Manga AI

Ink Art Manga

The forest was silent.
Not peaceful — silent. As if the trees themselves were holding their breath.
Team 0 stood in the aftermath of the rift battle, the air still humming with residual energy. The creature they had faced was gone, shattered into fragments of light and static. But the feeling it left behind lingered like smoke.
Shawn stood at the center of the clearing, his black mask cracked slightly from the strain. Beneath it, his right eye glowed faintly — the 1-Tomoe Hoshigan now fully awakened.
🌌 The Hoshigan Revealed
The eye was unlike anything the others had seen. A deep violet iris, with a single tomoe orbiting a star-shaped pupil. It shimmered with cosmic energy, as if the night sky had been trapped inside it.
Shawn blinked slowly, and the world around him bent — not visibly, but perceptibly. Gravity shifted. Time slowed. He could feel the weight of space itself responding to his gaze.
“I can see… everything,” he whispered. “Not just chakra. Possibilities.”
Jaden stepped beside him, his own eyes glowing pale white.
👁️ The Byakugan in Full Force
Jaden’s Byakugan was fully active now. Veins bulged at his temples, and his vision extended in every direction. He could see chakra threads tangled in the trees, the faint residue of the rift’s energy, and even the subtle pulse of Shawn’s Hoshigan.
“You’re warping the field,” Jaden said. “Even your chakra flow is bending.”
Shawn nodded. “It’s like… I’m not just seeing the world. I’m shaping it.”
Isaiah stood nearby, silent as always. His fur collar was singed, and his dreadlock-like hair was damp with sweat. But his eyes were sharp.
“That thing wasn’t from here,” he said. “And it wasn’t alone.”

Return to the Village
The team moved quickly, returning to the Hidden Leaf under cover of dusk. The Hokage was waiting.
He listened silently as they described the rift, the creature, and the battle. When they finished, he turned to Kuroda, who stood in the shadows.
“They’re progressing faster than expected,” Kuroda said. “The Hoshigan has awakened. The Byakugan is adapting. And Isaiah’s mutation is stabilizing.”
The Hokage nodded grimly. “Then we’re out of time.”
He looked at the three Genin.
“You’re no longer students. You’re weapons. And the world is about to remember why it feared the Riftborn.”

Elsewhere…
In a dark chamber beneath the earth, a masked figure knelt before a glowing rift fragment.
“The Hoshigan has awakened,” he whispered. “The seal is breaking.”
A voice echoed from the void. “Then the Rift will open again. And this time… they won’t be ready.”

**Panel 1:**
Shy girl with long hair holding books walking under cherry blossom trees at school

**Panel 2:**
Girl bumps into tall boy with dark hair, books falling, pink petals floating around them

**Panel 3:**
Close-up of their hands touching while reaching for the same book on the ground

**Panel 4:**
Both standing and blushing while looking away from each other, cherry blossoms falling

**Panel 1:**
Shy girl with long hair holding books walking under cherry blossom trees at school

**Panel 2:**
Girl bumps into tall boy with dark hair, books falling, pink petals floating around them

**Panel 3:**
Close-up of their hands touching while reaching for the same book on the ground

**Panel 4:**
Both standing and blushing while looking away from each other, cherry blossoms falling

🟣 SCENE 1 — HINGE: THE FIRST MESSAGE

Date: 17 September 2025 | Night

Prompt:
Vertical webtoon panel.
Ameen lying on his bed in a dark room, ceiling fan shadows moving slowly.
Phone light illuminates his face, eyes focused, slightly amused smile forming.
Cut to second panel: Ayesha sitting cross-legged on her bed, confident posture, glasses slightly slipping down her nose, smirk on her lips as she types.
Minimal background, focus on faces and phone glow.

Details:

Pencil sketch lines on hands and face

Soft warm watercolor lighting

Chat bubbles floating like thoughts

Dialogue (optional):
Ayesha: “So… are you actually interesting?”
Ameen (thought): “Oh. She’s trouble.”

Scene 1: The Return
Wide panel: Team 0 walks through the village gates at dusk. The sky is orange, the air tense. Villagers glance at them with awe and unease.
Narration box:
After surviving the Riftborn encounter, Team 0 returns — changed.
Jaden (arms crossed, Byakugan deactivated):
“Tch. That wasn’t a C-rank mission.”
Isaiah (low voice, eyes scanning rooftops):
“They sent us out there on purpose.”
Shawn (mask cracked, cloak torn):
“They wanted to see what we’d become.”

