuelle : BĂątiment massif et austĂšre : une acadĂ©mie. Architecture noble, propre, Ă©clairĂ©e de l’intĂ©rieur. À l’arriĂšre, une ruelle sombre. Ambiance : Savoir Ă  l’abri. Rue froide derriĂšre. Texte : Aucun. 🟩 CASE 2 — PLAN MOYEN Description visuelle : DerriĂšre l’acadĂ©mie. Caisses en bois renversĂ©es. Des livres jetĂ©s, abĂźmĂ©s, mouillĂ©s par la pluie. Des pages collĂ©es par la boue. Ambiance : MĂ©pris silencieux. Texte : Aucun. 🟩 CASE 3 — PLAN MOYEN (Aris) Description visuelle : Aris, 15 ans, maigre, vĂȘtements usĂ©s, trop grands. Il s’approche prudemment des caisses. Il regarde autour de lui, comme s’il n’avait pas le droit d’ĂȘtre lĂ . Ambiance : Habitude de la honte. Texte : Aucun. 🟩 CASE 4 — DÉTAIL (mains) Description visuelle : Les mains d’Aris fouillent parmi les livres. Certains sont trop mouillĂ©s. Certains dĂ©chirĂ©s. Il en Ă©carte plusieurs. Ambiance : Tri lent, mĂ©thodique. Texte : Aucun. 🟩 CASE 5 — PLAN RAPPROCHÉ (objet) Description visuelle : Un livre plus Ă©pais, plus ancien. Couverture noire, sans titre apparent. Moins abĂźmĂ© que les autres. Pas de symbole. Pas de lueur. Rien de magique. Texte : Aucun. 🟩 CASE 6 — CASE FINALE Description visuelle : Aris tient le livre contre lui, sous la pluie. Son visage est neutre. Juste une dĂ©cision simple. Texte (petite bulle, trĂšs discrĂšte) : « Celui-là
 » 🎯 INTENTION (IMPORTANT POUR MANGAAI) Aris ne cherche pas la magie Il cherche Ă  lire Le grimoire n’est pas prĂ©sentĂ© comme spĂ©cial L’acadĂ©mie jette → Aris rĂ©cupĂšre Aucun effet surnaturel Ă  ce stade
🟩 CASE 1 — PLAN RAPPROCHÉ (papier) Description visuelle : Le papier qu’Aris tient. Les mots sont cassĂ©s, mal alignĂ©s, incomplets. Exemples visibles (pas tous lisibles) : « mar
 chĂ© » « pa—n » « in
 ter
 dit » Certaines lettres sont effacĂ©es, d’autres mangĂ©es par le papier. Texte : Aucun. 🟩 CASE 2 — GROS PLAN VISAGE Description visuelle : Visage d’Aris enfant, trĂšs proche. Sourcils froncĂ©s. Bouche lĂ©gĂšrement entrouverte. Ses yeux reviennent en arriĂšre, comme s’il relisait. Texte (toute petite bulle) : « ma
 » 🟩 CASE 3 — DÉTAIL (doigt) Description visuelle : Le doigt d’Aris suit la ligne sur le papier. Il s’est arrĂȘtĂ© au milieu d’un mot. Le doigt tremble lĂ©gĂšrement. Texte : Aucun. 🟩 CASE 4 — PLAN MOYEN Description visuelle : Aris assis contre le mur. Il tient le papier trop prĂšs de son visage. Son corps est tendu, pas dĂ©tendu. Ambiance : Effort. Fatigue mentale. Texte : Aucun. 🟩 CASE 5 — PLAN RAPPROCHÉ (papier Ă  nouveau) Description visuelle : Le mĂȘme mot que case 1
 Mais cette fois, une syllabe est entourĂ©e, comme s’il avait compris une partie. Exemple : « mar
 chĂ© » Texte : Aucun. 🟩 CASE 6 — CASE FINALE (transition) Description visuelle : Aris baisse lĂ©gĂšrement le papier. Son regard est toujours sĂ©rieux
 mais un peu moins perdu que dans les premiĂšres cases. Ambiance : Pas de victoire. Juste : ça commence Ă  rentrer. Texte : Aucun. 🎯 INTENTION (pour MangaAI) Montrer l’effort, pas la rĂ©ussite Lecture lente, pĂ©nible Aucun effet magique Aucun sourire Le progrĂšs est minuscule, presque invisible
