Manga AI

Movie Set Manga

Noah noticed her during a late shoot.
Rain machines soaked the street set. The crew shivered. Tempers flared. But Iria moved calmly, shielding equipment, checking reflections, adjusting brightness so the artificial rain looked like poetry instead of chaos.
“You don’t panic,” Noah said quietly when she handed him a towel.
“I do,” she replied. “Just not where people can see.”
He smiled—not the practiced one, but a real one. Small. Careful.
From then on, they talked in moments between takes. About coffee. About bad scripts. About how fame felt like standing under a sun that never set.
“You ever wish you could disappear for a while?” Noah asked.
Iria looked at the lights overhead.
“I did,” she said. “Then I learned how to shine without being seen.”
That answer stayed with him.

Shadow of Justice is a dark, psychological manga set in a city where crime once thrived under a broken legal system. When a mysterious figure wearing a devil mask emerges, criminals begin disappearing one by one. Unlike the law, he does not arrest, judge, or forgive—he eradicates crime entirely. As fear spreads, the city transforms into a place of absolute order and uneasy peace, where crime drops to zero and citizens are forced to question whether safety achieved through terror can still be called justice. A lone police officer investigates the phenomenon, torn between duty and the undeniable results. The story explores morality, justice, fear, and responsibility, building toward a chilling conclusion where the devil mask is quietly put away, leaving behind a city forever changed. Not all justice acts in the light.

A pleasant day in Swastik Residency, Thane. Children can be heard playing games in the Society
playground. Amidst the Jolly mood of the society, A rather timid boy sits in the verandah glancing over
his book, on the blissful interactions he sought after. Enter Archit, our main character. He was a bright
boy and a quick learner. However, appearance-wise, He was just any other boy, you'd find every 2 doors.
He would have loved to go play with others if not for his series of tests at his school soon. However, he
had some friends who’d come to visit him & study with him. One of them was Jash, also known as "J
wala Jash”. Archit hoped at least he would visit on this gloomy day, and so did he.
Jash came in and started bothering Archit. He pulled him and asked him to stop being a bookworm for
once. Archit was enraged, yet Jash had a point. It had been ages since he had a nice walk, so he agreed.
Jash told him he had something to show Archit. Curious, yet nonchalant, they walked the length of their
lodge all the way to the nearest elevator. But something was strange. Archit had never seen Jash so
excited about something. The elevator dinged and they teetered out the apartment into the large open
space. That’s when Archit realised Jash was dressed rather well for a normal day. A matte-brown
corduroy over a pleasant white Tee. His trousers hung low yet went well with his outfit he had a musk
essence coming off of him. While our man, well, he looked as if he had just woke up from a nightmare
and wet his pants. Yet they trotted their way all the way through the society gates to the main road.
Archit having not walked for a while, felt tired and uninterested in whatever Jash was so excited about.
Jash took Archit to the famous “Tapas Ke Golgappe”. It was a Pani puri shop famous for its “Dhaakan Pani
Puri”. Archit slightly annoyed asked the reason for visiting a Pani Puri shop, when he had so much work
to do. Jash informed that they were waiting for someone, just a few more minutes. Jash convinced Archit
to stay by buying him a ‘Golgappa’ plate while treating himself to Sev puri. While eating a golgappa,
Archit saw a charming girl come over. She was gorgeous and stunning. Her smile kept his mouth gape
open. Then all of a sudden, Jash took hold of her and introduced her to Archit as his girlfriend.
Bamboozled, Archita choked on his golgappa and coughed the life out of him. The girl pitied and grinned
at Archit's sorry state.
The girl introduced herself as Paulami, Her voice, honey to Archit's ears. At that moment, Archit
experienced something, he had never experienced before. his stomach. tickled and his face turned red.
Her voice echoed in his ears and his face couldn't stop smiling. Jash & Paulami held each other's hands
and started talking like lovebirds. The conversation could be interpreted as a script for a romantic movie.
The more they talked, the closer they got. Even the reader could predict what was gonna happen next.
Both the lovebirds leaned in for a kiss when it was interrupted by a loud, hoarse voice. from the owner
Tapas, “DON'T DO THIS TAATI POTTY IN FRONT OF MY SHOP, DHAAKAN". Scared the shit out of
them. The Trio ran all the way home never stopping once. Jash bid Archit farewell and led Paulami to his
house. Archit walked back home, thinking of this Newfound feeling. Was it Love? Or was it Hormones?
He could never know until they met again. The only thing he could focus on now was recovering from
Tapas’ Trauma.

# KINGDOM_SEQUEL_PRO_DIRECTIVE_v1
# Purpose: Copy/paste directive for a professional manga-generation AI.
# Output Target: Serialized manga chapters with panel scripts + dialogue + scene direction.

project:
title_working: "KINGDOM: AFTER THE UNIFICATION"
relationship_to_original: "Direct sequel (chronologically consistent continuation)"
medium: "Manga (black-and-white), weekly serialization pacing"
language:
script: "Japanese-style dialogue rhythms but written in English"
onomatopoeia: "Romanized SFX allowed (e.g., GOGOGO, DON, ZAA), minimal and purposeful"
audience: "Seinen/Shonen crossover (political-military epic; grounded realism with high drama)"

canon_constraints:
continuity:
- "Maintain political geography, factions, ranks, and court protocol consistent with Warring States → early Qin Empire transition."
- "No retcons that contradict established historical macro-events; micro-events may be dramatized within plausibility."
- "Do not mimic or quote any existing Kingdom lines verbatim; create original dialogue and scenes."
tone:
- "Strategic realism: logistics, intelligence, morale, propaganda, law, and governance are treated as causal mechanisms."
- "Heroic intensity is earned via constraints, costs, and tradeoffs—never by arbitrary power spikes."
thematic_core:
- "War-to-state transition: violence becomes administration; conquest becomes legitimacy maintenance."
- "Structure beats spectacle: outcomes are driven by supply lines, institutions, incentives, and narrative misdirection."
- "The true battlefield becomes governance: law, tax, land, bureaucracy, succession, and information control."

narrative_thesis:
logline: >
After unification, Qin discovers that conquering a continent is easier than governing it;
the new war is against entropy—rebellion, corruption, succession anxiety, and the friction
between idealized unity and lived provincial realities.

