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Un gato negro filósofo llamado sombra piensa en el génesi biblico y su creación, se pregunta respecto a que las cosas se crean cuando las nombra. Poteriormente se pregunta ¿Ya vendrá el mushe JuanJo a darme de comer?, ya tengo hambre.

Un gato negro filósofo llamado sombra piensa en el génesi biblico y su creación, se pregunta respecto a que las cosas se crean cuando las nombra. Poteriormente se pregunta ¿Ya vendrá el mushe JuanJo a darme de comer?, ya tengo hambre.

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Un gato negro filósofo llamado sombra piensa en el génesi biblico y su creación, se pregunta respecto a que las cosas se crean cuando las nombra. Poteriormente se pregunta ¿Ya vendrá el mushe JuanJo a darme de comer?, ya tengo hambre.

Première scène d’une histoire isekai en style webtoon japonais / manga.

Une classe de lycée entière (environ 70 élèves) est soudainement téléportée dans un autre monde.

Les élèves portent des uniformes scolaires couleur café, certains sont choqués, d’autres effrayés, certains tombent au sol, d’autres se regardent sans comprendre.

L’environnement est étrange et fantastique : ciel irréel avec des couleurs inhabituelles, lumière mystique, sol inconnu, légère brume magique autour du groupe.

L’atmosphère est tendue et dramatique, sentiment de confusion, de peur et d’incompréhension.

Au centre de l’image, un petit groupe d’élèves se démarque légèrement, comme des futurs personnages importants.

Style artistique : Korean webtoon + Japanese anime, haute qualité, traits nets, ombrages doux, expressions faciales très détaillées.

Éclairage cinématographique, lumière surnaturelle venant du ciel, tons dramatiques.

Composition dynamique, vue semi-large pour montrer le groupe et le nouveau monde.

Ambiance : début d’une aventure sombre, mystérieuse et dangereuse.

Fat Lord Michael Fortinbras leading his troops across the boarder, comes across a mountain village, and claims two attractive commoner tribeswoman as his mistress, laying deep mouth to mouth kisses on both woman.

Комикс в жанре супергероики. Три супергероя — “Тип без b”, “Тип без c” и “Тип без b и c”. Каждый спасает мир своим методом решения. Герой без b умеет делить на x, герой без c умеет извлекать корень, третий герой решает мгновенно. Вставь динамичные кадры, где они показывают свои формулы как суперсилы. Цветовая гамма – зеленая, красно-синяя

Fat Lord Michael Fortinbras writing down in order every woman he has claimed, however is meet with uneasy from his Wife, the priest concubine, and his mistress woodcutter woman as they 3 explain they are pregnant now all of them after starting morning after sickness. Fat Lord Michael Fortinbras pats each woman belly in evil victory.

Fat Nobleman Michael Fortinbras buys the debt of House Veroman. Thus marriage occurs between their oldest daughter Amy and Michael, against Amy's will in exchange for the debt to be cancelled. Lord Michael kisses the bride.

Комикс в жанре супергероики. Три супергероя — “ax^2+c=0”, “ax^2+bx=0” и “ax^2=0”. Каждый спасает мир своим методом решения. Герой без c умеет делить на x: на кадре x(ax+b)=0, герой без b умеет извлекать корень: на кадре ax^2=-c, третий герой решает мгновенно: на кадре x=0. Вставь динамичные кадры, где они показывают свои формулы как суперсилы. Цветовая гамма – зеленая, красно-синяя

Fat Lord Michael Fortinbras successfully conquers a major city in enemy nation. At bar 3 female willing making out with the fat lord. The female adventure, female bard, female knight each wanting something different from the lord in exchange for sleeping with him.

Panel 1:
Gamer at computer dies
Panel 2:
Baby held by queen in castle
Panel 3:
Young prince with magic book
Panel 4:
Prince summoning fire magic
Panel 5:
Prince fighting dragon
Panel 6:
Prince becomes demon king

Fat Lord Michael Fortinbras, is brought 3 noblewoman widows whose husbands died in battle vs Lord Fortinbras in take over of the city. Thus Fat Lord Fortinbras kisses each of them claiming them as his new secondary wives. Each woman with look of horror after each kiss and realization of marriage to the fat lord.

