Elegant Atmosphere Manga

**Panel 1:** Shy girl with long hair holding books walking under cherry blossom trees at school **Panel 2:** Girl bumps into tall boy with dark hair, books falling, pink petals floating around them **Panel 3:** Close-up of their hands touching while reaching for the same book on the ground **Panel 4:** Both standing and blushing while looking away from each other, cherry blossoms falling
🖤 PLANCHE 3 — Le temps insiste Fonction narrative : transition Style : manga noir et blanc Ambiance : répétition, fatigue, hiver intérieur Nombre de cases : 6 Âge Début de planche : 7–8 ans Fin de planche : 12–13 ans 👉 Le saut se fait visuellement, sans texte explicatif. Tenue (CONSTAMMENT LA MÊME) haut type kimono simple, blanc à l’origine, très sale pantalon large déchiré pieds nus vêtements trop grands au début, un peu moins à la fin 👉 Même tenue = le temps passe, pas les moyens. 🟦 CASE 1 — PLAN MOYEN (début) Description visuelle : Même mur que la planche 2. Aris enfant (7–8 ans) est assis au sol, dos au mur. Une affiche devant lui. Il essaie encore de lire. Ambiance : Déjà-vu. Texte (petit, hésitant) : « m… a… » 🟦 CASE 2 — PLAN SERRÉ (détail) Description visuelle : Ses doigts sont sales, un peu abîmés. Ils suivent maladroitement une ligne de texte. Ambiance : L’effort est réel, le résultat nul. Texte : Aucun. 🟦 CASE 3 — PLAN MOYEN (ellipse) Description visuelle : Même mur. Même posture. Mais Aris est un peu plus grand (10–11 ans). Les affiches ont changé, se sont accumulées. Ambiance : Le monde avance. Lui, à peine. Texte : Aucun. 🟦 CASE 4 — PLAN SERRÉ (visage) Description visuelle : Aris 12–13 ans. Traits plus tirés. Regard fatigué. Il lit lentement, syllabe par syllabe. Texte (haché, lent) : « mar… ché… pa… » 🟦 CASE 5 — PLAN MOYEN Description visuelle : Aris s’arrête. Il ferme les yeux. Sa tête touche le mur. Ambiance : Épuisement, pas abandon. Texte : Aucun. 🟦 CASE 6 — CASE FINALE Description visuelle : Aris se relève et s’éloigne. Il est maintenant adolescent, plus grand, toujours maigre. Le mur est couvert d’affiches. Ambiance : Il n’a pas gagné. Mais il n’a pas arrêté. Texte : Aucun. 🎯 Ce que cette planche fait (important) montre la durée justifie la lecture plus tard prépare la planche 4 (les livres jetés) renforce le caractère obstiné d’Aris aucune victoire
Première scène d’une histoire isekai en style webtoon japonais / manga. Une classe de lycée entière (environ 70 élèves) est soudainement téléportée dans un autre monde. Les élèves portent des uniformes scolaires couleur café, certains sont choqués, d’autres effrayés, certains tombent au sol, d’autres se regardent sans comprendre. L’environnement est étrange et fantastique : ciel irréel avec des couleurs inhabituelles, lumière mystique, sol inconnu, légère brume magique autour du groupe. L’atmosphère est tendue et dramatique, sentiment de confusion, de peur et d’incompréhension. Au centre de l’image, un petit groupe d’élèves se démarque légèrement, comme des futurs personnages importants. Style artistique : Korean webtoon + Japanese anime, haute qualité, traits nets, ombrages doux, expressions faciales très détaillées. Éclairage cinématographique, lumière surnaturelle venant du ciel, tons dramatiques. Composition dynamique, vue semi-large pour montrer le groupe et le nouveau monde. Ambiance : début d’une aventure sombre, mystérieuse et dangereuse.
Black-and-white dark manga page, 4 panels, slow psychological pacing. Panel 1: Takashi Kenta lying on his bed at night, holding phone above his face. Handsome face, sharp jawline, silver eyes glowing from phone light. Messy room, dark walls, urban loneliness. Large dialogue bubble: "Another night… just me and this screen." Panel 2: Side view close-up of Kenta scrolling endlessly. Soft shadows contour his attractive face. Large thought bubble: "I don’t even remember what I’m looking for anymore." Panel 3: Extreme close-up of Kenta’s silver eyes, reflective, tired but beautiful. Narration box (large): "Time moved, but he stayed still." Panel 4: Phone screen showing a chess CHECKMATE. Kenta’s lips slightly curved in a quiet smile. Large dialogue bubble: "At least here… I’m not invisible."
close-up of a young man touching his head with one hand, messy black hair, tired eyes looking downward, subtle sadness on his face, light sweat on his temple, quiet and calm mood, soft shadows, minimal background, emotional stillness manga thought bubble (inner monologue): “That dream again…” inal manga panel, same young man, same facial features and expression, slightly lifted head, mouth slightly open as if speaking softly, calm and composed demeanor, seated on the bed, relaxed posture, empty negative space for narration box, balanced composition, peaceful contrast after fear narration box text: “That same dream. It’s already the third time this week.”