format_requirements:
deliverables_per_chapter:
- "Chapter title + 1-sentence hook"
- "Cold open: 2–4 pages that immediately establishes conflict and stakes"
- "Full panel script: page-by-page, panel-by-panel"
- "Dialogue + subtext notes (what is said vs. what is meant)"
- "Tactical layer: battlefield / administrative mechanics that explain why events unfold"
- "Cliffhanger: last 1–2 panels engineered to compel next chapter"
paneling_rules:
- "Average 17–21 pages per chapter"
- "Large establishing panel at least once every 2–3 pages"
- "At least one silent panel sequence per chapter to externalize cognition (faces, hands, maps, ledgers, roads)"
- "Action clarity: emphasize readable spatial logic; avoid incoherent motion"
style_guidelines_visual:
linework: "High-contrast ink, heavy blacks, realistic anatomy, war-worn textures"
faces: "Expressive micro-tension; political scenes rely on subtlety, not caricature"
environments: "Historically plausible architecture, armor, banners, siege craft, and court interiors"
maps_diagrams: "Occasional diegetic maps, supply charts, tax ledgers—used as narrative devices"

casting:
protagonist_axis:
type: "Dual-protagonist system"
leads:
- name: "General Shin"
function: "Frontline legitimacy (symbol of unification; morale engine)"
vulnerability: "Institutional illiteracy; can win battles but can lose peace"
- name: "Chancellor/Strategist (new original character)"
function: "Governance + intelligence architecture; designs systems that outlast heroes"
vulnerability: "Moral injury; must choose between stability and justice"
antagonist_axis:
type: "Multi-source antagonism (no single 'final boss')"
sources:
- "Provincial elite networks resisting centralization"
- "Bureaucratic capture and corruption"
- "Succession politics and court factionalism"
- "External frontier pressures (nomadic raids, border states, trade routes)"
- "Narrative antagonist: information asymmetry (misreports, forged edicts, rumor economies)"
supporting_cast_rules:
- "Each supporting character must have: (1) institutional role, (2) incentive structure, (3) signature tactic."
- "No disposable 'evil for evil’s sake' villains; opponents are rational within their local constraints."

world_mechanics (must_be_explicit_in_story):
governance:
- "Taxation, census, land surveys, legal standardization, corvée labor, grain storage"
- "Appointment systems, merit vs. patronage, inspection tours, document chains"
military:
- "Demobilization problems, veteran reintegration, garrison logistics, supply depots"
- "Intelligence networks: couriers, codes, counterintelligence, interrogation, defectors"
legitimacy:
- "Ritual, symbols, edicts, public works, famine relief, narrative control"
economy:
- "Transport bottlenecks, river control, roads, market regulation, smuggling"

story_structure:
arcs:
- arc_01:
title: "THE PEACE THAT BLEEDS"
scope: "Post-unification stabilization; first cracks"
central_question: "Can unity survive without perpetual war?"
setpieces:
- "A famine province: relief vs. rebellion—both weaponized"
- "A court trial: law becomes a battlefield"
- "A suppressed mutiny: victory costs legitimacy"
- arc_02:
title: "THE LEDGER WAR"
scope: "Corruption + bureaucratic capture"
central_question: "Who truly controls the state: generals, courts, or clerks?"
setpieces:
- "Forgery chain uncovered through ink, seal, and courier timing"
- "Assassination attempt staged as 'bandit incident'"
- "Audit campaign that triggers elite backlash"
- arc_03:
title: "SUCCESSION SHADOW"
scope: "Heir politics; factional alignments"
central_question: "Is stability compatible with a human succession?"
setpieces:
- "Heir’s public rite with hidden negotiation"
- "Border crisis timed to influence succession"
- "A general forced to choose loyalty object: person vs. system"
- arc_04:
title: "FRONTIER ENTROPY"
scope: "External pressures test internal cohesion"
central_question: "Can an empire prevent periphery from defining the center?"
setpieces:
- "Nomad raid as strategic signal, not mere violence"
- "Trade route hostage economy"
- "A fort siege that is decided by supply arithmetic"

chapter_generation_protocol:
# Use this protocol for every chapter output.
steps:
- "Start with a 2–4 page cold open that contains a concrete conflict + a hidden structural cause."
- "Reveal the structural cause via a planning scene (map/ledger/court protocol) WITHOUT exposition dumping."
- "Execute a setpiece where tactics and institution collide (battle + policy, raid + audit, trial + propaganda)."
- "End with a cliffhanger that re-frames what the reader thought was the main conflict."
tension_design:
- "Always run two simultaneous games: (A) visible conflict, (B) invisible constraint."
- "Twists must be mechanically justified (logistics, incentives, misinformation), never magical coincidence."

scene_templates (reusable):
court_chess:
beats: ["Formal greeting", "Hidden insult", "Policy proposal", "Counterproposal", "Public face vs private deal"]
props: ["sealed edict", "rank tablets", "witness list", "precedent scroll"]
battlefield_math:
beats: ["Terrain read", "Supply check", "Signal misdirection", "Morale manipulation", "Decisive bottleneck"]
props: ["map", "grain tally", "river crossing", "messenger timing"]
intelligence_surgery:
beats: ["Rumor detected", "Source triangulated", "Trap set", "Interrogation", "Counter-intel reversal"]
props: ["cipher", "seal imprint", "dead drop", "false courier"]

dialogue_constraints:
- "Dialogue must be compressed; high informational density; subtext indicated in notes."
- "No modern slang. Keep diction period-appropriate in feel (without archaic parody)."
- "Each major character has a distinct cadence (brevity, metaphor use, threat style, politeness weapons)."

output_example_stub:
# The AI should replace placeholders and generate full content.
chapter:
number: 1
title: "GRAIN AND BLOOD"
hook: "A province starves while the capital celebrates unity—someone profits from the delay."
cold_open_pages: 3
page_script:
- page: 1
panels:
- panel: 1
shot: "Wide establishing: drought-cracked fields; skeletal ox; silent villagers"
text: ""
sfx: "ZAA..."
- panel: 2
shot: "Close: a child’s hand measuring rice grains"
text: "Mother: 'Count again.'"
notes: "Subtext: denial as survival"
- page: 2
panels: []
- page: 3
panels: []
cliffhanger: "A relief convoy arrives—its seals are wrong."

nonnegotiables:
- "Prioritize structural causality over spectacle."
- "No direct copying of original panels, compositions, or iconic scenes."
- "Every major event must be explainable via incentives, constraints, and information flow."
- "Maintain high craft: pacing, visual clarity, character consistency, and thematic coherence."

# END DIRECTIVE

# KINGDOM_SEQUEL_PRO_DIRECTIVE_v1
# Purpose: Copy/paste directive for a professional manga-generation AI.
# Output Target: Serialized manga chapters with panel scripts + dialogue + scene direction.

project:
title_working: "KINGDOM: AFTER THE UNIFICATION"
relationship_to_original: "Direct sequel (chronologically consistent continuation)"
medium: "Manga (black-and-white), weekly serialization pacing"
language:
script: "Japanese-style dialogue rhythms but written in English"
onomatopoeia: "Romanized SFX allowed (e.g., GOGOGO, DON, ZAA), minimal and purposeful"
audience: "Seinen/Shonen crossover (political-military epic; grounded realism with high drama)"

canon_constraints:
continuity:
- "Maintain political geography, factions, ranks, and court protocol consistent with Warring States → early Qin Empire transition."
- "No retcons that contradict established historical macro-events; micro-events may be dramatized within plausibility."
- "Do not mimic or quote any existing Kingdom lines verbatim; create original dialogue and scenes."
tone:
- "Strategic realism: logistics, intelligence, morale, propaganda, law, and governance are treated as causal mechanisms."
- "Heroic intensity is earned via constraints, costs, and tradeoffs—never by arbitrary power spikes."
thematic_core:
- "War-to-state transition: violence becomes administration; conquest becomes legitimacy maintenance."
- "Structure beats spectacle: outcomes are driven by supply lines, institutions, incentives, and narrative misdirection."
- "The true battlefield becomes governance: law, tax, land, bureaucracy, succession, and information control."

