Tag

Slice Of Life Manga

masterpiece manga illustration, japanese manga style, black and white manga tones, detailed screentones, expressive eyes, emotional storytelling, slice of life atmosphere, school comedy romance, clean manga lineart, dynamic panel composition Brianna, a stylish 15-year-old latina high school girl with long dark hair, confident but emotionally sensitive, Patita, a cheerful and energetic 12-year-old latina middle school girl with playful personality, daily school life, sibling friendship, emotional moments, comedy situations, classroom scenes, walking home together, friendship and romance themes, japanese school setting, highly expressive manga reactions, cinematic manga panels, soft emotional atmosphere professional manga page composition, authentic shoujo and slice of life manga aesthetic
20s male fall in love with 20s girl who is wearing red leather gloves
6 hours of sleep. 8 hours at the workplace. average mood was neutral. read a book. no social activities. skipped lunch. no workout.
As Toriel walked she felt Frisk inside her stomach. Moving about. Toriel tells frisk to settle down in there, she promises that this is for the best
A giant Toriel holding tiny Frisk in the palm of her hand, and smiling at how cute the little human is
seinen manga, black and white, soft grayscale, cinematic lighting ONE SINGLE PANEL ONLY NO fantasy elements NO action effects intimate indoor scene a woman slipping of her dress walking away from the pov
Constance is the head of the local HOA. In her hand she held a man who was a tenant. She tells them they are behind on HOA dues, then proceeds to put them in the pocket of her uniform, saying he will come out when the dues are paid
Helen, or here hero name Elastigirl, was at home, looking sternly down at her son Dash, who was tiny in her hand, saying he is grounded and that she is taking him to his room. Then proceeds to stretch out her mid section to form a kangaroo like pouch, putting Dash into it before beginning to walk through the house
I once come to my home and found out outside my house door homeless catgirl, who escaped her previous life. She has no place to go and outside is raining and she has cold and wet dirty clothes. I offer she can come in if she want, she can use shower and look if my ex-girlfriend clothes fit you. She accept and go to shower and try clean clothes on and she choose red satin blouse and red satin skirt and she come to kitchen to thank me and I offer her noodles with chiken her and she wanted it. Food was good. She like me and kiss me on cheek. I offer she stay if she want and I offer my spare room to her where is bed, desk and glass door to balcony and window and are curtains side of window. Lovely room, thank you she say. She ask uncertain: Can I live here? I say Yes. Thank you and she hug. TO BE CONTINUE...
I am Werty [male and black hair] and get to meet a wicked witch. I sit front of her and she ask me what I want? I say: I want to meet my dream woman, sooner the better. Wicked witch say: a dream woman? She smile. Well I can do that happen. Tell me more about that dream women of yours. I say: she has a blond long hair, shiny styled hair, she has a busty chest size and like to wear satin dresses, satin blouses and satin skirts and her favorite colour is purple and pink. She wear her outfit colour matching high heels. She always want to look good as she has a diamond necklace, diamond earings, red lipstick and red finger nails. She isn't very smart, but know how to please man. Wicked witch say: That kind of women you gonna be. I say: What? [I transform to a woman what I just explain want] [This scene is not NSFW]
"Hungry Cat" Panel 1: Cat stares at empty food bowl. Panel 2: Cat meows loudly at sleeping owner in bed. Panel 3: Owner fills the food bowl, looking sleepy and annoyed. Panel 4: Cat ignores the food and sleeps in the empty box the cat food came in.
ONE SINGLE PANEL Quiet elegant hotel bathroom at night. Warm amber light reflected softly in the mirror, faint city lights visible beyond the doorway to the bedroom. Sandrine stands calmly beside a seated man in a leather chair, preparing a traditional wet shave with quiet concentration. The man is shirtless. She wears an oversized white shirt loosely tied at the waist, sleeves rolled slightly upward, barefoot against the cool tile floor. The man sits relaxed beneath her attention, head tilted slightly back. A shaving brush and straight razor rest beside a bowl of shaving foam on the counter. Sandrine’s expression is focused, affectionate, quietly authoritative — fully absorbed in the intimate ritual of preparing him carefully. The atmosphere feels ceremonial, intimate, and emotionally charged and sexual. Subtle implication that she is grooming and preparing him intentionally for her own pleasure later. Soft reflections in the mirror, cinematic shadows, elegant manga realism. ONE speech bubble only: The woman says: “I want you perfectly smooth for me.”
