Seinen Manga

đŸ–€ PLANCHE 4 — Les livres qu’on jette Âge d’Aris : 15 ans Style : manga noir et blanc, seinen classique Ambiance : nuit, pluie fine, indiffĂ©rence Nombre de cases : 6 🟩 CASE 1 — PLAN LARGE (haut de page) Description visuelle : BĂątiment massif et austĂšre : une acadĂ©mie. Architecture noble, propre, Ă©clairĂ©e de l’intĂ©rieur. À l’arriĂšre, une ruelle sombre. Ambiance : Savoir Ă  l’abri. Rue froide derriĂšre. Texte : Aucun. 🟩 CASE 2 — PLAN MOYEN Description visuelle : DerriĂšre l’acadĂ©mie. Caisses en bois renversĂ©es. Des livres jetĂ©s, abĂźmĂ©s, mouillĂ©s par la pluie. Des pages collĂ©es par la boue. Ambiance : MĂ©pris silencieux. Texte : Aucun. 🟩 CASE 3 — PLAN MOYEN (Aris) Description visuelle : Aris, 15 ans, maigre, vĂȘtements usĂ©s, trop grands. Il s’approche prudemment des caisses. Il regarde autour de lui, comme s’il n’avait pas le droit d’ĂȘtre lĂ . Ambiance : Habitude de la honte. Texte : Aucun. 🟩 CASE 4 — DÉTAIL (mains) Description visuelle : Les mains d’Aris fouillent parmi les livres. Certains sont trop mouillĂ©s. Certains dĂ©chirĂ©s. Il en Ă©carte plusieurs. Ambiance : Tri lent, mĂ©thodique. Texte : Aucun. 🟩 CASE 5 — PLAN RAPPROCHÉ (objet) Description visuelle : Un livre plus Ă©pais, plus ancien. Couverture noire, sans titre apparent. Moins abĂźmĂ© que les autres. Pas de symbole. Pas de lueur. Rien de magique. Texte : Aucun. 🟩 CASE 6 — CASE FINALE Description visuelle : Aris tient le livre contre lui, sous la pluie. Son visage est neutre. Juste une dĂ©cision simple. Texte (petite bulle, trĂšs discrĂšte) : « Celui-là
 » 🎯 INTENTION (IMPORTANT POUR MANGAAI) Aris ne cherche pas la magie Il cherche Ă  lire Le grimoire n’est pas prĂ©sentĂ© comme spĂ©cial L’acadĂ©mie jette → Aris rĂ©cupĂšre Aucun effet surnaturel Ă  ce stade
Astid stood as a giantess was walking around, feeling hiccup inside her stomach squirming. She tells him to settle down, saying she will let him out in the morning
6. Feature IV – Nurturing the Next Generation Youth creators in Nairobi in mentorship sessions. Laptops, cameras, manga-style brainstorming scenes with chibi inserts for humor. Energetic, youthful layout.
4. Africa Climate Disinformation Toolkit Manga illustration of an open toolkit filled with documents, charts, mobile devices, laptops. African youth in classrooms or workshops actively learning. Visual focus on fact-checking, detecting manipulation, and building counter-narratives.
5. Feature III – Art as Resistance High-energy manga scenes of murals, live painting, The Last Forest–inspired exhibitions. Youth interacting with community art, expressive faces, bold ink strokes, vibrant palettes.
7. Information Integrity Highlights Two-panel spread: Panel 1: African creators shaking hands with UNESCO representatives, with a digital network linking Africa to global platforms. Panel 2: Manga-style training scenes of youth using UKWELI tools to fact-check.
Astid stood as a giantess while hiccup, being tiny, was climbing up Astrids boot. Astrid remarks that he won't have his dragon all the time, and that if he wants to get back to normal he better reach her shoulder quick
3. Feature II – Investigating the Climate Lie Machine Two-panel manga spread: Panel 1: Field researchers in Matabeleland North collecting data with local communities. Panel 2: Abstract, stylized infographic panel showing climate misinformation flows, myths, and narrative pathways, drawn in a cyber-manga style.
1. Opening Note – “2025 Highlights” Full-page manga splash illustration of Africa. Glowing nodes highlight Zimbabwe, Uganda, Kenya, and other regions. Add digital network symbols, climate icons (sun, rain, trees), and scenes of Indigenous community gatherings. Space for a large manga-style editorial title.
