Dangerous Artifact Manga

Panel Type Extra-wide cinematic panel (double-page spread feeling) Camera High-angle camera, positioned near the ceiling Looking downward at a slight diagonal tilt Emphasizes scale, complexity, and secrecy Characters appear small compared to the environment đŸ§Ș Environment – Underground Laboratory (Tokyo 2030) A large underground laboratory hidden deep beneath the city, industrial and functional rather than clean or futuristic-glossy. Central Area A large workstation hub in the middle Multiple computer terminals with stacked screens (2025-level tech, not holograms) Screens show: Code Brain scan data System diagnostics Surveillance-style feeds Thick cables snake across the floor, connecting systems Left Side – Power & Network Systems Inspired by your server rack reference: Tall server towers lining the wall Blinking indicator lights Heavy power conduits running along walls and floor Backup batteries, transformers, exposed cabling Feels noisy and energy-dense, like the lab must stay powered at all costs Right Side – Brain Scanner Room Inspired by the brain scanner chamber: A sealed scanning pod or chair inside a recessed alcove Mechanical armature above it with a focused light Thick padding, restraint-like elements (medical, not violent) Glass or transparent barrier partially enclosing it Clearly the most unsettling object in the room Rear / Side Areas – Planning & Research Inspired by the planning boards: One or two mobile whiteboards Covered with: Maps Red and blue marker lines Handwritten notes Sticky notes Diagrams and timelines Papers taped unevenly Suggest long-term planning and obsession đŸ‘„ Characters (All Three Present) Positioning They stand together but not unified: Scientist near the central workstation Slightly forward, familiar with the space Calm, focused posture Suited Woman a step behind Arms crossed or rigid stance Body language skeptical and tense Visibly evaluating the lab Younger Woman slightly apart Curious, relaxed Looking around rather than at the others They are small compared to the lab, reinforcing how big and serious this place is. 🎹 Art Style Black-and-white manga illustration Heavy use of screentone for depth Strong industrial textures Clean but dense linework No exaggerated sci-fi glow Realistic near-future technology 🎭 Mood Overwhelming scale. Hidden knowledge. A place built over years for something dangerous and important. đŸš« Negative Prompt No chibi style, no fantasy magic, no bright cyberpunk neon, no known characters, no cartoon proportions, no text bubbles.
The scene begins with a boy named Krop leaving a job application place, slightly sad because he was rejected for a job again. He returns to his apartment and begins thinking about his career future. He opens the fridge but finds nothing to eat. He goes to a store to buy some food, and on his way back, he hears a girl screaming in a dark alley. He quickly enters to see and starts hearing a girl crying, and when he gets close to her, her facial features change and she tells him, "You fool," releasing a strange energy on his stomach that throws him backward. When he gets up and looks at her, he finds her flickering like a TV screen. He says, "Who are you, for heaven’s sake?" She says, "You shouldn’t see me like this, but who cares? I can simply delete myself from your memory, and in this way, we will defeat you." The hero thinks to himself, "Wait, delete myself? Memory? Delete memory?? Do you want to erase my memory of the time I saw you, but I must remember what I’ve seen now? This is dangerous. And why is she flickering like a TV? Is she not real?" He looks at the pen in his pocket and says, "I found it," pulls it out quickly, looks at her flickering body, and starts writing on his hand. He writes: "Strange flickering." She notices and says, "What!" and makes a hand snap that makes him lose consciousness for a moment and lower his head. The girl says, "I understand, he wants to write notes about me on his hand," and suddenly hears someone approaching, so she says, "Who cares? It won’t help him," and leaves, dropping an accessory with a strange symbol. Krop regains consciousness on the ground. A man comes to help him and asks, "What happened?" He replies, "I don’t know." Then he says, "Why am I here, and why do I feel pain?" He stands up and reads what is written on his hand. He is surprised and says, "This is my handwriting, but when and why?" He starts trying to understand and finds that symbol on the ground, then says, "It seems something happened here." Krop returns to his apartment. He starts eating his dinner while thinking, "What does ‘strange flickering’ mean? Does that mean I saw something strange, and why can’t I remember it?" He holds that symbol and says, "And what is this also?" "Ah, this seems strange." He gets up, goes to make his coffee, and watches TV. When he turns it on, there’s flickering on the screen. He says, "Ah, again, this flickering