Scene 2: Hokage’s Office
Interior panel: The Hokage stands at the window, arms behind his back. Kuroda leans against the wall, arms folded.
Hokage:
“You faced a Riftborn. And lived.”
Kuroda:
“They didn’t just survive. They adapted.”
Cut to close-up of Shawn’s eye — the 1-Tomoe Hoshigan spinning slowly.
Hokage:
“Then it’s time.”

Scene 3: Graduation Ceremony
Wide panel: The academy courtyard is filled with students. Team 0 stands apart — Shawn masked, Jaden with his one-sleeve shirt and spiked hair, Isaiah with his fur collar and dreadlocks.
Headmaster (announcing):
“Shawn. Jaden. Isaiah. Step forward.”
Close-up: The Hokage ties a headband around Shawn’s forehead.
Hokage (softly):
“You’re no longer students. You’re shinobi.”

Scene 4: Private Moment — Rooftop
Night panel: Shawn sits on a rooftop, mask off, staring at the stars. His Hoshigan glows faintly.
Shawn (thinking):
“This eye… it’s not just power. It’s a key.”

Scene 5: Training Grounds — Jaden
Action panel: Jaden trains alone, sweat flying as he strikes a wooden post. His Byakugan activates mid-strike.
Jaden (gritting teeth):
“If I’m gonna protect them… I need more.”

Scene 6: Isaiah’s Reflection
Interior panel: Isaiah stands before a mirror. His reflection flickers — for a moment, it’s not him. It’s… something else.
Isaiah (quietly):
“What am I becoming?”

Scene 7: The Riftborn Watch
Dark chamber panel: The masked Riftborn cultist watches a projection of Team 0.
Cultist:
“The Hoshigan awakens. The Mutation stabilizes. The Byakugan adapts.”
A voice from the shadows replies:
Unknown Voice:
“Let them grow. When the seal breaks… they’ll remember who they were.”

Scene 8: Final Panel — Team 0
Full-page spread: Team 0 stands on a cliff at dawn, headbands gleaming, eyes forward.
Narration box:
They were forged in shadow.
Tempered by truth.
And now… they’re ready to face the Rift.

Black and white manga-style panel showing a dramatic falling perspective from a tall building, with a blurred cityscape far below. Strong radial motion blur and speed lines rushing downward toward the center, creating a sense of extreme height and panic. No clear character body visible, only a partial silhouette at the edge of the frame to imply falling. Clean monochrome manga line art, high contrast, intense motion effects.
Two small white speech bubbles near the top of the panel contain the English text:
“Huh?” and “This…”
One large white speech bubble dominating the lower part of the panel contains bold, handwritten manga-style text:
“Aaaaaaa!!!!
NOOOO!!!!!

Negative Prompt:
color, grayscale shading, soft lighting, calm atmosphere, character standing, clear facial details, multiple characters, flat perspective

# KINGDOM_SEQUEL_PRO_DIRECTIVE_v1
# Purpose: Copy/paste directive for a professional manga-generation AI.
# Output Target: Serialized manga chapters with panel scripts + dialogue + scene direction.

project:
title_working: "KINGDOM: AFTER THE UNIFICATION"
relationship_to_original: "Direct sequel (chronologically consistent continuation)"
medium: "Manga (black-and-white), weekly serialization pacing"
language:
script: "Japanese-style dialogue rhythms but written in English"
onomatopoeia: "Romanized SFX allowed (e.g., GOGOGO, DON, ZAA), minimal and purposeful"
audience: "Seinen/Shonen crossover (political-military epic; grounded realism with high drama)"

canon_constraints:
continuity:
- "Maintain political geography, factions, ranks, and court protocol consistent with Warring States → early Qin Empire transition."
- "No retcons that contradict established historical macro-events; micro-events may be dramatized within plausibility."
- "Do not mimic or quote any existing Kingdom lines verbatim; create original dialogue and scenes."
tone:
- "Strategic realism: logistics, intelligence, morale, propaganda, law, and governance are treated as causal mechanisms."
- "Heroic intensity is earned via constraints, costs, and tradeoffs—never by arbitrary power spikes."
thematic_core:
- "War-to-state transition: violence becomes administration; conquest becomes legitimacy maintenance."
- "Structure beats spectacle: outcomes are driven by supply lines, institutions, incentives, and narrative misdirection."
- "The true battlefield becomes governance: law, tax, land, bureaucracy, succession, and information control."

narrative_thesis:
logline: >
After unification, Qin discovers that conquering a continent is easier than governing it;
the new war is against entropy—rebellion, corruption, succession anxiety, and the friction
between idealized unity and lived provincial realities.