Haruto’s team reaches the Ice Castle. Kiyomi rejoins them. The caravans prepare for battle. Hikari, conflicted, waits alone, torn between loyalty and the warmth Haruto showed her. The final confrontation looms. Characters: Haruto, Yukari, Hideki, Kiyomi, Tsaritsa, Hikari, Hiroshi, Setsuna
FEATURE III — Art as Resistance Art-Driven Dissemination Strategy From murals to exhibitions, 2025 strengthened the role of art in climate truth-telling. Community artists partnered with us to transform research into accessible, culturally rooted visual storytelling. A centerpiece was the exhibition inspired by The Last Forest documentary, showcased at the Green Cities Expo in September.
2. Feature I – Foundations of a Movement Manga scenes of Indigenous community meetings under trees or in community halls. Researchers and elders planning together, drawn with realistic proportions but manga expressions and motion lines. Soft infographic overlays showing TORs, workflow, and partnership webs. Warm, earthy tones.
🟩 CASE 1 — PLAN RAPPROCHÉ (papier) Description visuelle : Le papier qu’Aris tient. Les mots sont cassĂ©s, mal alignĂ©s, incomplets. Exemples visibles (pas tous lisibles) : « mar
 chĂ© » « pa—n » « in
 ter
 dit » Certaines lettres sont effacĂ©es, d’autres mangĂ©es par le papier. Texte : Aucun. 🟩 CASE 2 — GROS PLAN VISAGE Description visuelle : Visage d’Aris enfant, trĂšs proche. Sourcils froncĂ©s. Bouche lĂ©gĂšrement entrouverte. Ses yeux reviennent en arriĂšre, comme s’il relisait. Texte (toute petite bulle) : « ma
 » 🟩 CASE 3 — DÉTAIL (doigt) Description visuelle : Le doigt d’Aris suit la ligne sur le papier. Il s’est arrĂȘtĂ© au milieu d’un mot. Le doigt tremble lĂ©gĂšrement. Texte : Aucun. 🟩 CASE 4 — PLAN MOYEN Description visuelle : Aris assis contre le mur. Il tient le papier trop prĂšs de son visage. Son corps est tendu, pas dĂ©tendu. Ambiance : Effort. Fatigue mentale. Texte : Aucun. 🟩 CASE 5 — PLAN RAPPROCHÉ (papier Ă  nouveau) Description visuelle : Le mĂȘme mot que case 1
 Mais cette fois, une syllabe est entourĂ©e, comme s’il avait compris une partie. Exemple : « mar
 chĂ© » Texte : Aucun. 🟩 CASE 6 — CASE FINALE (transition) Description visuelle : Aris baisse lĂ©gĂšrement le papier. Son regard est toujours sĂ©rieux
 mais un peu moins perdu que dans les premiĂšres cases. Ambiance : Pas de victoire. Juste : ça commence Ă  rentrer. Texte : Aucun. 🎯 INTENTION (pour MangaAI) Montrer l’effort, pas la rĂ©ussite Lecture lente, pĂ©nible Aucun effet magique Aucun sourire Le progrĂšs est minuscule, presque invisible
đŸ–€ PLANCHE 6 — Les mots entrent MĂȘme structure, mĂȘme intention, juste un mĂ©dium diffĂ©rent. 🟩 CASE 1 — CALME Aris assis contre le mur. Le livre ouvert devant lui. Il lit. Silence. 🟩 CASE 2 — PREMIÈRE ANOMALIE Les mots quittent la page. Pas tous. Quelques lignes seulement. Ils flottent, comme mal accrochĂ©s au monde. Pas d’effet magique flashy. 🟩 CASE 3 — CONTACT Les mots se collent Ă  Aris : sur les bras sur le cou sur le visage sur les vĂȘtements Ils ne pĂ©nĂštrent pas encore. Ils adhĂšrent. 👉 Comme une Ă©criture qu’on ne peut plus effacer. 🟩 CASE 4 — DOULEUR Gros plan sur le visage. Les mots s’enfoncent : ils disparaissent sous la peau laissent des traces sombres certaines lettres se dĂ©forment Texte (petit, cassĂ©) : « —Gah— » Cri humain. Pas hĂ©roĂŻque. 🟩 CASE 5 — LA CHUTE Le corps lĂąche. Aris glisse, s’effondre. Les mots continuent d’entrer, mĂȘme s’il ne lit plus. Il n’a plus aucun contrĂŽle. 🟩 CASE 6 — ÉVANOUISSEMENT Aris inconscient. Les mots ont disparu. Plus rien de visible. Le livre est toujours ouvert. Silence.