đŸ–€ PLANCHE 2 — Lire pour survivre Style : manga noir et blanc Ambiance : sombre, froide, mais avec une petite respiration Nombre de cases : 6 🟩 CASE 1 — PLAN MOYEN Description visuelle : MĂȘme rue que la planche 1. Aris enfant marche seul, tĂȘte baissĂ©e. Des affiches sont collĂ©es sur les murs (avis, annonces, lois). Ambiance : IndiffĂ©rence totale. Texte : Aucun. 🟩 CASE 2 — PLAN RAPPROCHÉ (mur) Description visuelle : Affiche Ă  moitiĂ© dĂ©chirĂ©e. Du texte visible, pas entiĂšrement lisible. On comprend qu’il y a des mots. Ambiance : Le monde Ă©crit, mais inaccessible. Texte : Aucun. 🟩 CASE 3 — PLAN RAPPROCHÉ (Aris) Description visuelle : Aris enfant arrĂȘtĂ© devant le mur. Il regarde l’affiche. Son regard est concentrĂ©, sĂ©rieux. Ambiance : CuriositĂ©, attention. Texte : Aucun. 🟩 CASE 4 — DÉTAIL (mains) Description visuelle : Aris dĂ©colle soigneusement un morceau de l’affiche. Ses doigts sont sales, mais dĂ©licats. Ambiance : PrĂ©caution, respect. Texte : Aucun. 🟩 CASE 5 — PLAN MOYEN Description visuelle : Aris assis dans une ruelle, dos au mur. Il tient le papier. Ses lĂšvres bougent lĂ©gĂšrement. Ambiance : Concentration silencieuse. Texte (trĂšs petit, discret) : Des fragments de mots lisibles sur le papier (ex : “marchĂ©â€, “pain”, “rue”, “interdit”). 🟩 CASE 6 — CASE FINALE Description visuelle : Aris appuyĂ© contre le mur, lisant. Autour de lui, la rue est sombre. Son visage est un peu moins fermĂ© que sur la planche 1. Ambiance : Calme. Refuge intĂ©rieur. Texte : Aucun. 🎯 INTENTION (pour MangaAI) La lecture = seule Ă©chappatoire Pas de sourire exagĂ©rĂ© Pas de lumiĂšre magique Juste un peu moins d’ombre sur le visage d’Aris Le monde reste dur, lui trouve un refuge
Page 1-2: Preparing for Eid Scene: The girls are sitting in the living room, talking about Eid " Meg: "I am so excited for Eid, but I feel sad for people who don't have enough ".Jo: "Yes... some children might not get any gifts or food "?Beth: "Maybe we can do something small to help them "?Meg: "What if we make them happy with little presents or sweets ".Jo: "That sounds nice! We can plan it together "Mom: "Ilove your idea, girls. Eid is not just for receiving, it's also for giving Page 3-4: Planning Scene: The girls discuss what each will do "Meg: "I think I can bake some sweets and share them "?Jo: "I will make some simple toys for the children. What do you think "Beth: "I have old clothes that I don't use. I can give them too "Meg: "That's perfect! Everyone can do something ". Jo: "Yes, we will make a small gift for each child "Mom:"| will collect all your gifts, and we can go together to give them Page 5-6: Working Together .Scene: The girls are busy preparing their gifts and food "!Meg: " like baking sweets, it smells so good ". Jo: "Making toys is fun, but I hope they will like them "Beth: "'m folding the clothes nicely. I hope they feel warm "Meg: "'m so happy we are doing this together ". Jo: "Yes, working together makes it even more fun "Beth: "Seeing them happy will make our Eid even better Page 7-8: Distributing Gifts Scene: Outside, the family gives food and gifts to the children "Beth: "Look at their smiles! They are so happy "Meg: "I feel so good giving them sweets "Jo: "It's amazing to see their faces light up ".Mom: "The joy of giving is much bigger than receiving "Meg: "I didn't know helping others could feel this wonderful "!Jo: "Yes... this is the real spirit of Eid Page 9-10: Returning Home .Scene: The girls walk home, feeling proud and happy "!Jo: "This is the best Eid I have ever had "Meg: "I agree. It feels better than any big gift ".Beth: "I want to do this every year *Mom: "That is the true meaning of Eid, helping others "Meg: " will always remember this feeling of joy "!Jo: "Next year, we can do even more Page 11-12: Ending Scene: The family sits for Eid breakfast, happy and laughing "Beth: "We should always help those in need "Meg: "Yes, let's make it a family tradition ".Jo: "A part of every Eid will go to the poor from now on "Mom: "I am proud of you girls. Giving makes Eid brighter for everyone "Meg: " love our family's Eid plan Jo: "And Ilove seeing everyone smile
đŸ–€ PLANCHE 1 — Aris, orphelin Style : manga noir et blanc Ambiance : sombre, froide, indiffĂ©rente Nombre de cases : 7 (rythme lent, oppression) 🟩 CASE 1 — PLAN LARGE (pleine largeur en haut) Description visuelle : Grande ville mĂ©diĂ©vale vue en plongĂ©e. Tours hautes, murs en pierre, rues Ă©troites. Beaucoup de bĂątiments, peu de ciel. La ville paraĂźt massive, Ă©crasante. Ambiance : Froide, impersonnelle. Texte : Aucun. 🟩 CASE 2 — PLAN MOYEN Description visuelle : Rue Ă©troite. Des passants bien habillĂ©s marchent vite. Au bord du cadre, Aris enfant, maigre, sale, assis contre un mur. Aris enfant : VĂȘtements trop grands, usĂ©s. Cheveux en bataille. Regard baissĂ©. Texte : Aucun. 🟩 CASE 3 — PLAN RAPPROCHÉ (mains) Description visuelle : Les mains d’Aris tendues. Sales, tremblantes. Une seule petite piĂšce dans la paume. Texte (petite bulle, trĂšs simple) : « S’il vous plaĂźt
 » 🟩 CASE 4 — PLAN MOYEN Description visuelle : Un adulte passe sans regarder Aris. Son manteau occupe la moitiĂ© de la case. Aris est presque hors champ. Ambiance : MĂ©pris, indiffĂ©rence. Texte : Aucun. 🟩 CASE 5 — CASE ÉTROITE (objet) Description visuelle : Aris fouille dans une poubelle. On voit du pain dur, Ă  moitiĂ© moisi. Il hĂ©site. Texte : Aucun. 🟩 CASE 6 — PLAN RAPPROCHÉ VISAGE Description visuelle : Visage d’Aris enfant. Traits tirĂ©s. Yeux fatiguĂ©s, mais attentifs. Il mĂąche lentement. Ambiance : Faim, rĂ©signation. Texte : Aucun. 🟩 CASE 7 — CASE FINALE (silencieuse) Description visuelle : Aris recroquevillĂ© contre un mur, la nuit. La ville continue derriĂšre lui : silhouettes, ombres, mouvement. Lui est immobile. Ambiance : Solitude totale. Texte : Aucun. 🎯 INTENTION (IMPORTANT POUR MANGA AI) Pas d’exagĂ©ration Ă©motionnelle Pas de caricature Aris enfant ne pleure pas La ville est le “monstre” Le silence est plus fort que les mots
“Panel 1: A wide shot of a brick-like wall of cells. Panel 2: Epi the Guardian stands in front of the wall. Dialogue: 'We are Epithelial! We line the body and keep germs out!' Panel 3: Epi blocking a cartoon germ with a shield.”
