Team 7 Manga

Panel 1

Wide shot: A vast noble bedchamber under low candlelight. Lord Michael Fortinbras, his wife, the priestess concubine, and the woodcutter girl all lie beneath the same tangled sheets in the great bed. Their state of undress and the disordered bedding make the situation clear without lingering on it. Fortinbras is already asleep, snoring heavily.

SFX:
GRRRHHH… KHHH…

Caption:
The lord slept soundly, as though nothing in the chamber could trouble him.

Panel 2

Closer shot: The woodcutter girl lies awake near the edge of the bed, clutching the blanket close to herself. Her face is tense and exhausted. In the background, the wife lies silent with eyes closed, unmoving, while the priestess concubine stares upward in weary thought.

Woodcutter (small text):
“…Are you awake?”

Panel 3

Priestess close-up: She turns her head slightly toward the woodcutter.

Priestess:
“Yes.”

Panel 4

Two-shot: The woodcutter keeps her voice low so as not to wake either Lord Fortinbras or the wife.

Woodcutter:
“Do you still believe?”

Priestess:
“…In what?”

Panel 5

Woodcutter close-up: Her expression is bitter, wounded, and searching.

Woodcutter:
“In God.”
“In justice.”
“In anything beyond men like him.”

Panel 6

Medium shot: Fortinbras’s huge sleeping form dominates the background; the women are smaller beneath the sheets in the foreground.

Woodcutter:
“We are made to share his bed whenever he desires.”
“He sleeps in comfort.”
“And we lie here as though our will means nothing.”
“So tell me…”
“What kind of God watches that and stays silent?”

Panel 7

Priestess close-up: Shadow crosses her face.

Priestess:
“There was a time I would have answered easily.”
“I would have spoken of trials, of divine order, of justice beyond this world.”

Panel 8

Half-panel: The priestess looks toward the dark canopy above.

Priestess:
“But such words sound different here.”
“They are lighter in a temple…”
“…than in a lord’s bed.”

Panel 9

Woodcutter close-up: Her jaw tightens.

Woodcutter:
“Then God is weak.”

Panel 10

Priestess turns to face her fully.

Priestess:
“Or distant.”
“Or silent.”
“Or perhaps men commit cruelty and call it their right, because no one dares deny them.”

Panel 11

Three-woman composition: The wife is now visibly awake, listening in silence, though she says nothing. The priestess and woodcutter remain the focus.

Woodcutter:
“Then we are powerless.”
“Even with God.”

Priestess:
“For now.”
“Faith does not unmake cruel men.”
“It does not break a lord’s power in a single night.”
“The powerless endure by learning where power lives… and waiting for it to crack.”

Panel 12

Final wide panel: All four remain in the same bed beneath the heavy blankets—Fortinbras asleep and oblivious, the wife silent and unreadable, the priestess grim, the woodcutter staring into darkness.

SFX:
GRRRHHH…

Priestess:
“Do not mistake silence for approval.”
“The heavens may be silent…”
“…but silence is not surrender.”

Caption:
And so the night endured beneath one man’s shadow, while three women measured the cost of living under it.

Panel 1

Wide shot: A private chamber in the Fortinbras estate. Candlelight. Heavy curtains. The three women sit together—the Wife seated formally, the Priestess Concubine calm but guarded, the Woodcutter Girl nervous and out of place.

Caption:
Within House Fortinbras, even quiet conversations carried the weight of power.

Wife:
“Sit. We will speak plainly.”

Panel 2

Closer shot: The wife folds her hands in her lap, composed and stern.

Wife:
“You both belong to this household now.”
“So tell me… when my lord calls for you, how often does he summon you?”

Panel 3

Priestess concubine close-up: She averts her eyes slightly, but answers with controlled dignity.

Priestess Concubine:
“Often enough that I understand my place.”
“To him, companionship is not tenderness.”
“It is appetite, authority… and legacy.”

Panel 4

Woodcutter close-up: She looks uneasy, fingers tightened in her dress.

Woodcutter:
“I stopped counting.”
“When he wants someone, he sends for her.”
“That is all there is to it.”

Panel 5

The wife watches both women carefully. Her face is unreadable.

Wife:
“Then you understand the next matter.”
“If either of you becomes pregnant, what were you told to expect?”

Panel 6

Priestess concubine speaking: Calm, bitter wisdom in her expression.

Priestess Concubine:
“That the child will belong to House Fortinbras before it belongs to me.”
“That nurses, tutors, and household servants will raise it in the lord’s name.”
“That blood matters more than a mother’s wishes.”

Panel 7

Woodcutter speaking, tense: She looks smaller in the room, overwhelmed by the reality of it.

Woodcutter:
“I was told I would be watched day and night.”
“Fed well. Guarded. Kept safe.”
“But not for my sake.”
“For the child.”

Panel 8

The wife leans slightly forward. Her tone is firm, instructional.

Wife:
“That is the truth.”
“In this house, any child of Lord Fortinbras is part of the house’s future.”
“They are raised for rank, obedience, and usefulness.”

Panel 9

Half-panel focus on the wife, dark background behind her for emphasis.

Wife:
“They will learn the name Fortinbras before they learn their own desires.”
“They will be taught duty, inheritance, and power.”
“Some will strengthen alliances. Some will serve the estate. All will carry his shadow.”

Panel 10

Priestess concubine looks at the wife directly for the first time.

Priestess Concubine:
“And the mothers?”
“What becomes of us after the child is born?”

Panel 11

The wife answers. Her expression softens only slightly, but remains severe.

Wife:
“That depends.”
“A wise woman may gain security, comfort, even influence.”
“A foolish one will remain only what she was when she entered this house.”
“Useful… but never truly free.”

Panel 12

Final dramatic panel: The three women in silence. The wife sits upright at center, the priestess thoughtful, the woodcutter shaken. Candlelight flickers.

Woodcutter (small text):
“So the child is born into power… and we are not?”

Wife:
“The child is claimed by power from its first breath.”
“That is the way of House Fortinbras.”

Caption:
And in that chamber, each woman understood that motherhood in a great house was not mercy… but submission to legacy.

Título del cómic

“Un rumor no define quién soy”

🟨 Personajes

Laura: niña amable, tranquila y buena amiga

Elizabeth: compañera que inicia el conflicto

Amigas del grupo

Maestra (figura mediadora)

🟩 Historia dividida en viñetas (escenas)
Viñeta 1: La amistad

📍 Patio de la escuela primaria
Laura aparece jugando y riendo con su grupo de amigas.

💬 Laura:
—Me gusta mucho estar con ustedes, somos muy buenas amigas.

💬 Amiga:
—¡Sí! Siempre nos apoyamos.