Panel 1: Tinder match screen (“It’s a match”), two separate profile photos. Panel 2: She is texting from her place. Phone in hand. Panel 3: He is texting from his place. Shirtless after workout, chest tattoo visible on the right side, slightly fuller beard. Panel 4: Phone call, split panel. She at her place, he at his place. No physical contact.
Africa Climate Disinformation Toolkit The continent’s first integrated guide to climate misinformation has been finalised. Led by an information integrity expert, the toolkit documents: Recurring myths Localised misinformation patterns Platform-driven manipulation Emerging online climate narratives Launching this December via webinar, the Toolkit already informs youth trainings and content strategy. It will be publicly accessible for download and reading.
FEATURE IV — Nurturing the Next Generation of Climate Truth Creators Green Media Accelerator: Fake News Fighters Track In Nairobi, the Green Media Accelerator launched a dedicated track for Fake News Fighters (FNF) — now one of Africa’s leading climate information integrity models. Through mentorship, fact-checking skills, and seed funding, FNF empowered young media innovators to produce verified, creative responses to climate lies.
FEATURE I — Foundations of a Movement Project Foundations & Ethical Community Partnerships Our year began where all great stories do — on the ground. Core teams were formed across Zimbabwe, Uganda, Kenya and regional media hubs, with contracts, TORs, and workflow structures firmly established. Early engagement with Indigenous partners — including the Tjwa community and others — ensured ethical collaboration, transparent consent, and storytelling shaped with communities, not about them.
CLIMATE X INDIGENOUS VOICES MAGAZINE EDITION – 2025 HIGHLIGHTS OPENING NOTE 2025 has been a defining year for Climate X Indigenous Voices — a year of deep listening, bold experimentation, and continent-wide action against climate disinformation. From grassroots fieldwork to global information integrity frameworks, this project has cemented itself as one of Africa’s leading voices on climate truth, Indigenous knowledge, and digital resilience. This edition captures the milestones, stories, and sparks that shaped our journey.
Panel 1: Tinder match screen (“It’s a match”), two separate profile photos. Panel 2: She is texting from her place. Phone in hand. Panel 3: He is texting from his place. Shirtless after workout, chest tattoo visible on the right side, slightly fuller beard. Panel 4: Phone call, split panel. She at her place, he at his place. No physical contact.
FEATURE II — Investigating the Climate Lie Machine Grassroots Disinformation Research In Matabeleland North, our field teams completed a landmark study with the Tjwa community. The research reveals how climate disinformation impacts resource access, daily decision-making, and community adaptation. These findings now anchor our content pipeline — from animations to community exhibitions — and the full report will be released on our public document-sharing platform.
Panel 1 (wide, top): A car on the road. Caption: Distance was just a number. âž» Panel 2: Map fragment: Utena → Vilnius. Caption: He drove (white kia sorento) to see me. âž» Panel 3: Interior of Akropolis shopping mall, Vilnius. They see each other for the first time. Small date in the corner: November 29 Caption: Our first meeting. âž» Panel 4 (close-up): Eye contact. Slight tension. Caption: Our first “hi” in person.
CLIMATE X INDIGENOUS VOICES MAGAZINE EDITION – 2025 HIGHLIGHTS OPENING NOTE 2025 has been a defining year for Climate X Indigenous Voices — a year of deep listening, bold experimentation, and continent-wide action against climate disinformation. From grassroots fieldwork to global information integrity frameworks, this project has cemented itself as one of Africa’s leading voices on climate truth, Indigenous knowledge, and digital resilience. This edition captures the milestones, stories, and sparks that shaped our journey.
