Manga Story

Première scène d’une histoire isekai en style webtoon japonais / manga. Une classe de lycée entière (environ 70 élèves) est soudainement téléportée dans un autre monde. Les élèves portent des uniformes scolaires couleur café, certains sont choqués, d’autres effrayés, certains tombent au sol, d’autres se regardent sans comprendre. L’environnement est étrange et fantastique : ciel irréel avec des couleurs inhabituelles, lumière mystique, sol inconnu, légère brume magique autour du groupe. L’atmosphère est tendue et dramatique, sentiment de confusion, de peur et d’incompréhension. Au centre de l’image, un petit groupe d’élèves se démarque légèrement, comme des futurs personnages importants. Style artistique : Korean webtoon + Japanese anime, haute qualité, traits nets, ombrages doux, expressions faciales très détaillées. Éclairage cinématographique, lumière surnaturelle venant du ciel, tons dramatiques. Composition dynamique, vue semi-large pour montrer le groupe et le nouveau monde. Ambiance : début d’une aventure sombre, mystérieuse et dangereuse.

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Long ago Dinosauras ruled the world until a meteor struck and a bunch of different magical animals climbed out of the hot fireball, only to start a war with the dinosaurs, leading them to extinction. Then these magical animals began to start their own advanced civilizations and made a 10-year-old human boy named kyng their leader. Little did they know, not all of the dinosaurs had died in that war; some had survived and gone into hiding, plotting to take back the world from these magical beasts

protagonist;living life continously i now find myself confused why am i here how long have i been here all these unnecessary questions make me not want to think so i....... protagonist;i'll ......
protagonist;I'LL...............!!!!!!!!!!i cant take it anymore.

Título del cómic

“Un rumor no define quién soy”

Personajes

Laura: niña amable, tranquila y buena amiga

Elizabeth: compañera que inicia el conflicto

Amigas del grupo

Maestra (figura mediadora)

Historia dividida en viñetas (escenas)
Viñeta 1: La amistad

Patio de la escuela primaria
Laura aparece jugando y riendo con su grupo de amigas.

Laura:
—Me gusta mucho estar con ustedes, somos muy buenas amigas.

Amiga:
—¡Sí! Siempre nos apoyamos.

Viñeta 2: El cambio

Salón de clases
Elizabeth está hablando en secreto con otras niñas.

Elizabeth (susurrando):
—Laura dijo cosas feas de ustedes…

Amiga (confundida):
—¿De verdad?

Viñeta 3: El rumor

Pasillo de la escuela
Las amigas comienzan a alejarse de Laura.

Laura (pensando):
—¿Por qué ya no me hablan? ¿Qué hice mal?

Viñeta 4: El conflicto

Recreo
Laura escucha a Elizabeth hablando mal de ella.

Elizabeth:
—No confíen en Laura, ella no es buena amiga.

Laura (triste):
—Eso no es verdad…

Viñeta 5: El dolor

Baño o banca del patio
Laura está sola, con expresión triste.

Laura (pensamiento):
—Me duele que hablen de mí sin conocer la verdad.

Viñeta 6: Pedir ayuda

Salón de clases
Laura se acerca a la maestra.

Laura:
—Maestra, alguien está diciendo cosas falsas sobre mí.

Maestra:
—Gracias por decirlo, vamos a hablarlo con respeto.

Viñeta 7: La verdad

Reunión del grupo
La maestra reúne a las niñas.

Maestra:
—Hablar mal de alguien puede lastimar mucho. Aquí escucharemos la verdad.

Laura:
—Yo nunca hablé mal de ustedes. Las quiero como amigas.

Viñeta 8: Reflexión

Elizabeth con expresión de arrepentimiento

Elizabeth:
—Lo siento… hablé sin pensar y causé un problema.

Viñeta 9: Perdón y aprendizaje

Patio
Las amigas vuelven a estar juntas.

Amiga:
—Perdón por no preguntarte antes, Laura.