Viñeta 2: El cambio

📍 Salón de clases
Elizabeth está hablando en secreto con otras niñas.

💬 Elizabeth (susurrando):
—Laura dijo cosas feas de ustedes…

💬 Amiga (confundida):
—¿De verdad?

Viñeta 3: El rumor

📍 Pasillo de la escuela
Las amigas comienzan a alejarse de Laura.

💬 Laura (pensando):
—¿Por qué ya no me hablan? ¿Qué hice mal?

Viñeta 4: El conflicto

📍 Recreo
Laura escucha a Elizabeth hablando mal de ella.

💬 Elizabeth:
—No confíen en Laura, ella no es buena amiga.

💬 Laura (triste):
—Eso no es verdad…

Viñeta 5: El dolor

📍 Baño o banca del patio
Laura está sola, con expresión triste.

💬 Laura (pensamiento):
—Me duele que hablen de mí sin conocer la verdad.

Viñeta 6: Pedir ayuda

📍 Salón de clases
Laura se acerca a la maestra.

💬 Laura:
—Maestra, alguien está diciendo cosas falsas sobre mí.

💬 Maestra:
—Gracias por decirlo, vamos a hablarlo con respeto.

Viñeta 7: La verdad

📍 Reunión del grupo
La maestra reúne a las niñas.

💬 Maestra:
—Hablar mal de alguien puede lastimar mucho. Aquí escucharemos la verdad.

💬 Laura:
—Yo nunca hablé mal de ustedes. Las quiero como amigas.

Viñeta 8: Reflexión

📍 Elizabeth con expresión de arrepentimiento

💬 Elizabeth:
—Lo siento… hablé sin pensar y causé un problema.

Viñeta 9: Perdón y aprendizaje

📍 Patio
Las amigas vuelven a estar juntas.

💬 Amiga:
—Perdón por no preguntarte antes, Laura.

💬 Laura:
—Gracias por escucharme. Aprendimos algo importante.

Viñeta 10: Final

📍 Todas juntas

💬 Narrador:
—Los rumores pueden causar daño, pero hablar con la verdad y respeto puede sanar las amistades.

🟪 Mensaje del cómic (puede ir al final)

📝 Moraleja:
Hablar mal de los demás puede causar conflictos, pero la comunicación, la honestidad y el respeto ayudan a resolverlos.

$In a world where a few can bend probability through raw will, a quiet drifter named Kai Kurozawa discovers his gift isn’t luck—it’s a loaded weapon. Each choice twists the odds, but the universe charges interest. SERIES BIBLE (Concise) Power System — Will / Odds / Backlash • Dwellers: Rare individuals who can impose Tacks (micro‐edits to probability) via focused Will. • Odds: A visualized “grain” of reality; Dwellers sense vectors of likely outcomes as shimmering filaments. • Tacks: Intentional nudges (“make that rope snap,” “let the bus be 8 seconds late”). Each Tack accrues Fate Friction—stress that rebounds later as Backlash (nosebleeds → fractures → catastrophic karmic events). • Edges: Personal rituals or anchors (coin flips, mantras) that stabilize Will and reduce friction. • Zeroshift (mythic tier, late series): A liminal state where Odds are a silent ocean and Will is a blade—do not reveal yet. World • Haven District: Port-city sprawl; rusted rooftops, market alleys, flooded underpass murals. • Glassline Metro: Arteries of the city; reflective tunnels where odds feel “loud.” • The Quiet: A rumored zone where Odds stop moving—foreshadowing endgame forces. Factions • Municipal Risk Office (MRO): Bureau that tracks statistical anomalies; polite on paper, predatory in practice. • The Erased: Black-bag unit rumored to “remove” unstable Dwellers. Recurring Antagonists • Rael, “The Eraser”: Uncanny calm; his talent dampens other Dwellers’ Tacks in close range. He is the city’s whispered full stop. • Anti-Kai (Kairo Tsukami): Never named on-page yet. Thematic opposite of Kai—fixes outcomes by stealing other people’s Will. Themes • Choice vs. inevitability, the cost of power, anonymity in crowds, the math of mercy. VISUAL STYLE GUIDE (for art consistency) • Line: Clean, high-contrast inks; thin outline on faces, heavy shadows on urban geometry. • Tone: Filmic noir with sharp whites for the “Odds” filaments. • Odds Visualization: Fine hairline threads and moiré patterns drifting off objects; when Kai focuses, threads bloom like dandelion seeds frozen mid-gust. • SFX: Minimalist lettering, small caps with long em dashes for sustained sounds (e.g., VRRR—). • Panel Rhythm: Quiet micro-panels for intention → explode into wide panels for consequence. CAST (Core + Non-Dwellers — at least 5) Kai Kurozawa (17) • A drifter with a coin ritual. Soft voice, sharp eyes. Edge: Coin Flip. • Quirk: Counts his breaths when deciding; breath 7 is commitment. • Flaw: Terrified of being the cause. Mei Arakawa (19) — Journalism student, street photographer. Non-Dweller. • Brave to a fault; sees patterns in people. Keeps instant camera on wrist. Jun “Switch” Tanaka (18) — Electronics stall kid; builds things from city trash. Non-Dweller. • Grease smudges, perpetual grin, a tool roll like a scroll. Aya Mori (20) — Med student volunteering at a night clinic. Non-Dweller. • Steady hands; refuses to look away from ugly truths. Inspector Haruto Ishii (34) — MRO field officer. Non-Dweller. • Polite, dry, exhausted; catalogues “anomaly sites.” Koji Nakamura (52) — Market grocer. Non-Dweller. • Kind man, jokes in proverbs. (Mark as at risk in early arcs.) Daichi (12) — Rooftop runner, orphan. Non-Dweller. • Knows every shortcut; sells maps he draws by hand. Rael (??) — “The Eraser.” Dweller. • Neutral face; shoes make no sound. The city gets quiet when he arrives. HIDDEN SEEDS in Chapter One • Page 3: A passerby with a ring—three triangular prongs. Later revealed as an Erased marker. • Page 17: Black van reflection in puddle (MRO plate pattern: 131-21). • Page 28: Blank spot in Kai’s Odds vision (Rael’s signature dampening at distance). • Final Page: A second coin in gutter, heads scratched with a thin inverted cross (Anti-Kai sigil—unexplained). CHAPTER ONE: PAGE-BY-PAGE SCRIPT & STORYBOARD Length: 36 pages (tankōbon pacing). Goal: Introduce Kai, demonstrate low-tier Tack, show cost, hook with a moral pivot.$