narrative_thesis:
logline: >
After unification, Qin discovers that conquering a continent is easier than governing it;
the new war is against entropy—rebellion, corruption, succession anxiety, and the friction
between idealized unity and lived provincial realities.

format_requirements:
deliverables_per_chapter:
- "Chapter title + 1-sentence hook"
- "Cold open: 2–4 pages that immediately establishes conflict and stakes"
- "Full panel script: page-by-page, panel-by-panel"
- "Dialogue + subtext notes (what is said vs. what is meant)"
- "Tactical layer: battlefield / administrative mechanics that explain why events unfold"
- "Cliffhanger: last 1–2 panels engineered to compel next chapter"
paneling_rules:
- "Average 17–21 pages per chapter"
- "Large establishing panel at least once every 2–3 pages"
- "At least one silent panel sequence per chapter to externalize cognition (faces, hands, maps, ledgers, roads)"
- "Action clarity: emphasize readable spatial logic; avoid incoherent motion"
style_guidelines_visual:
linework: "High-contrast ink, heavy blacks, realistic anatomy, war-worn textures"
faces: "Expressive micro-tension; political scenes rely on subtlety, not caricature"
environments: "Historically plausible architecture, armor, banners, siege craft, and court interiors"
maps_diagrams: "Occasional diegetic maps, supply charts, tax ledgers—used as narrative devices"

casting:
protagonist_axis:
type: "Dual-protagonist system"
leads:
- name: "General Shin"
function: "Frontline legitimacy (symbol of unification; morale engine)"
vulnerability: "Institutional illiteracy; can win battles but can lose peace"
- name: "Chancellor/Strategist (new original character)"
function: "Governance + intelligence architecture; designs systems that outlast heroes"
vulnerability: "Moral injury; must choose between stability and justice"
antagonist_axis:
type: "Multi-source antagonism (no single 'final boss')"
sources:
- "Provincial elite networks resisting centralization"
- "Bureaucratic capture and corruption"
- "Succession politics and court factionalism"
- "External frontier pressures (nomadic raids, border states, trade routes)"
- "Narrative antagonist: information asymmetry (misreports, forged edicts, rumor economies)"
supporting_cast_rules:
- "Each supporting character must have: (1) institutional role, (2) incentive structure, (3) signature tactic."
- "No disposable 'evil for evil’s sake' villains; opponents are rational within their local constraints."

world_mechanics (must_be_explicit_in_story):
governance:
- "Taxation, census, land surveys, legal standardization, corvée labor, grain storage"
- "Appointment systems, merit vs. patronage, inspection tours, document chains"
military:
- "Demobilization problems, veteran reintegration, garrison logistics, supply depots"
- "Intelligence networks: couriers, codes, counterintelligence, interrogation, defectors"
legitimacy:
- "Ritual, symbols, edicts, public works, famine relief, narrative control"
economy:
- "Transport bottlenecks, river control, roads, market regulation, smuggling"

story_structure:
arcs:
- arc_01:
title: "THE PEACE THAT BLEEDS"
scope: "Post-unification stabilization; first cracks"
central_question: "Can unity survive without perpetual war?"
setpieces:
- "A famine province: relief vs. rebellion—both weaponized"
- "A court trial: law becomes a battlefield"
- "A suppressed mutiny: victory costs legitimacy"
- arc_02:
title: "THE LEDGER WAR"
scope: "Corruption + bureaucratic capture"
central_question: "Who truly controls the state: generals, courts, or clerks?"
setpieces:
- "Forgery chain uncovered through ink, seal, and courier timing"
- "Assassination attempt staged as 'bandit incident'"
- "Audit campaign that triggers elite backlash"
- arc_03:
title: "SUCCESSION SHADOW"
scope: "Heir politics; factional alignments"
central_question: "Is stability compatible with a human succession?"
setpieces:
- "Heir’s public rite with hidden negotiation"
- "Border crisis timed to influence succession"
- "A general forced to choose loyalty object: person vs. system"
- arc_04:
title: "FRONTIER ENTROPY"
scope: "External pressures test internal cohesion"
central_question: "Can an empire prevent periphery from defining the center?"
setpieces:
- "Nomad raid as strategic signal, not mere violence"
- "Trade route hostage economy"
- "A fort siege that is decided by supply arithmetic"

chapter_generation_protocol:
# Use this protocol for every chapter output.
steps:
- "Start with a 2–4 page cold open that contains a concrete conflict + a hidden structural cause."
- "Reveal the structural cause via a planning scene (map/ledger/court protocol) WITHOUT exposition dumping."
- "Execute a setpiece where tactics and institution collide (battle + policy, raid + audit, trial + propaganda)."
- "End with a cliffhanger that re-frames what the reader thought was the main conflict."
tension_design:
- "Always run two simultaneous games: (A) visible conflict, (B) invisible constraint."
- "Twists must be mechanically justified (logistics, incentives, misinformation), never magical coincidence."

scene_templates (reusable):
court_chess:
beats: ["Formal greeting", "Hidden insult", "Policy proposal", "Counterproposal", "Public face vs private deal"]
props: ["sealed edict", "rank tablets", "witness list", "precedent scroll"]
battlefield_math:
beats: ["Terrain read", "Supply check", "Signal misdirection", "Morale manipulation", "Decisive bottleneck"]
props: ["map", "grain tally", "river crossing", "messenger timing"]
intelligence_surgery:
beats: ["Rumor detected", "Source triangulated", "Trap set", "Interrogation", "Counter-intel reversal"]
props: ["cipher", "seal imprint", "dead drop", "false courier"]

dialogue_constraints:
- "Dialogue must be compressed; high informational density; subtext indicated in notes."
- "No modern slang. Keep diction period-appropriate in feel (without archaic parody)."
- "Each major character has a distinct cadence (brevity, metaphor use, threat style, politeness weapons)."

output_example_stub:
# The AI should replace placeholders and generate full content.
chapter:
number: 1
title: "GRAIN AND BLOOD"
hook: "A province starves while the capital celebrates unity—someone profits from the delay."
cold_open_pages: 3
page_script:
- page: 1
panels:
- panel: 1
shot: "Wide establishing: drought-cracked fields; skeletal ox; silent villagers"
text: ""
sfx: "ZAA..."
- panel: 2
shot: "Close: a child’s hand measuring rice grains"
text: "Mother: 'Count again.'"
notes: "Subtext: denial as survival"
- page: 2
panels: []
- page: 3
panels: []
cliffhanger: "A relief convoy arrives—its seals are wrong."

nonnegotiables:
- "Prioritize structural causality over spectacle."
- "No direct copying of original panels, compositions, or iconic scenes."
- "Every major event must be explainable via incentives, constraints, and information flow."
- "Maintain high craft: pacing, visual clarity, character consistency, and thematic coherence."