Stage 1: The Core Idea Logline: (Describe the story in one single, gripping sentence.) Example: A cowardly boy discovers a magical paintbrush that brings anything he draws to life, but only if he learns to draw with confidence. Central Theme/Question: (What is the "heart" of the story or the question you are exploring?) Examples: Is talent born or made? What are you willing to sacrifice for your dreams? The definition of true justice. Stage 2: Character Conception The Protagonist (MC): Name: External Goal: (What do they want that everyone can see?) Internal Need: (What emotional growth must they undergo to be happy, though they don't know it yet?) Fatal Flaw: (The character defect that gets in their own way.) "The Ordinary Life": (Describe their life before the story begins.) The Antagonist/Rival: Name: External Goal: (Their goal must clash directly with the protagonist’s.) Philosophy: (Why are they right in their own eyes?) Connection: (Why this villain for this hero?) Stage 3: The World Building Setting: (Time period, location, rules, and aesthetic. Urban fantasy, sci-fi cyberpunk, historical feudal?) The Magic/Power System (if applicable): Rules: (What is possible?) Limitations & Cost: (What is impossible? What happens if you use too much power? Limitations make power systems interesting.) Stage 4: Structure (The Arc) The Inciting Incident: (The event that shatters the protagonist’s ordinary life and pulls them into the conflict.) The Journey (Rising Action): (The challenges, new allies, and rivals they meet. They fail and learn.) The Low Point: (The protagonist loses everything and must confront their internal need.) The Climax: (The final showdown where the protagonist uses their newfound strength to face the ultimate challenge.) The Resolution: (The new normalcy.) Four Example Manga Story Ideas Use these as inspiration, or build your own from the prompts within. Idea #1: Supernatural Mystery / Action (Shonen-Style) Logline: To save his sick sister, a cautious student contracts with the demon of forgotten names, gaining powers tied to the things he can remember to say. Genre: Action, Dark Fantasy, Supernatural. Central Theme: The value of memories and what defines an identity. Magic System: Contract Memory. Powers are strong only when the user remembers the specific name or incantation. Forget the name, and the power vanishes. Conflict: He must hunt other demons for artifacts that can cure his sister, but the more he hunts, the more people and history are erased from the world. Idea #2: Psychological / Thriller (Seinen-Style) Logline: An expert archivist finds a hidden section in the world's oldest library: the "Future Files"—detailed biographies of people that haven't been born yet. Genre: Psychological, Thriller, Science-Fiction. Central Theme: Determinism vs. Free Will. Can we change the future if we know it? Conflict: The protagonist starts subtly manipulating events to prevent disasters (like a benevolent "Death Note"), only to discover that the Future Files are actively adapting and predicting his interventions, escalating the stakes. Idea #3: Slice-of-Life / Drama (Josei/Seinen-Style) Logline: A burnt-out urban planner moves back to her quiet coastal hometown and discovers a unique "Café of Lost Recipes," where she helps people recreate meals that connected them to loved ones they've lost. Genre: Slice-of-Life, Comfort, Food/Cooking. Central Theme: Grief, reconnection, and finding joy in small moments. Conflict: Her internal battle against feeling like a "failure" for leaving the city. The conflict comes from the emotionally complex requests—like a daughter asking for the simple rice ball her abusive father once made her. Idea #4: High-Stakes Sport / Competitive (Shonen/Shojo-Style) Logline: A naturally talented but unmotivated pianist must partner with a classical prodigy who plays with flawless technicality but no emotion to win a national ensemble competition and keep his family’s music school from closing. Genre: Sports (Music), Drama, Competitive. Central Theme: Technical mastery vs. emotional expression; finding synergy with a rival. Conflict: The duo's conflicting philosophies clash at every practice. They must learn not just how to play "together," but how to breathe and feel as one musical entity to win.
