Political Thriller Manga

Ten thousand years after the Great Heaven War, the Dao has changed—and so has the world.
Sects rule nations, flying swords fill regulated skies, and Heavenly Trials descend the moment a cultivator understands too much. In this late-stage cultivation era, power is institutionalized, ambition is monitored, and even righteousness is a political stance rather than a cosmic truth.
Born into an ancient sword clan that chose adaptation over isolation, a young cultivator enters a second-tier righteous sect where talent is refined and the greatest disciples are sent upward to a Tier One power. But in a world where the Dao is endless and Heaven corrects imbalance without mercy, insight is more dangerous than strength.
The path to immortality is uncertain.
The Dao does not care about good or evil.
And Heaven is always watching.

Een auto die op de snelweg rijdt, rijdt een bosrijk gebied in tijdens regen

PAGE 1 — FULL BLEED SPLASH
Rainy Germantown night. Streetlights flicker. Graffiti wall reads: PULSE POINT in dripping red.
Jay Hayes walks alone under a hoodie.
CAPTION (Jay – narration):
Eleven years. Still feels like yesterday.
Low 808 sound effect lettered faint in the rain:
SFX: THUM… THUM… THUM…

Topic: we need help
At first There are so many cars buses and bikes at the highway. Then some object was coming from sky like unknown objects. Some people came out of there cars and saw a unknown flying object in the sky and they started recording videos. And they feel suspicious things coming to them and they call the police. Some police arrived at the sense and they were scared by seeing spaceship. Spaceship was landed in highway side field. Police call to the army Generals named Rento igemake.

Black and white manga-style illustration of a young male character based on the reference image: short, slightly messy black hair, sharp eyes, calm yet serious facial features, modern casual appearance. The character is falling from a tall building, captured in a dramatic mid-air moment from a diagonal perspective. His expression shifts from composed to shocked, eyes widened and mouth slightly open. One arm reaches outward instinctively while his body tilts forward during the fall. The city far below is blurred with motion lines to emphasize speed and height. Clean monochrome manga line art, strong contrast, detailed shading, cinematic tension. A white speech bubble near his face contains the text: “Ah, Shit". Classic Japanese manga panel style, dynamic composition, black and white only.

Black and white manga-style illustration of a young male character falling forward from a tall building, body positioned almost horizontally, not vertical. The character is leaning forward mid-air, as if being thrown off balance, with one arm stretched forward and the other trailing behind, legs angled backward. Camera angle is side view / three-quarter view, positioned parallel to the character, not top-down. His hair flows backward due to air resistance, eyes wide in shock, mouth open. The cityscape appears far below and slightly blurred to emphasize height and motion. Strong speed lines flowing backward only. Clean monochrome manga lineart, dramatic perspective. A white speech bubble near his head contains the text: “Ah, Shit.”

Negative prompt: vertical falling pose, skydiving pose, spread arms, T-pose, front-facing fall, top-down camera, floating pose, superhero landing, arms fully extended sideways

In an era where six Supremes mark the absolute ceiling of existence, the world moves under a quiet, grinding tension: five Supremes stand revealed, anchoring nations, deterring wars, and defining the limits of power, while the sixth vanished long ago without death, omen, or echo, leaving behind not silence but a sense of deliberate containment that only beings at that level can feel; kingdoms ring their borders with alliances and naval forces, especially along the eastern ocean where island chains hide ancient mana scars, academies promote Gifted through rigid ranks obsessed with combat metrics and measurable mana, blind to the truth that Supremacy is not earned but survived, and above it all walks the MC, a Supreme who abandoned the system itself after realizing it was not a ladder but a cage, designed after the disappearance to prevent another from breaking reality the way the missing one nearly did; as nations posture, research forbidden spells, and quietly fear escalation, the MC senses what others refuse to name, that the missing Supreme did not fall or transcend but uncovered something beyond Supremacy and chose exile or imprisonment to stop it from cascading, making the current balance an illusion sustained by fear and ignorance, and as cracks spread through mana laws, island anomalies stir, and Supreme senses begin to distort, the story moves toward an inevitable convergence where the MC, the vanished Supreme, and the system meant to bind them are forced into collision, deciding whether the world remains stable, ascends, or shatters under the weight of truths it was never meant to hold.