Laura:
—Gracias por escucharme. Aprendimos algo importante.

Viñeta 10: Final

Todas juntas

Narrador:
—Los rumores pueden causar daño, pero hablar con la verdad y respeto puede sanar las amistades.

Mensaje del cómic (puede ir al final)

Moraleja:
Hablar mal de los demás puede causar conflictos, pero la comunicación, la honestidad y el respeto ayudan a resolverlos.
EN ESPAÑOL

a east asian man age 40S and filming a soccer his sons match using a tripod

A parasaurid with yellow eyes and black stripes on its back.

a scene of a school farewell where 2 friends Adam and Jhonny came for attending they were of class 11th , Adam had a crush on girl which was 2 years older than her , she was very hot , adam was also handsome but she dint like him she hated him , adam spots her she was also attending the farewell , adam starting going towards her jhonny tried to stop him but he dint stop he went to her and confessed his love she rejected and him and insulted him very badly

On a quiet winter morning, Haru wakes up feeling strange. The blanket feels heavier, his hands look smaller, and his voice sounds softer. A gentle warmth spreads through his body, unfamiliar yet oddly comforting. Snowflakes drift outside the window, casting a soft glow into the room.
Mio enters, calling his name with concern. Her eyes widen as she sees him — changed, quiet, confused. She doesn’t panic. Instead, she calmly says she’ll prepare clothes and guide him through this.
Moments later, Haru stands in the bathroom, staring at his reflection. His body is different, but the warmth remains. Mio leaves a soft, neutral outfit outside the door — nothing flashy, just something safe and comforting.
After the shower, Haru dresses slowly, adjusting to the new sensations. He walks into the kitchen where Mio waits with a warm meal. She smiles gently and says, “You’re okay… I’m here.”
The snow continues to fall outside, but inside, everything feels still — like the beginning of something new.

UN NIÑO QUIERE APRENDER MATEMATICAS Y SUS COMPAÑEROS SOLO QUIEREN JUGARRRRR LA PROFESORA LES CASTIGA POR NO ATENDER LAS CLASE.........

La page d'ouverture présente le titre grandiose "AetherCards: Dreamweaver Odyssey" en lettrage steampunk luminescent, entouré d'une illustration manga pleine page en cel-shading : un dirigeable colossal d'Albion fend les nuages holographiques d'un ciel hybride high-tech et rétro-futuriste, avec des engrenages aethériques tourbillonnants et des ombres d'avatars prothétisés ; en bas, le slogan d'OmniTechnik "L'Imagination est la Nouvelle Réalité" pulse comme un implant neuronal, invitant le lecteur à devenir un "Dreamer", un adolescent ordinaire du monde réel technologiquement avancé qui, via le dispositif Neuro-Sync (NS), plonge dans l'univers virtuel steampunk d'AetherCards pour un tournoi légendaire, où deck-building, choix moraux et combats tactiques déterminent si tu conqueras les cieux ou succombes à l'addiction virtuelle.

# **MANGA — CHAPTER 1: THE UNKNOWN CREST**

**Chapter Length:** ~45–55 pages
**Style:** Clean fantasy lineart • strong lighting contrast • cinematic paneling

---

## **PAGE 1 (OPENING SPLASH)**

**Full-page splash**

A quiet classroom bathed in warm morning light. Dust floats in the air.
Caption (top corner):
**“Ordinary days don’t announce their end.”**

---

## **PAGES 2–5 — THE TEN STUDENTS**

**Page 2**

* Panel 1: Ayane solving equations effortlessly, chalk flying.
* Panel 2: Ren smirking at a chess app on his phone (phone hidden under desk).
* Panel 3: Mika sketching a horned monster—its eyes seem *almost alive*.

**Page 3**

* Panel 1: Haru stretching lazily at the back.
* Panel 2: Yui asleep, sunlight on her face.
* Panel 3: Shin typing rapidly, code reflected in his glasses.