Create an image; modern digital romantic-comedy manga for vertical mobile reading; serialized slice-of-life office manga aesthetic; crisp ultra-clean lineart with uniform thin strokes; polished digital illustration; flat pastel colors with soft cel shading; minimal gradients; subtle ambient lighting; rounded youthful facial construction; large expressive anime eyes; tiny simplified noses; small mouths; highly expressive eyebrows; exaggerated comedy expressions; sweat drops; blush; anger marks; shock symbols; stress lines; speed lines; radial burst backgrounds; soft emotional auras; clean white gutters; uncluttered office, home, café, school, and city interiors; simplified but recognizable furniture and architecture; bright neutral backgrounds; balanced negative space; refined digital coloring; consistent character proportions and facial features across every panel; natural body language; readable cinematic storytelling; 3–4 stacked vertical panels; smartphone web-comic layout; no text anywhere; speech bubbles remain completely empty; erase all lettering while preserving bubble shapes; Panel 1: [Camera]; [Character]; [expression]; [hairstyle]; [outfit]; [location]; [key prop]; establishing shot; warm atmosphere; subtle environmental details; Panel 2: [Camera]; [Character]; [action]; [reaction]; [secondary prop or environment]; dynamic composition; emotional effects; speed lines, sweat drops, blush, sparkle, anger mark, or dark aura when appropriate; Panel 3: [Camera]; [Character]; [dramatic reveal]; [emotion]; close facial emphasis; intense eye contact; radial burst or tension background; strong emotional focus; Panel 4 (optional): [Camera]; [Character]; [cliffhanger or quiet emotional beat]; lingering reaction; simplified background; cinematic framing; expressive posing; use camera codes only: FullBody;Eye, FullBody;Low, MedShot;Eye, MedShot;Low, UpperBody;Eye, UpperBody;Low, CloseUp;Eye, CloseUp;High, OverShoulder, POV; concise semicolon-separated descriptions; omit articles; merge adjectives (stormgray-eyes, lightgray-suit, blondelong-hair, navybusiness-suit); shorten actions (running, pointing, smiling, blushing, confronting, hesitating, collapsing); avoid repeating same character within same panel; maintain identical character design, hairstyle, clothing colors, facial proportions, and accessories throughout every panel; prioritize expressive acting, clean composition, and visual clarity over realism; smooth serialized manga production quality; optimized for YouTube storytelling thumbnails and vertical webtoon readability; modern Japanese romantic-comedy office manga aesthetic; clean mobile-first comic presentation; consistent lighting, perspective, and panel rhythm; polished commercial-quality digital manga finish.
to the called of the anime on eel and salmon. salmon at night eel: welcome coloring
to the called of the anime on eel and salmon. salmon at night eel: welcome coloring to my channel now everyone
A 16 year old girl named roses, has brown tall hair with thin black glasses and brown eyes, with a beanie that is black always on her head. Jade is 18 years old and the roses's brother, has brown hazel messy hair that has a bang taller than the other, blue calm dreamy eyes, has charming features, and a black beanie too. Fluffy is the youngest with the age of 12, loves rabbits, she has to pigtails, her hair is peach pink with bunny ears, pink eyes, with a rabbit plushie with her all the time. They also have friends, "clever apple" and "kita". Clever Apple is a boy with the age of 17, he has black faded to red messy hair, dark red eyes and blue headphones on his head. Kita is clever apple's sister, with the age of 11, obsessed with cats, has yellow tall hair, yellow eyes and cat ears she also has a cat plushie because she is a friend of fluffy. They all have amazing adventures, funny fights and cute moments together.
Un gato
The story starts off with a girl named Aniko Suemora sitting in her classroom and some girls walk up to her and ask if she wants to hang out with them and Aniko declines. Then it cuts to a boy (you can make the name for the other characters from here on out) Where he is talking to a bunch of his guy friends. Then they both Aniko and the boy leave their classrooms that are right next to each other and they bump into each other. (Aniko should have long silver hair and a cute face) They start talking and they become friends. Aniko spends time with the boy a lot and then the boy introduces a new friend that is a boy and you can make the name for him. They all spend time together and some seperatley and then they meet a final boy who you can make the name for. And they are all friends and do grouo activites. Then all 3 boys meet up (not aniko) just to talk and they end up realising all 3 boys have a crush on aniko. So when they hang out they each try to impress aniko and continue the story after that but I dont want aniko choosing a boy yet. Make there be embarrassing moments, cute moments, scary moments, and romanctic moments.
Lisandro sits beneath his favorite tree. He watches a spider repairing its web. His childhood memories return. Dialogue Friend: "You're daydreaming again." Lisandro: "Not daydreaming." Friend: "Then what?" Lisandro: "Remembering." Friend: "Remembering who?" Lisandro: "Someone important."
The boys continue speaking quietly. Lisandro tells Quadir about Quisqueya. Show flashbacks of: Rivers Farms Forests Families Lisandro explains his dream. "I want my people to prosper." "I want everyone to have enough." Quadir listens carefully. For the first time, he sees a future beyond battle. Ending Narration "A dream shared becomes harder to ignore."