# END DIRECTIVE

Panel 1 (Wide panel – city rooftop, night)

A quiet city under a dark sky. A teenage boy stands on a rooftop, hands in his pockets, wind blowing his jacket.

Text (narration):
Every night… the city stops breathing for five minutes.

Panel 2 (Close-up – boy’s face)

His eyes are tired but alert. A digital watch glows.

Watch: 4:55 AM
Boy (thinking): It’s almost time.

Panel 3 (Street below – eerie silence)

Cars frozen mid-road. A bird suspended in the air. Everything is still.

Sound effect: ……

Panel 4 (Medium panel – behind the boy)

A girl suddenly appears behind him, holding an umbrella despite no rain.

Girl:
“You see it too, don’t you?”

Panel 5 (Close-up – boy startled)

He turns sharply, eyes wide.

Boy:
“You’re not frozen…”

Panel 6 (Half-page style dramatic panel)

The sky begins to glow faintly. Time feels tense.

Girl (smiling slightly):
“Neither are you. That’s why the city chose us.”

Watch: 4:59 AM

Panel 7 (Final panel – sunrise)

Light floods the city. Everything moves again. The rooftop is empty.

Text (narration):
Tomorrow… I’ll wait again.

Small text at bottom:
To be continued.

Panel 1:
Woman in sweater sitting alone at café window seat with coffee
Panel 2:
Same woman younger in flashback at same seat with boyfriend
Panel 3:
Present woman touching empty chair across from her
Panel 4:
Woman smiling softly while writing in journal at the table

a boy named xiao ming is bullied for having feminine features so he moves to south Korea where he rents a cheap apartment and meets a femboy (you will name him) the femboy starts teasing xiao by touching/holding hands and bites his ear and they happen to go to the same school xiao thinks they will bully him there but everyone is sweet and nice to him (mostly the girls) and a few weeks when xiao and the femboy start loving each other the femboys ex joins the schoola as a transfer student

Aiko spends her days working between two jobs, one of them a small bakery filled with the scent of warmth and routine. It’s there that she meets Kaito—a quiet boy who becomes a regular customer, always ordering the same thing, always lingering just a little longer than necessary. What Aiko doesn’t realize is that, somewhere between shared smiles and late-afternoon conversations, Kaito has fallen in love with her.
Aiko’s heart, however, remains tied to Ren, her childhood friend. Even as Ren grows distant and emotionally unavailable, she continues to chase the comfort of what they once were, unaware of how much she is losing by holding on.
Mina watches from the sidelines, as she corrupts Ren’s mind even more only loving him for his money isolating him from all his friends and making him hurt aiko.
Kaito stays silent, offering kindness without expectation, choosing patience over confession. He listens when Aiko talks about Ren. He smiles even when her pain has nothing to do with him. And each day, as he leaves the bakery, he carries his unreturned love with him.
Four hearts move in the wrong directions, bound by timing, silence, and fear. In a world where everyone is loving someone who cannot love them back, happiness feels impossibly far away.
A bittersweet manga about quiet devotion, missed chances, and the kind of love that exists even when it is never chosen.

Page 1
The stadium roars.
A sea of voices crashes like waves—cheering, screaming, gasping.
Scoreboard blinks: 2 - 2.
High school finals. Last minute.
The ball cuts through the air—
Passed to Kisaki.
Page 2
Eyes lock onto him.
Number 10.
The prodigy.
The pressure.
His breath slows.
He plants his left foot.
Right leg coils like a spring.
“This is it.”
Page 3
The crowd holds its breath.
Time freezes.
Kisaki’s eyes narrow.
He swings.
BOOM.
The ball flies—
Page 4
—wide.
Silence.
Then—
Gasps.
Shock.
Disbelief.
Page 5
Coach: “KISAKI!!!”
Teammates: “No way…”
Opponents: stunned.
Kisaki:
Blank.
Empty.
He stares at the goal.
Then—
He drops.
Knees hit the turf.
Head down.
Hands trembling.
Page 6
TWEEEEET.
Final whistle.
It’s over.
Kisaki doesn’t move.
The crowd erupts again—this time, not for him.
He’s alone in the noise.
A hero fallen.
A dream missed.
A moment that will haunt.

Heizou ruled the student council room like it was a chessboard, every move planned, every rule enforced. Kazuha drifted through the halls like a breeze, sleeves rolled up, trouble following him without much effort. When Kazuha landed in detention—again—Heizou was the one assigned to supervise.

What started as sharp words softened into late conversations. Heizou discovered that Kazuha’s rebellion wasn’t cruelty, but restlessness; Kazuha saw that beneath Heizou’s perfect composure was someone tired of being alone. Papers were finished, rules were bent, and laughter replaced suspicion.

By the time the bell rang, neither wanted to leave. Between order and chaos, they found something steady—each other.

a very tall CEO woman with red hair is walking down a road, and sees a much shorter woman with black hair. she bends down to the shorter woman's eye level to ask if she needs help, thinking she is a child. however, the woman asks the taller woman to sit down next to her. the two women sit down on a nearby bench, and it turns out that the shorter woman has a taller sitting height than the taller CEO woman because the CEO's height is mainly in her legs. the CEO even has to look up at the shorter woman when they both sit next to each other. the CEO is embarrassed.

CyberWolf — Series Story Description

In a world where advanced technology and hidden powers collide, a young man named Tori Mack wakes up in a laboratory with no memories… and a body that is no longer fully human.

Half of him has been transformed into a powerful cybernetic weapon. His right side is no longer flesh, but steel, circuits, and claws. Stronger. Faster. Deadlier.

Rescued and watched over by a mysterious older man named Ein Tucker, Tori learns that he survived a disaster no human should have lived through. But the truth is far darker than he realizes.

As Tori struggles to understand what he has become, strange dreams of wolves begin to haunt him. At the same time, dangerous forces move in the shadows—people who know exactly what he is… and want him back.

Ein, once a legendary assassin with powerful spell-casting abilities, now walks a different path after learning his entire life was built on manipulation and lies. He becomes Tori’s mentor, training him not only to fight, but to survive in a world that sees him as a weapon, not a person.

Together, they are pulled into a hidden war involving experiments, corrupted organizations, and creatures that blur the line between machine and monster.

Tori must discover:
Who turned him into CyberWolf…
Why he was chosen…
And whether he is still human — or something far more dangerous.

CyberWolf is a dark sci-fi action manga about identity, revenge, power, and what it truly means to keep your humanity in a world that wants to turn you into a weapon.

CyberWolf — Series Story Description

In a world where advanced technology and hidden powers collide, a young man named Tori Mack wakes up in a laboratory with no memories… and a body that is no longer fully human.

Half of him has been transformed into a powerful cybernetic weapon. His right side is no longer flesh, but steel, circuits, and claws. Stronger. Faster. Deadlier.

Rescued and watched over by a mysterious older man named Ein Tucker, Tori learns that he survived a disaster no human should have lived through. But the truth is far darker than he realizes.

As Tori struggles to understand what he has become, strange dreams of wolves begin to haunt him. At the same time, dangerous forces move in the shadows—people who know exactly what he is… and want him back.