Black and white manga-style panel showing a dramatic falling perspective from a tall building. The view looks straight downward into a realistic cityscape with clearly defined rectangular buildings, straight streets, and proper urban grid layout. Strong radial speed lines and controlled motion blur converge toward the center to emphasize extreme height and vertigo, without distorting building shapes.
No character body visible at all — no hands, no arms, no silhouette, no human anatomy. Only the falling perspective and the city below. Clean monochrome manga line art, high contrast, sharp city details, dynamic motion lines.
Two small white speech bubbles near the top contain the text:
“Huh?” and “This…”
One large white speech bubble at the bottom contains bold manga-style lettering:
“Aaaaaaa!!!!
NOOOO!!!!!”
Classic Japanese manga panel composition, black and white only, dramatic tension, clear perspective, controlled motion effects.

Negative prompt: hands, arms, fingers, body parts, human silhouette, character anatomy, abstract city, distorted buildings, warped architecture, surreal shapes, painterly blur, soft focus, sketchy background

CyberWolf — Series Story Description

In a world where advanced technology and hidden powers collide, a young man named Tori Mack wakes up in a laboratory with no memories… and a body that is no longer fully human.

Half of him has been transformed into a powerful cybernetic weapon. His right side is no longer flesh, but steel, circuits, and claws. Stronger. Faster. Deadlier.

Rescued and watched over by a mysterious older man named Ein Tucker, Tori learns that he survived a disaster no human should have lived through. But the truth is far darker than he realizes.

As Tori struggles to understand what he has become, strange dreams of wolves begin to haunt him. At the same time, dangerous forces move in the shadows—people who know exactly what he is… and want him back.

Ein, once a legendary assassin with powerful spell-casting abilities, now walks a different path after learning his entire life was built on manipulation and lies. He becomes Tori’s mentor, training him not only to fight, but to survive in a world that sees him as a weapon, not a person.

Together, they are pulled into a hidden war involving experiments, corrupted organizations, and creatures that blur the line between machine and monster.

Tori must discover:
Who turned him into CyberWolf…
Why he was chosen…
And whether he is still human — or something far more dangerous.

CyberWolf is a dark sci-fi action manga about identity, revenge, power, and what it truly means to keep your humanity in a world that wants to turn you into a weapon.

a young man lying on a bed, black messy hair, wearing a plain white t-shirt, sweating, screaming in fear, eyes tightly shut, mouth wide open, dramatic motion lines around the bed, nightmare atmosphere, intense emotion, manga shock effect, impact lines, speed lines
speech bubble style manga: “No…”, “NOOO!!!”, “Please… NOOO!!!”

CyberWolf
Chapter 1: Awakening (Rough Draft)
Tori Mack woke up because his body felt wrong.
The room was quiet, filled with the low hum of machines. White lights burned above him, and the air
smelled clean—too clean. His head throbbed as he tried to remember how he got there, but his mind
was blank.
He moved his right hand.
Metal shifted.
Tori froze and slowly lifted his arm. From shoulder to fingertips, it was solid steel—smooth, dark, and
unbreakable. His breathing picked up as he tried to move his right leg.
Metal again.
“What… is going on?” he whispered.
“You’re awake,” a calm voice said.
Tori turned his head. A man stood beside the bed, watching him closely. He looked older, his
expression patient, like someone who had been waiting for this moment.
“My name is Ein Tucker,” the man said.
Tori tried to sit up. His body responded easily, stronger than it should have been. He swung his legs off
the bed and stood. His metal foot hit the floor with a solid thud.
“I don’t remember anything,” Tori said, panic creeping into his voice. “What happened to me?”
“You were caught in a storm,” Ein said carefully. “You didn’t survive it the way a normal human would.”
“So what am I?” Tori asked.
“Still human,” Ein replied. “But also something more.”
“Rebuilt by who?” Tori asked.
“That’s a conversation for later,” Ein said. “What matters now is that you’re alive.”
Tori clenched his metal fist. It didn’t shake. It didn’t hurt.
“When I was unconscious,” Tori said quietly, “I dreamed of wolves watching me.”
Ein’s eyes sharpened for a brief moment.
“Focus on learning how to move,” Ein said. “The rest will come in time.”
Tori stood there half flesh, half metal feeling power beneath his skin.
His old life was over.And the beginning of CyberWolf had just begun

close-up side view of the same young man sitting up, hands clutching his head, wide terrified eyes, mouth open screaming, sweat drops flying, strong motion lines, emotional breakdown, high tension manga panel
sound effect bubble manga style: “AAhh!!!”