Main character: a small humanoid robot, 150 cm tall, matte silver body with scratches, large glowing blue digital eyes, circular blue core on his chest, wearing an old yellow scarf. Cute and emotional manga design. Panel 1: Nighttime. The robot sits alone on the same park bench, staring at the photograph. Rain begins to fall. Panel 2: The robot searches his memory archive. Ghost-like memories appear around him: the old woman laughing, giving him the yellow scarf, teaching him about flowers. Panel 3: The robot's eyes dim. A single artificial tear forms beneath one eye. He realizes the woman will never return. Panel 4: The robot carefully plants a flower beside the bench and looks at the sunrise. Internal text: "Znači ovo je tuga... jer je neko bio značajan." Highly emotional manga style, dramatic shadows, rain effects, expressive character acting, cinematic storytelling, detailed backgrounds, masterpiece manga artwork.
Celebrating their first anniversary, a couple searches for a special tamagotchi plushie of the character kuchipachi. They successfully find the plushie, and celebrate with a kiss.
ONE SINGLE PANEL Late-night hotel sofa. Only the television illuminates the room softly with flickering blue light. Sandrine lies stretched comfortably across the sofa in an oversized white shirt, watching a film with complete calm. One bare foot rests lightly in the lap of a man sitting beside her, fully clothed and visibly trying to remain composed. Without even looking away from the television, she slowly curls her toes slightly against him. The man’s breathing and posture immediately change. Sandrine notices the reaction from the corner of her eye with the faintest private smile. The atmosphere feels domestic, intimate, teasing, and emotionally suspended.
A girl is being tsundere to her only childhood friend. Then she regreted when he cut ties with her because personality.
seinen manga style, black and white, soft grayscale shading, cinematic lighting ONE SINGLE PANEL ONLY quiet evening living room, television glow illuminating the room softly a woman sitting relaxed on a sofa, completely covered by strategic positioning and shadows, she is nude, elegant and tasteful composition she is leaning back against a clothed man sitting beside or slightly behind her the man remains fully dressed in dark trousers and an open shirt, calm and composed posture One hand disappearing subtly between her legs, action only implied the woman’s expression relaxed, absorbed, slightly flushed, eyes half focused on the television screen strong emphasis on intimacy, trust, and quiet tension rather than explicit sexuality focus on contrast between her vulnerability and his composed control soft shadows, tasteful framing. cinematic composition, emotional realism, psychological intimacy
seinen manga style, black and white, soft grayscale shading, cinematic lighting ONE SINGLE PANEL ONLY quiet evening living room, television glow illuminating the room softly a woman sitting relaxed on a sofa, completely covered by strategic positioning and shadows, implied nudity only, elegant and tasteful composition she is leaning back against a clothed man sitting beside or slightly behind her the man remains fully dressed in dark trousers and an open shirt, calm and composed posture his arm rests naturally around her waist, one hand disappearing subtly between their bodies, action only implied the woman’s expression relaxed, absorbed, slightly flushed, eyes half focused on the television screen strong emphasis on intimacy, trust, and quiet tension rather than explicit sexuality focus on contrast between her vulnerability and his composed control soft shadows, tasteful framing, no explicit anatomy, no explicit sexual act shown cinematic composition, emotional realism, psychological intimacy
seinen manga style, black and white, soft grayscale shading, cinematic lighting ONE SINGLE PANEL ONLY no multiple panels, no collage quiet intimate interior, light through a window, calm atmosphere a composed elegant woman sitting on a sofa or armchair, wearing a simple dress, barefoot Both her bare feet resting naturally on a table, her legs slightly spread , soles visible with natural dirt. She shows them to someone who is not in the picture. her posture relaxed, confident, effortless her facial expression calm, slightly knowing, composed, looking towards the camera focus on psychological tension and sensuality. clean composition, strong use of negative space, emphasis on body language and eye contact ONE speech bubble only: The woman says: “Go on… enjoy it fully.”