Role / Style Instruction (keep at top): You are a professional black-and-white manga artist illustrating a finished manga page. Follow panel composition, camera direction, tone, and pacing exactly. Do not redesign characters or alter story content. PAGE GOAL Establish a calm fantasy village where magic is ordinary, subtly introduce social distance around the main character, and clearly define his relaxed, grounded personality. The page should feel warm and normal, with an underlying sense of quiet separation. PAGE LAYOUT One large horizontal establishing panel at the top Two stacked panels beneath it Clean gutters Natural left-to-right reading flow No extreme angles, no dramatic effects PANEL 1 — ESTABLISHING THE WORLD Wide village street in the morning. Warm light. Lived-in fantasy environment. Show everyday magic, treated as routine: A baker flicks a small controlled flame from his fingertip like striking a match Water floats smoothly into jars, shaping itself gently A woman calmly pulls glowing thread from thin air; it spins briefly before wrapping neatly onto a spool No one reacts to the magic. This is normal life. Dialogue placement (light, unobtrusive): Villager 1: “Morning already? Wind’s lively today.” Villager 2 (smiling): “Better than yesterday. Fire mage nearly burned the stall again.” Magic should feel subtle and practical, not flashy. PANEL 2 — THE WATCHING EYES Kaisen Lorenin walks down the street with dual swords crossed on his back. He is centered, walking calmly. Villagers are half-hidden: Faces peeking from doorways and windows Eyes visible before mouths Whispering posture Composition should isolate Kaisen within the crowd. Dialogue (small, quiet speech bubbles): Villager 3 (whispering): “That’s Lorenin’s boy.” Villager 4: “He got time magic, right?” Villager 3: “…Yeah. Something like that.” PANEL 3 — KAISEN’S RESPONSE Close-medium, three-quarter view of Kaisen. Relaxed posture Genuine, casual smile Small wave No visible magic Clean background with fewer villagers This panel belongs entirely to him. Dialogue: Kaisen: “Morning.” CHARACTER NOTES (DO NOT ALTER) Kaisen Lorenin: calm, approachable, grounded, no visible magic use Dual swords on his back at all times No dramatic expressions yet TONE & STYLE Black and white manga style Clean linework Minimal effects Subtle shading Realistic proportions Calm pacing Magic integrated into daily life IMPORTANT CONSTRAINTS Do NOT add extra characters Do NOT change dialogue Do NOT add dramatic magic effects Do NOT make villagers openly hostile Do NOT change panel layout This page should feel peaceful, normal, and quietly distant.
🟣 SCENE 1 — HINGE: THE FIRST MESSAGE Date: 17 September 2025 | Night Prompt: Vertical webtoon panel. Ameen lying on his bed in a dark room, ceiling fan shadows moving slowly. Phone light illuminates his face, eyes focused, slightly amused smile forming. Cut to second panel: Ayesha sitting cross-legged on her bed, confident posture, glasses slightly slipping down her nose, smirk on her lips as she types. Minimal background, focus on faces and phone glow. Details: Pencil sketch lines on hands and face Soft warm watercolor lighting Chat bubbles floating like thoughts Dialogue (optional): Ayesha: “So… are you actually interesting?” Ameen (thought): “Oh. She’s trouble.”