Panel 1:
Gamer at computer dies
Panel 2:
Baby held by queen in castle
Panel 3:
Young prince with magic book
Panel 4:
Prince summoning fire magic
Panel 5:
Prince fighting dragon
Panel 6:
Prince becomes demon king

Комикс в жанре детектива. Главный герой — Следователь Дискриминант (символ D), который расследует дело о количестве корней уравнения. Каждое уравнение — подозреваемый. Вставь сцену: на стене висит таблица дел — “D>0 — два корня”, “D=0 — один корень”, “D<0 — корней нет”. Пусть Дискриминант ищет улики: b² - 4ac. Добавь юмор: переменная b прячется за шкафом/ Цветовая гамма – зеленая, красно-синяя, желтая

Ten thousand years after the Great Heaven War, the Dao has changed—and so has the world.
Sects rule nations, flying swords fill regulated skies, and Heavenly Trials descend the moment a cultivator understands too much. In this late-stage cultivation era, power is institutionalized, ambition is monitored, and even righteousness is a political stance rather than a cosmic truth.
Born into an ancient sword clan that chose adaptation over isolation, a young cultivator enters a second-tier righteous sect where talent is refined and the greatest disciples are sent upward to a Tier One power. But in a world where the Dao is endless and Heaven corrects imbalance without mercy, insight is more dangerous than strength.
The path to immortality is uncertain.
The Dao does not care about good or evil.
And Heaven is always watching.

superhero story

Ten thousand years after the Great Heaven War, the Dao has changed—and so has the world.
Sects rule nations, flying swords fill regulated skies, and Heavenly Trials descend the moment a cultivator understands too much. In this late-stage cultivation era, power is institutionalized, ambition is monitored, and even righteousness is a political stance rather than a cosmic truth.
Born into an ancient sword clan that chose adaptation over isolation, a young cultivator enters a second-tier righteous sect where talent is refined and the greatest disciples are sent upward to a Tier One power. But in a world where the Dao is endless and Heaven corrects imbalance without mercy, insight is more dangerous than strength.
The path to immortality is uncertain.
The Dao does not care about good or evil.
And Heaven is always watching.

Ten thousand years after the Great Heaven War, the Dao has changed—and so has the world.
Sects rule nations, flying swords fill regulated skies, and Heavenly Trials descend the moment a cultivator understands too much. In this late-stage cultivation era, power is institutionalized, ambition is monitored, and even righteousness is a political stance rather than a cosmic truth.
Born into an ancient sword clan that chose adaptation over isolation, a young cultivator enters a second-tier righteous sect where talent is refined and the greatest disciples are sent upward to a Tier One power. But in a world where the Dao is endless and Heaven corrects imbalance without mercy, insight is more dangerous than strength.
The path to immortality is uncertain.
The Dao does not care about good or evil.
And Heaven is always watching.

Ten thousand years after the Great Heaven War, the Dao has changed—and so has the world.
Sects rule nations, flying swords fill regulated skies, and Heavenly Trials descend the moment a cultivator understands too much. In this late-stage cultivation era, power is institutionalized, ambition is monitored, and even righteousness is a political stance rather than a cosmic truth.
Born into an ancient sword clan that chose adaptation over isolation, a young cultivator enters a second-tier righteous sect where talent is refined and the greatest disciples are sent upward to a Tier One power. But in a world where the Dao is endless and Heaven corrects imbalance without mercy, insight is more dangerous than strength.
The path to immortality is uncertain.
The Dao does not care about good or evil.
And Heaven is always watching.

Ten thousand years after the Great Heaven War, the Dao has changed—and so has the world.
Sects rule nations, flying swords fill regulated skies, and Heavenly Trials descend the moment a cultivator understands too much. In this late-stage cultivation era, power is institutionalized, ambition is monitored, and even righteousness is a political stance rather than a cosmic truth.
Born into an ancient sword clan that chose adaptation over isolation, a young cultivator enters a second-tier righteous sect where talent is refined and the greatest disciples are sent upward to a Tier One power. But in a world where the Dao is endless and Heaven corrects imbalance without mercy, insight is more dangerous than strength.
The path to immortality is uncertain.
The Dao does not care about good or evil.
And Heaven is always watching.

Ten thousand years after the Great Heaven War, the Dao has changed—and so has the world.
Sects rule nations, flying swords fill regulated skies, and Heavenly Trials descend the moment a cultivator understands too much. In this late-stage cultivation era, power is institutionalized, ambition is monitored, and even righteousness is a political stance rather than a cosmic truth.
Born into an ancient sword clan that chose adaptation over isolation, a young cultivator enters a second-tier righteous sect where talent is refined and the greatest disciples are sent upward to a Tier One power. But in a world where the Dao is endless and Heaven corrects imbalance without mercy, insight is more dangerous than strength.
The path to immortality is uncertain.
The Dao does not care about good or evil.
And Heaven is always watching.

Hair Raiser: Project Hope — Case 18-1-2-9-5-19 is a science-horror novel about a secret underground research facility where scientists attempt to cure disease and repair damaged bodies using an experimental virus called HRV-13. At first the results appear miraculous—paralysis reverses, cancer disappears, and broken nervous systems regenerate. But the virus begins to behave unpredictably, amplifying the body’s natural processes instead of simply healing them. As the experiments escalate from animals to humans, the line between recovery and mutation begins to blur.

