Journal Entries Manga

un jeune garcon qui trouve une pière prescieuse dans une grosse montagne pour devenir le roi de son village
¡Absolutamente! Aquí tienes el guion de un trailer de anime de 2 minutos para "Skyllex: El Legado de los Milenios", con descripciones visuales y diálogos para que te imagines cada escena como si fuera un verdadero avance de anime:     TRAILER ANIME - "SKYLLEX: EL LEGADO DE LOS MILENIOS" DURACIÓN: 2 MINUTOS   [0:00-0:15] - INTRODUCCIÓN VISUAL Música inicial: Combinación de harpa llanera y melodía electrónica que va creciendo intensidad VISUALES: - Primer plano del Salto Ángel, agua cayendo en cámara lenta. Luego se desliza la cámara por los campos verdes de Venezuela, hasta llegar a un pequeño pueblo soleado. - Escena rápida: Un niño de 10 años (STEVEN) corre por el bosque, saltando entre rocas, con destrezza. Toca el tronco de un árbol y cierra los ojos, como si lo escuchara. - Texto en pantalla: "EN UNA TIERRA DONDE LA NATURALEZA Y EL MISTERIO SE ENTRELAZAN..."   [0:15-0:35] - LOS RECUERDOS DEL PASADO Música se vuelve más intensa, con toques de música clásica y electrónica VISUALES: - Flashback en estilo gráfico moderno: Steven siendo un HOMBRE MAYOR en un laboratorio de EE.UU., mirando por un microscopio. VOZ OFF (STEVEN): "Mi primera vida... estudiaba el secreto de la vida misma." - Flashback en estilo minimalista japonés: Steven como INGENIERO, trabajando en un ordenador con código que brilla. De repente, una explosión. VOZ OFF (STEVEN): "La segunda... intentaba crear algo que conectara al mundo entero." - Vuelta al presente: Steven se despierta sobresaltado en su cama de barro y madera, mirando sus manos con extrañeza. - Texto en pantalla: "11 VIDAS... UN SOLO DESTINO"   [0:35-0:55] - EL ENCUENTRO Música se hace más misteriosa, con tambores ancestrales VISUALES: - Steven camina por el bosque, siguiendo rastros brillantes en el suelo que solo él ve. Se encuentra con MARÍA, una chica de ojos curiosos que sostiene un libro de tradiciones indígenas. MARÍA: "¿Qué buscas por aquí, Steven? Nadie se aventura tan adentro..." STEVEN: "No lo sé... pero siento que me está esperando." - La cámara se adentra en una caverna oscura, con murales ancestrales en las paredes que brillan poco a poco. Al fondo, una figura alta y envuelta en mantos (TEPUYÁN) espera con los brazos cruzados. TEPUYÁN: "Steven Skyllex... llevo dos milenios esperándote." - Primer plano del rostro de Steven, con los ojos abiertos de sorpresa. - Texto en pantalla: "EL GUARDIÁN DE LA HUMANIDAD HA REGRESADO"   [0:55-1:25] - EL PODER Y LA AMENAZA Música se vuelve épica, con orquesta y ritmos venezolanos fusionados VISUALES: - Steven entrenando con Tepuyán en la caverna: combina movimientos de caza con gestos que hacen brillar las plantas y las piedras. - Escena rápida: Steven crea un objeto brillante con madera y cristal de la selva, mientras sus ojos muestran recuerdos de sus vidas pasadas. - María aprendiendo de él, tocando el suelo y sintiendo la energía de la tierra. Un primer plano de sus manos juntas, con una chispa de luz entre ellas. - De repente, las sombras se acumulan en el pueblo – formas grotescas de criaturas mitológicas aparecen, aterrorizando a los habitantes. VOZ OFF (TEPUYÁN): "La Oscuridad del Olvido se acerca... busca consumir todo el conocimiento que tú acumulaste." - Escena de acción: Steven lucha contra las sombras, usando su destreza y sus poderes, mientras María ayuda a proteger a los niños del pueblo.   [1:25-1:50] - LA BATALLA FINAL Música alcanza su clímax, con voces corales y tambores potentes VISUALES: - El Auyantepui se ve desde el cielo, con una luz brillante en su cima. Steven y María suben por él, mientras las sombras las persiguen. - Escena épica en las cercanías del Salto Ángel: La Oscuridad del Olvido toma forma de una criatura gigante de sombras. Steven se enfrenta a ella, fusionando toda su sabiduría – aparecen imágenes superpuestas de sus vidas pasadas, de la ciencia, la tecnología y la naturaleza. STEVEN: "Todas mis vidas... todas me llevaron hasta aquí!" - María se une a él, y juntos activan un escudo de luz que se expande por todo el valle, uniendo a todos los habitantes del pueblo que levantan sus manos en apoyo.   [1:50-2:00] - CIERRE Música se vuelve melódica y esperanzadora VISUALES: - La Oscuridad se retrasa, pero no desaparece completamente. Steven mira al horizonte, con determinación en el rostro. - Él y María se sientan en una colina, mirando el Salto Ángel al atardecer. MARÍA: "No será fácil..." STEVEN: "Lo sé. Pero no estaré solo." - Logo del anime: "SKYLLEX: EL LEGADO DE LOS MILENIOS" - Texto en pantalla: "PRÓXIMAMENTE"     ¡Así quedaría el trailer en formato anime! Incluye todos los elementos clave: la ambientación venezolana, la profundidad de las vidas pasadas de Steven, la relación con María, el misterio del chamán y la tensión de la amenaza. ¿Te gustaría que añadiera más detalles sobre los efectos visuales o la música específica de alguna escena? ¡También podemos pensar en frases de impacto para los anuncios! 🎬✨
# **MANGA — CHAPTER 1: THE UNKNOWN CREST** **Chapter Length:** ~45–55 pages **Style:** Clean fantasy lineart • strong lighting contrast • cinematic paneling --- ## **PAGE 1 (OPENING SPLASH)** **Full-page splash** A quiet classroom bathed in warm morning light. Dust floats in the air. Caption (top corner): **“Ordinary days don’t announce their end.”** --- ## **PAGES 2–5 — THE TEN STUDENTS** **Page 2** * Panel 1: Ayane solving equations effortlessly, chalk flying. * Panel 2: Ren smirking at a chess app on his phone (phone hidden under desk). * Panel 3: Mika sketching a horned monster—its eyes seem *almost alive*. **Page 3** * Panel 1: Haru stretching lazily at the back. * Panel 2: Yui asleep, sunlight on her face. * Panel 3: Shin typing rapidly, code reflected in his glasses. **Page 4** * Panel 1: Emi flipping flashcards, focused. * Panel 2: Daichi holding a mechanical puzzle. * Panel 3: Daiki leaning over, correcting him—twin synergy. **Page 5** * Panel 1 (wide): Sora staring out the window at the sky. * Panel 2 (close-up): Kaito’s notebook—**blank page**, only his name written. * Panel 3: Kaito’s eyes, observant but unsure. Caption: *“Everyone shines. Except me.”* --- ## **PAGES 6–8 — THE SUMMONING** **Page 6** * Panel 1: Classroom lights flicker. * Panel 2: Students look around, confused. * Panel 3 (low angle): Faint glowing symbols under desks. **Page 7** * Panel 1: Magic circle fully forms across the floor. * Panel 2: Wind explodes—papers and desks lift. * Panel 3: Students screaming as light engulfs them. **Page 8** * Full black page. Small white text in center: **“….”** --- ## **PAGES 9–12 — ANOTHER WORLD** **Page 9** * Panel 1: Kaito’s eyes snap open. * Panel 2: Cold marble beneath his hand. **Page 10** * Double-page spread: **Grand Summoning Hall**—crystal pillars, floating chandeliers, glowing runes. **Page 11** * Panels of knights surrounding them, weapons raised. * Students huddle together, panicked. **Page 12** * Tall figure steps forward—robes flowing. * Close-up of calm, ancient eyes. Caption: **“Archmage Eldorion.”** --- ## **PAGES 13–16 — THE TRUTH** **Page 13** * Eldorion explaining with a magic projection of the world cracking. **Page 14** * Visual metaphors: * A brain overlaid with magic circuits. * Symbols for logic, memory, creativity, empathy. Page 15 Students’ reactions—fear, determination, disbelief. Page 16 * Kaito silent in the back. Thought bubble: *“Intelligence… then why me?”