📖 CRÔNICAS DOS REINOS ENTRELAÇADOS
Volume 1 — Capítulo 1: O Céu Quebrado
20 páginas
🌓 PÁGINAS 1–2 (Splash Dupla)
Arte:
O céu literalmente rachando. Uma fissura colossal corta as nuvens.
Três cores irradiam da fenda: verde, laranja, violeta.
Silhuetas quase invisíveis nas nuvens:
A Árvore-Mãe
O Coração de Ferro
Uma torre distante em Nocturne
Narração:
“Toda era termina da mesma forma.
Primeiro… o céu se parte.”
🌓 PÁGINA 3
Quadros fragmentados, como vidro quebrado.
Floresta queimando.
Engrenagens esmagando corpos.
Mãos esqueléticas emergindo do chão.
Sem texto.
🌓 PÁGINA 4
Close no protagonista correndo em um vazio branco.
Uma voz ecoa:
“Você viu.”
🌓 PÁGINA 5
Ele para. O chão se transforma em raízes negras.
Outra voz, metálica:
“Você criou.”
🌓 PÁGINA 6
Sussurro grave:
“Você libertou.”
Três sombras o cercam.
🌓 PÁGINA 7
Ele acorda bruscamente.
Respiração pesada. Suor.
Quarto simples. Madrugada.
Silêncio pesado.
🌓 PÁGINA 8
Ele percebe algo na mão.
Um fragmento cristalino, pulsando nas três cores.
Pequeno. Antigo.
Ele não sabe de onde veio.
🌓 PÁGINA 9
Ele tenta largar o fragmento.
Não consegue.
Por um segundo, o quarto escurece.
🌓 PÁGINA 10
Corte externo.
A vila dorme.
Mas o céu pisca brevemente com as três cores.
Ninguém parece notar.
🌓 PÁGINA 11
Manhã.
Mercado simples.
Pessoas comentam:
“Os animais ficaram agitados ontem.”
“Senti um peso estranho no ar.”
O protagonista observa em silêncio.
🌓 PÁGINA 12
Um velho viajante encara o protagonista fixamente.
Ele aponta para o fragmento.
“Você também viu?”
🌓 PÁGINA 13
Close no velho.
“A Eclipse das Almas não é mito.”
Ele menciona três reinos:
Eldoria
Ferronis
Nocturne
🌓 PÁGINA 14
O protagonista pergunta:
“O que é isso?”
O velho responde:
“É o começo… ou o erro.”
🌓 PÁGINA 15
O fragmento esquenta.
O velho se afasta, assustado.
🌓 PÁGINA 16
O protagonista vê por um segundo:
A Árvore-Mãe chorando seiva negra.
Pisca.
Volta ao normal.
🌓 PÁGINA 17
Visão rápida:
O Coração de Ferro abrindo um “olho” mecânico.
Pisca.
Desaparece.
🌓 PÁGINA 18
Visão final:
Um selo rachando em Nocturne.
Algo respira atrás dele.
🌓 PÁGINA 19
O fragmento se eleva levemente no ar.
Forma um símbolo antigo.
Pessoas ao redor não veem.
Só ele vê.
🌓 PÁGINA 20 (Splash Final)
O céu acima da vila racha por um segundo.
Muito sutil.
Mas real.
Narração final:
“O destino não escolhe heróis.
Ele escolhe pontos de ruptura.”
Preto.
🎭 Função do Capítulo
Introduzir o mistério.
Conectar protagonista aos três reinos.
Estabelecer que algo já foi iniciado.
Criar sensação de inevitabilidade.
Nada foi explicado completamente.
E isso é intencional.
Mistério bem feito é tensão sustentada.

# **MANGA — CHAPTER 1: THE UNKNOWN CREST**

**Chapter Length:** ~45–55 pages
**Style:** Clean fantasy lineart • strong lighting contrast • cinematic paneling

---

## **PAGE 1 (OPENING SPLASH)**

**Full-page splash**

A quiet classroom bathed in warm morning light. Dust floats in the air.
Caption (top corner):
**“Ordinary days don’t announce their end.”**

---

## **PAGES 2–5 — THE TEN STUDENTS**

**Page 2**

* Panel 1: Ayane solving equations effortlessly, chalk flying.
* Panel 2: Ren smirking at a chess app on his phone (phone hidden under desk).
* Panel 3: Mika sketching a horned monster—its eyes seem *almost alive*.

**Page 3**

* Panel 1: Haru stretching lazily at the back.
* Panel 2: Yui asleep, sunlight on her face.
* Panel 3: Shin typing rapidly, code reflected in his glasses.

**Page 4**

* Panel 1: Emi flipping flashcards, focused.
* Panel 2: Daichi holding a mechanical puzzle.
* Panel 3: Daiki leaning over, correcting him—twin synergy.

**Page 5**

* Panel 1 (wide): Sora staring out the window at the sky.
* Panel 2 (close-up):
Kaito’s notebook—**blank page**, only his name written.
* Panel 3: Kaito’s eyes, observant but unsure.
Caption: *“Everyone shines. Except me.”*

---

## **PAGES 6–8 — THE SUMMONING**

**Page 6**

* Panel 1: Classroom lights flicker.
* Panel 2: Students look around, confused.
* Panel 3 (low angle): Faint glowing symbols under desks.

**Page 7**

* Panel 1: Magic circle fully forms across the floor.
* Panel 2: Wind explodes—papers and desks lift.
* Panel 3: Students screaming as light engulfs them.

**Page 8**

* Full black page.
Small white text in center:
**“….”**

---

## **PAGES 9–12 — ANOTHER WORLD**

**Page 9**

* Panel 1: Kaito’s eyes snap open.
* Panel 2: Cold marble beneath his hand.

**Page 10**

* Double-page spread:
**Grand Summoning Hall**—crystal pillars, floating chandeliers, glowing runes.

**Page 11**

* Panels of knights surrounding them, weapons raised.
* Students huddle together, panicked.

**Page 12**

* Tall figure steps forward—robes flowing.
* Close-up of calm, ancient eyes.
Caption: **“Archmage Eldorion.”**

---

## **PAGES 13–16 — THE TRUTH**

**Page 13**

* Eldorion explaining with a magic projection of the world cracking.

**Page 14**

* Visual metaphors:

* A brain overlaid with magic circuits.
* Symbols for logic, memory, creativity, empathy.

Page 15

Students’ reactions—fear, determination, disbelief.

Page 16

* Kaito silent in the back.
Thought bubble: *“Intelligence… then why me?”*

---

PAGES 17–26 — CREST AWAKENING

**Page 17**

* Crest Chamber revealed—massive, glowing apparatus.

Pages 18–22

* Montage panels:

* Crests manifesting clearly.
* Fire, wind, light, calculation-based magic.
* Chamber stable… controlled.