The story unfolds through the perspective of a lone survivor exploring the abandoned facility and reading the journal of the lead scientist, slowly uncovering how a project meant to bring hope turned into a catastrophic biological experiment.

Panel 1

Wide shot: A vast noble bedchamber under low candlelight. Lord Michael Fortinbras, his wife, the priestess concubine, and the woodcutter girl all lie beneath the same tangled sheets in the great bed. Their state of undress and the disordered bedding make the situation clear without lingering on it. Fortinbras is already asleep, snoring heavily.

SFX:
GRRRHHH… KHHH…

Caption:
The lord slept soundly, as though nothing in the chamber could trouble him.

Panel 2

Closer shot: The woodcutter girl lies awake near the edge of the bed, clutching the blanket close to herself. Her face is tense and exhausted. In the background, the wife lies silent with eyes closed, unmoving, while the priestess concubine stares upward in weary thought.

Woodcutter (small text):
“…Are you awake?”

Panel 3

Priestess close-up: She turns her head slightly toward the woodcutter.

Priestess:
“Yes.”

Panel 4

Two-shot: The woodcutter keeps her voice low so as not to wake either Lord Fortinbras or the wife.

Woodcutter:
“Do you still believe?”

Priestess:
“…In what?”

Panel 5

Woodcutter close-up: Her expression is bitter, wounded, and searching.

Woodcutter:
“In God.”
“In justice.”
“In anything beyond men like him.”

Panel 6

Medium shot: Fortinbras’s huge sleeping form dominates the background; the women are smaller beneath the sheets in the foreground.

Woodcutter:
“We are made to share his bed whenever he desires.”
“He sleeps in comfort.”
“And we lie here as though our will means nothing.”
“So tell me…”
“What kind of God watches that and stays silent?”

Panel 7

Priestess close-up: Shadow crosses her face.

Priestess:
“There was a time I would have answered easily.”
“I would have spoken of trials, of divine order, of justice beyond this world.”

Panel 8

Half-panel: The priestess looks toward the dark canopy above.

Priestess:
“But such words sound different here.”
“They are lighter in a temple…”
“…than in a lord’s bed.”

Panel 9

Woodcutter close-up: Her jaw tightens.

Woodcutter:
“Then God is weak.”

Panel 10

Priestess turns to face her fully.

Priestess:
“Or distant.”
“Or silent.”
“Or perhaps men commit cruelty and call it their right, because no one dares deny them.”

Panel 11

Three-woman composition: The wife is now visibly awake, listening in silence, though she says nothing. The priestess and woodcutter remain the focus.

Woodcutter:
“Then we are powerless.”
“Even with God.”

Priestess:
“For now.”
“Faith does not unmake cruel men.”
“It does not break a lord’s power in a single night.”
“The powerless endure by learning where power lives… and waiting for it to crack.”

Panel 12

Final wide panel: All four remain in the same bed beneath the heavy blankets—Fortinbras asleep and oblivious, the wife silent and unreadable, the priestess grim, the woodcutter staring into darkness.

SFX:
GRRRHHH…

Priestess:
“Do not mistake silence for approval.”
“The heavens may be silent…”
“…but silence is not surrender.”

Caption:
And so the night endured beneath one man’s shadow, while three women measured the cost of living under it.

Panel 1

Wide shot: A private chamber in the Fortinbras estate. Candlelight. Heavy curtains. The three women sit together—the Wife seated formally, the Priestess Concubine calm but guarded, the Woodcutter Girl nervous and out of place.

Caption:
Within House Fortinbras, even quiet conversations carried the weight of power.

Wife:
“Sit. We will speak plainly.”

Panel 2

Closer shot: The wife folds her hands in her lap, composed and stern.

Wife:
“You both belong to this household now.”
“So tell me… when my lord calls for you, how often does he summon you?”

Panel 3

Priestess concubine close-up: She averts her eyes slightly, but answers with controlled dignity.

Priestess Concubine:
“Often enough that I understand my place.”
“To him, companionship is not tenderness.”
“It is appetite, authority… and legacy.”

Panel 4

Woodcutter close-up: She looks uneasy, fingers tightened in her dress.

Woodcutter:
“I stopped counting.”
“When he wants someone, he sends for her.”
“That is all there is to it.”

Panel 5

The wife watches both women carefully. Her face is unreadable.

Wife:
“Then you understand the next matter.”
“If either of you becomes pregnant, what were you told to expect?”

Panel 6

Priestess concubine speaking: Calm, bitter wisdom in her expression.

Priestess Concubine:
“That the child will belong to House Fortinbras before it belongs to me.”
“That nurses, tutors, and household servants will raise it in the lord’s name.”
“That blood matters more than a mother’s wishes.”