**Page 4**

* Panel 1: Emi flipping flashcards, focused.
* Panel 2: Daichi holding a mechanical puzzle.
* Panel 3: Daiki leaning over, correcting him—twin synergy.

**Page 5**

* Panel 1 (wide): Sora staring out the window at the sky.
* Panel 2 (close-up):
Kaito’s notebook—**blank page**, only his name written.
* Panel 3: Kaito’s eyes, observant but unsure.
Caption: *“Everyone shines. Except me.”*

---

## **PAGES 6–8 — THE SUMMONING**

**Page 6**

* Panel 1: Classroom lights flicker.
* Panel 2: Students look around, confused.
* Panel 3 (low angle): Faint glowing symbols under desks.

**Page 7**

* Panel 1: Magic circle fully forms across the floor.
* Panel 2: Wind explodes—papers and desks lift.
* Panel 3: Students screaming as light engulfs them.

**Page 8**

* Full black page.
Small white text in center:
**“….”**

---

## **PAGES 9–12 — ANOTHER WORLD**

**Page 9**

* Panel 1: Kaito’s eyes snap open.
* Panel 2: Cold marble beneath his hand.

**Page 10**

* Double-page spread:
**Grand Summoning Hall**—crystal pillars, floating chandeliers, glowing runes.

**Page 11**

* Panels of knights surrounding them, weapons raised.
* Students huddle together, panicked.

**Page 12**

* Tall figure steps forward—robes flowing.
* Close-up of calm, ancient eyes.
Caption: **“Archmage Eldorion.”**

---

## **PAGES 13–16 — THE TRUTH**

**Page 13**

* Eldorion explaining with a magic projection of the world cracking.

**Page 14**

* Visual metaphors:

* A brain overlaid with magic circuits.
* Symbols for logic, memory, creativity, empathy.

Page 15

Students’ reactions—fear, determination, disbelief.

Page 16

* Kaito silent in the back.
Thought bubble: *“Intelligence… then why me?”*

---

PAGES 17–26 — CREST AWAKENING

**Page 17**

* Crest Chamber revealed—massive, glowing apparatus.

Pages 18–22

* Montage panels:

* Crests manifesting clearly.
* Fire, wind, light, calculation-based magic.
* Chamber stable… controlled.

Page 23

* Kaito steps forward.
* Eldorion watching closely.

Page 24

* The device flickers.
* Runes shatter.
* Darkness bleeds into the chamber.

Page 25

Full-page spread:
Kaito’s crest forming—**shifting, glitching, absorbing light.

Page 26

* Eldorion’s shocked expression.
Text (bold):
“An Unknown Crest…?

PAGES 27–34 — CONSEQUENCES**

Page 27

* Outside the capital—alarm bells ringing.

Page 28

* Rift tears open.
* Massive silhouette emerging.

Page 29

RIFT BEAST reveal—jagged, unstable form.

Pages 30–32

* Students on battlements.
* Some activate crests instinctively.
* Minor monsters repelled.

Page 33

Kaito trembling.
His crest pulses faintly.

Page 34

Magic around him stabilizes—cracks sealing without explosion.
Others don’t notice.

PAGES 35–40 — THE CHOICE

Page 35

Eldorion shouting retreat orders.

Page 36

Students pulling back.

Page 37

Kaito watching the beast roar.
Page 38

Close-up: fist clenched.

Page 39

* He steps forward alone.
* Air distorts around him.

Page 40

* Crest glowing softly—*not violently*.

---

PAGE 41 (FINAL PAGE — CLIFFHANGER)

Full-page close-up

Kaito’s calm eyes reflecting the Rift Beast.

Bold text at the bottom:
“If I can stop it… then I will.”

NEXT CHAPTER PREVIEW

“The First Battle — When Magic Breaks Its Own Rules."