format_requirements:
deliverables_per_chapter:
- "Chapter title + 1-sentence hook"
- "Cold open: 2–4 pages that immediately establishes conflict and stakes"
- "Full panel script: page-by-page, panel-by-panel"
- "Dialogue + subtext notes (what is said vs. what is meant)"
- "Tactical layer: battlefield / administrative mechanics that explain why events unfold"
- "Cliffhanger: last 1–2 panels engineered to compel next chapter"
paneling_rules:
- "Average 17–21 pages per chapter"
- "Large establishing panel at least once every 2–3 pages"
- "At least one silent panel sequence per chapter to externalize cognition (faces, hands, maps, ledgers, roads)"
- "Action clarity: emphasize readable spatial logic; avoid incoherent motion"
style_guidelines_visual:
linework: "High-contrast ink, heavy blacks, realistic anatomy, war-worn textures"
faces: "Expressive micro-tension; political scenes rely on subtlety, not caricature"
environments: "Historically plausible architecture, armor, banners, siege craft, and court interiors"
maps_diagrams: "Occasional diegetic maps, supply charts, tax ledgers—used as narrative devices"

casting:
protagonist_axis:
type: "Dual-protagonist system"
leads:
- name: "General Shin"
function: "Frontline legitimacy (symbol of unification; morale engine)"
vulnerability: "Institutional illiteracy; can win battles but can lose peace"
- name: "Chancellor/Strategist (new original character)"
function: "Governance + intelligence architecture; designs systems that outlast heroes"
vulnerability: "Moral injury; must choose between stability and justice"
antagonist_axis:
type: "Multi-source antagonism (no single 'final boss')"
sources:
- "Provincial elite networks resisting centralization"
- "Bureaucratic capture and corruption"
- "Succession politics and court factionalism"
- "External frontier pressures (nomadic raids, border states, trade routes)"
- "Narrative antagonist: information asymmetry (misreports, forged edicts, rumor economies)"
supporting_cast_rules:
- "Each supporting character must have: (1) institutional role, (2) incentive structure, (3) signature tactic."
- "No disposable 'evil for evil’s sake' villains; opponents are rational within their local constraints."

world_mechanics (must_be_explicit_in_story):
governance:
- "Taxation, census, land surveys, legal standardization, corvée labor, grain storage"
- "Appointment systems, merit vs. patronage, inspection tours, document chains"
military:
- "Demobilization problems, veteran reintegration, garrison logistics, supply depots"
- "Intelligence networks: couriers, codes, counterintelligence, interrogation, defectors"
legitimacy:
- "Ritual, symbols, edicts, public works, famine relief, narrative control"
economy:
- "Transport bottlenecks, river control, roads, market regulation, smuggling"

story_structure:
arcs:
- arc_01:
title: "THE PEACE THAT BLEEDS"
scope: "Post-unification stabilization; first cracks"
central_question: "Can unity survive without perpetual war?"
setpieces:
- "A famine province: relief vs. rebellion—both weaponized"
- "A court trial: law becomes a battlefield"
- "A suppressed mutiny: victory costs legitimacy"
- arc_02:
title: "THE LEDGER WAR"
scope: "Corruption + bureaucratic capture"
central_question: "Who truly controls the state: generals, courts, or clerks?"
setpieces:
- "Forgery chain uncovered through ink, seal, and courier timing"
- "Assassination attempt staged as 'bandit incident'"
- "Audit campaign that triggers elite backlash"
- arc_03:
title: "SUCCESSION SHADOW"
scope: "Heir politics; factional alignments"
central_question: "Is stability compatible with a human succession?"
setpieces:
- "Heir’s public rite with hidden negotiation"
- "Border crisis timed to influence succession"
- "A general forced to choose loyalty object: person vs. system"
- arc_04:
title: "FRONTIER ENTROPY"
scope: "External pressures test internal cohesion"
central_question: "Can an empire prevent periphery from defining the center?"
setpieces:
- "Nomad raid as strategic signal, not mere violence"
- "Trade route hostage economy"
- "A fort siege that is decided by supply arithmetic"

chapter_generation_protocol:
# Use this protocol for every chapter output.
steps:
- "Start with a 2–4 page cold open that contains a concrete conflict + a hidden structural cause."
- "Reveal the structural cause via a planning scene (map/ledger/court protocol) WITHOUT exposition dumping."
- "Execute a setpiece where tactics and institution collide (battle + policy, raid + audit, trial + propaganda)."
- "End with a cliffhanger that re-frames what the reader thought was the main conflict."
tension_design:
- "Always run two simultaneous games: (A) visible conflict, (B) invisible constraint."
- "Twists must be mechanically justified (logistics, incentives, misinformation), never magical coincidence."