Full color manga panels. No text, no speech bubbles. A tall man (Frost) stands in front of a young wolf-girl in a snowy mountain pass. He gently places his hands on her shoulders, calm and composed despite the storm. She looks up at him, tense but relieved. They walk side by side through the snow toward a small wooden cabin hidden between mountains. Warm light glows from inside, contrasting with the cold blue environment. Snow falls softly around them. Near the cabin, beside a natural hot spring, Frost begins removing his heavy winter cloak and outer clothing, preparing to enter the warm water. Steam rises into the cold air. The wolf-girl stands nearby with her arms crossed, slightly pouting and visibly upset. She watches him closely, her tail moving subtly behind her, showing hidden emotion and expectation.
📘 Estructura de 12 Paneles: "El Auto que quería Cariño" Panel 1: El Escenario Visual: Un galpón rural polvoriento. Al fondo, un auto viejo cubierto de una capa de polvo blanca (como harina). El Ogre Bueni entra con una linterna. Diálogo (Ogre): —Che auto… ¿hoy querés arrancar? Prompt Manga: Wide shot, dusty barn interior. An old, boxy classic car covered in thick white dust. Friendly ogre entering. Manga linework, screentones. Panel 2: El Rechazo Visual: Primer plano del faro del auto que parece un ojo soñoliento. Una burbuja de texto sale del motor. Diálogo (Auto): —No… ay, no… déjenme dormir… Prompt Manga: Close-up of the car's headlight looking like a sleepy eye. Text bubble coming from the engine. Grumpy expression. Panel 3: El Sapo Churro Visual: Sapo Aldo toca el auto con un dedo y se llena de polvo. Está blanco de pies a cabeza. El Ogre y la Vaca Bueni miran asombrados. Diálogo (Aldo): —¡Ay, parezco un churro! ¡Ja, ja! Prompt Manga: Small toad named Aldo covered in white dust. He looks like a "churro" (powdered snack). Comedy manga style, speed lines. Panel 4: El Gato Salvador Visual: Un gato entra con una aspiradora vieja y ruidosa que rebota por el suelo (Boom, boom). Diálogo (Gato): —¡Acá vengo a salvar el día! Prompt Manga: Smug cat dragging a retro vacuum cleaner. Tail held high. Dynamic perspective. SFX: BOOM BOOM. Panel 5: El Caos de la Limpieza Visual: La aspiradora encendida a máxima potencia (FIIIUUU). El gato sale volando hacia atrás por la succión, con los pelos de punta. Diálogo (Gato): —¡Me dejó el pelo como nube! Prompt Manga: Action panel. Vacuum sucking air violently. Cat flying backwards with static, puffy fur. High energy, chaotic manga effect. Panel 6: El Gran Esfuerzo Visual: Todos empujan el auto. La Vaca con la nariz, los sapos por atrás, el Ogre de un costado. El auto está plantado y hace sonar la bocina molesto. Diálogo (Vaca): —Está haciendo capricho. Prompt Manga: Group effort. Ogre, cow, and toads straining to push the car. Sweat drops. SFX: HONK! (Bocina). Panel 7: La Sabiduría del Pato Visual: El Pato Bueni llega caminando tranquilo con aire de profesor mientras el Sapo Pepe se ríe en el suelo. Diálogo (Pato): —¿Probaste preguntarle qué quiere? Prompt Manga: Duck with a small bowtie looking wise. Sapo Pepe laughing in the background. Calm vs Chaos. Panel 8: El Secreto Revelado Visual: El Ogre se agacha frente al paragolpes, escuchando con atención. El auto susurra. Diálogo (Auto): —Yo quiero que me laven… Prompt Manga: Emotional panel. Ogre leaning close to the car's grill. Tiny, shaky text bubble. Sweet moment. Panel 9: El Spa del Campo Visual: Montaje de limpieza. La Vaca tira agua, los sapos frotan las ruedas y el gato limpia los vidrios mientras canta. Prompt Manga: Montage panel. Multiple small scenes of the animals scrubbing and washing the car. Bubbles and sparkles everywhere. Panel 10: ¡Como Nuevo! Visual: El auto brilla intensamente. Los personajes se tapan los ojos por el reflejo del sol en la carrocería. Diálogo (Gato): —¡Epa! ¡Parece un auto último modelo! Prompt Manga: The car is sparkling white/silver. Intense light glints (shoujo manga sparkles). Characters looking impressed. Panel 11: ¡Arranca! Visual: El Ogre gira la llave. Humo feliz sale del escape y el motor ruge con fuerza. Los sapos saltan del susto. Diálogo (Sapos): —¡Ah! ¡Nos asustó! Prompt Manga: Dynamic engine start. "VROOM" SFX in big letters. Toads jumping in mid-air from surprise. Panel 12: Final Feliz Visual: El auto manejando solito llevando las cajas, todos los animales saludando y riendo. Diálogo (Vaca): —Solo necesitaba cariño… y un baño. Prompt Manga: Wide shot. Car driving happily towards the horizon (or boxes). All characters waving. Heart icons. "FIN".