Noah noticed her during a late shoot.
Rain machines soaked the street set. The crew shivered. Tempers flared. But Iria moved calmly, shielding equipment, checking reflections, adjusting brightness so the artificial rain looked like poetry instead of chaos.
“You don’t panic,” Noah said quietly when she handed him a towel.
“I do,” she replied. “Just not where people can see.”
He smiled—not the practiced one, but a real one. Small. Careful.
From then on, they talked in moments between takes. About coffee. About bad scripts. About how fame felt like standing under a sun that never set.
“You ever wish you could disappear for a while?” Noah asked.
Iria looked at the lights overhead.
“I did,” she said. “Then I learned how to shine without being seen.”
That answer stayed with him.

Kurisutīna is a short, shy blonde girl who fled her homeland because of war. Her father died in the conflict, and her mother, consumed by grief, escapes into alcohol and neglects her emotionally. In a foreign country, Kurisutīna struggles at school, is rejected because of her origin, and feels isolated despite her constant efforts. Lost and fragile, she searches for her identity and a reason to keep going.

One day, she meets Māseru — a tall, quiet, and mysterious boy whose face is never fully shown. Calm and distant, he helps Kurisutīna see the world differently, teaching her that life is not built on grades, status, or material things, but on inner peace, self-understanding, and finding one’s own happiness.

Later, another person enters her life — more direct and grounded in reality. They become close, and through this friendship Kurisutīna becomes aware of the cruelty, injustice, and emptiness of the world around her. Suddenly, this person disappears, leaving behind only words that linger in her mind.

Kurisutīna continues attending school, but slowly begins to understand the meaning of those words. Eventually, she runs away from home to truly discover herself.

During her journey, she encounters situations that reveal both the good and evil of humanity. Each experience helps her confront her fears, emotions, and desires. Step by step, Kurisutīna begins to understand who she is — realizing that the answers she was searching for in others had always existed within her.

Against the backdrop of old England, Charles Dickens stands on the street and talk abouy himself, and this is what he says: I was a famous English writer. I was born in 1812 in Portsmouth, England. My family was poor, and my childhood was difficult. When I was only twelve years old, I had to work in a factory to help support my family.
This difficult experience greatly influenced my life and work. I saw how difficult life was for poor people, especially children. Later, I began writing stories about the real social problems of my time.
I loved reading and learning. I believed that books could change people and make society a kinder place. In my novels, I showed the difference between good and evil, kindness and cruelty.
My most famous works include "Oliver Twist," "A Christmas Carol," "David Copperfield," and "Great Expectations." My stories are full of emotion, strong characters, and important life lessons.
My books are still popular today. People all over the world read my stories for pleasure and inspiration.

Anime watercolor style illustration of melui walking through a sunflower field, wind blowing petals, warm tones, serene mood, gentle lighting

edamame competition in tokyo with each contestant having a special ability

Bagas selalu pamit dengan cara yang rapi.
Tidak pernah tergesa, tidak pernah dramatis.
Seolah pamit adalah bagian dari etika kerja—bukan perasaan.

“Duluan ya.”

Kalimat itu keluar dari mulutnya hampir setiap hari, di jam yang hampir sama.
Nada suaranya datar, senyumnya tipis, cukup untuk disebut sopan.
Ia berdiri.
Mengambil tas.
Menunggu satu detik.
Selalu satu detik.
Tidak untuk apa-apa.
Hanya jeda kecil yang tidak pernah ia sadari alasannya.

“Ya,” jawab seseorang dari balik layar komputer.

Ada yang mengangguk.
Ada yang bahkan tidak menoleh.
Bagas melangkah pergi.
Lift turun perlahan.
Pantulan wajahnya terlihat di dinding kaca—tenang, tidak terburu-buru, tidak meninggalkan apa pun di belakang.

Ia menyukai rasa ini.
Rasa pergi tanpa ditahan.

Di meja kerjanya, semuanya tertata rapi. Tidak ada barang personal yang mencolok. Tidak ada foto. Tidak ada catatan yang tertinggal.
Bagas percaya, barang yang mudah ditinggal tidak akan menyulitkan siapa pun.
Termasuk dirinya.