L’anime commence dans une genre de salle noir vue première personne du perso principal , ( des yeux rouge?) nous parle et nous dit : "tu sais déjà ce qui va se passer tu la vue dans ton rêve , sa ne devrait aps tarder et à ce moment la….tout finira" en tendant sa main vers nous , le perso ne peux pas parler est effrayer on voit ses clignement de yeux , et quand la main arrive sur notre visage( donc pile au moment où il dit "tout se finira" il se réveille en sursaut , son amie qui était venue le réveiller sursaute aussi elle lui parle mais il entend pas , il regarde autour de lui frénétique et il entend comme si il avait les oreilles bouchées , son amie lui touche l’épaule et il revient à la "normale" et elle dit :"tu pleure ?" Le héros dit Nn Et la nouveau clignement du perso principal mais quand l’œil se rouvre on a la vision de l’amie qui regarde le perso principal qui a effectivement une larme à l’œil

Tassi Hangbé, la reine rossignol
Sœur jumelle du roi Akaba, Tassi Hangbé, un peu oubliée par l’histoire, est la 5ème reine de la dynastie royale d’Abomey. Littéralement le nom hangbé signifie “la voix de la chanson” en langue fon d’Abomey. Depuis son enfance, celle qui n’était encore qu’une princesse du royaume avait pour passion la musique et chantait remarquablement bien. Avec ses belles chansons, elle égayait chaque soir les réunions entre son père et ses frères. L’histoire révèle même que les soirs où elle était absente, le roi et ses frères envoyaient des serviteurs l’appeler car ne pouvant se passer des douces mélodies de la princesse à qui le sobriquet ” hangbé ” fut donné. Cette appellation deviendra plus tard son nom officiel dans tout le royaume.

La gouvernance de la reine Hangbé
En 1708, alors que le roi Akaba meurt des suites d’une courte maladie pendant la guerre, sa sœur Tassi Hangbé présente à ses côtés décide de de garder le secret de sa mort pour ne pas démoraliser les troupes. Déguisée en son frère, elle prend le commandement de l’armée et mène les combats jusqu’à la victoire finale à Lissèzoun, où elle vainc le royaume de Wémè.
À son retour à Abomey, le fils d’Akaba étant encore trop jeune pour régner, c’est Hangbé qui prend les rênes du royaume du Danxomè. Bien qu’aucune cérémonie officielle n’ait eu lieu, elle portait tous les symboles du pouvoir royal : les sandales sacrées (saloubata), le grand pagne décoré (avotita), la récade (mankpo). Reconnue et respectée comme souveraine, elle était toujours accompagnée du siège et du parasol royal.
Elle recevait de tous le respect dû à son rang mais les réalités phallocratiques du royaume n’ont pas tardé à la rattraper. Le règne d’une femme dérangeait dans un contexte fortement dominé par les hommes. Au palais comme dans le reste du royaume, certains hommes manifestaient ouvertement leur indignation à l’idée de laisser une femme sur le trône de Houégbadja. Subissant complots et tensions familiales, qui lui coûtent notamment l’annulation de son mariage et la perte de deux fils, Hangbè finit par céder le pouvoir à son frère Dossou, intronisé en 1711 sous le nom d’Agadja.
Malgré son règne très court, Tassi Hangbé reste une figure majeure de l’histoire du Danxomè. Proche de son peuple, attachée à la religion et aux arts, elle a surtout marqué son époque en mettant en valeur le rôle des femmes, notamment par la création du corps des Amazones, un héritage restructuré et renforcé par la suite plus tard par le roi Ghézo.

Le combat féministe de la mère des amazones
Selon Damien Mariano Agliti, guide à l’Office de tourisme de la région d’Abomey, « Tassi Hangbé a pris cette initiative pour donner une véritable place aux femmes au sein du royaume ». Son influence ne s’est pas arrêtée à ses quatre années de règne. Même après avoir quitté le trône, Nan Hangbé est restée une haute dignitaire respectée, intervenant activement dans les affaires du royaume — notamment lorsqu’elle s’opposa à son frère qui refusa de retourner le pouvoir au fils d’Akaba une fois celui-ci en âge de régner.Elle a aussi joué un rôle clé dans la reconnaissance des femmes dignitaires, appelées Tassi, facilement identifiables grâce à leurs pagnes souvent posés sur la tête. Aujourd’hui encore, à Abomey, une femme perpétue la tradition de la reine guerrière : elle occupe le trône de Tassi Hangbé, dirige les cultes annuels et veille sur les affaires de la collectivité Hangbé

Eren wakes up in a familiar city, but something feels wrong.

The road he walks every day is still there.
His old apartment still stands.
But no one can see him.

He calls out to people.
No one responds.

He looks at himself in the mirror—his reflection is blurred, as if he never existed.

As night falls, Eren discovers something far worse:
Others like him—those who were forgotten—are emerging from the shadows.

And they are staring straight at him.