Page 23

* Kaito steps forward.
* Eldorion watching closely.

Page 24

* The device flickers.
* Runes shatter.
* Darkness bleeds into the chamber.

Page 25

Full-page spread:
Kaito’s crest forming—**shifting, glitching, absorbing light.

Page 26

* Eldorion’s shocked expression.
Text (bold):
“An Unknown Crest…?

PAGES 27–34 — CONSEQUENCES**

Page 27

* Outside the capital—alarm bells ringing.

Page 28

* Rift tears open.
* Massive silhouette emerging.

Page 29

RIFT BEAST reveal—jagged, unstable form.

Pages 30–32

* Students on battlements.
* Some activate crests instinctively.
* Minor monsters repelled.

Page 33

Kaito trembling.
His crest pulses faintly.

Page 34

Magic around him stabilizes—cracks sealing without explosion.
Others don’t notice.

PAGES 35–40 — THE CHOICE

Page 35

Eldorion shouting retreat orders.

Page 36

Students pulling back.

Page 37

Kaito watching the beast roar.
Page 38

Close-up: fist clenched.

Page 39

* He steps forward alone.
* Air distorts around him.

Page 40

* Crest glowing softly—*not violently*.

---

PAGE 41 (FINAL PAGE — CLIFFHANGER)

Full-page close-up

Kaito’s calm eyes reflecting the Rift Beast.

Bold text at the bottom:
“If I can stop it… then I will.”

NEXT CHAPTER PREVIEW

“The First Battle — When Magic Breaks Its Own Rules."

# **SILENT SEASONS**

## COMPLETE STORY SUMMARY — ALL 30 CHAPTERS

*A quiet, character-driven manga about guilt, communication, separation, and choosing to stay.*

---

### **CHAPTER 1 — THE SOUND OF NOTHING**

Aki Mori lives wrapped in silence, avoiding the world with empty headphones. Hana Kurosawa transfers into his class, using a notebook and sign language. Her presence awakens memories Aki has buried.

### **CHAPTER 2 — WORDS BETWEEN PAGES**

Aki and Hana begin communicating through writing in the school library. Silence becomes shared rather than isolating. A fragile connection forms.

### **CHAPTER 3 — HANDS THAT TREMBLE**

Hana teaches Aki basic sign language. Aki struggles but keeps trying, showing effort instead of avoidance for the first time.

### **CHAPTER 4 — ECHOES**

Flashbacks reveal Aki bullied a deaf girl as a child. His shame explains his fear of speaking and closeness.

### **CHAPTER 5 — DISTANCE ON PURPOSE**

Aki begins pulling away from Hana, believing he doesn’t deserve her kindness. Hana notices but doesn’t force him.

### **CHAPTER 6 — A QUESTION LEFT UNANSWERED**

Hana asks if she did something wrong. Aki cannot respond, deepening the emotional gap.

---

### **CHAPTER 7 — THE SHAPE OF AN APOLOGY**

Aki confesses his past to Hana in writing, admitting his guilt without asking for forgiveness.

### **CHAPTER 8 — I AM NOT HER**

Hana responds honestly: she is not the person Aki hurt, but she understands that pain. They remain together, cautiously.

### **CHAPTER 9 — RUMORS**

School gossip puts pressure on Hana and Aki. Their quiet bond becomes exposed.

### **CHAPTER 10 — RAIN**

Misunderstandings push them apart. A rainy evening ends with Aki returning Hana’s dropped notebook, choosing not to disappear.

### **CHAPTER 11 — STAY**

At a summer festival, Aki removes his headphones and signs his feelings imperfectly. Hana asks him to stay.

### **CHAPTER 12 — SPRING, QUIETLY**

Aki speaks aloud for the first time, a simple greeting. They walk forward together, changed but unfinished.

---

### **CHAPTER 13 — OUTSIDE VOICES**

Hana joins a deaf community group, finding confidence beyond Aki. Their world begins to expand.

### **CHAPTER 14 — UNSAID THINGS**

The notebook fails them. Assumptions replace communication, creating quiet tension.

### **CHAPTER 15 — WHO ARE YOU?**

Hana asks Aki who he is without apologizing. The question shakes him deeply.

### **CHAPTER 16 — BREAKING QUIET**

They decide to take time apart, understanding distance may be necessary to grow.

---

### **CHAPTER 17 — SEPARATE ROOMS**

Aki and Hana live parallel lives. Silence returns, but it feels different—emptier.

### **CHAPTER 18 — LEARNING TO LISTEN**

Aki learns that listening requires action, not just quiet. Hana learns strength doesn’t mean isolation.

### **CHAPTER 19 — ATTEMPTS**

Aki practices speaking more, failing often but continuing. Growth is slow and uncomfortable.

### **CHAPTER 20 — THE PERSON I WAS**

Aki confronts his past directly, seeking out the person he once hurt to apologize without expectation.

---

### **CHAPTER 21 — WORDS SAID ALOUD**

Aki speaks clearly for himself for the first time. His voice is no longer only tied to guilt.

### **CHAPTER 22 — WATCHING FROM AFAR**

Hana witnesses Aki’s growth without interfering, respecting his independence.

### **CHAPTER 23 — A FAMILIAR SILENCE**

They meet again after time apart. The silence between them is calmer, no longer heavy.

### **CHAPTER 24 — HOME IS A PERSON**

They acknowledge their feelings openly. Love is quiet, mutual, and chosen.

---

### **CHAPTER 25 — NEW SEASONS**

Adulthood approaches. Careers and distance threaten stability.

### **CHAPTER 26 — FEAR RETURNS**

Old anxieties resurface, but this time they talk instead of withdrawing.

### **CHAPTER 27 — SIDE BY SIDE**

They face uncertainty together, supporting without depending.

### **CHAPTER 28 — NO PROMISES**

They reject dramatic vows, choosing honesty over guarantees.

### **CHAPTER 29 — THE PLATFORM AGAIN**

The story mirrors its beginning: a train platform, but now shared.

### **CHAPTER 30 — STILL, I STAY**

Without words, they choose each other and the life ahead. Silence is no longer something to fear.

---

## **FINAL MESSAGE**

*Some silences hurt.
Some heal.
And some are shared.*

## **END O

Descrizione personaggi:Sushi: cilindro nero, camicia bianca a righe con scollo aperto, gilet nero con bottoni dorati e spalle strutturate, cintura marrone, pantaloni grigi con motivo geometrico laterale e scarpe scure eleganti.