Keith slouched on his couch, the glow of his phone illuminating the dark corners of his apartment. The bottle on the table was almost empty, but he didn’t care. He couldn’t stop staring at the screen. Clair. She was kissing Jonny. His best friend. The same Jonny he had told just days ago that he was going to confess.

I guess I was just the dancing monkey, he thought bitterly. Always there, always reliable, never the one chosen.

A sharp knock at the door yanked him out of his spiral. Tipsy and unsteady, he stumbled to open it.

She was standing there.

Clair. At least, that’s what he told himself. She looked frantic, her hair slightly messy, her eyes wide. Without waiting for an invitation, she stepped inside.

"Do you know where Clair left my files?" she asked, scanning the room with a sense of urgency.

Keith blinked. Why is she talking in third person? he thought, but he didn’t dwell on it. He was too focused on the fact that it was her.

"They should be somewhere around here," he said, rubbing his temple.

She spotted a folder on the table and snatched it up. "Found them," she said, relief flashing across her face. She turned to leave, hand reaching for the door.

Before she could, Keith’s hand was already on the door, stopping her. Their eyes met, and for a moment, the apartment fell into silence.

Time seemed to stretch.

He moved closer, heart hammering. He took her hand. She froze—then didn’t pull away.

The folder slipped from her fingers and fell to the floor with a soft thud.

Keith leaned in.

He kissed her.

For a moment, she hesitated. Then she kissed him back.

The world narrowed down to that single, electrifying moment. Neon lights from the city outside spilled across their faces, painting the room in sharp colors. He barely noticed when they pulled apart, both breathless.

Morning came far too quickly. Sunlight streamed through the curtains, burning his eyes. His head throbbed, a reminder of last night’s haze. He turned in the bed and felt warmth beside him.

His stomach dropped.

The hair spilling across the pillow wasn’t brown. It was jet black.

Recognition hit like a punch to the gut.

Olivier Clair.

Clair’s older sister.

His boss.

Keith froze, unable to process what had happened, the memories of last night coming back in a flood of panic, confusion, and disbelief.

"Act as an expert manga critic and historian. I am looking for a recommendation that surpasses 'Dragon Ball' specifically in the category of World-Building and Narrative Depth.

I want a series that offers a sense of 'Epic Adventure' but with significantly tighter writing and richer lore.

Please find me 3 manga series that meet these strict criteria:

Interconnected World: The locations, history, and politics must matter. Unlike Dragon Ball (where new planets are just backdrops for fighting), I want a world that feels alive, with its own economy, history, and factions.

Long-term Payoffs: The story should reward close reading. I want foreshadowing that pays off hundreds of chapters later (similar to the 'One Piece' style of storytelling).

Expanded Cast Depth: Side characters must have their own arcs and motivations, rather than just waiting for the main hero to save them.

For each recommendation, please provide:

The 'Hook': What makes the world unique?

The Complexity Rating: Is it easy to get into, or does it require heavy reading?

Status: Is it finished or ongoing?

Panel Type

Extra-wide cinematic panel (double-page spread feeling)

Camera

High-angle camera, positioned near the ceiling

Looking downward at a slight diagonal tilt

Emphasizes scale, complexity, and secrecy

Characters appear small compared to the environment

🧪 Environment – Underground Laboratory (Tokyo 2030)

A large underground laboratory hidden deep beneath the city, industrial and functional rather than clean or futuristic-glossy.