Create a manga page in a dark, atmospheric shƍnen/seinen style. Panel 1: A wide establishing shot of an old, isolated tower-like building on a hill. The architecture feels ancient and slightly ominous. Trees and uneven terrain surround it. The mood is quiet and foreboding. Panel 2: Inside the building, show a stone pedestal or altar with a small object or figure placed on top. The room is dimly lit, with shadows and ritualistic atmosphere. Panel 3: Leave this panel mostly empty or minimal — it represents a pause or transition. Panel 4: A close-up of a hand reaching out, tense and dramatic. The hand is detailed, with strong shadows and emotional intensity. Panel 5: A symbolic geometric shape (diamond-like or sigil-like), floating or centered. It should feel mystical, important, and connected to the ritual. Panel 6: Leave this panel blank or minimal — it represents a silent beat before the next page.
Style: Colored, mature realistic manga. Night atmosphere. Intimate, cinematic lighting. Panel 1 Still inside the white Kia Sorento. Quiet moment. Engine off. Night outside. Dialogue (him): “Would you like to be my girlfriend?” âž» Panel 2 (Close-up on you) Soft smile. Warm lighting. âž» Panel 3 You answer yes (subtle nod or smile). âž» Panel 4 (Exterior night shot) White Kia Sorento from outside. Silhouettes inside. Streetlight glow. Caption: That’s when it became real.
Ten thousand years after the Great Heaven War, the Dao has changed—and so has the world. Sects rule nations, flying swords fill regulated skies, and Heavenly Trials descend the moment a cultivator understands too much. In this late-stage cultivation era, power is institutionalized, ambition is monitored, and even righteousness is a political stance rather than a cosmic truth. Born into an ancient sword clan that chose adaptation over isolation, a young cultivator enters a second-tier righteous sect where talent is refined and the greatest disciples are sent upward to a Tier One power. But in a world where the Dao is endless and Heaven corrects imbalance without mercy, insight is more dangerous than strength. The path to immortality is uncertain. The Dao does not care about good or evil. And Heaven is always watching.
Ten thousand years after the Great Heaven War, the Dao has changed—and so has the world. Sects rule nations, flying swords fill regulated skies, and Heavenly Trials descend the moment a cultivator understands too much. In this late-stage cultivation era, power is institutionalized, ambition is monitored, and even righteousness is a political stance rather than a cosmic truth. Born into an ancient sword clan that chose adaptation over isolation, a young cultivator enters a second-tier righteous sect where talent is refined and the greatest disciples are sent upward to a Tier One power. But in a world where the Dao is endless and Heaven corrects imbalance without mercy, insight is more dangerous than strength. The path to immortality is uncertain. The Dao does not care about good or evil. And Heaven is always watching.
Panel 1 (wide, top): A car on the road. Caption: Distance was just a number. âž» Panel 2: Map fragment: Utena → Vilnius. Panel 1 (Top, wide) Bus arriving in Utena. She stepping off with a small bag. Caption: This time, I went to him. âž» Panel 2 At his place. Table with sushi. Casual atmosphere. Caption: We had sushi at his place. (No exaggerated romance, just normal, real.) âž» Panel 3 Later. Living room. She lying down slightly on the couch. He sitting close. No text. âž» Panel 4 (Close, intimate framing) He leans closer. Their faces very near. Almost a kiss — but not yet. Small caption: He was very close. OR more subtle: Almost.
A young man name Ousugi Sakae looks out over a crowd of fascists (generic Imperial Eagle imagery) High, distant wide shot: protagonist small; world/crowd huge. Power imbalance. Telephoto compression Backlit silhouettes / blown-out sky Long, hard shadows at ground level: predators’ viewpoint. “Manga page with a grounded, paramilitary neo-noir style: realistic anatomy, weighty tactical gear (steel plates, cloth straps, gas masks, red-lensed goggles), late-1950s/’60s industrial city backdrop—concrete, rebar, rusted rail lines—night rain and fog, low-key lighting, desaturated blues/grays, cinematic 35mm framing, hard shadows, subtle film grain, crisp fine linework, dense hatching, high-contrast screentones, reserved facial expressions, somber atmosphere. Original characters only.”