"Manga page, black and white ink style. Naoto and Nagatoro are on their first date. Naoto is looking confident and holding Nagatoro's hand. Nagatoro is blushing intensely with a 'tomato face', looking extremely embarrassed but happy. High contrast, screen tones, school setting or city background, Nanashi art style." ## Título do Conto: "O Primeiro Passo (Sem Recuar)"## Quadro 1: A Espera * Cena: Naoto (Senpai) está parado sob um relógio de estação de trem. Ele está sem os óculos (usando lentes) ou com óculos novos, vestindo uma jaqueta jeans sobre uma camiseta branca. Ele olha o celular ansiosamente. * Dica para IA: Manga style, wide shot, Senpai from Nagatoro-san, casual clothes, waiting at a train station, nervous expression, cherry blossom petals in the air, 2D black and white ink. ## Quadro 2: A Chegada "Noodle Arms" * Cena: Nagatoro aparece por trás dele. Ela está com um look "girly" (saia plissada e blusa de ombro caído). Ela faz aquela pose clássica com os braços moles (noodle arms) e uma expressão de deboche, apontando para ele. * Diálogo: "Paaa-re-ce que o Senpai nojento resolveu se esforçar hoje! Que assustador!" * Dica para IA: Nagatoro-san, tan skin, noodle arms pose, teasing smile, cute casual outfit, manga screen tones, expressive background. ## Quadro 3: A Reação Inesperada * Cena: Close-up no rosto do Naoto. Em vez de gaguejar e olhar para o chão, ele olha diretamente nos olhos dela, com um sorriso leve e determinado. * Diálogo: "Eu queria estar bonito para o nosso primeiro encontro, Hayase." (Uso do nome próprio para causar impacto). * Dica para IA: Close-up, Naoto Hachiouji, confident smile, blushing slightly, intense gaze, manga aesthetic, focus on eyes. ## Quadro 4: O Choque do "Tomate" * Cena: Nagatoro "quebra". A provocação some instantaneamente. Ela fica completamente vermelha, com fumaça saindo da cabeça, cobrindo a boca com a mão e desviando o olhar. * Onomatopeia: SHYAAA! (Som de rubor intenso) * Dica para IA: Nagatoro-san, extreme blushing, embarrassed expression, hands covering face, steam coming from head, manga comedy style. ## Quadro 5: O Elo (O Momento do Storyboard) * Cena: Plano detalhe (close-up) das mãos. Naoto estende a mão e a Nagatoro, ainda trêmula e olhando para o lado, entrelaça os dedos nos dele. É um aperto de mão firme, não um toque acidental. * Dica para IA: Close-up on hands, boy and girl holding hands tightly, interlaced fingers, manga line art, emotional atmosphere, focus on the grip. ## Quadro 6: Caminhando Juntos * Cena: Visão de costas dos dois caminhando em direção ao centro da cidade/parque. Nagatoro está com a cabeça levemente encostada no ombro dele, e ele está com uma postura ereta e orgulhosa. * Pensamento do Naoto (balão de pensamento): "O arco da provocação acabou... agora começa o nosso." * Dica para IA: Rear view, couple walking away, holding hands, urban manga background, sunset lighting, cinematic manga panel.
A cinematic realistic video of two young university girls sitting together in a calm cozy setting (like a dorm room or a quiet café). One girl is speaking emotionally and warmly, telling a heartfelt story about friendship. She is expressive, natural, and speaks with soft hand gestures and emotional facial expressions. The second girl is listening silently. She does not speak. She reacts only with facial expressions and eye contact: soft smiles, subtle emotional reactions, occasional eye contact, and visible affection and attentiveness toward her friend. The atmosphere is emotional, warm, nostalgic, and intimate, like a deep friendship moment being shared. The speaker is telling a story in Arabic (Egyptian dialect), full of emotion and sincerity. Camera is medium shot, slightly cinematic, soft lighting, shallow depth of field, warm tones, realistic skin details, natural movement. No text on screen, no subtitles. Focus on emotional connection between the two girls: one narrating, one listening with meaningful reactions. Story by character 1 قصة صداقتنا من ناحيتي أنا كان أول يوم ليا في الجامعة. كنت نازلة بعد بداية الدراسة بكام يوم، وده لوحده كان كفاية يخليني حاسة إني تايهة شوية. المكان كان كبير، والوجوه كلها جديدة عليّ، ومكنتش عارفة أروح فين بالظبط. كنت بحاول أبين إني فاهمة الدنيا ماشية إزاي… بس الحقيقة إني كنت