 Flickering!!" By the way, if I was the one who wrote it, the closest word to ‘flickering’ I remember is ‘TV flicker.’ He starts staring at the flickering, then turns off the TV and goes to sleep. The next day, he wakes up to a ringing phone. He answers: "Krop here." He says, "Yes." The caller says, "We reviewed your file that you submitted for the job here last week." He says, "Wait, who are you?" The caller replies, "I am the manager of Cardo Cafe, and you have been accepted. You need to be here before 8 AM to start work." Krop responds happily, "Finally, thank you so much! I’m coming right away." He gets up quickly, puts on his clothes, grabs a piece of bread, and rushes to the cafe. He enters and finds the waiter asking, "What do you want?" He replies, "I’m here to work." The waiter says, "Oh, you’re the new recruit? The manager told me about you. My name is Sarodem, call me Saro, and my colleague here is Mira. The manager is Grim. I hope you enjoy your time with us." Then the manager comes and says to Krop, "Come here, I’ll give you your work uniform, and you’ll start cleaning now." Krop removes his clothes, puts on the work uniform, and gives his clothes to Saro to hide. Krop starts working with them, cleaning tables and floors. Saro brings drinks and coffee, and Mira is the waitress taking orders and serving them. After a long day of work, their shift ends. Krop tells Saro to give him back his clothes. Saro goes to the storage room, picks up Krop’s clothes, and as soon as he carries them, that symbol falls. Saro examines it for a moment and says, "What is this thing? It’s strange," then returns it and gives the clothes back to Krop. Krop changes back into his clothes and returns to his apartment, only to find the door open, even though he made sure to lock it with the key he keeps under the carpet outside. He thinks he forgot to lock it. When he enters, he finds the place messy, as if someone entered. He starts searching around the apartment for anything missing and finds that nothing was stolen. He begins thinking about why a thief would come to him, even though his apartment isn’t luxurious
🎭 "The Relay Robbery" — A Love Story Gone Wrong A Manga Short Story featuring Alice & Bob PANEL 1 — THE DISCOVERY [Scene: Tesla showroom, bright lights, shiny cars everywhere] Alice walks past the Tesla showroom window holding her coffee ☕ She spots Bob inside, talking to a salesman, signing papers, looking very serious. Alice (internal monologue, sparkle eyes): "Awww he looks so cute when he's being responsible with money—" Bob hands over his credit card. Alice (eyes go wide): "Wait..." Salesman wraps a big red bow on a Model Y. Alice (jaw drops to floor, coffee falls in slow motion): "HE'S BUYING A TESLA????" PANEL 2 — THE BETRAYAL [Alice dramatically pressed against the window like a sad anime character in rain] Alice (thinking): "Tomorrow is March 8th. International Women's Day. MY day." Alice (thinking): "And this man... THIS man... is buying himself a Tesla??" Bob is seen laughing with the salesman, completely unaware. Alice (single dramatic tear): "I raised this man." [Close up on Alice's face — the expression of someone who has decided something dangerous] PANEL 3 — THE PLANNING PHASE [Alice at home, 2AM, lying on the ceiling like a sad anime character, staring at nothing] Alice: "It's fine. I'm fine. He just forgot Women's Day. It's FINE." [Cut to: Alice aggressively eating chips in bed, laptop open] Alice: "I'm not even mad. I'm just... " YouTube autoplay kicks in. YouTube Ad: "🔮 HOW HACKERS STEAL KEYLESS ENTRY CARS IN 60 SECONDS —" [Alice slowly stops chewing] [The chip hangs in midair] Alice (eyes slowly light up like a villain origin story): "...Go on." PANEL 4 — THE TUTORIAL [Alice watching the video, taking notes in a Hello Kitty notebook] YouTube: "The attacker simply extends the LF signal from the key fob using two radio devices—" Alice (writing intensely): "...two... radio... devices..." YouTube: "—the car believes the key is present even from miles away—" Alice (underlining three times): "KEY. DOES. NOT. NEED. TO. BE. THERE." Alice (slams notebook shut, stands up dramatically): "Neither does Bob." [Lightning strikes outside for dramatic effect] PANEL 5 — THE