Ten: camicia grigio scuro aderente con spalle scoperte e alamari sul petto, cintura larga con grande fibbia tonda, pantaloni chiari infilati in stivali neri alti.
Afficche: maglia nera corta con spallacci rigidi, bracciali/guanti viola, pantaloni viola strappati al fondo, stivaletti viola con fibbie.
"Un giorno andremo a vivere in spagna"
Disse un ragazzo con occhiali e capelli lunghi
"Ao ten, hai sentito quanto è difficile arrivarci? Ci sono un sacco di pericoli nel viaggio e mica possiamo andarci in aereo, disicuro in qualche modo ci anullerebbero il viaggio."
Disse un ragazzo , amico di Ten
"Ha ragione Sushi ,Ten quello che hai Appena detto sembra una stupidata che si dice in ogni gruppo di amici, tipo " andremo a vivere in Giappone " rispose un nanetto , schierandosi con Sushi
"Ok, capisco Affiche , ma non possiamo stare qua , non solo siamo in questa orrenda Italia , ma siamo in una delle zone più isolate , vuoi lavorare nei campi fino a 90 anni Afficche? Guarda che lo spagnolo è facile." Disse Ten,
" Ok, ammetto che hai ragione , non possiamo vivere qua , disicuro finiremo giù da un ponte per la depressione" Rispose afficche,
"AO Ten , come pensi che arriveremo in Spagna? Ti ricordo che noi non abbiamo Neanche una macchina e non possiamo permetterci neanche una vespa in tre fra poco"
"Ragazzi, mi darete del pazzo, ma se ci pensate bene , non abbiamo alcuna speranza oltre questa quindi.. bisogna rubarne una."
Ten, pensava che i suoi amici avrebbero chiamato la polizia sperando in qualche soldo come ringraziamento...
"Ci sto, non abbiamo altra via di fuga , e non sarà tanto difficile"
"AO AFFICCHE ANCHE TE!? PENSACI BENE , NON POSSIAMO SCAPPARE COSÌ"
"sushiii, fin da piccolo hai sempre voluto comprarti un auto e guidarla , questa è la tua occasione!
è proprio questo il momento in qui metterai le mani sul tuo primo volante sushiii"
Ten e afficche continuarono a provocare sushi per tutto il tempo , finché Sushi dopo un po' ha ceduto e ha dato l'ok per il furto.. , ma c'erano delle regole da seguire:
non potevano spostarsi con i mezzi pubblici ; non potevano farsi vedere per la strada ; e dovevano trovare un buon piano per rubarla

EP0 "Un giorno andremo
a vivere in spagna"

Pianificazione

Per settimane, I tre scelgono la casa e la studiano, la casa è di un uomo di classe borgese chiamato giovans;
La routine di Giovans è precisa: esce ogni giorno alle 7:30, rientra alle 19:00.
Il sabato sera va sempre a cena fuori accompagnato dagli amici;
La casa ha una finta telecamera sopra il campanello, ed ha un cane corso che tiene fuori.
La serratura è vecchia, ma non entreranno da lì , Una finestra del bagno resta spesso aperta a vasistas.
La casa è abbastanza isolata Senza vicini e con un gran terreno.
Sabato ore 21:20, Avvicinamento

Ten cammina vicino alla recinzione " dannati quei due , che cosa mi hanno fatto fare" dice ten preda alla depressione , aveva un pallone da calcio in testa dove aveva nascosto i suoi capelli , aveva una sola canottiera e non indossava neanche pantaloni, per lo più, gli avevano disegnato finti tatuaggi sulle braccia , tra cui una barba che lo rendeva orrendo " neanche gli occhiali mi hanno lasciato, dopo gli faccio vedere" ten si avvicino alla recinzione , il cane corso se ne accorse subito e corse verso di lui, abbaiando forte contro di lui, stava distraendo sia il cane , sia la telecamera che c'era nel cancello , " come posso chiamarti?" Dice ten guardando il cane che gli ringhiava contro. Afficche si infila nella finestra dopo aver scavalcato la recinzione, "aspetta un attimo, come faccio ad aprire a sushi ora , non ci sono chiavi dannazione"

Scene 1 – The Alarm Didn’t Ring
🖼️ Panel Description: Close-up of a digital alarm clock showing 8:17 AM. Bright red numbers. School starts at 8:30. Morning sunlight blasting through bedroom window.
Ren’s hand suddenly slams down onto the bed as he jolts awake.
🎭 Emotion: Shock. Rare panic.
🌫️ Lighting: Bright morning light flooding the room.
📌 Important Detail: Ren without glasses here. His eyes look sharp and intense without them.

🎬 Scene 2 – Running Through Neighborhood
🖼️ Panel Description: Wide shot of a quiet Japanese residential street. Houses, power lines, vending machines. Ren sprinting in school uniform, bag bouncing behind him.
His tie slightly loose from rushing.
🎭 Emotion: Focused but stressed. He hates being late.
🌫️ Lighting: Crisp bright blue morning sky.
📌 Important Detail: This should feel energetic and dynamic — motion blur on legs.

🎬 Scene 3 – First Sign of Malice
🖼️ Panel Description: Ren running past a salaryman standing at a crosswalk. The man looks exhausted, staring blankly ahead.
Around the man’s shoulders floats faint black smoky aura.
Ren turns his head slightly while running.
🎭 Emotion: Ren – alert, observant. Salaryman – drained, emotionless.
🌫️ Lighting: Normal daylight, but the dark aura slightly distorts the air around it.
📌 Important Detail: The aura should look subtle but unnatural — like smoke that moves against the wind.

🎬 Scene 4 – The Street Feels Wrong
🖼️ Panel Description: Ren slows down slightly as he runs through a busier intersection.
Multiple people visible now — students, office workers.
Several of them have darker, thicker Malice around them.
Some have it trailing behind them like shadows stretching too long.
🎭 Emotion: Ren’s expression shifts from annoyed to concerned.
🌫️ Lighting: Still bright morning, but add faint shadow tones creeping into the corners of the panel.
📌 Important Detail: This is unusual — normally only a few people have visible Malice. Today, there are many.
This hints something is escalating.

🎬 Scene 5 – Close-Up: His Eyes Notice Everything
🖼️ Panel Description: Close-up of Ren’s face while running. Wind pushing his hair back.
In his pupils, reflections of dark smoke drifting through the crowd.
🎭 Emotion: Subtle unease. He realizes something is off.
🌫️ Lighting: Bright light on face, but reflection in eyes darker.
📌 Important Detail: No glasses yet — his gaze looks sharper and more serious without them.