* --- PAGES 17–26 — CREST AWAKENING **Page 17** * Crest Chamber revealed—massive, glowing apparatus. Pages 18–22 * Montage panels: * Crests manifesting clearly. * Fire, wind, light, calculation-based magic. * Chamber stable… controlled. Page 23 * Kaito steps forward. * Eldorion watching closely. Page 24 * The device flickers. * Runes shatter. * Darkness bleeds into the chamber. Page 25 Full-page spread: Kaito’s crest forming—**shifting, glitching, absorbing light. Page 26 * Eldorion’s shocked expression. Text (bold): “An Unknown Crest…? PAGES 27–34 — CONSEQUENCES** Page 27 * Outside the capital—alarm bells ringing. Page 28 * Rift tears open. * Massive silhouette emerging. Page 29 RIFT BEAST reveal—jagged, unstable form. Pages 30–32 * Students on battlements. * Some activate crests instinctively. * Minor monsters repelled. Page 33 Kaito trembling. His crest pulses faintly. Page 34 Magic around him stabilizes—cracks sealing without explosion. Others don’t notice. PAGES 35–40 — THE CHOICE Page 35 Eldorion shouting retreat orders. Page 36 Students pulling back. Page 37 Kaito watching the beast roar. Page 38 Close-up: fist clenched. Page 39 * He steps forward alone. * Air distorts around him. Page 40 * Crest glowing softly—*not violently*. --- PAGE 41 (FINAL PAGE — CLIFFHANGER) Full-page close-up Kaito’s calm eyes reflecting the Rift Beast. Bold text at the bottom: “If I can stop it… then I will.” NEXT CHAPTER PREVIEW “The First Battle — When Magic Breaks Its Own Rules."
A 14 year old boy named Takeshi Hanata gets his sword. His sword gets taken over by a demon and he must fight the demon to get it out of his sword.
um jovem negro que ganha seus poderes acidentalmente depois de um acidente, tem o poder de eletricidade raios e controlar a luz, outra contra bandidos pra proteger sua cidade da violência tema " Savage "
Blair is a young warrior in his mid 20s with a short beard and a short mustache. He has short brown hair and is 5'7. Lilith is the demon of lust, crimson skin with horns, demonic wings and sharp claws. Lilith is 6 ft tall, taller then Blair. The story starts with Blair infiltrating Lilith's castle. He makes his way to Lilith's throne room where he confronts her, sitting on her throne. Blair readies his sword, however Lilith is completely calm. She rises from her throne and walks towards him. She seduces him with her words, inviting him close to her, all he has to do is put down his sword. Blair puts down his sword, seduced by Lilith and makes his way to her. Lilith embraces Blair and the two kiss.
Ten thousand years after the Great Heaven War, the Dao has changed—and so has the world. Sects rule nations, flying swords fill regulated skies, and Heavenly Trials descend the moment a cultivator understands too much. In this late-stage cultivation era, power is institutionalized, ambition is monitored, and even righteousness is a political stance rather than a cosmic truth. Born into an ancient sword clan that chose adaptation over isolation, a young cultivator enters a second-tier righteous sect where talent is refined and the greatest disciples are sent upward to a Tier One power. But in a world where the Dao is endless and Heaven corrects imbalance without mercy, insight is more dangerous than strength. The path to immortality is uncertain. The Dao does not care about good or evil. And Heaven is always watching.
Lux Aster, a young mage with latent potential, awakens his Light magic into Celestial level magic. After surviving an encounter with the Supreme Primordial Erebo, an ancient embodiment of Primordial darkness. Instead of being consumed, Lux inherits fragment of Erebo's power. By fusing light and darkness, he achieve Astral Eclipse – a forbidden state where opposing energies exist as one.