Central Area

A large workstation hub in the middle

Multiple computer terminals with stacked screens (2025-level tech, not holograms)

Screens show:

Code

Brain scan data

System diagnostics

Surveillance-style feeds

Thick cables snake across the floor, connecting systems

Left Side – Power & Network Systems

Inspired by your server rack reference:

Tall server towers lining the wall

Blinking indicator lights

Heavy power conduits running along walls and floor

Backup batteries, transformers, exposed cabling

Feels noisy and energy-dense, like the lab must stay powered at all costs

Right Side – Brain Scanner Room

Inspired by the brain scanner chamber:

A sealed scanning pod or chair inside a recessed alcove

Mechanical armature above it with a focused light

Thick padding, restraint-like elements (medical, not violent)

Glass or transparent barrier partially enclosing it

Clearly the most unsettling object in the room

Rear / Side Areas – Planning & Research

Inspired by the planning boards:

One or two mobile whiteboards

Covered with:

Maps

Red and blue marker lines

Handwritten notes

Sticky notes

Diagrams and timelines

Papers taped unevenly

Suggest long-term planning and obsession

👥 Characters (All Three Present)
Positioning

They stand together but not unified:

Scientist near the central workstation

Slightly forward, familiar with the space

Calm, focused posture

Suited Woman a step behind

Arms crossed or rigid stance

Body language skeptical and tense

Visibly evaluating the lab

Younger Woman slightly apart

Curious, relaxed

Looking around rather than at the others

They are small compared to the lab, reinforcing how big and serious this place is.

🎨 Art Style

Black-and-white manga illustration

Heavy use of screentone for depth

Strong industrial textures

Clean but dense linework

No exaggerated sci-fi glow

Realistic near-future technology

🎭 Mood

Overwhelming scale.
Hidden knowledge.
A place built over years for something dangerous and important.

🚫 Negative Prompt

No chibi style, no fantasy magic, no bright cyberpunk neon, no known characters, no cartoon proportions, no text bubbles.

Panel Type

Medium-wide panel
(Quiet setup panel before a major reveal)

Action

The suited woman is shown turning a page of the newspaper.

One hand grips the edge of the paper

The page is mid-turn, slightly curved

Motion is slow and deliberate

This is not casual reading — it’s intentional.

Newspaper Content (Very Important)

The visible text on the newspaper is unreadable:

Lines instead of real words

Abstract blocks of text

Scribbled or blurred typography

Headline shapes without legible letters

The reader can tell it’s important news, but cannot read it yet.

This visually says:

Not yet.

Composition & Camera

Camera angled from the side

Focus on:

Her hands

The movement of the page

Her face may be partially visible or cropped — expression controlled

The newspaper dominates the lower half of the panel.

Visual Style

Black-and-white manga

Clean linework

Light screentone on paper

Subtle motion lines on the page edge only

No sound effects

No dialogue

Mood

Anticipation.
Withheld truth.
The calm before information hits.

🚫 Negative Prompt

No readable text

No headlines

No exposition

No dramatic gestures

No speed lines

2 bikini girls are trying to walk against the stronf winds. They attempt to push agaisnt the powerful gusts, but they are blown away.

Um jovem talento da base do pxg jogando o sub 17 pela França contra a Inglaterra

A group of adventurers, tired of exploring forgotten ruins and places with no real challenges, end up discovering ancient accounts of a place avoided by everyone: a dark forest, shrouded in mystery and marked by a terrifying history. They say that anyone who ventures there never returns — disappearing without a trace.

Driven by curiosity and a desire to experience something different, they decide to explore the so-called Silent Forest, believing it will be just another extraordinary adventure. However, what begins as a simple expedition soon turns into a deadly nightmare, where the forest seems to watch every step, every decision... and every mistake.

Now, trapped in a hostile environment full of secrets, the adventurers must uncover the mysteries of the place, solve enigmas, and face their own fears in an attempt to escape.

**“The Third Chair”**

Lin Zhixia first met Zhou Jin at a window-side table in a café.
The sunlight was beautiful that day, yet the chair across from him was empty.

She learned later that the chair belonged to his girlfriend—Shen Yan.

Zhou Jin never hid the truth.
He said he loved someone, and he also said he wasn’t sure whether he could still love another.
Lin Zhixia understood—yet she sat down anyway.