🎬 Scene 6 – A Student About to Rupture
🖼️ Panel Description: A high school boy walking ahead of Ren. He’s clutching his chest slightly, looking irritated.
Thick dark smoke is swirling violently around him — more aggressive than the others.
The smoke twitches like it has claws.
🎭 Emotion: The boy looks stressed and angry. Ren looks alarmed.
🌫️ Lighting: Slight shadow cast over this section of the sidewalk.
📌 Important Detail: This Malice is unstable — it should look heavier, almost forming shape.

🎬 Scene 7 – The Almost Touch
🖼️ Panel Description: Ren reaches out while still jogging and lightly bumps into the stressed student’s shoulder.
The moment their shoulders touch—
Black smoke flows rapidly from the student into Ren like it’s being vacuumed.
🎭 Emotion: Ren winces slightly from the sudden intensity. The other student looks confused, like a headache just disappeared.
🌫️ Lighting: Brief dark flash effect around Ren’s chest.
📌 Important Detail: Inside Ren’s chest area, faint dark swirl appears again — slightly bigger than before.

🎬 Scene 8 – Inside His Mind (Very Brief Flash)
🖼️ Panel Description: Dark cathedral-like void. Massive chained shadow creature.
A thin stream of smoke falls from above and merges into it.
One chain rattles loudly.
🎭 Emotion: Oppressive. Watching.
🌫️ Lighting: Deep black with faint red glow from creature’s eyes.
📌 Important Detail: This time the creature’s head slightly lifts.

🎬 Scene 9 – School Gates in View
🖼️ Panel Description: Ren finally sees the school gates in the distance.
Students flooding in.
But above the school building…
A faint dark haze hovering like a storm cloud.
🎭 Emotion: Ren looks unsettled.
🌫️ Lighting: Bright morning sky — but the haze above the school subtly darkens that area.
📌 Important Detail: This is visual foreshadowing. The Malice concentration is strongest at school.

🎬 Scene 10 – He Puts On His Glasses
🖼️ Panel Description: Close-up of Ren stopping just before entering school grounds.
He pulls his glasses from his pocket and slowly puts them on.
His expression becomes calm again.
🎭 Emotion: Controlled. Composed. Mask on.
🌫️ Lighting: Light reflects off lenses dramatically.
📌 Important Detail: When the glasses settle on his face, the dark haze becomes slightly clearer in his vision — like focusing a lens.
This suggests: The glasses are a limiter and a focusing tool.

Ten thousand years after the Great Heaven War, the Dao has changed—and so has the world.
Sects rule nations, flying swords fill regulated skies, and Heavenly Trials descend the moment a cultivator understands too much. In this late-stage cultivation era, power is institutionalized, ambition is monitored, and even righteousness is a political stance rather than a cosmic truth.
Born into an ancient sword clan that chose adaptation over isolation, a young cultivator enters a second-tier righteous sect where talent is refined and the greatest disciples are sent upward to a Tier One power. But in a world where the Dao is endless and Heaven corrects imbalance without mercy, insight is more dangerous than strength.
The path to immortality is uncertain.
The Dao does not care about good or evil.
And Heaven is always watching.

🎭 "The Relay Robbery" — A Love Story Gone Wrong
A Manga Short Story featuring Alice & Bob

PANEL 1 — THE DISCOVERY
[Scene: Tesla showroom, bright lights, shiny cars everywhere]
Alice walks past the Tesla showroom window holding her coffee ☕
She spots Bob inside, talking to a salesman, signing papers, looking very serious.

Alice (internal monologue, sparkle eyes): "Awww he looks so cute when he's being responsible with money—"

Bob hands over his credit card.

Alice (eyes go wide): "Wait..."

Salesman wraps a big red bow on a Model Y.

Alice (jaw drops to floor, coffee falls in slow motion): "HE'S BUYING A TESLA????"

PANEL 2 — THE BETRAYAL
[Alice dramatically pressed against the window like a sad anime character in rain]

Alice (thinking): "Tomorrow is March 8th. International Women's Day. MY day."
Alice (thinking): "And this man... THIS man... is buying himself a Tesla??"

Bob is seen laughing with the salesman, completely unaware.

Alice (single dramatic tear): "I raised this man."

[Close up on Alice's face — the expression of someone who has decided something dangerous]

PANEL 3 — THE PLANNING PHASE
[Alice at home, 2AM, lying on the ceiling like a sad anime character, staring at nothing]

Alice: "It's fine. I'm fine. He just forgot Women's Day. It's FINE."

[Cut to: Alice aggressively eating chips in bed, laptop open]

Alice: "I'm not even mad. I'm just... "

YouTube autoplay kicks in.

YouTube Ad: "🔴 HOW HACKERS STEAL KEYLESS ENTRY CARS IN 60 SECONDS —"

[Alice slowly stops chewing]
[The chip hangs in midair]

Alice (eyes slowly light up like a villain origin story): "...Go on."

PANEL 4 — THE TUTORIAL
[Alice watching the video, taking notes in a Hello Kitty notebook]

YouTube: "The attacker simply extends the LF signal from the key fob using two radio devices—"

Alice (writing intensely): "...two... radio... devices..."

YouTube: "—the car believes the key is present even from miles away—"

Alice (underlining three times): "KEY. DOES. NOT. NEED. TO. BE. THERE."

Alice (slams notebook shut, stands up dramatically): "Neither does Bob."

[Lightning strikes outside for dramatic effect]

PANEL 5 — THE ACCOMPLICE
[Alice staring at her cat "Cipher" who is sitting on the bed licking his paw, completely unbothered]

Alice: "Cipher."

[Cat ignores her]

Alice: "Cipher I need you."

[Cat slowly blinks once — the absolute minimum acknowledgment]

Alice (pulls out hand-drawn diagram): "Okay so Bob's key fob must be on his bedside table. His bedroom window is on the ground floor. I need Device Two close to the key. You are small. You are silent. You are perfect."

[Long pause]
[Cat knocks her Hello Kitty notebook off the bed and walks away]

Alice: "CIPHER THIS IS FOR WOMEN'S DAY."

PANEL 6 — THE RECRUITMENT
[Alice holding Cipher up like Simba from Lion King, looking him dead in the eyes]

Alice: "You have been eating my food for 4 years."
Alice: "Free of charge."
Alice: "Tonight. You pay rent."

[Cipher stares back with the dead eyes of a creature who feels absolutely nothing]
[Cut to: Alice taping the relay device to Cipher's collar with excessive amounts of tape]

Cipher (internal monologue, absolutely disgusted): "I should have stayed a stray."

PANEL 7 — THE OPERATION BEGINS
[3AM. Bob's house. Alice crouching in the bushes outside, dressed in full black, wearing night vision goggles she definitely bought from Amazon same-day delivery]

Alice (whispering into walkie talkie): "Cipher. Do you copy."