पैनल 4 साहिल की छाती से हल्की चमक साहिल के अंदर एक जबरदस्त शक्ति छुपी हुई है। इतनी शक्तिशाली कि वह खुद भी उसे पूरी तरह संभाल नहीं पाता। Narration: “यह शक्ति वरदान भी है… और अभिशाप भी।”
Tassi Hangbé, la reine rossignol Sœur jumelle du roi Akaba, Tassi Hangbé, un peu oubliée par l’histoire, est la 5ème reine de la dynastie royale d’Abomey. Littéralement le nom hangbé signifie “la voix de la chanson” en langue fon d’Abomey. Depuis son enfance, celle qui n’était encore qu’une princesse du royaume avait pour passion la musique et chantait remarquablement bien. Avec ses belles chansons, elle égayait chaque soir les réunions entre son père et ses frères. L’histoire révèle même que les soirs où elle était absente, le roi et ses frères envoyaient des serviteurs l’appeler car ne pouvant se passer des douces mélodies de la princesse à qui le sobriquet ” hangbé ” fut donné. Cette appellation deviendra plus tard son nom officiel dans tout le royaume. La gouvernance de la reine Hangbé En 1708, alors que le roi Akaba meurt des suites d’une courte maladie pendant la guerre, sa sœur Tassi Hangbé présente à ses côtés décide de de garder le secret de sa mort pour ne pas démoraliser les troupes. Déguisée en son frère, elle prend le commandement de l’armée et mène les combats jusqu’à la victoire finale à Lissèzoun, où elle vainc le royaume de Wémè. À son retour à Abomey, le fils d’Akaba étant encore trop jeune pour régner, c’est Hangbé qui prend les rênes du royaume du Danxomè. Bien qu’aucune cérémonie officielle n’ait eu lieu, elle portait tous les symboles du pouvoir royal : les sandales sacrées (saloubata), le grand pagne décoré (avotita), la récade (mankpo). Reconnue et respectée comme souveraine, elle était toujours accompagnée du siège et du parasol royal. Elle recevait de tous le respect dû à son rang mais les réalités phallocratiques du royaume n’ont pas tardé à la rattraper. Le règne d’une femme dérangeait dans un contexte fortement dominé par les hommes. Au palais comme dans le reste du royaume, certains hommes manifestaient ouvertement leur indignation à l’idée de laisser une femme sur le trône de Houégbadja. Subissant complots et tensions familiales, qui lui coûtent notamment l’annulation de son mariage et la perte de deux fils, Hangbè finit par céder le pouvoir à son frère Dossou, intronisé en 1711 sous le nom d’Agadja. Malgré son règne très court, Tassi Hangbé reste une figure majeure de l’histoire du Danxomè. Proche de son peuple, attachée à la religion et aux arts, elle a surtout marqué son époque en mettant en valeur le rôle des femmes, notamment par la création du corps des Amazones, un héritage restructuré et renforcé par la suite plus tard par le roi Ghézo. Le combat féministe de la mère des amazones Selon Damien Mariano Agliti, guide à l’Office de tourisme de la région d’Abomey, « Tassi Hangbé a pris cette initiative pour donner une véritable place aux femmes au sein du royaume ». Son influence ne s’est pas arrêtée à ses quatre années de règne. Même après avoir quitté le trône, Nan Hangbé est restée une haute dignitaire respectée, intervenant activement dans les affaires du royaume — notamment lorsqu’elle s’opposa à son frère qui refusa de retourner le pouvoir au fils d’Akaba une fois celui-ci en âge de régner.Elle a aussi joué un rôle clé dans la reconnaissance des femmes dignitaires, appelées Tassi, facilement identifiables grâce à leurs pagnes souvent posés sur la tête. Aujourd’hui encore, à Abomey, une femme perpétue la tradition de la reine guerrière : elle occupe le trône de Tassi Hangbé, dirige les cultes annuels et veille sur les affaires de la collectivité Hangbé
CLIMATE X INDIGENOUS VOICES MAGAZINE EDITION – 2025 HIGHLIGHTS OPENING NOTE 2025 has been a defining year for Climate X Indigenous Voices — a year of deep listening, bold experimentation, and continent-wide action against climate disinformation. From grassroots fieldwork to global information integrity frameworks, this project has cemented itself as one of Africa’s leading voices on climate truth, Indigenous knowledge, and digital resilience. This edition captures the milestones, stories, and sparks that shaped our journey. FEATURE I — Foundations of a Movement Project Foundations & Ethical Community Partnerships Our year began where all great stories do — on the ground. Core teams were formed across Zimbabwe, Uganda, Kenya and regional media hubs, with contracts, TORs, and workflow structures firmly established. Early engagement with Indigenous partners — including the Tjwa community and others — ensured ethical collaboration, transparent consent, and storytelling shaped with communities, not about them. FEATURE II — Investigating the Climate Lie Machine Grassroots Disinformation Research In Matabeleland North, our field teams completed a landmark study with the Tjwa community. The research reveals how climate disinformation impacts resource access, daily decision-making, and community adaptation. These findings now anchor our content pipeline — from animations to community exhibitions — and the full report will be released on our public document-sharing platform. Africa Climate Disinformation Toolkit The continent’s first integrated guide to climate misinformation