Blair is a young warrior in his mid 20s with a short beard and a short mustache. He has short brown hair and is 5'7. Lilith is the demon of lust, crimson skin with horns, demonic wings and sharp claws. Lilith has glowing crimson eyes. The story continues as Blair kneels before Lilith who is now twice his height. She summons a mirror in front of them both as she stands behind Blair, who can see their height difference. She proceeds to taunt him, reminding him that she owns him now. Lilith proceeds to lift up one leg and place her foot on top of Blair's head as they stand in front of the mirror, commanding him to kneel and reflect on my status as a man which Blair does.
Style: Colored, mature realistic manga. Natural tones, cinematic lighting. No over-romantic effects. Layout: 4 panels. âž» Panel 1 (Top – wide highway shot) White Kia Sorento driving from Utena to Vilnius. Late afternoon / early evening light. Caption: He drove to see me. âž» Panel 2 (Small insert panel) Minimal map: Utena → Vilnius. Small caption: Distance was just a number. âž» Panel 3 (Wide interior – Akropolis shopping mall, Vilnius) Crowded shopping mall atmosphere. They see each other for the first time. Slight pause. Subtle nervous tension. Small text in the corner: November 29 Akropolis shopping mall, Vilnius âž» Panel 4 (Closer shot) Eye contact. Soft expressions. No physical contact yet. Caption: First “hi” in person.
Tavola 1: La Solitudine Composizione: Inquadratura larga (long shot) dal basso verso l'alto. Soggetto: Tomoya Okazaki cammina da solo lungo il sentiero in salita verso la scuola. I petali di ciliegio cadono ovunque. Testo (Pensiero di Tomoya): "Odio questa città. È piena di ricordi che vorrei cancellare." Elementi per l'AI: Stile manga seinen/shoujo, bianco e nero, retini (screentones) per le ombre dei ciliegi, focus sulla prospettiva della strada in salita. Tavola 2: L'Incontro Composizione: Primo piano (close-up) o piano medio. Soggetto: Nagisa Furukawa Ú ferma a metà della salita, con lo sguardo rivolto verso l'alto, come se stesse parlando a se stessa. Tomoya si ferma poco lontano, osservandola. Testo (Nagisa): "Anpan... Ti piace questo posto?" Elementi per l'AI: Linee sottili, espressione malinconica ma dolce, petali in primo piano sfocati (effetto bokeh), divisa scolastica dettagliata.
Style: Colored, mature realistic manga. Night atmosphere. Intimate, cinematic lighting. Mood: Soft tension → release. âž» Panel 1 (Wide, inside the car at night) Parked car. Dark outside. Soft street light coming through the window. They’re sitting close but not touching yet. Small caption: Later
 he came to see me again. âž» Panel 2 (Closer shot) Inside the car. Serious eye contact. Hands resting close but not touching. Dialogue (him): “Can I kiss you?” âž» Panel 3 (No text) The kiss. Soft, slow, not dramatic. Warm light from outside hitting their faces. No caption. Let the image breathe. âž» Panel 4 (Quiet moment after) Foreheads almost touching. Calm. Slight smiles. Small caption (optional): And everything changed
A young man name Ousugi Sakae (an anarchist) looks out over a crowd of fascists facing away listening to a leader speak (generic Imperial Eagle imagery) High, distant wide shot: protagonist small; world/crowd huge. Power imbalance. Telephoto compression Backlit silhouettes / blown-out sky Long, hard shadows at ground level: predators’ viewpoint. “Manga page with a grounded, paramilitary neo-noir style: realistic anatomy, weighty tactical gear (steel plates, cloth straps, gas masks, red-lensed goggles), late-1950s/’60s industrial city backdrop—concrete, rebar, rusted rail lines—night rain and fog, low-key lighting, desaturated blues/grays, cinematic 35mm framing, hard shadows, subtle film grain, crisp fine linework, dense hatching, high-contrast screentones, reserved facial expressions, somber atmosphere. Original characters only.”
Style: Colored, mature realistic manga. Natural indoor lighting. No fantasy effects. Layout: 4 panels. âž» Panel 1 (Top – close-up phone screen) Tinder screen. “It’s a match.” Two separate profile photos. No caption. âž» Panel 2 She at her place. Evening lighting. Phone glow on her face. Slight smile. Small caption: He wrote first. âž» Panel 3 He at the gym. Shirtless after workout. Chest tattoo visible on the right side. Slightly fuller beard. Looking at his phone. No romantic exaggeration. Small chat bubble: “Hey.” âž» Panel 4 (Split panel – phone call) Left side: her at home, phone to ear. Right side: him at his place (after gym), casual clothes. Soft, calm expressions. Small caption at bottom: We hadn’t met yet. But we were already talking.