[Cipher sits next to her, device taped to collar, staring into the void]

Alice: "Cipher. The window is open. The key fob is 2 meters inside on the nightstand. I need you to go in, get close to it, and hold position."

[Cipher yawns so wide his whole face disappears]

Alice: "Cipher this is a stealth mission."

[Cipher meows. Loudly. Into the night.]

Alice (grabbing him): "CIPHER—"

PANEL 8 — THE PUSH
[Alice holding Cipher up to Bob's open bedroom window on the ground floor]
[Inside: Bob sleeping peacefully, key fob glowing on the nightstand, completely unaware]

Alice (whispering): "Okay. Nice and easy. Just... walk to the nightstand. That's all I need."

[She places Cipher on the windowsill]
[Cipher turns around and stares at Alice]

Alice (whispering): "Go. Go go go. Shoo."

[Cipher does not move]

Alice (through gritted teeth): "CIPHER. I WILL BUY YOU THE GOOD TUNA."

[Cipher takes one step inside]
[Alice exhales]
[Cipher immediately sits down directly on Bob's face]

Bob (muffled, half asleep): "...wha... Cipher? ...how did you—"

[Alice freezes outside the window]

Bob (eyes still closed, half dreaming): "...s'okay buddy... go sleep..."

[Bob moves Cipher to the side directly onto the nightstand next to the key fob]
[Alice's eyes go wide]

Alice (internal monologue, whispering): "...He just... placed him... perfectly."
Alice: "Cipher you absolute genius."

[Cipher is already asleep on top of the key fob, completely by accident, perfectly positioned]

PANEL 9 — THE RELAY
[Alice outside with Device One pointed at the Tesla parked down the street]
[Device Two on Cipher's collar, 30cm from the key fob inside]
[The signal bridge is complete]

Alice (hands shaking, pointing device at car): "Signal extended... key fob excited... car thinks key is present..."

[Tesla down the street goes: 🔓 CLICK]
[Alice's mouth falls open]

Alice (barely breathing): "...It worked."

[Long pause]

Alice (forgetting to whisper): "IT ACTUALLY WORKED."

[Bob shifts in his sleep]
[Cipher opens one eye, judges her, closes it again]

Alice (running to the car in slow motion like an action movie): "CIPHER EXTRACT YOURSELF WE ARE LEAVING—"

[Cipher does not move]
[Alice drives away without him]
[Cipher watches from the windowsill]

Cipher (internal monologue): "Good. I live here now."

PANEL 10 — GANGSTER MODE ACTIVATED
[Alice in the Tesla, door closes, engine hums silently because it's electric and that's somehow funnier]
[She sits in silence for exactly 3 seconds]
[Then slowly... she puts on her sunglasses]
[At 3AM]
[In the dark]
[She connects her phone to the Tesla's Bluetooth]
[An extremely dramatic song starts playing — something like "HUMBLE." by Kendrick Lamar or "Power" by Kanye]

Alice (one hand on wheel, leaning back, full villain arc complete): "Hm."

[She pulls out of the street at exactly the speed limit because she is not stupid]
[Windows down. Music up. Single finger tapping the wheel.]

Alice (internal monologue): "This is the best car I have ever driven."
Alice: "This is also the best thing I have ever done."

[She merges onto the highway heading south]
[The GPS says: "Destination: Mexico — 14 hours"]

Alice: "Perfect."

PANEL 11 — BOB WAKES UP
[7AM. Bob's bedroom. Sunlight streaming in.]
[Cipher is sitting on Bob's chest staring at him from 2cm away]
[Bob opens eyes. Sees cat. Confused.]

Bob: "...Cipher how did you get in here."

[Bob reaches for phone. Notification on screen:]

🚗 Tesla App: Your vehicle is currently in ARIZONA.
Estimated speed: 78mph
Playing: "HUMBLE." — Kendrick Lamar
Climate control: 72°F
*Driver seat adjusted: -4 inches ← (Alice is shorter than Bob)

[Bob stares at the notification]
[Bob looks at the empty key hook on the wall]
[Bob looks at Cipher]

Bob: "...Cipher."

[Cipher meows]

Bob: "Did Alice—"

[Cipher meows again, louder, and headbutts the relay device still taped to his collar]
[Bob stares at the device on the cat's collar]
[Bob stares at the Tesla app showing his car in Arizona]
[Bob stares at the date on his phone: March 8th]

Bob (very slowly): "She thought I bought it for myself, ohh lord have mercy"

[Long pause]
[Bob lies back down and pulls the blanket over his face]

Bob (muffled): "...I spent three months planning this."

[Cipher sits on his face again in solidarity]

PANEL 12 — ARIZONA. THE DISCOVERY.
[Alice, sunglasses on, one arm out the window, absolutely living her best life, somewhere in the Arizona desert]
[Sun is setting. Sky is orange and pink. The Tesla purrs silently.]

Alice (singing along to the radio, zero regrets): "This is MY car now. I earned this. Eight years of Women's Days and he finally—"

[The glove compartment pops open slightly on a speed bump]
[A small white envelope slides out onto the passenger seat]
[Alice glances at it]
[On the envelope in Bob's handwriting, with a small heart:]

"To my precious Alice 🌹"

[Alice's sunglasses slowly slide down her nose]

PANEL 13 — THE REALIZATION
[Alice pulled over on the side of the highway. Engine still running. Card in hand.]
Inside the envelope:

"Happy International Women's Day💕
— Your Bob 🌹"

[The Arizona wind blows dramatically through her hair]
[A tumbleweed rolls past]
[A coyote howls in the distance]

Alice: "..."

Alice (very small voice): "I stole my own car."

[Beat]

Alice: "Heading to Mexico."

Alice: "In my own stolen present."

[She looks at herself in the rearview mirror]
[Her own sunglasses stare back at her]

Alice (to her reflection): "You studied cybersecurity for four years.you deserve it"

PANEL 14 — THE PHONE CALL
[Alice calls Bob. It rings twice. He picks up immediately, which means he was waiting.]

Bob (eerily calm): "Hello Alice."

Alice: "Hypothetically."

Bob: "Mhm."

Alice: "If someone... relocated a vehicle... by accident—"

Bob: "By accident."

Alice: "Using a technique they learned from YouTube—"

Bob: "At 2AM."

Alice: "...You knew?"

Bob: "Cipher still has the relay device on his collar Alice."

[Silence]

Alice: "...The card was very sweet."

Bob (sighing): "WHERE ARE YOU."

Alice (tiny voice): "...Arizona."

Bob: "ALICE."