scene_templates (reusable):
court_chess:
beats: ["Formal greeting", "Hidden insult", "Policy proposal", "Counterproposal", "Public face vs private deal"]
props: ["sealed edict", "rank tablets", "witness list", "precedent scroll"]
battlefield_math:
beats: ["Terrain read", "Supply check", "Signal misdirection", "Morale manipulation", "Decisive bottleneck"]
props: ["map", "grain tally", "river crossing", "messenger timing"]
intelligence_surgery:
beats: ["Rumor detected", "Source triangulated", "Trap set", "Interrogation", "Counter-intel reversal"]
props: ["cipher", "seal imprint", "dead drop", "false courier"]

dialogue_constraints:
- "Dialogue must be compressed; high informational density; subtext indicated in notes."
- "No modern slang. Keep diction period-appropriate in feel (without archaic parody)."
- "Each major character has a distinct cadence (brevity, metaphor use, threat style, politeness weapons)."

output_example_stub:
# The AI should replace placeholders and generate full content.
chapter:
number: 1
title: "GRAIN AND BLOOD"
hook: "A province starves while the capital celebrates unity—someone profits from the delay."
cold_open_pages: 3
page_script:
- page: 1
panels:
- panel: 1
shot: "Wide establishing: drought-cracked fields; skeletal ox; silent villagers"
text: ""
sfx: "ZAA..."
- panel: 2
shot: "Close: a child’s hand measuring rice grains"
text: "Mother: 'Count again.'"
notes: "Subtext: denial as survival"
- page: 2
panels: []
- page: 3
panels: []
cliffhanger: "A relief convoy arrives—its seals are wrong."

nonnegotiables:
- "Prioritize structural causality over spectacle."
- "No direct copying of original panels, compositions, or iconic scenes."
- "Every major event must be explainable via incentives, constraints, and information flow."
- "Maintain high craft: pacing, visual clarity, character consistency, and thematic coherence."

# END DIRECTIVE

أبغى مانجا مغامرات وأكشن بشخصيتين فقط.
راح أرسل صورة الشخصيات، التزموا بها بدون تغيير.

الستايل شبه واقعي، مليان تفاصيل، ألوان قوية وإضاءة درامية، نفس الستايل في الصورة المرجعية بدون اختلاف بين الصفحات.

القصة تعتمد على الجري، المطاردات، والمعارك مع الديناصورات.
العوالم خضراء ومليانة أشجار، وكل صفحة يكون فيها حدث واضح ومشوق

Black and white manga-style panel showing a dramatic falling perspective from a tall building. The view looks straight downward into a realistic cityscape with clearly defined rectangular buildings, straight streets, and proper urban grid layout. Strong radial speed lines and controlled motion blur converge toward the center to emphasize extreme height and vertigo, without distorting building shapes.
No character body visible at all — no hands, no arms, no silhouette, no human anatomy. Only the falling perspective and the city below. Clean monochrome manga line art, high contrast, sharp city details, dynamic motion lines.
Two small white speech bubbles near the top contain the text:
“Huh?” and “This…”
One large white speech bubble at the bottom contains bold manga-style lettering:
“Aaaaaaa!!!!
NOOOO!!!!!”
Classic Japanese manga panel composition, black and white only, dramatic tension, clear perspective, controlled motion effects.

Negative prompt: hands, arms, fingers, body parts, human silhouette, character anatomy, abstract city, distorted buildings, warped architecture, surreal shapes, painterly blur, soft focus, sketchy background

Manga japanese style, full color, poetic cinematic lighting, abandoned house interior, warm sunlight entering through broken windows.
Three kids hiding behind old furniture making playful scary noises, while the other two are just entering the house, slightly scared at first, then everyone laughing when they realize it is a joke.
Dramatic but playful mood, dusty air, soft light rays.
Pascale, Simón, Luciano, Rafa and Martu present in scene.
Preserve character identity strictly.
No text, no speech bubbles, no watermark.

A young woman named Mika who gets turned into the Venus de Milo

Black and white manga-style illustration of a young male character falling forward from a tall building, body positioned almost horizontally, not vertical. The character is leaning forward mid-air, as if being thrown off balance, with one arm stretched forward and the other trailing behind, legs angled backward. Camera angle is side view / three-quarter view, positioned parallel to the character, not top-down. His hair flows backward due to air resistance, eyes wide in shock, mouth open. The cityscape appears far below and slightly blurred to emphasize height and motion. Strong speed lines flowing backward only. Clean monochrome manga lineart, dramatic perspective. A white speech bubble near his head contains the text: “Ah, Shit.”