ONE SINGLE PANEL Quiet final morning in a coastal hotel room. Grey daylight filters softly through the curtains while an open suitcase and scattered clothes hint at imminent departure. Sandrine kneels alone near the center of the bed in an oversized white shirt, barefoot, dark hair still slightly messy from sleep and intimacy. One bare foot presses into the sheets as she leans forward slightly toward the viewer with calm affection and quiet authority. Her expression carries satisfaction, tenderness, and the faintest trace of mischievous pride — fully aware of the effect the weekend has had on him physically and emotionally. The room feels intimate, exhausted, emotionally suspended, and deeply private. NO explicit violence NO explicit anatomy NO graphic sexuality ONE speech bubble only. She says: “You earned the ache… and the gift of feeling me for days.”
ONE SINGLE PANEL Quiet rainy Sunday morning in a small coastal hotel room. Grey daylight filters softly through partially open curtains while the sound of distant waves fills the silence. Sandrine sits barefoot on the kitchen counter wearing only an oversized white shirt, slowly stirring milk into her coffee. One leg swings lazily while the other rests against the man standing between her knees. He has just returned from the shower, shirt still open, visibly distracted by her presence. She studies him calmly over the rim of her coffee cup with affectionate certainty and faint amusement. The intimacy feels lived-in, effortless, and deeply familiar after an entire weekend together. Sandrine says: “You will satisfy me several times a day”
A story of two siblings narrated by the younger sister Miyu, a lazy otaku who loves spending her days drawing. The story begins with her drawing in bed while lying down, her room completely messy. Her brother Rai arrives soon after, bringing her breakfast. He complains about the mess and that she should at least get out of bed and have breakfast at the table like a normal girl. She says he's noisy and that she prefers it this way. He sighs and starts tidying his room, then says he's going shopping and will be right back. She narrates the story, talking about how her brother is an extremely ordinary person who loves following rules and routines, and that they are nothing alike. She also revealed that this was the last year she would spend with him, as he would pass away at the end of the following summer.
Общая атмосфера и настроение Тёплая, живая школьная повседневность с лёгким налётом ностальгии. Настроение — светлое, с юмором, где подтрунивание — это форма заботы. Цветовая палитра: мягкие пастельные тона на фоне (небо, стены школы), яркие акценты в одежде и эмоциях персонажей. В сценах много воздуха, пространства, деталей, создающих ощущение реального утра: шелест листвы, тени от деревьев, блики на окнах, лёгкие складки на форме. Ключевые сцены для раскадровки (1-я глава) Панель 1 (широкий план, общий вид школы): Школа Сакураги на фоне утреннего неба. Ветер шевелит листья, по дорожкам идут ученики. На крыльце — группа старшеклассников: кто-то поправляет галстук, кто-то смеётся. Композиция ведёт взгляд зрителя по движению толпы к центру кадра. Настроение: начало дня, предвкушение, лёгкая суета. Панель 2: Юна идёт по дорожке, придерживая сумку рукой. Её взгляд спокойный, чуть мечтательный. Рядом — Гию, собранный, с едва заметной полуулыбкой. Линии движения плавные, чтобы подчеркнуть их размеренный шаг. Акцент: контраст между её «пустой тетрадью» и его «подсчётами дней» — можно показать это через мелкие детали: у Юны в голове — пустое облачко, у Гию — мини-календарь или цифры, едва заметные в углу панели. Панель 3 : Юна косится на Гию и говорит: «Ты опять думаешь о чём-то слишком сложном». Гию отвечает: «Просто считаю, сколько дней осталось до конца года. И сколько из них будут нормальными». Визуал: мягкие тени, спокойные тона. Эмоции — лёгкая ирония, но без напряжения. Можно добавить в кадр пару падающих листьев, чтобы усилить ощущение времени. Панель 4 (холл, Томое и Томока): Томое и Томока в центре холла — они спорят и смеются одновременно. Их позы динамичные: Томока размахивает руками, Томое слегка наклоняется вперёд, будто поддразнивает. Вокруг них — другие ученики, которые на секунду замирают, чтобы посмотреть на эту «вспышку энергии». Панель 5 (Томока и