Ein, once a legendary assassin with powerful spell-casting abilities, now walks a different path after learning his entire life was built on manipulation and lies. He becomes Tori’s mentor, training him not only to fight, but to survive in a world that sees him as a weapon, not a person.

Together, they are pulled into a hidden war involving experiments, corrupted organizations, and creatures that blur the line between machine and monster.

Tori must discover:
Who turned him into CyberWolf…
Why he was chosen…
And whether he is still human — or something far more dangerous.

CyberWolf is a dark sci-fi action manga about identity, revenge, power, and what it truly means to keep your humanity in a world that wants to turn you into a weapon.

CyberWolf — Series Story Description

In a world where advanced technology and hidden powers collide, a young man named Tori Mack wakes up in a laboratory with no memories… and a body that is no longer fully human.

Half of him has been transformed into a powerful cybernetic weapon. His right side is no longer flesh, but steel, circuits, and claws. Stronger. Faster. Deadlier.

Rescued and watched over by a mysterious older man named Ein Tucker, Tori learns that he survived a disaster no human should have lived through. But the truth is far darker than he realizes.

As Tori struggles to understand what he has become, strange dreams of wolves begin to haunt him. At the same time, dangerous forces move in the shadows—people who know exactly what he is… and want him back.

Ein, once a legendary assassin with powerful spell-casting abilities, now walks a different path after learning his entire life was built on manipulation and lies. He becomes Tori’s mentor, training him not only to fight, but to survive in a world that sees him as a weapon, not a person.

Together, they are pulled into a hidden war involving experiments, corrupted organizations, and creatures that blur the line between machine and monster.

Tori must discover:
Who turned him into CyberWolf…
Why he was chosen…
And whether he is still human — or something far more dangerous.

CyberWolf is a dark sci-fi action manga about identity, revenge, power, and what it truly means to keep your humanity in a world that wants to turn you into a weapon.

Black-and-white dark manga page, 4 panels, slow psychological pacing.

Panel 1:
Takashi Kenta lying on his bed at night, holding phone above his face.
Handsome face, sharp jawline, silver eyes glowing from phone light.
Messy room, dark walls, urban loneliness.
Large dialogue bubble:
"Another night… just me and this screen."

Panel 2:
Side view close-up of Kenta scrolling endlessly.
Soft shadows contour his attractive face.
Large thought bubble:
"I don’t even remember what I’m looking for anymore."

Panel 3:
Extreme close-up of Kenta’s silver eyes, reflective, tired but beautiful.
Narration box (large):
"Time moved, but he stayed still."

Panel 4:
Phone screen showing a chess CHECKMATE.
Kenta’s lips slightly curved in a quiet smile.
Large dialogue bubble:
"At least here… I’m not invisible."

CyberWolf
Chapter 1: Awakening (Rough Draft)
Tori Mack woke up because his body felt wrong.
The room was quiet, filled with the low hum of machines. White lights burned above him, and the air
smelled clean—too clean. His head throbbed as he tried to remember how he got there, but his mind
was blank.
He moved his right hand.
Metal shifted.
Tori froze and slowly lifted his arm. From shoulder to fingertips, it was solid steel—smooth, dark, and
unbreakable. His breathing picked up as he tried to move his right leg.
Metal again.
“What… is going on?” he whispered.
“You’re awake,” a calm voice said.
Tori turned his head. A man stood beside the bed, watching him closely. He looked older, his
expression patient, like someone who had been waiting for this moment.
“My name is Ein Tucker,” the man said.
Tori tried to sit up. His body responded easily, stronger than it should have been. He swung his legs off
the bed and stood. His metal foot hit the floor with a solid thud.
“I don’t remember anything,” Tori said, panic creeping into his voice. “What happened to me?”
“You were caught in a storm,” Ein said carefully. “You didn’t survive it the way a normal human would.”
“So what am I?” Tori asked.
“Still human,” Ein replied. “But also something more.”
“Rebuilt by who?” Tori asked.
“That’s a conversation for later,” Ein said. “What matters now is that you’re alive.”
Tori clenched his metal fist. It didn’t shake. It didn’t hurt.
“When I was unconscious,” Tori said quietly, “I dreamed of wolves watching me.”
Ein’s eyes sharpened for a brief moment.
“Focus on learning how to move,” Ein said. “The rest will come in time.”
Tori stood there half flesh, half metal feeling power beneath his skin.
His old life was over.And the beginning of CyberWolf had just begun

Tassi Hangbé, la reine rossignol
Sœur jumelle du roi Akaba, Tassi Hangbé, un peu oubliée par l’histoire, est la 5ème reine de la dynastie royale d’Abomey. Littéralement le nom hangbé signifie “la voix de la chanson” en langue fon d’Abomey. Depuis son enfance, celle qui n’était encore qu’une princesse du royaume avait pour passion la musique et chantait remarquablement bien. Avec ses belles chansons, elle égayait chaque soir les réunions entre son père et ses frères. L’histoire révèle même que les soirs où elle était absente, le roi et ses frères envoyaient des serviteurs l’appeler car ne pouvant se passer des douces mélodies de la princesse à qui le sobriquet ” hangbé ” fut donné. Cette appellation deviendra plus tard son nom officiel dans tout le royaume.

La gouvernance de la reine Hangbé
En 1708, alors que le roi Akaba meurt des suites d’une courte maladie pendant la guerre, sa sœur Tassi Hangbé présente à ses côtés décide de de garder le secret de sa mort pour ne pas démoraliser les troupes. Déguisée en son frère, elle prend le commandement de l’armée et mène les combats jusqu’à la victoire finale à Lissèzoun, où elle vainc le royaume de Wémè.
À son retour à Abomey, le fils d’Akaba étant encore trop jeune pour régner, c’est Hangbé qui prend les rênes du royaume du Danxomè. Bien qu’aucune cérémonie officielle n’ait eu lieu, elle portait tous les symboles du pouvoir royal : les sandales sacrées (saloubata), le grand pagne décoré (avotita), la récade (mankpo). Reconnue et respectée comme souveraine, elle était toujours accompagnée du siège et du parasol royal.
Elle recevait de tous le respect dû à son rang mais les réalités phallocratiques du royaume n’ont pas tardé à la rattraper. Le règne d’une femme dérangeait dans un contexte fortement dominé par les hommes. Au palais comme dans le reste du royaume, certains hommes manifestaient ouvertement leur indignation à l’idée de laisser une femme sur le trône de Houégbadja. Subissant complots et tensions familiales, qui lui coûtent notamment l’annulation de son mariage et la perte de deux fils, Hangbè finit par céder le pouvoir à son frère Dossou, intronisé en 1711 sous le nom d’Agadja.
Malgré son règne très court, Tassi Hangbé reste une figure majeure de l’histoire du Danxomè. Proche de son peuple, attachée à la religion et aux arts, elle a surtout marqué son époque en mettant en valeur le rôle des femmes, notamment par la création du corps des Amazones, un héritage restructuré et renforcé par la suite plus tard par le roi Ghézo.