Blair is a young warrior in his mid 20s with a short beard and a short mustache. He has short brown hair and is 5'7. Lilith is the demon of lust, crimson skin with horns, demonic wings and sharp claws. Lilith has glowing crimson eyes. The story continues as Blair kneels before Lilith who is now twice his height. She summons a mirror in front of them both as she stands behind Blair, who can see their height difference. She proceeds to taunt him, reminding him that she owns him now. Lilith proceeds to lift up one leg and place her foot on top of Blair's head as they stand in front of the mirror, commanding him to kneel and reflect on my status as a man which Blair does.
The story continues as Lilith tells Blair that she saw everything in her vision. She embraces Blair, telling him that its time for him to let go. She will make his desires come true and guides him to her throne. Whispering to him that she knows he wants to shrink and worship a tall demon. As she sits down, she presents her crimson feet in front of Blair's face and instructs him to start by kissing her feet. She proceeds to inform him as he worships her feet, she will absorb his devotion to her and grow in height and power. Blair hesitates, however Lilith assures him that I will transferring his power to her and worshipping a beautiful powerful demon, his greatest desire. As Blair begins to kiss her feet, Lilith receives great pleasure as she begins to grow a foot in height. Praising him for being a good boy.
Blair is a young warrior in his mid 20s with a short beard and a short mustache. He has short brown hair and is 5'7. Lilith is the demon of lust, crimson skin with horns, demonic wings and sharp claws. Lilith is 6 ft tall, taller then Blair. The story starts with Blair infiltrating Lilith's castle. He makes his way to Lilith's throne room where he confronts her, sitting on her throne. Blair readies his sword, however Lilith is completely calm. She rises from her throne and walks towards him. She seduces him with her words, inviting him close to her, all he has to do is put down his sword. Blair puts down his sword, seduced by Lilith and makes his way to her. Lilith embraces Blair and the two kiss.
Blair is a young warrior in his mid 20s with a short beard and a short mustache. He has short brown hair and is 5'7. Lilith is the demon of lust, crimson skin with horns, demonic wings and sharp claws. Lilith is 6 ft tall, taller then Blair. The story starts with Blair infiltrating Lilith's castle. He makes his way to Lilith's throne room where he confronts her, sitting on her throne. Blair readies his sword, however Lilith is completely calm. She rises from her throne and walks towards him. She seduces him with her words, inviting him close to her, all he has to do is put down his sword. Blair puts down his sword, seduced by Lilith and makes his way to her. Lilith embraces Blair and the two kiss.
A young woman born into an aristocratic family is gently talking with a humble farm worker. Despite the clear difference in their social status, she feels drawn to his sincerity and quiet strength. As they speak, warm sunlight falls over a vast field of blooming sunflowers, swaying softly in the summer breeze. Their conversation is calm and intimate, filled with unspoken feelings, as if the world around them has faded away, leaving only the two of them in that golden moment.
Face of a 15 year old boy, wide eyes open, shocked expression, fear and surprise, sweat on face, dramatic lighting, anime portrait, highly detailed, emotional --ar 1:1
DUAS CRIANÇAS DE 8 ANOS INDO PARA A ESCOLA. A MENINA COMENTA QUE ESTÁ COM DOR DE DENTE, E O MENINO DIZ QUE TEVE A VISITA DE UMA DENTISTA ESCOLA E ENSINOU QUE PARA NÃO TERMOS DOR DE DENTES, PRECISAMOS ESCOVAR OS DENTES 3 VEZES AO DIA APÓS AS REFEIÇÕES E NUNCA ESQUECE DE DORMIR COM OS DENTES LIMPOS. DISSE TAMBÉM QUE PRECISAMOS TER UMA ALIMENTAÇÃO SAUDÁVEL, NÃO COMER MUITO DOCE E QUE PRECISAMOS VISITAR O DENTISTA A CADA 6 MESES. A MENINA DIZ QUE TEM MEDO DE DENTISTA, MAS O MENINO A ENCORAJA.