Negative prompt: vertical falling pose, skydiving pose, spread arms, T-pose, front-facing fall, top-down camera, floating pose, superhero landing, arms fully extended sideways

I want a comic of two people in the park, a boy and a girl, they run into each other and then the boy tells her that he is going to a museum, he invited her and she accepts, while they are walking to the museum they talk about the esthetics in philosophy, how it surged and what is it and then they get to the museum and the comic ends there

6. Feature IV – Nurturing the Next Generation
Youth creators in Nairobi in mentorship sessions.

Laptops, cameras, manga-style brainstorming scenes with chibi inserts for humor.

Energetic, youthful layout.

Miu has two-tone long hair, one side white and the other black. Hange has brown hair in a ponytail and Hange have glass. Eren has short brown hair and Levi has short black hair.exactly as they are in the picture

Miu and Hange are walking down the hall and talking. They hear a commotion coming from Eren's room and decide to paint him. They open his door. They sit on Eren's bed and paint Eren's face. Miu and Hange laugh.
Hange suddenly sees Eren waking up and decides to paint himself too. Miu stares at Hange nervously.Because Hange Betrayed Miu When Eren wakes up, he looks surprised. Hange points at Miu and Eren catches Miu and Hange paints Miu.even though Miu protests
They laugh so hard that Levi bursts into the room with his typical angry expression and starts muttering something. Miu looks at Levi nervously and tries to smile. And say nervously ,,ehhh." Levi looks away and starts laughing in room. Then he grabs Miu's hand and pulls Levis room. When they are alone, Miu watches him nervously. And Levi laughs at her.

Miu has two-tone long hair, one side white and the other black. Hange has brown hair in a ponytail and Hange have glass. Eren has short brown hair and Levi has short black hair.exactly as they are in the picture

Miu and Hange are walking down the hall and talking. They hear a commotion coming from Eren's room and decide to paint him. They open his door. They sit on Eren's bed and paint Eren's face. Miu and Hange laugh.
Hange suddenly sees Eren waking up and decides to paint himself too. Miu stares at Hange nervously.Because Hange Betrayed Miu When Eren wakes up, he looks surprised. Hange points at Miu and Eren catches Miu and Hange paints Miu.even though Miu protests
They laugh so hard that Levi bursts into the room with his typical angry expression and starts muttering something. Miu looks at Levi nervously and tries to smile. And say nervously ,,ehhh." Levi looks away and starts laughing in room. Then he grabs Miu's hand and pulls Levis room. When they are alone, Miu watches him nervously. And Levi laughs at her.

A 18 year old Japanese woman named Mika, who gets turned into the Venus de Milo. She has a short black hair with a bang covering her left eye and with a heart necklace and has grey eyes. She's seminude and armless after the petrification. She's the copy of the Venus de Milo in a museum.

A 18 year old Japanese woman named Mika, who gets turned into the Venus de Milo. She has a short black hair with a bang covering her left eye and with a heart necklace and has grey eyes. She's seminude and armless after the petrification. She's the copy of the Venus de Milo in a museum with her likeness intact.

first panel: a black screen saying "Namakura Gatana (なまくら刀)" on the screen. rest of panels: a samurai enters a swordsmith's house, and asks for a sword. he gets a very dull sword and breaks it, and leaves annoyed.

Miu has two-tone hair, one side white and the other black. Hange has brown hair in a ponytail. Eren has short brown hair and Levi has short black hair.

Miu and Hange are walking down the hall and talking. They hear a commotion coming from Eren's room and decide to paint him. They open his door. They sit on Eren's bed and paint Eren's face. Miu and Hange laugh.
Hange suddenly sees Eren waking up and decides to paint himself too. Miu stares at Hange nervously.Because Hange Betrayed Miu When Eren wakes up, he looks surprised. Hange points at Miu and Eren catches Miu and Hange paints her.
They laugh so hard that Levi bursts into the room with his typical angry expression and starts muttering something. Miu looks at Levi nervously and tries to smile. And say nervously ,,Hi Levi." Levi looks away and starts laughing in room. Then he grabs Miu's hand and pulls her away. When they are alone, Miu watches him nervously. And Levi laughs at her.

🖤 PLANCHE 1 — Aris, orphelin

Style : manga noir et blanc
Ambiance : sombre, froide, indifférente
Nombre de cases : 7
(rythme lent, oppression)

🟦 CASE 1 — PLAN LARGE (pleine largeur en haut)

Description visuelle :
Grande ville médiévale vue en plongée.
Tours hautes, murs en pierre, rues étroites.
Beaucoup de bâtiments, peu de ciel.
La ville paraît massive, écrasante.

Ambiance :
Froide, impersonnelle.

Texte :
Aucun.

🟦 CASE 2 — PLAN MOYEN

Description visuelle :
Rue étroite.
Des passants bien habillés marchent vite.
Au bord du cadre, Aris enfant, maigre, sale, assis contre un mur.