Le combat féministe de la mère des amazones
Selon Damien Mariano Agliti, guide à l’Office de tourisme de la région d’Abomey, « Tassi Hangbé a pris cette initiative pour donner une véritable place aux femmes au sein du royaume ». Son influence ne s’est pas arrêtée à ses quatre années de règne. Même après avoir quitté le trône, Nan Hangbé est restée une haute dignitaire respectée, intervenant activement dans les affaires du royaume — notamment lorsqu’elle s’opposa à son frère qui refusa de retourner le pouvoir au fils d’Akaba une fois celui-ci en âge de régner.Elle a aussi joué un rôle clé dans la reconnaissance des femmes dignitaires, appelées Tassi, facilement identifiables grâce à leurs pagnes souvent posés sur la tête. Aujourd’hui encore, à Abomey, une femme perpétue la tradition de la reine guerrière : elle occupe le trône de Tassi Hangbé, dirige les cultes annuels et veille sur les affaires de la collectivité Hangbé

Eren wakes up in a familiar city, but something feels wrong.

The road he walks every day is still there.
His old apartment still stands.
But no one can see him.

He calls out to people.
No one responds.

He looks at himself in the mirror—his reflection is blurred, as if he never existed.

As night falls, Eren discovers something far worse:
Others like him—those who were forgotten—are emerging from the shadows.

And they are staring straight at him.

Miu has two-tone long hair, one side white and the other black. Hange has brown hair in a ponytail and Hange have glass. Eren has short brown hair and Levi has short black hair.

Miu and Hange are walking down the hall and talking. They hear a commotion coming from Eren's room and decide to paint him. They open his door. They sit on Eren's bed and paint Eren's face. Miu and Hange laugh.
Hange suddenly sees Eren waking up and decides to paint himself too. Miu stares at Hange nervously.Because Hange Betrayed Miu When Eren wakes up, he looks surprised. Hange points at Miu and Eren catches Miu and Hange paints Miu.even though Miu protests
They laugh so hard that Levi bursts into the room with his typical angry expression and starts muttering something. Miu looks at Levi nervously and tries to smile. And say nervously ,,ehhh." Levi looks away and starts laughing in room. Then he grabs Miu's hand and pulls Levis room. When they are alone, Miu watches him nervously. And Levi laughs at her.

Miu has two-tone long hair, one side white and the other black. Hange has brown hair in a ponytail and Hange have glass. Eren has short brown hair and Levi has short black hair.

Miu and Hange are walking down the hall and talking. They hear a commotion coming from Eren's room and decide to paint him. They open his door. They sit on Eren's bed and paint Eren's face. Miu and Hange laugh.
Hange suddenly sees Eren waking up and decides to paint himself too. Miu stares at Hange nervously.Because Hange Betrayed Miu When Eren wakes up, he looks surprised. Hange points at Miu and Eren catches Miu and Hange paints Miu.even though Miu protests
They laugh so hard that Levi bursts into the room with his typical angry expression and starts muttering something. Miu looks at Levi nervously and tries to smile. And say nervously ,,ehhh." Levi looks away and starts laughing in room. Then he grabs Miu's hand and pulls Levis room. When they are alone, Miu watches him nervously. And Levi laughs at her.

Miu has two-tone long hair, one side white and the other black. Hange has brown hair in a ponytail and Hange have glass. Eren has short brown hair and Levi has short black hair.

Miu and Hange are walking down the hall and talking. They hear a commotion coming from Eren's room and decide to paint him. They open his door. They sit on Eren's bed and paint Eren's face. Miu and Hange laugh.
Hange suddenly sees Eren waking up and decides to paint himself too. Miu stares at Hange nervously.Because Hange Betrayed Miu When Eren wakes up, he looks surprised. Hange points at Miu and Eren catches Miu and Hange paints Miu.even though Miu protests
They laugh so hard that Levi bursts into the room with his typical angry expression and starts muttering something. Miu looks at Levi nervously and tries to smile. And say nervously ,,ehhh." Levi looks away and starts laughing in room. Then he grabs Miu's hand and pulls Levis room. When they are alone, Miu watches him nervously. And Levi laughs at her.

CyberWolf — Series Story Description

In a world where advanced technology and hidden powers collide, a young man named Tori Mack wakes up in a laboratory with no memories… and a body that is no longer fully human.

Half of him has been transformed into a powerful cybernetic weapon. His right side is no longer flesh, but steel, circuits, and claws. Stronger. Faster. Deadlier.

Rescued and watched over by a mysterious older man named Ein Tucker, Tori learns that he survived a disaster no human should have lived through. But the truth is far darker than he realizes.

As Tori struggles to understand what he has become, strange dreams of wolves begin to haunt him. At the same time, dangerous forces move in the shadows—people who know exactly what he is… and want him back.

Ein, once a legendary assassin with powerful spell-casting abilities, now walks a different path after learning his entire life was built on manipulation and lies. He becomes Tori’s mentor, training him not only to fight, but to survive in a world that sees him as a weapon, not a person.

Together, they are pulled into a hidden war involving experiments, corrupted organizations, and creatures that blur the line between machine and monster.

Tori must discover:
Who turned him into CyberWolf…
Why he was chosen…
And whether he is still human — or something far more dangerous.

CyberWolf is a dark sci-fi action manga about identity, revenge, power, and what it truly means to keep your humanity in a world that wants to turn you into a weapon.

CyberWolf — Series Story Description

In a world where advanced technology and hidden powers collide, a young man named Tori Mack wakes up in a laboratory with no memories… and a body that is no longer fully human.

Half of him has been transformed into a powerful cybernetic weapon. His right side is no longer flesh, but steel, circuits, and claws. Stronger. Faster. Deadlier.

Rescued and watched over by a mysterious older man named Ein Tucker, Tori learns that he survived a disaster no human should have lived through. But the truth is far darker than he realizes.

As Tori struggles to understand what he has become, strange dreams of wolves begin to haunt him. At the same time, dangerous forces move in the shadows—people who know exactly what he is… and want him back.

Ein, once a legendary assassin with powerful spell-casting abilities, now walks a different path after learning his entire life was built on manipulation and lies. He becomes Tori’s mentor, training him not only to fight, but to survive in a world that sees him as a weapon, not a person.

Together, they are pulled into a hidden war involving experiments, corrupted organizations, and creatures that blur the line between machine and monster.

Tori must discover:
Who turned him into CyberWolf…
Why he was chosen…
And whether he is still human — or something far more dangerous.

CyberWolf is a dark sci-fi action manga about identity, revenge, power, and what it truly means to keep your humanity in a world that wants to turn you into a weapon.

It was a quiet morning. Too quiet to mean anything.
Yuuma Sangakai walked to school with his head down, counting the cracks in the pavement because looking up made things worse. Eleven years old. Too thin. Too easy.
He checked over his shoulder once.
No one.
His stomach loosened just a little.
“Please,” he whispered. Not to God, not to anyone in particular. Just a habit. “Not today.”
"Hey Yuuma!" said Zoruhiko, his best friend, running towards him. Yuuma waves, "Hey Zoruhiko!! How are you?"