Panel 7

Woodcutter speaking, tense: She looks smaller in the room, overwhelmed by the reality of it.

Woodcutter:
“I was told I would be watched day and night.”
“Fed well. Guarded. Kept safe.”
“But not for my sake.”
“For the child.”

Panel 8

The wife leans slightly forward. Her tone is firm, instructional.

Wife:
“That is the truth.”
“In this house, any child of Lord Fortinbras is part of the house’s future.”
“They are raised for rank, obedience, and usefulness.”

Panel 9

Half-panel focus on the wife, dark background behind her for emphasis.

Wife:
“They will learn the name Fortinbras before they learn their own desires.”
“They will be taught duty, inheritance, and power.”
“Some will strengthen alliances. Some will serve the estate. All will carry his shadow.”

Panel 10

Priestess concubine looks at the wife directly for the first time.

Priestess Concubine:
“And the mothers?”
“What becomes of us after the child is born?”

Panel 11

The wife answers. Her expression softens only slightly, but remains severe.

Wife:
“That depends.”
“A wise woman may gain security, comfort, even influence.”
“A foolish one will remain only what she was when she entered this house.”
“Useful… but never truly free.”

Panel 12

Final dramatic panel: The three women in silence. The wife sits upright at center, the priestess thoughtful, the woodcutter shaken. Candlelight flickers.

Woodcutter (small text):
“So the child is born into power… and we are not?”

Wife:
“The child is claimed by power from its first breath.”
“That is the way of House Fortinbras.”

Caption:
And in that chamber, each woman understood that motherhood in a great house was not mercy… but submission to legacy.

Le Collège des Gaffeurs

Introduction

L’histoire se passe dans un collège assez calme. Les élèves vont en classe tous les jours et la vie est normale. Lucas Martin est un garçon de 14 ans qui arrive comme nouvel élève. Il est gentil, drôle et il veut toujours aider les autres. Mais il est aussi très maladroit. Avant lui, la classe était tranquille et un peu sérieuse. Lucas veut avoir des amis et être bien dans le collège.

Développement

Le premier problème arrive pendant un cours de sciences. Lucas met trop de produit dans une expérience et la salle se remplit de mousse. Les élèves rient beaucoup. Après, pendant le sport, il mélange les équipes et personne ne comprend les règles. Le directeur commence à entendre parler de Lucas. Lucas se sent un peu triste parce qu’il pense qu’il fait toujours des erreurs. Il veut être un élève normal mais il n’y arrive pas vraiment.

Rebondissements

Un jour, les élèves décident de lui donner un diplôme de “Super Gaffeur”. Lucas pense que c’est pour se moquer de lui, mais en réalité les élèves sont gentils. Ils trouvent que grâce à lui, la classe est plus amusante. Lucas comprend que ses erreurs ne sont pas toujours négatif.

Dénouement

À la fin, Lucas accepte qu’il est un peu maladroit. Il promet de faire attention, mais il reste lui-même. La classe devient plus unie et plus heureuse grâce à lui.

Description des personnages :

Le héros – Lucas Martin

Description physique :

Lucas est un garçon de 14 ans, de taille moyenne, avec des cheveux bruns un peu ébouriffés.

Il porte des lunettes rondes et un sac à dos trop grand pour lui.

Description morale :

Il est gentil, serviable et imaginatif, mais très maladroit. Il veut toujours faire le bien, mais

crée souvent des situations comiques sans le vouloir.

L’héroïne – Emma Dubois

Description physique :

Emma est une fille sportive, avec des cheveux blonds attachés en queue de cheval et un grand

sourire.

Description morale :

Elle est intelligente, organisée et patiente. Elle aide Lucas à gérer ses gaffes et essaie de

garder la classe calme quand tout devient chaotique.

L’anti-héros – Maxime Leroy

Description physique :

Maxime est grand, bien coiffé, avec des cheveux noirs et des vêtements toujours très soignés.

Description morale :

Il aime attirer l’attention et se montre parfois arrogant, mais il n’est pas méchant. Dans les

moments importants, il finit par soutenir le groupe.

Les personnages secondaires – Sofia, Jules et le professeur Durant

Sofia est petite, très vive et curieuse ; elle pose beaucoup de questions. Jules est plus grand,

calme et discret, mais ses remarques sont souvent très drôles. Le professeur Durant, avec ses

cheveux gris et sa blouse de laboratoire, est passionné de sciences mais un peu distrait : ses

expériences tournent souvent en scènes comiques, ce qui participe à l’ambiance amusante de

la classe.

Panel 1

Wide shot: A dark noble bedchamber lit only by a dying hearth. The massive shape of Lord Michael Fortinbras lies asleep in the background, half-buried in blankets, his loud snoring filling the room. In the foreground, the Woodcutter Girl and the Priestess Concubine lie awake, staring into the darkness.