Томое предлагают клубы): Томока: «Мы должны вступить во что-то безумное! В клуб по поеданию онигири на скорость!» Томое: «Или в клуб, где учат падать так, чтобы не было больно. Потому что с тобой я точно буду падать». Композиция: крупный план на их лица, затем переход на общий план, где видно, как другие ученики реагируют — кто-то улыбается, кто-то качает головой. Панель 6 (синхронная шутка Юны и Гию): Юна и Гию переглядываются. Их улыбки почти одинаковые. Гию: «А может, в клуб „Как выжить рядом с этими двумя“?» Юна: «Мы бы там были президентами». Визуал: параллельные кадры — сначала лицо Гию, потом Юны, затем общий план, где они стоят рядом, а Томое и Томока смотрят на них. Можно использовать зеркальные ракурсы, чтобы подчеркнуть синхронность. Панель 7 (реакция Томое и Томоки, финал сцены): Сначала Томое и Томока хмурятся — на долю секунды. Затем их лица расплываются в хохоте. Томока хлопает Томое по плечу, и они снова начинают болтать, уже включая в спор Юну и Гию. Финал: общий план всей четвёрки. Они идут по коридору, смеются, и день начинается не с уроков, а с того, что они снова вместе.
3 brothers and a blizzard we went to school during a blizzard
The young man then walks through the corridors of the school until he arrives at class 3-B
Satuki Koto: (pic 1)"Ugh. Never mind." She mutters under her breath, half-annoyed, half-amused. Misuzu (pic 2)is impossible—yet somehow… not entirely unbearable. As The sun dips lower, casting long shadows across the courtyard as they continue walking, hands still loosely linked—one cold and steady, the other slowly warming up to the idea of this absurd little charade. The courtyard grows quieter as the sun sets, casting a soft orange glow over the school grounds. Students have mostly cleared out, leaving Satsuki and Misuzu walking side by side in an oddly comfortable silence—well, as comfortable as it can be with one of them radiating pure indifference. Satuki Koto: "We didn’t completely fail today." She glances down at their still-connected hands, then slowly pulls away, brushing her fingers against her skirt like she’s erasing evidence. Satuki Koto: "Tomorrow. Same time. Don’t make me come find you." Misuzu:...um question? **flat voice as she raises her hand up like an npc*** Satsuki pauses mid-step, slightly taken aback by the hand-raise gesture. She turns to Misuzu, eyebrow raised. Satuki Koto: "…You do know you can ask questions without doing the whole NPC thing, right?" Misuzu:....right.....uhm...........date? ***flat voice*** Satsuki blinks once, then slowly crosses her arms. Her expression shifts—slightly less annoyance, slightly more dry amusement. Satuki Koto: "Oh? So now you remember the word 'date'? And here I thought you only spoke in one-syllable responses." She tilts her head, studying Misuzu like she's trying to solve a cryptic puzzle. Misuzu:...no not really *flat voice** Satuki Koto: "Yes, dummy. It's supposed to look like a date. Holding hands, walking together, maybe not acting like a haunted mannequin for five minutes straight." A beat. Then softer—almost teasing: Satuki Koto: "...Were you actually nervous?"
The messenger spends several days in the village. Both sides learn from one another. Dialogue Messenger: "Your food is terrible." Villager: "Then stop eating it." Messenger: "I would." Messenger: "But I'm starving." Everyone laughs.
A girl name Aikawa Rin the most prettiest girl and a new student A boy who just ordinary who doesnt treat her as a angel Genre: Romance, comedy, highschool.
portdad un chico alto , complexion normal , cabello negro on mechones rubios abrazandi a una chica peli cafe cabello hasta los hombrosmide 1.70 m
a lady visit gloves store. decide to buy long black leather gloves.
Koto Satsuki(pic 1) meets Misuzu Subete(pic 2) Koto Satsuki:...be my girlfriend for a week Misuzu::...**blinks with a deadpan stare and tilts her head sligthly....a "?" mark appears and hovers above her head***....hn? Koto´s eye twitches sligthly from Misuzu´s obliviousness but calms her self down and then repeats herself while folding her arms Misuzu:...sure i can do that *flat voice while scratching her head sligthly like an npc* Koto:....*blinks* good then we start tomorrow and then both then walks away each other Koto being more cold and serious while Misuzu being more deadpan and stoic