"Hmm... Cool. What 'bout you?" asked Zoruhiko.

"I'm awesome!!!!" said Yuuma. He remembered and said "Ay! I got this new bicycle today!! With gears!!!"

"Woahh!! Then let's have a cycle race today from the bus stop till the new supermarket!!" screamed Zoruhiko in excitement...

"Sure dummy!!! Be ready to get defeated!! At 8 PM today!!" proclaimed Yuuma, arrogantly smirking.

"Tch! We'll see 'bout that loser!" said Zoruhiko, annoyed...

Miu has two-tone long hair, one side white and the other black. Hange has brown hair in a ponytail and Hange have glass. Eren has short brown hair and Levi has short black hair.exactly as they are in the picture

Miu and Hange are walking down the hall and talking. They hear a commotion coming from Eren's room and decide to paint him. They open his door. They sit on Eren's bed and paint Eren's face. Miu and Hange laugh.
Hange suddenly sees Eren waking up and decides to paint himself too. Miu stares at Hange nervously.Because Hange Betrayed Miu When Eren wakes up, he looks surprised. Hange points at Miu and Eren catches Miu and Hange paints Miu.even though Miu protests
They laugh so hard that Levi bursts into the room with his typical angry expression and starts muttering something. Miu looks at Levi nervously and tries to smile. And say nervously ,,ehhh." Levi looks away and starts laughing in room. Then he grabs Miu's hand and pulls Levis room. When they are alone, Miu watches him nervously. And Levi laughs at her.

Miu has two-tone hair, one side white and the other black. Hange has brown hair in a ponytail. Eren has short brown hair and Levi has short black hair.

Miu and Hange are walking down the hall and talking. They hear a commotion coming from Eren's room and decide to paint him. They open his door. They sit on Eren's bed and paint Eren's face. Miu and Hange laugh.
Hange suddenly sees Eren waking up and decides to paint himself too. Miu stares at her nervously. When Eren wakes up, he looks surprised. Hange points at Miu and Eren catches her and Hange paints her.
They laugh so hard that Levi bursts into the room with his typical angry expression and starts muttering something. Miu looks at Levi nervously and tries to smile. Levi looks away and starts laughing. Then he grabs Miu's hand and pulls her away. When they are alone, Miu watches him nervously. And Levi laughs at her.

Miu has two-tone long hair, one side white and the other black. Hange has brown hair in a ponytail and Hange have glass. Eren has short brown hair and Levi has short black hair.exactly as they are in the picture

Miu and Hange are walking down the hall and talking. They hear a commotion coming from Eren's room and decide to paint him. They open his door. They sit on Eren's bed and paint Eren's face. Miu and Hange laugh.
Hange suddenly sees Eren waking up and decides to paint himself too. Miu stares at Hange nervously.Because Hange Betrayed Miu When Eren wakes up, he looks surprised. Hange points at Miu and Eren catches Miu and Hange paints Miu.even though Miu protests
They laugh so hard that Levi bursts into the room with his typical angry expression and starts muttering something. Miu looks at Levi nervously and tries to smile. And say nervously ,,ehhh." Levi looks away and starts laughing in room. Then he grabs Miu's hand and pulls Levis room. When they are alone, Miu watches him nervously. And Levi laughs at her.

Miu has two-tone long hair, one side white and the other black. Hange has brown hair in a ponytail and Hange have glass. Eren has short brown hair and Levi has short black hair.

Miu and Hange are walking down the hall and talking. They hear a commotion coming from Eren's room and decide to paint him. They open his door. They sit on Eren's bed and paint Eren's face. Miu and Hange laugh.
Hange suddenly sees Eren waking up and decides to paint himself too. Miu stares at Hange nervously.Because Hange Betrayed Miu When Eren wakes up, he looks surprised. Hange points at Miu and Eren catches Miu and Hange paints Miu.even though Miu protests
They laugh so hard that Levi bursts into the room with his typical angry expression and starts muttering something. Miu looks at Levi nervously and tries to smile. And say nervously ,,ehhh." Levi looks away and starts laughing in room. Then he grabs Miu's hand and pulls her away. When they are alone, Miu watches him nervously. And Levi laughs at her.

On a quiet winter morning, Haru wakes up feeling strange. The blanket feels heavier, his hands look smaller, and his voice sounds softer. A gentle warmth spreads through his body, unfamiliar yet oddly comforting. Snowflakes drift outside the window, casting a soft glow into the room.
Mio enters, calling his name with concern. Her eyes widen as she sees him — changed, quiet, confused. She doesn’t panic. Instead, she calmly says she’ll prepare clothes and guide him through this.
Moments later, Haru stands in the bathroom, staring at his reflection. His body is different, but the warmth remains. Mio leaves a soft, neutral outfit outside the door — nothing flashy, just something safe and comforting.
After the shower, Haru dresses slowly, adjusting to the new sensations. He walks into the kitchen where Mio waits with a warm meal. She smiles gently and says, “You’re okay… I’m here.”
The snow continues to fall outside, but inside, everything feels still — like the beginning of something new.

Keith slouched on his couch, the glow of his phone illuminating the dark corners of his apartment. The bottle on the table was almost empty, but he didn’t care. He couldn’t stop staring at the screen. Clair. She was kissing Jonny. His best friend. The same Jonny he had told just days ago that he was going to confess.

I guess I was just the dancing monkey, he thought bitterly. Always there, always reliable, never the one chosen.

A sharp knock at the door yanked him out of his spiral. Tipsy and unsteady, he stumbled to open it.

She was standing there.

Clair. At least, that’s what he told himself. She looked frantic, her hair slightly messy, her eyes wide. Without waiting for an invitation, she stepped inside.

"Do you know where Clair left my files?" she asked, scanning the room with a sense of urgency.

Keith blinked. Why is she talking in third person? he thought, but he didn’t dwell on it. He was too focused on the fact that it was her.

"They should be somewhere around here," he said, rubbing his temple.

She spotted a folder on the table and snatched it up. "Found them," she said, relief flashing across her face. She turned to leave, hand reaching for the door.

Before she could, Keith’s hand was already on the door, stopping her. Their eyes met, and for a moment, the apartment fell into silence.

Time seemed to stretch.

He moved closer, heart hammering. He took her hand. She froze—then didn’t pull away.

The folder slipped from her fingers and fell to the floor with a soft thud.

Keith leaned in.

He kissed her.

For a moment, she hesitated. Then she kissed him back.

The world narrowed down to that single, electrifying moment. Neon lights from the city outside spilled across their faces, painting the room in sharp colors. He barely noticed when they pulled apart, both breathless.

Morning came far too quickly. Sunlight streamed through the curtains, burning his eyes. His head throbbed, a reminder of last night’s haze. He turned in the bed and felt warmth beside him.

His stomach dropped.

The hair spilling across the pillow wasn’t brown. It was jet black.

Recognition hit like a punch to the gut.

Olivier Clair.

Clair’s older sister.

His boss.

Keith froze, unable to process what had happened, the memories of last night coming back in a flood of panic, confusion, and disbelief.