$In a world where a few can bend probability through raw will, a quiet drifter named Kai Kurozawa discovers his gift isn’t luck—it’s a loaded weapon. Each choice twists the odds, but the universe charges interest. SERIES BIBLE (Concise) Power System — Will / Odds / Backlash • Dwellers: Rare individuals who can impose Tacks (micro‐edits to probability) via focused Will. • Odds: A visualized “grain” of reality; Dwellers sense vectors of likely outcomes as shimmering filaments. • Tacks: Intentional nudges (“make that rope snap,” “let the bus be 8 seconds late”). Each Tack accrues Fate Friction—stress that rebounds later as Backlash (nosebleeds → fractures → catastrophic karmic events). • Edges: Personal rituals or anchors (coin flips, mantras) that stabilize Will and reduce friction. • Zeroshift (mythic tier, late series): A liminal state where Odds are a silent ocean and Will is a blade—do not reveal yet. World • Haven District: Port-city sprawl; rusted rooftops, market alleys, flooded underpass murals. • Glassline Metro: Arteries of the city; reflective tunnels where odds feel “loud.” • The Quiet: A rumored zone where Odds stop moving—foreshadowing endgame forces. Factions • Municipal Risk Office (MRO): Bureau that tracks statistical anomalies; polite on paper, predatory in practice. • The Erased: Black-bag unit rumored to “remove” unstable Dwellers. Recurring Antagonists • Rael, “The Eraser”: Uncanny calm; his talent dampens other Dwellers’ Tacks in close range. He is the city’s whispered full stop. • Anti-Kai (Kairo Tsukami): Never named on-page yet. Thematic opposite of Kai—fixes outcomes by stealing other people’s Will. Themes • Choice vs. inevitability, the cost of power, anonymity in crowds, the math of mercy. VISUAL STYLE GUIDE (for art consistency) • Line: Clean, high-contrast inks; thin outline on faces, heavy shadows on urban geometry. • Tone: Filmic noir with sharp whites for the “Odds” filaments. • Odds Visualization: Fine hairline threads and moiré patterns drifting off objects; when Kai focuses, threads bloom like dandelion seeds frozen mid-gust. • SFX: Minimalist lettering, small caps with long em dashes for sustained sounds (e.g., VRRR—). • Panel Rhythm: Quiet micro-panels for intention → explode into wide panels for consequence. CAST (Core + Non-Dwellers — at least 5) Kai Kurozawa (17) • A drifter with a coin ritual. Soft voice, sharp eyes. Edge: Coin Flip. • Quirk: Counts his breaths when deciding; breath 7 is commitment. • Flaw: Terrified of being the cause. Mei Arakawa (19) — Journalism student, street photographer. Non-Dweller. • Brave to a fault; sees patterns in people. Keeps instant camera on wrist. Jun “Switch” Tanaka (18) — Electronics stall kid; builds things from city trash. Non-Dweller. • Grease smudges, perpetual grin, a tool roll like a scroll. Aya Mori (20) — Med student volunteering at a night clinic. Non-Dweller. • Steady hands; refuses to look away from ugly truths. Inspector Haruto Ishii (34) — MRO field officer. Non-Dweller. • Polite, dry, exhausted; catalogues “anomaly sites.” Koji Nakamura (52) — Market grocer. Non-Dweller. • Kind man, jokes in proverbs. (Mark as at risk in early arcs.) Daichi (12) — Rooftop runner, orphan. Non-Dweller. • Knows every shortcut; sells maps he draws by hand. Rael (??) — “The Eraser.” Dweller. • Neutral face; shoes make no sound. The city gets quiet when he arrives. HIDDEN SEEDS in Chapter One • Page 3: A passerby with a ring—three triangular prongs. Later revealed as an Erased marker. • Page 17: Black van reflection in puddle (MRO plate pattern: 131-21). • Page 28: Blank spot in Kai’s Odds vision (Rael’s signature dampening at distance). • Final Page: A second coin in gutter, heads scratched with a thin inverted cross (Anti-Kai sigil—unexplained). CHAPTER ONE: PAGE-BY-PAGE SCRIPT & STORYBOARD Length: 36 pages (tankōbon pacing). Goal: Introduce Kai, demonstrate low-tier Tack, show cost, hook with a moral pivot.$

Panel Type

Extra-wide cinematic panel (double-page spread feeling)

Camera

High-angle camera, positioned near the ceiling

Looking downward at a slight diagonal tilt

Emphasizes scale, complexity, and secrecy

Characters appear small compared to the environment

🧪 Environment – Underground Laboratory (Tokyo 2030)

A large underground laboratory hidden deep beneath the city, industrial and functional rather than clean or futuristic-glossy.