Their relationship was like a nameless river.
Unspoken, unacknowledged, never crossing the point of no return—
and yet, step by step, it ran deeper.

When Shen Yan appeared, everything finally gained weight.

She was calmer than Lin Zhixia had imagined. She only looked at her and said,
“You’re not a bad person.”
The words felt sharper than a knife.

That night, Lin Zhixia asked herself for the first time in earnest:
If love has to hurt someone in order to exist, did she really want it?

Zhou Jin tried to keep her, saying,
“I can’t live without either of you.”
But in that moment, Lin Zhixia suddenly understood—
in a love shared by three, someone is always sitting in the extra chair.

She stood up and gave up her seat.

Later on, the café was still the same café.
By the window, the table still held three chairs.

Kara and Chris have developed feelings and the come to a head at work

It was a quiet morning. Too quiet to mean anything.
Yuuma Sangakai walked to school with his head down, counting the cracks in the pavement because looking up made things worse. Eleven years old. Too thin. Too easy.
He checked over his shoulder once.
No one.
His stomach loosened just a little.
“Please,” he whispered. Not to God, not to anyone in particular. Just a habit. “Not today.”
"Hey Yuuma!" said Zoruhiko, his best friend, running towards him. Yuuma waves, "Hey Zoruhiko!! How are you?"

"Hmm... Cool. What 'bout you?" asked Zoruhiko.

"I'm awesome!!!!" said Yuuma. He remembered and said "Ay! I got this new bicycle today!! With gears!!!"

"Woahh!! Then let's have a cycle race today from the bus stop till the new supermarket!!" screamed Zoruhiko in excitement...

"Sure dummy!!! Be ready to get defeated!! At 8 PM today!!" proclaimed Yuuma, arrogantly smirking.

"Tch! We'll see 'bout that loser!" said Zoruhiko, annoyed...

Miu have long hair black and white Levi have short hair .Levi is vampire .

The door opened and I looked in the mirror,I look who came. so I knew who was standing behind me.
"Hello Levi, it's been a long time, maybe years."
Mia beep quietly.
"Hello Mia." He said it for the first time, so calmly.
"When did you remember your previous life?"
Levi asks and Miu already smiling.
"Five years ago Levi."
LEVI grits his teeth.
"I knew you would find me and I waited for you to do it. It was fate."
I stand up and walk over to him. We look into each other's eyes.
"In the diary you left me, none of it made sense. You just died, why? Mia, why the hell."
A tear falls from my eye.
"Because if you died, I would lose the reason to live. I love you Levi. I never stopped. Our souls were connected when we first met. Since you are bound to me, you are not a Ymir subject."
I say and he straightens up.
"What did you say?" His eyes widen in surprise.
"Let's move somewhere else please I don't want to talk about this here."
He nods and grabs my hand.
"I promise I won't die again. Neither will you. We will be together."
He squeezes my hand even tighter.

Miu have long hair black and white Levi have short hair .Levi is vampire .

The door opened and I looked in the mirror, so I knew who was standing behind me.
"Hello Levi, it's been a long time, maybe 1000 years."
Mia beep quietly.
"Hello Mia." He said it for the first time, so calmly.
"When did you remember your previous life?"
Levi asks and Miu already smiling.
"Five years ago Levi."
LEVI grits his teeth.
"I knew you would find me and I waited for you to do it. It was fate."
I stand up and walk over to him. We look into each other's eyes.
"In the diary you left me, none of it made sense. You just died, why? Mia, why the hell."
A tear falls from my eye.
"Because if you died, I would lose the reason to live. I love you Levi. I never stopped. Our souls were connected when we first met. Since you are bound to me, you are not a Ymir subject."
I say and he straightens up.
"What did you say?" His eyes widen in surprise.
"Let's move somewhere else please I don't want to talk about this here."
He nods and grabs my hand.
"I promise I won't die again. Neither will you. We will be together."
He squeezes my hand even tighter.

Miu have long hair black and white Levi have short hair .