SFX:
GRRRHHH… KHHH…

Caption:
The lord slept soundly.

Panel 2

Closer shot: The woodcutter lies stiffly on her side, eyes open, face tired and hollow.

Woodcutter (small text):
“…Are you awake?”

Panel 3

Priestess close-up: She turns her head slightly on the pillow, eyes half-lidded, calm but worn.

Priestess:
“Yes.”

Panel 4

Two-shot: The woodcutter hesitates, clutching the blanket near her chest. The priestess watches her quietly.

Woodcutter:
“Do you still believe?”

Priestess:
“…In what?”

Panel 5

Woodcutter close-up: Pain and anger mix on her face.

Woodcutter:
“In God.”
“In justice.”
“In anything beyond this room.”

Panel 6

Woodcutter continues, eyes wet but hard: The shadow of Fortinbras looms blurry in the background.

Woodcutter:
“We are brought here whenever he desires.”
“He sleeps like a king.”
“And we lie here like we are nothing.”
“So tell me…”
“What kind of God sees that and says nothing?”

Panel 7

Priestess close-up: Her face turns solemn, almost haunted.

Priestess:
“There was a time…”
“I would have answered you easily.”
“I would have said suffering has purpose.”
“That heaven sees all.”
“That justice waits beyond mortal reach.”

Panel 8

Half-panel: The priestess looks toward the dark ceiling. Candlelight catches her tired eyes.

Priestess:
“But words like that are easier to speak in a temple…”
“…than in a lord’s bedchamber.”

Panel 9

Woodcutter sits up slightly, expression sharpening with bitterness.

Woodcutter:
“Then God is weak.”

Panel 10

Priestess turns to look directly at her.

Priestess:
“Or distant.”
“Or silent.”
“Or perhaps men simply commit evil…”
“…and call it fate so they need not fear judgment.”

Panel 11

Two-shot: The woodcutter looks shaken, but intent. The priestess remains composed.

Woodcutter:
“Then we are powerless.”
“Even with God.”

Priestess:
“For now.”
“Faith does not break locks.”
“It does not stop cruel men.”
“The powerless endure by learning where power lives… and waiting for the moment it shifts.”

Panel 12

Final wide panel: Fortinbras remains asleep in the background, snoring like some vast beast. In the foreground, the priestess stares into the dark with grim resolve, while the woodcutter lies beside her, silent and thinking.

SFX:
GRRRHHH…

Priestess:
“Do not mistake silence for approval.”
“The heavens may be silent…”
“…but silence is not surrender.”

Caption:
And so the night passed beneath the weight of one man’s power… and the fragile refusal of two women to let despair become truth.

Panel 1 (Full-width splash, establishing shot)
Wide exterior view of Blackspire Keep at night, snow falling gently. A lone rider (Lady Seraphine in dark cloak) approaches the gates on horseback.
Caption (top): "Midnight. The eve of his nameday."
SFX: clip-clop… clip-clop…
Panel 2 (Medium shot)
Seraphine dismounts in the courtyard. Servants scatter in fear at her expression—eyes narrowed, lips pressed thin.
Close-up inset on her face: subtle disgust already flickering.
Thought bubble (small): …I only wished to surprise him.
Panel 3 (Tall vertical panel)
Seraphine strides down a torch-lit corridor, riding crop dangling loosely. Her boots echo.
Background: shadows stretch long.
SFX: thud… thud… thud…
Panel 4 (Wide panel, door POV)
The heavy solar door creaks open. Warm candlelight pours out.
Foreground: Seraphine's silhouette in the doorway, cloak billowing slightly.
Inside: chaotic bed scene just visible—bare limbs, tangled sheets, laughter frozen mid-breath.
Panel 5 (Large panel, reveal)
Full interior shot of the decadent bedroom: massive four-poster bed, candles guttering, furs and silks strewn everywhere.
Center: Fat Lord Fortinbras sprawled naked, belly shining with sweat, surrounded by four equally naked noblewomen (two mother-daughter pairs: Mirene & Celine Varnholt; Elira & Lyssia Drayce).
They freeze, eyes wide in horror.
Under the bed: two more half-hidden girls in shifts, peeking out in terror.
SFX: gasp!
Panel 6 (Close-up on Seraphine)
Tight on her face—eyes half-lidded, upper lip curled in revulsion. No shout. Just quiet, visceral disgust.
A single bead of sweat rolls down her temple (not from anger—from sheer distaste).
Thought bubble: …This… is what my husband chooses.
Panel 7 (Medium group shot)
The women scramble in panic: sheets tear, bare feet slap stone, arms cover themselves. Mirene clutches fabric; Celine bolts; Elira drags her daughter.
The two under-bed girls crawl out, red-faced, fleeing past Seraphine like rats.
Background: Fortinbras wheezes, trying to sit up, belly jiggling pathetically.
Panel 8 (Over-the-shoulder from Seraphine)
She stands motionless. View past her shoulder: the fleeing women disappear down the hall.
Fortinbras in foreground, small and ridiculous on the ruined bed, mouth open in excuse.
His speech bubble (stammering): "S-Seraphine… my love… this is—"
Panel 9 (Extreme close-up on Seraphine)
Her eyes only—cold, contemptuous pupils reflecting candle flames.
No dialogue. Just a slow, deliberate blink of disgust.
SFX: soft …
Panel 10 (Medium shot)
Seraphine steps forward one pace. She reaches out slowly and plucks a long auburn hair (Mirene's) from his damp chest.
Holds it up between thumb and forefinger like something diseased.
Her expression: lip curled further, nostrils slightly flared.
Panel 11 (Tight two-shot)
Close on Fortinbras's face—sweat pouring, small eyes darting, pleading.
Inset panel (small): Seraphine's mouth, corners turned down in pure revulsion.
Her dialogue (quiet, flat):
"You are… disgusting."
Panel 12 (Full-page splash, final blow)
Seraphine turns her back and walks out, cloak swirling.
The door begins to close behind her.
Foreground: Fortinbras alone on the wrecked bed, naked, small, surrounded by cooling candles and the stench of his own excess.
His face: crumpled in shame.
Background fades to black around the edges.
Caption (bottom, small text): She feels no fury. Only nausea.
SFX: click (door shutting)
(End scene.)