has been finalised. Led by an information integrity expert, the toolkit documents: Recurring myths Localised misinformation patterns Platform-driven manipulation Emerging online climate narratives Launching this December via webinar, the Toolkit already informs youth trainings and content strategy. It will be publicly accessible for download and reading. FEATURE III — Art as Resistance Art-Driven Dissemination Strategy From murals to exhibitions, 2025 strengthened the role of art in climate truth-telling. Community artists partnered with us to transform research into accessible, culturally rooted visual storytelling. A centerpiece was the exhibition inspired by The Last Forest documentary, showcased at the Green Cities Expo in September. FEATURE IV — Nurturing the Next Generation of Climate Truth Creators Green Media Accelerator: Fake News Fighters Track In Nairobi, the Green Media Accelerator launched a dedicated track for Fake News Fighters (FNF) — now one of Africa’s leading climate information integrity models. Through mentorship, fact-checking skills, and seed funding, FNF empowered young media innovators to produce verified, creative responses to climate lies. INFORMATION INTEGRITY HIGHLIGHTS Positioning Africa in the Global Info Integrity Landscape 2025 saw FNF align with the UNESCO Declaration for Information Integrity in the Public Sphere, marking a milestone for African-driven climate truth models. In 2026, FNF will contribute directly to shaping the world’s first Climate Information Integrity Framework, anchoring African solutions in global policy spaces. Fake News Fighters Bootcamps – Kenya & Uganda Using UKWELI as the core tool, two bootcamps trained 30 young creators to: Fact-check climate misinformation Detect platform manipulations Produce counter-narratives Map the real-world impacts of false climate stories These creators now feed into a continent-wide content pipeline. FEATURE V — Content, Storytelling & Digital Resistance Voices Rooted Podcast Production of the first episodes began this month. Key recordings include: Dr. Albert K. Barume, UN Special Rapporteur on the Rights of Indigenous Peoples Indigenous leaders and frontline climate defenders The podcast positions Indigenous wisdom at the centre of Africa’s climate discourse. Hope Not Heat! — Log Off The Lies Digital Campaign Bold. Satirical. Youth-driven. Log Off The Lies has become our strongest weapon against climate misinformation. Highlights: Infomercial launched in October — 2 million views Hero content released last week — 1.8 million views Youth social storm platform launched — 100+ engagements and counting Humour + fact-checking = sharper climate awareness among youth audiences This campaign now shapes the continent’s conversation on online climate manipulation. Influencer Travel Vlogs Travel and contracting with leading African vloggers is underway. Their content — spotlighting Indigenous adaptation stories — will be released early next year for wider impact. Documentary Production In Zimbabwe: Filming completed in August. Trailer for The Last Forest reached 2.5 million views. Festival submissions are being prepared for 2026. In Uganda: Filming has begun, expanding the documentary footprint across the region. A major national event is planned to engage policy makers on Indigenous Peoples' Rights, Conservation, FPIC and Extractive Industries. FEATURE VI — Youth Creativity & Climate Knowledge Climate Fake News Smackdown This creative competition invited youth to challenge climate myths. Three winners — one each from Zimbabwe, Kenya and Uganda — are now producing myth-busting content for release this month. Climate Facts Animations Three animated explainers are in production: Episode 1 releases on 10 December Episode 2 is complete Episode 3 follows early next year These animations demystify climate disinformation for youth audiences. FEATURE VII — Growing a Continental Network Africa Climate Labs Network Content hubs across East and Southern Africa are collaborating to build an Africa-wide front against climate disinformation. 2026 will deepen: Joint content planning Regular reporting Skill exchanges Coordinated distribution strategies Mid-term M&E is tracking reach, narrative shifts, and behaviour change across communities. SPECIAL RECOGNITION Fake News Fighters Wins Amnesty International Zimbabwe Award FNF received the Digital Creativity Award, affirming that information integrity is fundamental to climate justice. Without reliable information, communities cannot defend their rights, advocate for policy change, or hold powerful actors accountable. LOOKING AHEAD — 2026 AND BEYOND Next year, Climate X Indigenous Voices pivots from standalone outputs to continent-wide narrative influence. Key Priorities for 2026 Expanding UKWELI’s integration into broader African dialogues on climate truth and Indigenous resilience Strengthening the Fake News Fighters track for Zimbabwean and Tanzanian innovators Documentary production in Kenya and Tanzania A refreshed, more dynamic phase of the Hope Not Heat! campaign Strategic release of delayed content to maximise engagement 2026 will be the year the project scales from impactful storytelling to movement-level influence.