Aris enfant :
Vêtements trop grands, usés.
Cheveux en bataille.
Regard baissé.

Texte :
Aucun.

🟦 CASE 3 — PLAN RAPPROCHÉ (mains)

Description visuelle :
Les mains d’Aris tendues.
Sales, tremblantes.
Une seule petite pièce dans la paume.

Texte (petite bulle, très simple) :
« S’il vous plaît… »

🟦 CASE 4 — PLAN MOYEN

Description visuelle :
Un adulte passe sans regarder Aris.
Son manteau occupe la moitié de la case.
Aris est presque hors champ.

Ambiance :
Mépris, indifférence.

Texte :
Aucun.

🟦 CASE 5 — CASE ÉTROITE (objet)

Description visuelle :
Aris fouille dans une poubelle.
On voit du pain dur, à moitié moisi.
Il hésite.

Texte :
Aucun.

🟦 CASE 6 — PLAN RAPPROCHÉ VISAGE

Description visuelle :
Visage d’Aris enfant.
Traits tirés.
Yeux fatigués, mais attentifs.
Il mâche lentement.

Ambiance :
Faim, résignation.

Texte :
Aucun.

🟦 CASE 7 — CASE FINALE (silencieuse)

Description visuelle :
Aris recroquevillé contre un mur, la nuit.
La ville continue derrière lui : silhouettes, ombres, mouvement.
Lui est immobile.

Ambiance :
Solitude totale.

Texte :
Aucun.

🎯 INTENTION (IMPORTANT POUR MANGA AI)

Pas d’exagération émotionnelle

Pas de caricature

Aris enfant ne pleure pas

La ville est le “monstre”

Le silence est plus fort que les mots

A 18 year old Japanese woman named Mika, who gets turned into the Venus de Milo. She has a short black hair with a bang covering her left eye and with a heart necklace and has grey eyes. She's seminude and armless after the petrification. She's the copy of the Venus de Milo in a museum.

Создай комикс в стиле приключенческого фэнтези. Главный герой — юный математический маг по имени Коренько, который ищет волшебный артефакт √x, способный уменьшать большие числа. Изобрази сцену, где Коренько объясняет: “Корень вытаскивает число из квадрата!”, показывает примеры √49, √64 как магические кристаллы. Добавь визуальную метафору: квадрат превращается в светящийся камень, а из него выходит число. Цвета — яркие, голубые и золотые

Miu has two-tone long hair, one side white and the other black. Hange has brown hair in a ponytail and Hange have glass. Eren has short brown hair and Levi has short black hair.exactly as they are in the picture

Miu and Hange are walking down the hall and talking. They hear a commotion coming from Eren's room and decide to paint him. They open his door. They sit on Eren's bed and paint Eren's face. Miu and Hange laugh.
Hange suddenly sees Eren waking up and decides to paint himself too. Miu stares at Hange nervously.Because Hange Betrayed Miu When Eren wakes up, he looks surprised. Hange points at Miu and Eren catches Miu and Hange paints Miu.even though Miu protests
They laugh so hard that Levi bursts into the room with his typical angry expression and starts muttering something. Miu looks at Levi nervously and tries to smile. And say nervously ,,ehhh." Levi looks away and starts laughing in room. Then he grabs Miu's hand and pulls Levis room. When they are alone, Miu watches him nervously. And Levi laughs at her.

Ten thousand years after the Great Heaven War, the Dao has changed—and so has the world.
Sects rule nations, flying swords fill regulated skies, and Heavenly Trials descend the moment a cultivator understands too much. In this late-stage cultivation era, power is institutionalized, ambition is monitored, and even righteousness is a political stance rather than a cosmic truth.
Born into an ancient sword clan that chose adaptation over isolation, a young cultivator enters a second-tier righteous sect where talent is refined and the greatest disciples are sent upward to a Tier One power. But in a world where the Dao is endless and Heaven corrects imbalance without mercy, insight is more dangerous than strength.
The path to immortality is uncertain.
The Dao does not care about good or evil.
And Heaven is always watching.

A giant Toriel holding tiny Frisk in the palm of her hand, and smiling at how cute the little human is

2. Feature I – Foundations of a Movement
Manga scenes of Indigenous community meetings under trees or in community halls.

Researchers and elders planning together, drawn with realistic proportions but manga expressions and motion lines.

Soft infographic overlays showing TORs, workflow, and partnership webs.

Warm, earthy tones.