Page Layout: 6 panels

Context/Sub Info for AI:

The Agents are not fully powered yet; fear, confusion, awe dominate.
Only Obasi appears fully powerful.
Kamiye is the first to arrive; others (Joshua/Agent Xata, Nimi/Ayakoji, Agent Black, Jamui, Ocean, Aiden, Michael) appear later.
System messages guide them; The Ark is the hub.
Powers are present but subtle — no full auras yet.
Perspective emphasizes hierarchy: Obasi is towering/calm, others small/uncertain.
Environment: Roblox-inspired fantasy, colored manwha vibes, cinematic angles.
Mood: suspense, tension, mystery.

Panel 1:

Scene: Kamiye in his dimly lit room, sitting at desk, computer glowing.
Expression: curious, slightly excited.
Text: "Another game… but this one feels different."
Color/Style: warm room lights, soft shadows, glowing blue from screen, colored manwha style.

Panel 2:

Scene: Kamiye being transported; room fragments breaking apart, light swirling around him.
Expression: surprise, confusion, fear.
Text: "What… is happening?!"
Color/Style: bright white and cyan light, fragments floating, colored manwha style.

Panel 3:

Scene: Kamiye lands on a huge empty platform called The Ark, with floating gates, twilight sky.
Expression: awe + fear.
Text: "...Where am I?"
Color/Style: soft mist, muted environment colors, focus on Kamiye, cinematic perspective.

Panel 4:

Scene: Obasi appears far ahead, calm, powerful; light hitting him from behind.
Expression: confident, mysterious.
Text: "Welcome… to the Roblox Trials."
Color/Style: contrast bright vs shadow, only Obasi looks fully powerful.

Panel 5:

Scene: Floating holographic system screen above Kamiye.
Expression: frozen in fear/confusion.
Text: "Player identified: Kamiye. You are eligible for the Agent Trials. Stand by for further instructions."
Color/Style: holographic blue glow, semi-transparent text overlay.

Panel 6:

Scene: Obasi steps closer; Kamiye instinctively backs up.
Expression: Kamiye – fear + anxiety; Obasi – calm, observing.
Text: "Only the worthy will inherit the power of the Nexus. Watch carefully… and prepare yourself."
Color/Style: twilight tones, soft contrast, perspective emphasizes Kamiye shrinking.

Extra Notes for AI:

Focus on subtle power hints for Kamiye and system messages.
Only Obasi shows clear dominance/presence.
Perspective: low-angle shots for Obasi, medium shots for Kamiye, cinematic framing.
Expressions: fear, awe, confusion, curiosity.
Environment: floating gates, misty twilight, Roblox fantasy aesthetic, colored manwha style.

Before you start reading—this is, quite literally, a manga about a man trying to save a dessert that has turned into his "bride." (As in a baumkuchen waifu, Taiyaki waifu, Dango waifu, Mochi waifu, and a guy named Keni) this manga is called "5 desserts" for a guy who just wanted dessert but something went wrong. But the desserts needed help (To become real humans and not dessert human's) so Keni helps.