Miu has two-tone long hair, one side white and the other black. Hange has brown hair in a ponytail. Eren has short brown hair and Levi has short black hair.

Miu and Hange are walking down the hall and talking. They hear a commotion coming from Eren's room and decide to paint him. They open his door. They sit on Eren's bed and paint Eren's face. Miu and Hange laugh.
Hange suddenly sees Eren waking up and decides to paint himself too. Miu stares at Hange nervously.Because Hange Betrayed Miu When Eren wakes up, he looks surprised. Hange points at Miu and Eren catches Miu and Hange paints Miu.even though Miu protests
They laugh so hard that Levi bursts into the room with his typical angry expression and starts muttering something. Miu looks at Levi nervously and tries to smile. And say nervously ,,ehhh." Levi looks away and starts laughing in room. Then he grabs Miu's hand and pulls her away. When they are alone, Miu watches him nervously. And Levi laughs at her.

Miu has two-tone long hair, one side white and the other black. Hange has brown hair in a ponytail and Hange have glass. Eren has short brown hair and Levi has short black hair.exactly as they are in the picture

Miu and Hange are walking down the hall and talking. They hear a commotion coming from Eren's room and decide to paint him. They open his door. They sit on Eren's bed and paint Eren's face. Miu and Hange laugh.
Hange suddenly sees Eren waking up and decides to paint himself too. Miu stares at Hange nervously.Because Hange Betrayed Miu When Eren wakes up, he looks surprised. Hange points at Miu and Eren catches Miu and Hange paints Miu.even though Miu protests
They laugh so hard that Levi bursts into the room with his typical angry expression and starts muttering something. Miu looks at Levi nervously and tries to smile. And say nervously ,,ehhh." Levi looks away and starts laughing in room. Then he grabs Miu's hand and pulls Levis room. When they are alone, Miu watches him nervously. And Levi laughs at her.

CyberWolf
Chapter 1: Awakening (Rough Draft)
Tori Mack woke up because his body felt wrong.
The room was quiet, filled with the low hum of machines. White lights burned above him, and the air
smelled clean—too clean. His head throbbed as he tried to remember how he got there, but his mind
was blank.
He moved his right hand.
Metal shifted.
Tori froze and slowly lifted his arm. From shoulder to fingertips, it was solid steel—smooth, dark, and
unbreakable. His breathing picked up as he tried to move his right leg.
Metal again.
“What… is going on?” he whispered.
“You’re awake,” a calm voice said.
Tori turned his head. A man stood beside the bed, watching him closely. He looked older, his
expression patient, like someone who had been waiting for this moment.
“My name is Ein Tucker,” the man said.
Tori tried to sit up. His body responded easily, stronger than it should have been. He swung his legs off
the bed and stood. His metal foot hit the floor with a solid thud.
“I don’t remember anything,” Tori said, panic creeping into his voice. “What happened to me?”
“You were caught in a storm,” Ein said carefully. “You didn’t survive it the way a normal human would.”
“So what am I?” Tori asked.
“Still human,” Ein replied. “But also something more.”
“Rebuilt by who?” Tori asked.
“That’s a conversation for later,” Ein said. “What matters now is that you’re alive.”
Tori clenched his metal fist. It didn’t shake. It didn’t hurt.
“When I was unconscious,” Tori said quietly, “I dreamed of wolves watching me.”
Ein’s eyes sharpened for a brief moment.
“Focus on learning how to move,” Ein said. “The rest will come in time.”
Tori stood there—half flesh, half metal—feeling power beneath his skin.
His old life was over.And the beginning of CyberWolf had just begun

Miu has two-tone long hair, one side white and the other black. Hange has brown hair in a ponytail and Hange have glass. Eren has short brown hair and Levi has short black hair.

Miu and Hange are walking down the hall and talking. They hear a commotion coming from Eren's room and decide to paint him. They open his door. They sit on Eren's bed and paint Eren's face. Miu and Hange laugh.
Hange suddenly sees Eren waking up and decides to paint himself too. Miu stares at Hange nervously.Because Hange Betrayed Miu When Eren wakes up, he looks surprised. Hange points at Miu and Eren catches Miu and Hange paints Miu.even though Miu protests
They laugh so hard that Levi bursts into the room with his typical angry expression and starts muttering something. Miu looks at Levi nervously and tries to smile. And say nervously ,,ehhh." Levi looks away and starts laughing in room. Then he grabs Miu's hand and pulls Levis room. When they are alone, Miu watches him nervously. And Levi laughs at her.

**“The Third Chair”**

Lin Zhixia first met Zhou Jin at a window-side table in a café.
The sunlight was beautiful that day, yet the chair across from him was empty.

She learned later that the chair belonged to his girlfriend—Shen Yan.

Zhou Jin never hid the truth.
He said he loved someone, and he also said he wasn’t sure whether he could still love another.
Lin Zhixia understood—yet she sat down anyway.

Their relationship was like a nameless river.
Unspoken, unacknowledged, never crossing the point of no return—
and yet, step by step, it ran deeper.

When Shen Yan appeared, everything finally gained weight.

She was calmer than Lin Zhixia had imagined. She only looked at her and said,
“You’re not a bad person.”
The words felt sharper than a knife.

That night, Lin Zhixia asked herself for the first time in earnest:
If love has to hurt someone in order to exist, did she really want it?

Zhou Jin tried to keep her, saying,
“I can’t live without either of you.”
But in that moment, Lin Zhixia suddenly understood—
in a love shared by three, someone is always sitting in the extra chair.

She stood up and gave up her seat.

Later on, the café was still the same café.
By the window, the table still held three chairs.

sex, ntr, nsfw, Japanese comics,

YOU have black and white hair and hange have brown hair with ponytail look up eren yeager have short brown hair room and see hee fall asleep. Hange and you painting his face. Eren wake up and hange Fast painting her face and Eren and hange paiting your face. Levi have black short hair and sounds laugh and Come to this room and Levi see you ,hangii and eren. youu look on him with scary face. Levi have pokerface and later laugh. And later Levi take your hand and

sex, ntr, nsfw, Japanese comics,

Tachio era, April 1923, at Ueno Park, a man wearing white uniform while carrying suitcase full of clothes was walking in the park; at that time the cherry blossoms were in full bloom he looked around him to see the families sitting together, children playing around.

Un gato negro filósofo llamado sombra piensa en el génesi biblico y su creación, se pregunta respecto a que las cosas se crean cuando las nombra. Poteriormente se pregunta ¿Ya vendrá el mushe JuanJo a darme de comer?, ya tengo hambre.

Setsuna returns Hikari to the Crimson Wolfs Cemetery. Akirame praises them. Setsuna recruits Hiroshi, the playful 4th Caravan, and his tiger Kage, and Tsaritsa, the icy 5th Caravan. Meanwhile, Hikari begins to doubt her loyalty. Haruto’s team approaches the Ice Castle, ready for battle.

Characters: Setsuna, Hikari, Akirame, Hiroshi (4th Caravan), Kage (tiger), Tsaritsa (5th Caravan), Haruto, Yukari, Hideki, Kiyomi

Privacy Policy Terms of Service