The door opened and I looked in the mirror, so I knew who was standing behind me.
"Hello Levi, it's been a long time, maybe 1000 years."
I beep quietly.
"Hello Mia." He said it for the first time, so calmly.
"When did you remember your previous life?"
He asks and I'm already smiling.
"Five years ago Levi."
He grits his teeth.
"I knew you would find me and I waited for you to do it. It was fate."
I stand up and walk over to him. We look into each other's eyes.
"In the diary you left me, none of it made sense. You just died, why? Mia, why the hell."
A tear falls from my eye.
"Because if you died, I would lose the reason to live. I love you Levi. I never stopped. Our souls were connected when we first met. Since you are bound to me, you are not a Ymir subject."
I say and he straightens up.
"What did you say?" His eyes widen in surprise.
"Let's move somewhere else please I don't want to talk about this here."
He nods and grabs my hand.
"I promise I won't die again. Neither will you. We will be together."
He squeezes my hand even tighter.

une jeune gacon rentre de l'école sous la pluie et découvre un cube noir qui flotte puis après un flache rouge, son bras droit est devenu noir avec le signe d'yeux rouge sur la paume de la mains. et des scientifique cherche a récupéré ce cube donc le garçon

6 year old blonde girl with wearing a blue hairband with ribbon on top, wearing blue denim pinafore dress, underneath a white top, and white high knee socks with light blue ribbons.

Panel 1 (Wide panel – city rooftop, night)

A quiet city under a dark sky. A teenage boy stands on a rooftop, hands in his pockets, wind blowing his jacket.

Text (narration):
Every night… the city stops breathing for five minutes.

Panel 2 (Close-up – boy’s face)

His eyes are tired but alert. A digital watch glows.

Watch: 4:55 AM
Boy (thinking): It’s almost time.

Panel 3 (Street below – eerie silence)

Cars frozen mid-road. A bird suspended in the air. Everything is still.

Sound effect: ……

Panel 4 (Medium panel – behind the boy)

A girl suddenly appears behind him, holding an umbrella despite no rain.

Girl:
“You see it too, don’t you?”

Panel 5 (Close-up – boy startled)

He turns sharply, eyes wide.

Boy:
“You’re not frozen…”

Panel 6 (Half-page style dramatic panel)

The sky begins to glow faintly. Time feels tense.

Girl (smiling slightly):
“Neither are you. That’s why the city chose us.”

Watch: 4:59 AM

Panel 7 (Final panel – sunrise)

Light floods the city. Everything moves again. The rooftop is empty.

Text (narration):
Tomorrow… I’ll wait again.

Small text at bottom:
To be continued.

An officer of a dystopian world fighting against a rebel

Dai from universe j and universe n have met. Although unwilling, their differing ideals forced them to confront each other, and they were ready to face each other.

Eren wakes up in a familiar city, but something feels wrong.

The road he walks every day is still there.
His old apartment still stands.
But no one can see him.

He calls out to people.
No one responds.

He looks at himself in the mirror—his reflection is blurred, as if he never existed.

As night falls, Eren discovers something far worse:
Others like him—those who were forgotten—are emerging from the shadows.

And they are staring straight at him.

The story is about an 8-year-old young girl who finds herself on a mysterious island and she finds that there is not alot of food and her stomach starts growling and she knew she was starting to get hungry as she knew her stomach wouldnt stop after it did its first stomach growl. So she found this tree which grows these special fruits which after she eats one of the fruits to fill her still empty tummy she finds that she was transforming into a monster of some kind as she was growing bigger and her hair was growing longer and rapidly covering her eyes plus she could feel her stomach become more toned as the transformation continued until it stopped and she noticed her new looks and body while looking in the lake near the tree that she got the fruits from. The girl now bigger would use her new body to build herself a temporary shelter within a cave where she would stay as the effects would wear off and she would slowly become younger and would eventually return to her 8-year old self with her toned stomach and longer hair being a reminder of her previous transformation.

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