Manga de 2 paneles que muestra una conexión mística a través de un espejo entre dos mundos. Panel 1: Ryo, un joven reencarnado con aspecto de héroe de fantasía, mira con asombro un espejo antiguo en un entorno medieval; un bocadillo de texto dice: '¿Kenji?'. Panel 2: En la Tierra moderna, Kenji mira su reflejo en el espejo de su habitación con lágrimas en los ojos, viendo la silueta de su hermano del otro lado; un bocadillo de texto dice: '¿Rinto?'. Estilo Shounen, atmósfera melancólica y cinematográfica

Chapter 1 : Stone

It wasn’t such a blissful day, like it seemed. The sun gazed through the lightly scattered clouds, the sort of rays that make you squint at the worst possible moments. Hot days like this are rare in England; yet I don’t value them the same way as everyone else. Everyone is sweaty, stinky, and they forget what a shower is. While I was thinking those exact thoughts, I caught a glimpse of a pale green light. It soon became more than a glimpse—a scenic view, one to die for.

A moment later I was in a dark room, or maybe a dark warehouse. No, it was certainly a bottomless ocean which trapped me. Me? I was free to do anything. Where was my body? I would repeat three times over millions of seconds. I lost count at 533,600,527 seconds. I never got bored, however; it all felt like an instant freeze-frame on a TV show. I knew that I counted for months, maybe years, so how did I never feel the need to sleep, not even an urge to yawn?

Then it hit me: a single drop of a dark yellow liquid. Suddenly, the sun I once hated met my thankful gaze.

How long had it been?

How long was I turned to stone?

Chapter 2 : Unravel

From the first moment i realised what was going on , i started thinking the same thing over and over , im done for. How on earth would a highschool boy like me , survive all alone in a primitive world?

A 20-year old man working in a dead end convinience store died when the building collapsed and is transmigrated to a magical fantasy world by the world's goddess. He is given a magical store to run like a convenience store and is given skills to manage it.

Когда я открыла глаза увидела что я все еще жив. На самом деле я попала в аварию и вот очнулась в незнакомой месте. Я всегда задавала себе вопросом что будет после смерти где и куда мы идем. А сейчас я находясь в незнакомом месте я полном порядке странно вроде после смерти наши воспоминания не исчезает? Но где же я куда я переместилась или это рай? Осмотрюсь на улице чувствую я на каком то странном месте или я переместилась в прошлое. Странно это какой год? Я немножко походила и нашла людей мне надо что то спросить
-Извините? Не знаете где я нахожусь? И какой сейчас год?
-Дамочка сейчас время правления клана Хань и это столица клана Гусу Лань.
-Хорошо спасибо большое
Подождите я что сплю нет я же умерла или после смерти такое должно произойти? Я четко помню слово Гусу Лань, это моё любимое произведение. Я реально нахожусь здесь значить это должно быть страна Китай. Я должна быть рад потому что это мой любимый манге но какой сейчас сюжет и кто я вообще? Вдруг из за этих все переживаний я потеряла сознаний.