Blair is a young warrior in his mid 20s with a short beard and a short mustache. He has short brown hair and is 5'7. Lilith is the demon of lust, crimson skin with horns, demonic wings and sharp claws. Lilith is 6 ft tall, taller then Blair. The story starts with Blair infiltrating Lilith's castle. He makes his way to Lilith's throne room where he confronts her, sitting on her throne. Blair readies his sword, however Lilith is completely calm. She rises from her throne and walks towards him. She seduces him with her words, inviting him close to her, all he has to do is put down his sword. Blair puts down his sword, seduced by Lilith and makes his way to her. Lilith embraces Blair and the two kiss.
Blair is a young warrior in his mid 20s with a short beard and a short mustache. He has short brown hair and is 5'7. Lilith is the demon of lust, crimson skin with horns, demonic wings and sharp claws. Lilith is 6 ft tall, taller then Blair. The story starts with Blair infiltrating Lilith's castle. He makes his way to Lilith's throne room where he confronts her, sitting on her throne. Blair readies his sword, however Lilith is completely calm. She rises from her throne and walks towards him. She seduces him with her words, inviting him close to her, all he has to do is put down his sword. Blair puts down his sword, seduced by Lilith and makes his way to her. Lilith embraces Blair and the two kiss.
CrĂ©e un univers original de manga/anime avec les caractĂ©ristiques suivantes : 1. **Cadre (DĂ©cor & Monde)** - Type d’univers : [futuriste / mĂ©diĂ©val fantastique / contemporain avec Ă©lĂ©ments surnaturels] - Lieu principal : [ville, royaume, Ă©cole, planĂšte] - Ambiance visuelle : [nĂ©on cyberpunk, pastel lumineux, sombre gothique, traditionnel japonais] 2. **Personnages principaux** - HĂ©ros : [nom, Ăąge, traits physiques, personnalitĂ©, objectif] - Antagoniste : [nom, motivation, style visuel, pouvoir] - AlliĂ©s secondaires : [2-3 personnages avec rĂŽle et dynamique] 3. **ThĂšmes & Messages** - ThĂšme central : [amitiĂ©, quĂȘte de pouvoir, lutte contre l’injustice, amour interdit] - Message sous-jacent : [espoir, rĂ©silience, corruption du pouvoir, Ă©quilibre entre tradition et modernitĂ©] 4. **ÉlĂ©ments narratifs clĂ©s** - Conflit principal : [guerre, tournoi, rivalitĂ©, survie] - ÉvĂ©nements dĂ©clencheurs : [attaque, dĂ©couverte d’un pouvoir, trahison] - Progression : [arc d’apprentissage → arc de confrontation → arc de rĂ©vĂ©lation] 5. **Style visuel et animation** - Palette de couleurs dominante : [chaude, froide, contrastĂ©e] - Style graphique : [shƍnen dynamique, seinen rĂ©aliste, shƍjo Ă©lĂ©gant] - Animation : [fluide et Ă©nergique, atmosphĂ©rique et contemplative] Donne une description dĂ©taillĂ©e et cohĂ©rente de cet univers, en mettant l’accent sur l’immersion visuelle et Ă©motionnelle.
Miu has two-tone long hair, one side white and the other black. Hange has brown hair in a ponytail and Hange have glass. Eren has short brown hair and Levi has short black hair. Miu and Hange are walking down the hall and talking. They hear a commotion coming from Eren's room and decide to paint him. They open his door. They sit on Eren's bed and paint Eren's face. Miu and Hange laugh. Hange suddenly sees Eren waking up and decides to paint himself too. Miu stares at Hange nervously.Because Hange Betrayed Miu When Eren wakes up, he looks surprised. Hange points at Miu and Eren catches Miu and Hange paints Miu.even though Miu protests They laugh so hard that Levi bursts into the room with his typical angry expression and starts muttering something. Miu looks at Levi nervously and tries to smile. And say nervously ,,ehhh." Levi looks away and starts laughing in room. Then he grabs Miu's hand and pulls Levis room. When they are alone, Miu watches him nervously. And Levi laughs at her.