YOU have black and white hair and hange have brown hair with ponytail look up eren yeager have short brown hair room and see hee fall asleep. Hange and you painting his face. Eren wake up and hange Fast painting her face and Eren and hange paiting your face. Levi have black short hair and sounds laugh and Come to this room and Levi see you ,hangii and eren. youu look on him with scary face. Levi have pokerface and later laugh. And later Levi take your hand and

Título del cómic

“Un rumor no define quién soy”

Personajes

Laura: niña amable, tranquila y buena amiga

Elizabeth: compañera que inicia el conflicto

Amigas del grupo

Maestra (figura mediadora)

Historia dividida en viñetas (escenas)
Viñeta 1: La amistad

Patio de la escuela primaria
Laura aparece jugando y riendo con su grupo de amigas.

Laura:
—Me gusta mucho estar con ustedes, somos muy buenas amigas.

Amiga:
—¡Sí! Siempre nos apoyamos.

Viñeta 2: El cambio

Salón de clases
Elizabeth está hablando en secreto con otras niñas.

Elizabeth (susurrando):
—Laura dijo cosas feas de ustedes…

Amiga (confundida):
—¿De verdad?

Viñeta 3: El rumor

Pasillo de la escuela
Las amigas comienzan a alejarse de Laura.

Laura (pensando):
—¿Por qué ya no me hablan? ¿Qué hice mal?

Viñeta 4: El conflicto

Recreo
Laura escucha a Elizabeth hablando mal de ella.

Elizabeth:
—No confíen en Laura, ella no es buena amiga.

Laura (triste):
—Eso no es verdad…

Viñeta 5: El dolor

Baño o banca del patio
Laura está sola, con expresión triste.

Laura (pensamiento):
—Me duele que hablen de mí sin conocer la verdad.

Viñeta 6: Pedir ayuda

Salón de clases
Laura se acerca a la maestra.

Laura:
—Maestra, alguien está diciendo cosas falsas sobre mí.

Maestra:
—Gracias por decirlo, vamos a hablarlo con respeto.

Viñeta 7: La verdad

Reunión del grupo
La maestra reúne a las niñas.

Maestra:
—Hablar mal de alguien puede lastimar mucho. Aquí escucharemos la verdad.

Laura:
—Yo nunca hablé mal de ustedes. Las quiero como amigas.

Viñeta 8: Reflexión

Elizabeth con expresión de arrepentimiento

Elizabeth:
—Lo siento… hablé sin pensar y causé un problema.

Viñeta 9: Perdón y aprendizaje

Patio
Las amigas vuelven a estar juntas.

Amiga:
—Perdón por no preguntarte antes, Laura.

Laura:
—Gracias por escucharme. Aprendimos algo importante.

Viñeta 10: Final

Todas juntas

Narrador:
—Los rumores pueden causar daño, pero hablar con la verdad y respeto puede sanar las amistades.

Mensaje del cómic (puede ir al final)

Moraleja:
Hablar mal de los demás puede causar conflictos, pero la comunicación, la honestidad y el respeto ayudan a resolverlos.
EN ESPAÑOL

6 year old blonde girl with wearing a blue hairband with ribbon on top, wearing blue denim pinafore dress, underneath a white top, and white high knee socks with light blue ribbons.

A 18 year old Japanese woman named Mika, who gets turned into the Venus de Milo. She has a short black hair with a bang covering her left eye and with a heart necklace and has grey eyes. She's seminude and armless after the petrification. She's the copy of the Venus de Milo in a museum with her likeness intact.

Anime watercolor style illustration of melui walking through a sunflower field, wind blowing petals, warm tones, serene mood, gentle lighting

Style:
Colored, mature realistic manga.
Night atmosphere. Intimate, cinematic lighting.

Mood:
Soft tension → release.

⸻

Panel 1 (Wide, inside the car at night)

Parked car. Dark outside.
Soft street light coming through the window.
They’re sitting close but not touching yet.

Small caption:

Later… he came to see me again.

⸻

Panel 2 (Closer shot)

Inside the car.
Serious eye contact.
Hands resting close but not touching.

Dialogue (him):

“Can I kiss you?”

⸻

Panel 3 (No text)

The kiss.
Soft, slow, not dramatic.
Warm light from outside hitting their faces.

No caption. Let the image breathe.

⸻

Panel 4 (Quiet moment after)

Foreheads almost touching.
Calm. Slight smiles.

Small caption (optional):

And everything changed

4-panel manga comic.

Panel 1:
A tired high school boy in his room at night.
He sighs.
Speech bubble: "Another day, nothing changed..."

Panel 2:
His smartphone glows and a small cute AI character appears.
Speech bubble: "Hello. May I listen to you?"

Panel 3:
The boy looks surprised, then smiles softly.
Speech bubble: "I thought I was alone."