ACCOMPLICE [Alice staring at her cat "Cipher" who is sitting on the bed licking his paw, completely unbothered] Alice: "Cipher." [Cat ignores her] Alice: "Cipher I need you." [Cat slowly blinks once — the absolute minimum acknowledgment] Alice (pulls out hand-drawn diagram): "Okay so Bob's key fob must be on his bedside table. His bedroom window is on the ground floor. I need Device Two close to the key. You are small. You are silent. You are perfect." [Long pause] [Cat knocks her Hello Kitty notebook off the bed and walks away] Alice: "CIPHER THIS IS FOR WOMEN'S DAY." PANEL 6 — THE RECRUITMENT [Alice holding Cipher up like Simba from Lion King, looking him dead in the eyes] Alice: "You have been eating my food for 4 years." Alice: "Free of charge." Alice: "Tonight. You pay rent." [Cipher stares back with the dead eyes of a creature who feels absolutely nothing] [Cut to: Alice taping the relay device to Cipher's collar with excessive amounts of tape] Cipher (internal monologue, absolutely disgusted): "I should have stayed a stray." PANEL 7 — THE OPERATION BEGINS [3AM. Bob's house. Alice crouching in the bushes outside, dressed in full black, wearing night vision goggles she definitely bought from Amazon same-day delivery] Alice (whispering into walkie talkie): "Cipher. Do you copy." [Cipher sits next to her, device taped to collar, staring into the void] Alice: "Cipher. The window is open. The key fob is 2 meters inside on the nightstand. I need you to go in, get close to it, and hold position." [Cipher yawns so wide his whole face disappears] Alice: "Cipher this is a stealth mission." [Cipher meows. Loudly. Into the night.] Alice (grabbing him): "CIPHER—" PANEL 8 — THE PUSH [Alice holding Cipher up to Bob's open bedroom window on the ground floor] [Inside: Bob sleeping peacefully, key fob glowing on the nightstand, completely unaware] Alice (whispering): "Okay. Nice and easy. Just... walk to the nightstand. That's all I need." [She places Cipher on the windowsill] [Cipher turns around and stares at Alice] Alice (whispering): "Go. Go go go. Shoo." [Cipher does not move] Alice (through gritted teeth): "CIPHER. I WILL BUY YOU THE GOOD TUNA." [Cipher takes one step inside] [Alice exhales] [Cipher immediately sits down directly on Bob's face] Bob (muffled, half asleep): "...wha... Cipher? ...how did you—" [Alice freezes outside the window] Bob (eyes still closed, half dreaming): "...s'okay buddy... go sleep..." [Bob moves Cipher to the side directly onto the nightstand next to the key fob] [Alice's eyes go wide] Alice (internal monologue, whispering): "...He just... placed him... perfectly." Alice: "Cipher you absolute genius." [Cipher is already asleep on top of the key fob, completely by accident, perfectly positioned] PANEL 9 — THE RELAY [Alice outside with Device One pointed at the Tesla parked down the street] [Device Two on Cipher's collar, 30cm from the key fob inside] [The signal bridge is complete] Alice (hands shaking, pointing device at car): "Signal extended... key fob excited... car thinks key is present..." [Tesla down the street goes: 🔓 CLICK] [Alice's mouth falls open] Alice (barely breathing): "...It worked." [Long pause] Alice (forgetting to whisper): "IT ACTUALLY WORKED." [Bob shifts in his sleep] [Cipher opens one eye, judges her, closes it again] Alice (running to the car in slow motion like an action movie): "CIPHER EXTRACT YOURSELF WE ARE LEAVING—" [Cipher does not move] [Alice drives away without him] [Cipher watches from the windowsill] Cipher (internal monologue): "Good. I live here now." PANEL 10 — GANGSTER MODE ACTIVATED [Alice in the Tesla, door closes, engine hums silently because it's electric and that's somehow funnier] [She sits in silence for exactly 3 seconds] [Then slowly... she puts on her sunglasses] [At 3AM] [In the dark] [She connects her phone to the Tesla's Bluetooth] [An extremely dramatic song starts playing — something like "HUMBLE." by Kendrick Lamar or "Power" by Kanye] Alice (one hand on wheel, leaning back, full villain arc complete): "Hm." [She pulls out of the street at exactly the speed limit because she is not stupid] [Windows down. Music up. Single finger tapping the wheel.] Alice (internal monologue): "This is the best car I have ever driven." Alice: "This is also the best thing I have ever done." [She merges onto the highway heading south] [The GPS says: "Destination: Mexico — 14 hours"] Alice: "Perfect." PANEL 11 — BOB WAKES UP [7AM. Bob's bedroom. Sunlight streaming in.] [Cipher is sitting on Bob's chest staring at him from 2cm away] [Bob opens eyes. Sees cat. Confused.] Bob: "...Cipher how did you get in here." [Bob reaches for phone. Notification on screen:] 🚗 Tesla App: Your vehicle is currently in ARIZONA. Estimated speed: 78mph Playing: "HUMBLE." — Kendrick Lamar Climate control: 72°F *Driver seat adjusted: -4 inches ← (Alice is shorter than Bob) [Bob stares at the notification] [Bob looks at the empty key hook on the wall] [Bob looks at Cipher] Bob: "...Cipher." [Cipher meows] Bob: "Did Alice—" [Cipher meows again, louder, and headbutts the relay device still taped to his collar] [Bob stares at the device on the cat's collar] [Bob stares at the Tesla app showing his car in Arizona] [Bob stares at the date on his phone: March 8th] Bob (very slowly): "She thought I bought it for myself, ohh lord have mercy" [Long pause] [Bob lies back down and pulls the blanket over his face] Bob (muffled): "...I spent three months planning this." [Cipher sits on his face again in solidarity] PANEL 12 — ARIZONA. THE DISCOVERY. [Alice, sunglasses on, one arm out the window, absolutely living her best life, somewhere in the Arizona desert] [Sun is setting. Sky is orange and pink. The Tesla purrs silently.] Alice (singing along to the radio, zero regrets): "This is MY car now. I earned this. Eight years of Women's Days and he finally—" [The glove compartment pops open slightly on a speed bump] [A small white envelope slides out onto the passenger seat] [Alice glances at it] [On the envelope in Bob's handwriting, with a small heart:] "To my precious Alice đŸŒč" [Alice's sunglasses slowly slide down her nose] PANEL 13 — THE REALIZATION [Alice pulled over on the side of the highway. Engine still running. Card in hand.] Inside the envelope: "Happy International Women's Day💕 — Your Bob đŸŒč" [The Arizona wind blows dramatically through her hair] [A tumbleweed rolls past] [A coyote howls in the distance] Alice: "..." Alice (very small voice): "I stole my own car." [Beat] Alice: "Heading to Mexico." Alice: "In my own stolen present." [She looks at herself in the rearview mirror] [Her own sunglasses stare back at her] Alice (to her reflection): "You studied cybersecurity for four years.you deserve it" PANEL 14 — THE PHONE CALL [Alice calls Bob. It rings twice. He picks up immediately, which means he was waiting.] Bob (eerily calm): "Hello Alice." Alice: "Hypothetically." Bob: "Mhm." Alice: "If someone... relocated a vehicle... by accident—" Bob: "By accident." Alice: "Using a technique they learned from YouTube—" Bob: "At 2AM." Alice: "...You knew?" Bob: "Cipher still has the relay device on his collar Alice." [Silence] Alice: "...The card was very sweet." Bob (sighing): "WHERE ARE YOU." Alice (tiny voice): "...Arizona." Bob: "ALICE." Alice: "THE TACOS ARE REALLY GOOD HERE—" Alice: "I PANICKED OKAY I SAW YOU BUY A TESLA AND I—" Bob: "IT HAD A BOW ON IT—" Alice: "I THOUGHT IT WAS FOR YOU—" Bob: "WHY WOULD I PUT A BOW ON A CAR FOR MYSELF—" Alice (pause): "...Men do things, Bob." [Bob makes a sound that is half laugh half cry] Bob (exhausted): "...Are you safe?" Alice (small voice): "...Yes." Bob: "Is my car safe?" Alice: "...Also yes." PANEL 15 — THE MORAL [Final panel. Alice sitting on the hood of the Tesla on the side of an Arizona highway at sunset, eating a gas station burrito, looking simultaneously guilty, grateful, and completely unbothered] PANEL 16 — THE END "Bob bought Alice a second Tesla the following Women's Day." "With a GPS tracker, a note taped to the steering wheel, and zero ambiguity." "Cipher got the good tuna. He earned it."
PremiĂšre scĂšne d’une histoire isekai en style webtoon japonais / manga. Une classe de lycĂ©e entiĂšre (environ 70 Ă©lĂšves) est soudainement tĂ©lĂ©portĂ©e dans un autre monde. Les Ă©lĂšves portent des uniformes scolaires couleur cafĂ©, certains sont choquĂ©s, d’autres effrayĂ©s, certains tombent au sol, d’autres se regardent sans comprendre. L’environnement est Ă©trange et fantastique : ciel irrĂ©el avec des couleurs inhabituelles, lumiĂšre mystique, sol inconnu, lĂ©gĂšre brume magique autour du groupe. L’atmosphĂšre est tendue et dramatique, sentiment de confusion, de peur et d’incomprĂ©hension. Au centre de l’image, un petit groupe d’élĂšves se dĂ©marque lĂ©gĂšrement, comme des futurs personnages importants. Style artistique : Korean webtoon + Japanese anime, haute qualitĂ©, traits nets, ombrages doux, expressions faciales trĂšs dĂ©taillĂ©es. Éclairage cinĂ©matographique, lumiĂšre surnaturelle venant du ciel, tons dramatiques. Composition dynamique, vue semi-large pour montrer le groupe et le nouveau monde. Ambiance : dĂ©but d’une aventure sombre, mystĂ©rieuse et dangereuse.