The story continues as Lilith tells Blair that she saw everything in her vision. She embraces Blair, telling him that its time for him to let go. She will make his desires come true and guides him to her throne. Whispering to him that she knows he wants to shrink and worship a tall demon. As she sits down, she presents her crimson feet in front of Blair's face and instructs him to start by kissing her feet. She proceeds to inform him as he worships her feet, she will absorb his devotion to her and grow in height and power. Blair hesitates, however Lilith assures him that I will transferring his power to her and worshipping a beautiful powerful demon, his greatest desire. As Blair begins to kiss her feet, Lilith receives great pleasure as she begins to grow a foot in height. Praising him for being a good boy.
đŸ–€ PLANCHE 5 — L’abri Âge d’Aris : 15 ans Style : manga noir et blanc Ambiance : silence, isolement, vent Nombre de cases : 6 Tenue (canon, inchangĂ©e) : haut type kimono simple, blanc Ă  l’origine, trĂšs sale, rapiĂ©cĂ© pantalon large dĂ©chirĂ© pieds nus posture fermĂ©e, fatiguĂ©e aucun Ă©lĂ©ment moderne 🟩 CASE 1 — PLAN LARGE (haut de page) Description visuelle : Une ancienne ferme abandonnĂ©e, hors de la ville. Herbes hautes. ClĂŽture cassĂ©e. Grange Ă  moitiĂ© effondrĂ©e. Maison principale encore debout, sombre. Le ciel est gris. Le vent fait bouger les herbes. Texte : Aucun. 🟩 CASE 2 — PLAN MOYEN (Aris de dos) Description visuelle : Aris, 15 ans, debout face Ă  la ferme. Il est petit dans le cadre. Le livre est serrĂ© contre lui. Ambiance : HĂ©sitation silencieuse. Texte : Aucun. 🟩 CASE 3 — DÉTAIL (la porte) Description visuelle : La porte de la maison est entrouverte. Elle grince lĂ©gĂšrement sous le vent. L’intĂ©rieur est noir. Texte : Aucun. 🟩 CASE 4 — PLAN RAPPROCHÉ (Aris) Description visuelle : Le visage d’Aris. FatiguĂ©. Neutre. Pas de peur visible, juste l’habitude. Ambiance : Il a dĂ©jĂ  Ă©tĂ© chassĂ© ailleurs. Texte (trĂšs petit) : Aucun. 🟩 CASE 5 — PLAN MOYEN (intĂ©rieur) Description visuelle : IntĂ©rieur de la maison. Vide. PoussiĂšre au sol. Murs fissurĂ©s. Un pan de toit laisse passer un peu de lumiĂšre. Aris est assis contre un mur. Le livre posĂ© devant lui. Texte : Aucun. 🟩 CASE 6 — CASE FINALE Description visuelle : Gros plan sur le livre fermĂ©. Les mains d’Aris hĂ©sitent au-dessus de la couverture. Silence total. Texte : Aucun. 🎯 INTENTION (VERROUILLÉE) Aris cherche le calme Il ne fuit pas → il s’isole Il n’attend rien du livre La maison est dĂ©jĂ  morte Rien de magique encore 👉 La tension vient du silence, pas de l’action.
Style: Colored, mature realistic manga. Soft cinematic lighting. Warm indoor tones. Mood: Intimate, calm, slow tension. No exaggeration. âž» Panel 1 (Top – wide shot) Bus arriving in Utena. Cold outdoor tones (blue/grey). She stepping off the bus with a small bag. Caption: This time, I went to him. âž» Panel 2 Inside his apartment. Warm lighting (soft yellow/orange). Table with sushi boxes. They are sitting across from each other, relaxed. Caption: We had sushi at his place. âž» Panel 3 Living room. Dim lighting. Evening mood. She lying slightly on the couch. He sitting close beside her. No text. âž» Panel 4 (Close-up, emotional focus) Faces very close. Warm shadows. Soft skin tones. Almost a kiss — tension visible. Small caption (choose one): Option A: He was very close. Option B (more cinematic): Just a breath away. .