porco has light brown hair. Miu has long black hair. Levi has short black hair. Levi is standing behind Mia and holding her by the side and kissing her on the lips. Porco is by Mia and holding her by the leg and kissing her on the lips.
stripclub battle scene
As she walks, she stumbles over a loose stone and falls to the ground, her hair flowing around her face and her expression a mix of surprise and embarrassment.
in the world name ASTALIA people living in harmony
PAGE 1 – SPLASH Wide establishing shot of Driftwood at night. Cozy tavern lights glow in the foreground, Fracture scar pulsing faintly in the purple sky above the town. Caption box top left: "In a fractured world, old friends sometimes find each other again
 usually right before everything goes to hell."
Miu is girl and Levi is boy . I need colored manga "I'll be fine." Miu drink more Levi blood than was healthy, but it wouldn't harm Levi health. Levi picked Miu up before Miu passed out. A few days later Miu woke up and felt better. Someone was holding my hand and sleeping in chair close to bed. Miu moved a little and it woke Levi up. It was deep in the night It was Levi. "Miu.." Levi whispered and Miu blinked. "Levi" smiled and Levi hugged Miu. "I was so scared. Why aren't you taking care of yourself?" Levi asks and Miu start to cry. "I'm sorry." Levi puts his forehead against mine. "Don't apologize." Levi says and gets on the bed and hugs Miu tightly. It felt good. "I thought I was going to lose you when Finn was carrying you." He whispered and this time Miu held him close. "Am I okay?" Miu say to reassure Levi and his breathing calms down. Levi looks into Miu eyes again and Miu look into his. "Will it be okay how long have I been away?" "A week and a half." Levi replies and Miu widen eyes. "That's not possible." Miu say and he chuckles ironically. "That's right." Levi says and Miu kiss him. Levi kisses Miu back and caresses Miu cheek. Miu feel more sorry for scaring Levi than for almost dying. "I love you so much, Mia." "I love you too." Miu whisper and kiss Levi and pull Levi closer. Miu stroke Levis hair until both fall asleep again.
Miu is girl and Levi is boy . I need colored manga "I'll be fine." Miu drink more Levi blood than was healthy, but it wouldn't harm Levi health. Levi picked Miu up before Miu passed out. A few days later Miu woke up and felt better. Someone was holding my hand and sleeping in chair close to bed. Miu moved a little and it woke Levi up. It was deep in the night It was Levi. "Miu.." Levi whispered and Miu blinked. "Levi" smiled and Levi hugged Miu. "I was so scared. Why aren't you taking care of yourself?" Levi asks and Miu start to cry. "I'm sorry." Levi puts his forehead against mine. "Don't apologize." Levi says and gets on the bed and hugs Miu tightly. It felt good. "I thought I was going to lose you when Finn was carrying you." He whispered and this time Miu held him close. "Am I okay?" Miu say to reassure Levi and his breathing calms down. Levi looks into Miu eyes again and Miu look into his. "Will it be okay how long have I been away?" "A week and a half." Levi replies and Miu widen eyes. "That's not possible." Miu say and he chuckles ironically. "That's right." Levi says and Miu kiss him. Levi kisses Miu back and caresses Miu cheek. Miu feel more sorry for scaring Levi than for almost dying. "I love you so much, Mia." "I love you too." Miu whisper and kiss Levi and pull Levi closer. Miu stroke Levis hair until both fall asleep again.