The scene begins with a boy named Krop leaving a job application place, slightly sad because he was rejected for a job again. He returns to his apartment and begins thinking about his career future. He opens the fridge but finds nothing to eat. He goes to a store to buy some food, and on his way back, he hears a girl screaming in a dark alley. He quickly enters to see and starts hearing a girl crying, and when he gets close to her, her facial features change and she tells him, "You fool," releasing a strange energy on his stomach that throws him backward. When he gets up and looks at her, he finds her flickering like a TV screen.
He says, "Who are you, for heaven’s sake?"
She says, "You shouldn’t see me like this, but who cares? I can simply delete myself from your memory, and in this way, we will defeat you."
The hero thinks to himself, "Wait, delete myself? Memory? Delete memory??
Do you want to erase my memory of the time I saw you, but I must remember what I’ve seen now? This is dangerous.
And why is she flickering like a TV? Is she not real?"
He looks at the pen in his pocket and says, "I found it," pulls it out quickly, looks at her flickering body, and starts writing on his hand. He writes: "Strange flickering."
She notices and says, "What!" and makes a hand snap that makes him lose consciousness for a moment and lower his head.
The girl says, "I understand, he wants to write notes about me on his hand," and suddenly hears someone approaching, so she says, "Who cares? It won’t help him," and leaves, dropping an accessory with a strange symbol.
Krop regains consciousness on the ground. A man comes to help him and asks, "What happened?" He replies, "I don’t know." Then he says, "Why am I here, and why do I feel pain?" He stands up and reads what is written on his hand.
He is surprised and says, "This is my handwriting, but when and why?" He starts trying to understand and finds that symbol on the ground, then says, "It seems something happened here."
Krop returns to his apartment.
He starts eating his dinner while thinking, "What does ‘strange flickering’ mean? Does that mean I saw something strange, and why can’t I remember it?"
He holds that symbol and says, "And what is this also?"
"Ah, this seems strange." He gets up, goes to make his coffee, and watches TV. When he turns it on, there’s flickering on the screen. He says, "Ah, again, this flickering… Flickering!!"
By the way, if I was the one who wrote it, the closest word to ‘flickering’ I remember is ‘TV flicker.’ He starts staring at the flickering, then turns off the TV and goes to sleep.
The next day, he wakes up to a ringing phone. He answers: "Krop here." He says, "Yes."
The caller says, "We reviewed your file that you submitted for the job here last week." He says, "Wait, who are you?"
The caller replies, "I am the manager of Cardo Cafe, and you have been accepted. You need to be here before 8 AM to start work."
Krop responds happily, "Finally, thank you so much! I’m coming right away." He gets up quickly, puts on his clothes, grabs a piece of bread, and rushes to the cafe. He enters and finds the waiter asking, "What do you want?" He replies, "I’m here to work."
The waiter says, "Oh, you’re the new recruit? The manager told me about you. My name is Sarodem, call me Saro, and my colleague here is Mira. The manager is Grim. I hope you enjoy your time with us."
Then the manager comes and says to Krop, "Come here, I’ll give you your work uniform, and you’ll start cleaning now."
Krop removes his clothes, puts on the work uniform, and gives his clothes to Saro to hide.
Krop starts working with them, cleaning tables and floors. Saro brings drinks and coffee, and Mira is the waitress taking orders and serving them. After a long day of work, their shift ends. Krop tells Saro to give him back his clothes.
Saro goes to the storage room, picks up Krop’s clothes, and as soon as he carries them, that symbol falls. Saro examines it for a moment and says, "What is this thing? It’s strange," then returns it and gives the clothes back to Krop.
Krop changes back into his clothes and returns to his apartment, only to find the door open, even though he made sure to lock it with the key he keeps under the carpet outside.
He thinks he forgot to lock it. When he enters, he finds the place messy, as if someone entered. He starts searching around the apartment for anything missing and finds that nothing was stolen.
He begins thinking about why a thief would come to him, even though his apartment isn’t luxurious

seorang pemuda yang menyukai sejarah kembali ke masa lalu dan menemukan varian multiversenya yang berada di jaman abad pertengahan dengan nasionalitas berbeda dan menemukan jika ingin kembali diharuskan menemukan artefak legendaris dari 3 kembarannya

the sister changes his borhter into a girl using a magic wand

Moments later she appeared in the forest.

Before the tree.

Before the woodcutter.

“Greetings, woodcutter,” she said casually.

The man turned and smiled.

“Greetings, traveler.”

He raised his axe slightly in greeting.

“Would you like to accept a quest?”

Virella tilted her head.

“Tell me something first.”

The woodcutter blinked.

“Yes?”

“Where is the wood you’ve gathered?”

He hesitated.

“Well… the wood I gathered is…”

His voice faltered.

Virella stepped closer.

“Where is your house?”

“I… live with my mother and sister…”

“And what are their names?”

Silence.

The woodcutter’s breathing quickened.

Virella’s eyes gleamed with faint magic.

“When was the last time you brought wood home?”

“The last time I—”

His voice broke.

“How long have you been cutting this tree?”

“I have been cutting this tree for…”

He froze.

In color.

Encounter between the three characters:
BBB is the demon of Gluttony
Devilun is the demon of sloth
Kupyadel is the angel of love

The World's Finest
Aristocrat was
Reincarnated as an
Assassin

the sister changes his borhter into a girl using a magic wand

Я был предан товарищами в глубине подземелья, но благодаря своему навыку «Бесконечная гача» я обрёл союзников девять тысяч девятьсот девяносто девятого уровня, чтобы отомстить бывшим соратникам и всему миру

The story is about an 8-year-old young girl who finds herself on a mysterious island and she finds that there is not alot of food and her stomach starts growling and she knew she was starting to get hungry as she knew her stomach wouldnt stop after it did its first stomach growl. So she found this tree which grows these special fruits which after she eats one of the fruits to fill her still empty tummy she finds that she was transforming into a monster of some kind as she was growing bigger and her hair was growing longer and rapidly covering her eyes plus she could feel her stomach become more toned as the transformation continued until it stopped and she noticed her new looks and body while looking in the lake near the tree that she got the fruits from. The girl now bigger would use her new body to build herself a temporary shelter within a cave where she would stay as the effects would wear off and she would slowly become younger and would eventually return to her 8-year old self with her toned stomach and longer hair being a reminder of her previous transformation.

Персонаж с картинки ремонтуючи електронні компоненти відкриває портал у інший вимір. Це світ Аніме

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