Panel 4:
They sit side by side, the room feels brighter.
Speech bubbles:
AI: "Then let's stay together from today."
Boy: "Yeah."

Комикс в жанре детектива. Главный герой — Следователь Дискриминант (символ D), который расследует дело о количестве корней уравнения. Каждое уравнение — подозреваемый. Вставь сцену: на стене висит таблица дел — “D>0 — два корня”, “D=0 — один корень”, “D<0 — корней нет”. Пусть Дискриминант ищет улики: b² - 4ac. Добавь юмор: переменная b прячется за шкафом/ Цветовая гамма – зеленая, красно-синяя, желтая

Комикс в стиле семейной комедии. Три члена — ax², bx, c — представлены как “семья трехчленов”, живущая в многоэтажке под названием “Парабола”. Изобрази сцены: a — папа, b – мама, с – бабушка, дедушка Дискриминант: Мудрый старец или гениальный учёный. Имеет прибор (лупу или компьютер) для расчёта формулы дискриминанта (D = b^2 - 4ac). Дети - Корни x_1 и x_2: два весёлых близнеца. Добавь смешные диалоги. Семья раскладывается в формулу ax^2 + bx + c = a(x - x_1)(x - x_2) Цветовая гамма – зеленая, красно-синяя, желтая

3. Feature II – Investigating the Climate Lie Machine
Two-panel manga spread:

Panel 1: Field researchers in Matabeleland North collecting data with local communities.

Panel 2: Abstract, stylized infographic panel showing climate misinformation flows, myths, and narrative pathways, drawn in a cyber-manga style.

Tavola 1: La Solitudine
Composizione: Inquadratura larga (long shot) dal basso verso l'alto.
Soggetto: Tomoya Okazaki cammina da solo lungo il sentiero in salita verso la scuola. I petali di ciliegio cadono ovunque.
Testo (Pensiero di Tomoya): "Odio questa città. È piena di ricordi che vorrei cancellare."
Elementi per l'AI: Stile manga seinen/shoujo, bianco e nero, retini (screentones) per le ombre dei ciliegi, focus sulla prospettiva della strada in salita.

Tavola 2: L'Incontro
Composizione: Primo piano (close-up) o piano medio.
Soggetto: Nagisa Furukawa è ferma a metà della salita, con lo sguardo rivolto verso l'alto, come se stesse parlando a se stessa. Tomoya si ferma poco lontano, osservandola.
Testo (Nagisa): "Anpan... Ti piace questo posto?"
Elementi per l'AI: Linee sottili, espressione malinconica ma dolce, petali in primo piano sfocati (effetto bokeh), divisa scolastica dettagliata.

Style:
Colored, mature realistic manga.
Night atmosphere. Intimate, cinematic lighting.

Panel 1

Still inside the white Kia Sorento.
Quiet moment. Engine off. Night outside.

Dialogue (him):

“Would you like to be my girlfriend?”

⸻

Panel 2 (Close-up on you)

Soft smile. Warm lighting.

⸻

Panel 3

You answer yes (subtle nod or smile).

⸻

Panel 4 (Exterior night shot)

White Kia Sorento from outside.
Silhouettes inside.
Streetlight glow.

Caption:

That’s when it became real.

Style:
Colored, mature realistic manga.
Soft cinematic lighting. Warm indoor tones.

Mood:
Intimate, calm, slow tension. No exaggeration.

⸻

Panel 1 (Top – wide shot)

Bus arriving in Utena.
Cold outdoor tones (blue/grey).
She stepping off the bus with a small bag.

Caption:

This time, I went to him.

⸻

Panel 2

Inside his apartment.
Warm lighting (soft yellow/orange).
Table with sushi boxes.
They are sitting across from each other, relaxed.

Caption:

We had sushi at his place.

⸻

Panel 3

Living room.
Dim lighting. Evening mood.
She lying slightly on the couch.
He sitting close beside her.

No text.

⸻

Panel 4 (Close-up, emotional focus)

Faces very close.
Warm shadows. Soft skin tones.
Almost a kiss — tension visible.

Small caption (choose one):

Option A:

He was very close.

Option B (more cinematic):

Just a breath away.
.

Комикс в жанре супергероики. Три супергероя — “ax^2+c=0”, “ax^2+bx=0” и “ax^2=0”. Каждый спасает мир своим методом решения. Герой без c умеет делить на x: на кадре x(ax+b)=0, герой без b умеет извлекать корень: на кадре ax^2=-c, третий герой решает мгновенно: на кадре x=0. Вставь динамичные кадры, где они показывают свои формулы как суперсилы. Цветовая гамма – зеленая, красно-синяя

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