Miu is girl and Levi is boy . I need colored manga "I'll be fine." Miu drink more Levi blood than was healthy, but it wouldn't harm Levi health. Levi picked Miu up before Miu passed out. A few days later Miu woke up and felt better. Someone was holding my hand and sleeping in chair close to bed. Miu moved a little and it woke Levi up. It was deep in the night It was Levi. "Miu.." Levi whispered and Miu blinked. "Levi" smiled and Levi hugged Miu. "I was so scared. Why aren't you taking care of yourself?" Levi asks and Miu start to cry. "I'm sorry." Levi puts his forehead against mine. "Don't apologize." Levi says and gets on the bed and hugs Miu tightly. It felt good. "I thought I was going to lose you when Finn was carrying you." He whispered and this time Miu held him close. "Am I okay?" Miu say to reassure Levi and his breathing calms down. Levi looks into Miu eyes again and Miu look into his. "Will it be okay how long have I been away?" "A week and a half." Levi replies and Miu widen eyes. "That's not possible." Miu say and he chuckles ironically. "That's right." Levi says and Miu kiss him. Levi kisses Miu back and caresses Miu cheek. Miu feel more sorry for scaring Levi than for almost dying. "I love you so much, Mia." "I love you too." Miu whisper and kiss Levi and pull Levi closer. Miu stroke Levis hair until both fall asleep again.
Miu is girl qnd Levi is boy "I'll be fine." I drink more than was healthy, but it wouldn't harm his health. He picked me up before I passed out. A few days later I woke up and felt better. Someone was holding my hand and sleeping. I moved a little and it woke him up. It was deep in the night It was Levi. "Miu.." He whispered and I blinked. "Levi" smiled and then hugged me. "I was so scared. Why aren't you taking care of yourself?" He asks and I start to cry. "I'm sorry." He puts his forehead against mine. "Don't apologize." He says and gets on the bed and hugs me tightly. It felt good. "I thought I was going to lose you when Finn was carrying you." He whispered and this time I held him close. "Am I okay?" I say to reassure him and his breathing calms down. He looks into my eyes again and I look into his. "Will it be okay how long have I been away?" "A week and a half." He replies and I widen my eyes. "That's not possible." I say and he chuckles ironically. "That's right." He says and I kiss him. He kisses me back and caresses my cheek. I feel more sorry for scaring him than for almost dying. "I love you so much, Mia." "I love you too." I whisper and kiss him as a friend. I stroke his hair until we both fall asleep again.
yury era a reencarnação da besta mais temida, o bapihomit, algo que o próprio não sabia e sempre questiona o que acontecia quando ela se estressava muito, seu pai dizia que era devido que ele ativava a adrenalina e entrava em estado de flow, ela nunca acreditou nisso e buscou estudar isso, se formando em química
The main character wakes up in an abandoned prison cell with a watch on his wrist projecting a green light. The color of the light depicts how "sane" the person wearing it is and how close they are to becoming a monster. The main character explores the prison finding keys and clues on how they got there. As he learns more, he tries to find a way to stop what's going on and cure himself before he becomes a monster.
Title: Revy’s Black Market Genre: Cyberpunk, Tech-Noir, Dystopian, Underground Economy Tone: Dark, intelligent, rebellious, futuristic Style: High-contrast black & white manga with neon cyberpunk accents, glitch effects, holographic UI overlays WORLD SETTING The story takes place in Vybz Land, a massive futuristic megacity where technology evolves daily, but access to innovation is controlled by powerful corporations and elites. In this world, early access equals power, and being late means being left behind forever. The city is filled with: Neon skyscrapers Surveillance drones Digital billboards Crowded lower districts where people struggle to keep up with the future Hidden beneath this system is an underground network known only as Revy’s Black Market (RBM). THE BLACK MARKET (RBM) RBM is not a physical place — it