Alice: "THE TACOS ARE REALLY GOOD HERE—"

Alice: "I PANICKED OKAY I SAW YOU BUY A TESLA AND I—"

Bob: "IT HAD A BOW ON IT—"

Alice: "I THOUGHT IT WAS FOR YOU—"

Bob: "WHY WOULD I PUT A BOW ON A CAR FOR MYSELF—"

Alice (pause): "...Men do things, Bob."

[Bob makes a sound that is half laugh half cry]

Bob (exhausted): "...Are you safe?"

Alice (small voice): "...Yes."

Bob: "Is my car safe?"

Alice: "...Also yes."

PANEL 15 — THE MORAL
[Final panel. Alice sitting on the hood of the Tesla on the side of an Arizona highway at sunset, eating a gas station burrito, looking simultaneously guilty, grateful, and completely unbothered]

PANEL 16 — THE END

"Bob bought Alice a second Tesla the following Women's Day."
"With a GPS tracker, a note taped to the steering wheel, and zero ambiguity."
"Cipher got the good tuna. He earned it."

DUAS CRIANÇAS DE 8 ANOS INDO PARA A ESCOLA. A MENINA COMENTA QUE ESTÁ COM DOR DE DENTE, E O MENINO DIZ QUE TEVE A VISITA DE UMA DENTISTA ESCOLA E ENSINOU QUE PARA NÃO TERMOS DOR DE DENTES, PRECISAMOS ESCOVAR OS DENTES 3 VEZES AO DIA APÓS AS REFEIÇÕES E NUNCA ESQUECE DE DORMIR COM OS DENTES LIMPOS. DISSE TAMBÉM QUE PRECISAMOS TER UMA ALIMENTAÇÃO SAUDÁVEL, NÃO COMER MUITO DOCE E QUE PRECISAMOS VISITAR O DENTISTA A CADA 6 MESES.
A MENINA DIZ QUE TEM MEDO DE DENTISTA, MAS O MENINO A ENCORAJA.

Character Style Guide (Manga – “The Last Message”)

Direct specifications for consistent visual design.

⸻

1) Main Girl (17)

Build: Slim, average height
Face Shape: Soft oval
Eyes: Large, expressive, slightly downturned outer corners
Eye Color: Warm brown
Hair: Long, straight, dark brown; soft layers; moves noticeably in wind
Bangs: Light, slightly parted in the middle
Skin Tone: Light olive

Signature Details:
• Small beauty mark under left eye
• Star-shaped silver keychain always visible (attached to phone or bag)

Clothing Style:
• Oversized cream sweater
• Black pleated skirt
• Knee-high socks
• Simple white sneakers

Expression Style:
• Emotional range visible in eyes first
• Tears drawn glossy and reflective
• When nervous: fingers grip sleeves

Art Direction Tags:
Shoujo-inspired, soft linework, detailed eyes, subtle blush shading, cinematic lighting.

⸻

2) Main Boy (17)

Build: Lean, slightly taller than girl
Face Shape: Defined jaw but still youthful
Eyes: Calm, slightly narrow
Eye Color: Dark gray

Hair:
• Messy black hair
• Slight volume at top
• Falls naturally over forehead

Skin Tone: Light tan

Signature Details:
• Small bandage on right cheek (adds personality)
• Relaxed half-smile

Clothing Style:
• Black hoodie
• Gray cargo pants
• Simple sneakers

Expression Style:
• Smiles subtly, not exaggerated
• Eyes soften when looking at her

Art Direction Tags:
Clean linework, light shadow under chin, soft glow in night scenes.

⸻

3) Overall Manga Aesthetic

Line Style: Thin but confident lines
Shading: Minimal screentones, focus on lighting contrast
Mood Lighting:
• Warm orange during flashbacks
• Deep blue and purple for rooftop night
• Strong white glow for fireworks scene

Background Detail:
Moderate detail; sky and lighting more important than buildings

⸻

If you want:
• More “anime modern” style
• Dark psychological tone
• Or cute chibi version

Tell me which direction and I’ll refine it precisely.

a 15 year old boy name Rylo is training in the woods outside of his village he is shooting targets with his his fire by manipulating his fire magic and shaping it to a bow n arrow rylos has greyish short air and his adoptive brother halo who is black with dreadlocks with purple tips on the end of his hair and a diamond black birth mark under his right eye halo his helping his adoptive mother rebecca with dinner in the kitchen Rebecca has blond hair with teal blue eyes she is also thick

Miu have long hair black and white Levi have short hair .

The door opened and I looked in the mirror, so I knew who was standing behind me.
"Hello Levi, it's been a long time, maybe 1000 years."
I beep quietly.
"Hello Mia." He said it for the first time, so calmly.
"When did you remember your previous life?"
He asks and I'm already smiling.
"Five years ago Levi."
He grits his teeth.
"I knew you would find me and I waited for you to do it. It was fate."
I stand up and walk over to him. We look into each other's eyes.
"In the diary you left me, none of it made sense. You just died, why? Mia, why the hell."
A tear falls from my eye.
"Because if you died, I would lose the reason to live. I love you Levi. I never stopped. Our souls were connected when we first met. Since you are bound to me, you are not a Ymir subject."
I say and he straightens up.
"What did you say?" His eyes widen in surprise.
"Let's move somewhere else please I don't want to talk about this here."
He nods and grabs my hand.
"I promise I won't die again. Neither will you. We will be together."
He squeezes my hand even tighter.

Miu have long hair black and white Levi have short hair .Levi is vampire .

The door opened and I looked in the mirror,I look who came. so I knew who was standing behind me.
"Hello Levi, it's been a long time, maybe years."
Mia beep quietly.
"Hello Mia." He said it for the first time, so calmly.
"When did you remember your previous life?"
Levi asks and Miu already smiling.
"Five years ago Levi."
LEVI grits his teeth.
"I knew you would find me and I waited for you to do it. It was fate."
I stand up and walk over to him. We look into each other's eyes.
"In the diary you left me, none of it made sense. You just died, why? Mia, why the hell."
A tear falls from my eye.
"Because if you died, I would lose the reason to live. I love you Levi. I never stopped. Our souls were connected when we first met. Since you are bound to me, you are not a Ymir subject."
I say and he straightens up.
"What did you say?" His eyes widen in surprise.
"Let's move somewhere else please I don't want to talk about this here."
He nods and grabs my hand.
"I promise I won't die again. Neither will you. We will be together."
He squeezes my hand even tighter.

Now in the second year of Nebuchadnezzar’s reign, Nebuchadnezzar had dreams; and his spirit was so troubled that his sleep left him. 2 Then the king gave the command to call the magicians, the astrologers, the sorcerers, and the Chaldeans to tell the king his dreams. So they came and stood before the king. 3 And the king said to them, “I have had a dream, and my spirit is anxious to [a]know the dream.”