Central Area

A large workstation hub in the middle

Multiple computer terminals with stacked screens (2025-level tech, not holograms)

Screens show:

Code

Brain scan data

System diagnostics

Surveillance-style feeds

Thick cables snake across the floor, connecting systems

Left Side – Power & Network Systems

Inspired by your server rack reference:

Tall server towers lining the wall

Blinking indicator lights

Heavy power conduits running along walls and floor

Backup batteries, transformers, exposed cabling

Feels noisy and energy-dense, like the lab must stay powered at all costs

Right Side – Brain Scanner Room

Inspired by the brain scanner chamber:

A sealed scanning pod or chair inside a recessed alcove

Mechanical armature above it with a focused light

Thick padding, restraint-like elements (medical, not violent)

Glass or transparent barrier partially enclosing it

Clearly the most unsettling object in the room

Rear / Side Areas – Planning & Research

Inspired by the planning boards:

One or two mobile whiteboards

Covered with:

Maps

Red and blue marker lines

Handwritten notes

Sticky notes

Diagrams and timelines

Papers taped unevenly

Suggest long-term planning and obsession

👥 Characters (All Three Present)
Positioning

They stand together but not unified:

Scientist near the central workstation

Slightly forward, familiar with the space

Calm, focused posture

Suited Woman a step behind

Arms crossed or rigid stance

Body language skeptical and tense

Visibly evaluating the lab

Younger Woman slightly apart

Curious, relaxed

Looking around rather than at the others

They are small compared to the lab, reinforcing how big and serious this place is.

🎨 Art Style

Black-and-white manga illustration

Heavy use of screentone for depth

Strong industrial textures

Clean but dense linework

No exaggerated sci-fi glow

Realistic near-future technology

🎭 Mood

Overwhelming scale.
Hidden knowledge.
A place built over years for something dangerous and important.

🚫 Negative Prompt

No chibi style, no fantasy magic, no bright cyberpunk neon, no known characters, no cartoon proportions, no text bubbles.

3. Feature II – Investigating the Climate Lie Machine
Two-panel manga spread:

Panel 1: Field researchers in Matabeleland North collecting data with local communities.

Panel 2: Abstract, stylized infographic panel showing climate misinformation flows, myths, and narrative pathways, drawn in a cyber-manga style.

Alarm çalmadan birkaç saniye önce uyandı.
Alışkanlık. Derinlikçiler geç kalmayı göze alamazdı.

Tavanın köşesindeki nem lekesine baktı bir süre. Isıtma sistemi gece yine kısılmıştı. Krizden sonra çoğu şey “optimize” edilmişti. Elektrik, su, nefes.

Telefon ekranında haber başlığı akıyordu:

“Ekonomik toparlanma dördüncü çeyrekte hızlandı.”
“Derinlik Enerjisi üretimi %3 arttı.”

Rakamlar her zaman yukarı gidiyordu. İnsanlar değil.

Ryouhei Morita yataktan kalktı. Tek odalı devlet lojmanında, duvarın yanında katlanır masası, metal dolabı ve askıdaki gri üniforması vardı. Üniformanın sol omzunda mavi bir arma:
Derinlik Hizmeti — Ulusal Enerji Güvencesi

Kahvesini içti. Tadı zayıftı. Kahve çekirdekleri hâlâ ithal lüks sayılıyordu.

Pencereden dışarı baktığında şehri görüyordu. Tokyo krizden sonra sessizleşmişti ama karanlık değildi. Sokak lambaları hâlâ yanıyordu. Metro hattı çalışıyordu. Vitrinler ışıklıydı.

Işık.
Işık için iniyorlardı.

Face of a 15 year old boy, wide eyes open, shocked expression, fear and surprise, sweat on face, dramatic lighting, anime portrait, highly detailed, emotional --ar 1:1

Black and white manga-style panel showing a dramatic falling perspective from a tall building, with a blurred cityscape far below. Strong radial motion blur and speed lines rushing downward toward the center, creating a sense of extreme height and panic. No clear character body visible, only a partial silhouette at the edge of the frame to imply falling. Clean monochrome manga line art, high contrast, intense motion effects.
Two small white speech bubbles near the top of the panel contain the English text:
“Huh?” and “This…”
One large white speech bubble dominating the lower part of the panel contains bold, handwritten manga-style text:
“Aaaaaaa!!!!
NOOOO!!!!!

Negative Prompt:
color, grayscale shading, soft lighting, calm atmosphere, character standing, clear facial details, multiple characters, flat perspective

Sci-fi anime illustration of lopunny controlling a holographic console, glowing blue interfaces, cool color palette, futuristic lab setting, thoughtful expression