is a digital gateway. Access is earned, not sold. RBM offers: Early access to emerging technology Secret deals before public release Presales and limited drops AI tools, mobility tech, robotics, and Web3 platforms RBM doesn’t steal technology — it redistributes access and timing. MAIN CHARACTER — REVY Revy is the mysterious overseer of RBM. Appearance: Androgynous cyberpunk figure Long dark coat with glowing circuit patterns One eye enhanced with a digital interface Calm expression, always observing Personality: Highly intelligent Emotionally controlled Speaks in short, powerful lines Never explains everything Revy believes the future should reward curiosity, not wealth. STORY SUMMARY CHAPTER 1 — Access Denied A young citizen in Vybz Land watches others advance while he is left behind by expensive technology. He sees advertisements for innovation he cannot afford. On a dark alley wall, a glowing symbol appears: “The future isn’t sold. It’s accessed.” CHAPTER 2 — The Gate The symbol leads to RBM. A digital interface appears asking for identity verification. When access is granted, Revy appears as a hologram. Revy says: “You don’t buy the future. You arrive before it’s expensive.” CHAPTER 3 — Deals Are Power Users of RBM begin gaining advantages: Smarter tools Faster mobility Better opportunities Corporations notice something is wrong. Someone is disrupting their control. CHAPTER 4 — The Underground Rises RBM grows. More people gain access. The elite begin hunting the source. Revy watches from the shadows and says: “We don’t break systems. We expose their timing.” CORE THEMES Access vs privilege Technology as power Freedom through information The underground economy of the future FINAL MESSAGE RBM is not a store. It is a gateway. Tagline for final page: “Welcome to Revy’s Black Market — where the future is traded early.”
A beautiful blonde girl looks at you, petite, slim and well curved, curly hair. Wearing a stunning dress showing cleverage
Liel, seorang pengusaha sukses yang dingin dan tidak percaya pada cinta, telah kehilangan kepercayaan pada wanita setelah dikhianati oleh mantan pacarnya. Ayaa, seorang wanita yang ceria dan optimis, bekerja sebagai desainer grafis di perusahaan Liel. Mereka bertemu secara tidak sengaja di kantor, dan Liel langsung tertarik dengan kecantikan Ayaa. Namun, Ayaa tidak tahu bahwa Liel adalah bosnya, dan Liel tidak ingin Ayaa mengetahui identitasnya. Mereka mulai menghabiskan waktu bersama, dan Liel perlahan-lahan membuka hatinya pada Ayaa. Namun, ketika Ayaa mengetahui kebenaran tentang identitas Liel, dia merasa tertipu dan memutuskan untuk menjauh. Liel menyadari bahwa dia telah jatuh cinta dengan Ayaa, dan dia akan melakukan apa saja untuk mendapatkannya kembali. Ayaa, yang juga telah jatuh cinta dengan Liel, harus memutuskan apakah dia bisa memaafkan Liel dan menerima cintanya. Cerita ini akan menjadi perjalanan emosional yang penuh dengan cinta, pengkhianatan, dan akhirnya, kebahagiaan. *Liel:* - Umur: 28 tahun - Pekerjaan: Pengusaha sukses - Kepribadian: Dingin, tidak percaya pada cinta - Latar belakang: Dikhianati oleh mantan pacarnya *Ayaa:* - Umur: 25 tahun - Pekerjaan: Desainer grafis - Kepribadian: Ceria, optimis - Latar belakang: Tidak memiliki pengalaman cinta yang baik
a king grieving about his lost wife
Magic
Based on this art style creat 2 character,6'2 ft one with jet black hair, night blue eyes, pretty muscular, has a snake tattoo on his left arm, mma fighter, the second one 5'7 ft, blond messy hair, light brown eyes, white t-shirt, jeans, has a bandadge on his wrist and right cheek, innocent looking, display them separatly so i can make theyre info beside them
Scene 1: (Showing the natures from surroundings of the place) Hero is playing with his friends. Place : Road side Dialogue's : Reo : hey it's time so we will see tomorrow guy's Friend : bye reo don't forgot to come tomorrow
Fais-le pour moi. Il y a deux personnages, Salman et Luke. Ils sont amis. Dans une scĂšne, on voit un lycĂ©e. Salman et Luke discutent en classe, et soudain, ils aperçoivent un Ă©pais brouillard par la fenĂȘtre. De ce brouillard surgit un monstre terrifiant.