تايهة. وفجأة قابلتها. كانت أول شخص أقابله هناك. سألتني عن اسمي، واتكلمت معايا ببساطة كأن الموضوع عادي جدًا، وبعدها دخلتني جروب الدفعة. وقتها أنا ما اهتمتش أوي بالموضوع. اعتبرته موقف عادي من حد لطيف… وخلاص. لكن بعد فترة، لما بدأت أتعرف على الشلة كلها، بدأت آخد بالي منها أكتر. كنت دايمًا ببصلها من بعيد. شخصيتها كانت مختلفة عني جدًا… حضورها واضح، وطريقتها مع الناس سهلة، وكأنها تعرف تتعامل مع أي حد. وده خلاني أحس وقتها إننا غالبًا عمرنا ما هنبقى قريبين. لكن الحقيقة اللي ما قلتهاش لحد وقتها… إني كنت أتمنى العكس. كنت أتمنى، ولو بشكل صغير، إننا نعرف نبقى أصحاب. الغريب إني لما رجعت بعد كده أبص على الصور والذكريات، اكتشفت إن اننا قربنا واحدة واحدة من غير محد فينا يدرك ده حصل امتي. بس انا هتكلم عن اليوم اللي أنا دايمًا بعتبره بداية حقيقية لعلاقتنا. كنت بتكلم معاها بشكل عادي، وقلت لها حاجة بسيطة جدًا: إني بحب الاهتمام. ما كنتش بقولها كطلب… ولا كنت متوقعة رد فعل معين. بس الغريب إن اليوم كله كان كله حواليا بطريقة دافية جدًا. هي كانت فعلاً مهتمة بكل التفاصيل الصغيرة، بتسأل، بتلاحظ، وبتفتكر حاجات قلتها قبل كده. حسيت وقتها إن يومها كله متمحور حواليا… مش بطريقة تقيلة، بس بطريقة خفيفة ولطيفة. افتكرت الجملة اللي قلتها… وحسيت إن حد أخذها بجد. اليوم ده خلاني مبسوطة جدًا، وممتنة بشكل يمكن ما قولتهش وقتها. يمكن متكتنش هي أول حد يعرف يفهمني، بس هي كانت مختلفة. كانت دايمًا قادرة تبهرني بأفعالها من غير ما تقول حاجة. كانت دايمًا تعرف تفرق بين إني هادية عادي و بين اني مختفية و مش كويسة. وكانت دايمًا بتعمل اللي أنا محتاجاه حتى قبل ما أفكر فيه… ومعرفش إزاي كانت بتعمل ده بصراحة. كانت فيها كل التفاصيل اللي كنت أتمنى تكون موجودة في شخص واحد. عشان كده لما قولتلها: "إنتي دعوة على شكل إنسان" ماكنتش بهزر… كنت أقصد ده بجد. المواقف بتاعتها متتعدش… مهما حاولت أشرح، مهما قلت، هيفضل قليل على اللي هي قدمته فعليًا. ومع الوقت، علاقتنا اتطورت لدرجة إننا بقينا تقريبًا بنقضي يومنا كله سوا… في الكول، وإحنا بناكل، وإحنا بنذاكر، وإحنا بنعمل أي حاجة مع بعض… لحد النوم. كانت أيام حقيقي، من أجمل الأيام اللي بتمنى ترجع تاني. صحيح، من بعد التخرج والشغل والانشغالات، بعدتنا عن بعض شوية… كنت عارفة إن الوقت ده هييجي، بس ده مضايقني أوي… مش منك، بس عشان مبقتش موجودة دايمًا زي الأول. مع ذلك، أنا لسه ممتنة جدًا لوجودك، وعارفة إن علاقتنا لسه زي ما هي… وأكيد لسه بحبك زي الأول… وأكتر. إنتي طول الوقت في بالي، وبفرح أوي لما تقولي إنك كمان كنتي بتفكري فيا. مظنش إني هكون محظوظة كفاية إني أقابل حد زيك تاني… لأنك مفيش منك أصلاً. وكده كده، أنا مش عايزة غيرك. وفي النهاية، أحب أقولك إنك دايمًا كنتي في نظري أرق وأحن حد قابلته في حياتي. بحبك يا أحلى شريرة شوفتها في حياتي… وأجمل ENFJ في الدنيا. دلوقتي بقي جيه الدور عليكي تحكي القصة من وجهة نظرك مستية ده جدا ♥
The neon sign above the trailer buzzed with the irritable hum of a dying insect. It read Ground support, thought the 'U' in ground was flickering out, Leaving the company to announce itself as Grond Support. It fit the aesthetic of the surrounding yard, which was a graveyard of rust excavators, Coils of orange conduit and piles of gravel that looked like forgotten burial mounds. Alex Barry stood at the Chain-link gate, the dust of three state lines coating his black cowboy boots. He was twenty-one, but the shadows under his eyes belonged to a man twice his age. He ran a hand through his short, cropped black hair, wincing as his shirt sleeve rode up. The ink on his forearm, a jagged tribal design he'd gotten in a basement parlor in New Mexico. Hidden again as he yanked the fabric down. He wasn't dealing today, He wasn't running packages. He was trying to vanish and the best place to disappear was beneath the earth. He pushed open the door to the office trailer. The air conditioning hit him like a physical blow, smelling of stale coffee and toner. “We aren’t buying whatever your selling, kid.” a voice rasped from behind a desk that looked more like a barricade of paperwork. Shane, the owner sat there like a toad on a lily pad. Squeezed into a polo shirt so tight and pristine white that it looked like it had been painted onto his soft, round torso. He didn't look up from his spreadsheet, his pen tapping a frantic rhythm. “I'm not selling,” Alex said his voice rough from days of silence. “I'm looking for work. Sign out front says you need laborers.” Shane finally looked up his eyes narrowing as they swept over Alex. He took in the dust, the nervous energy the way Alex stood with his weight on his back foot, ready to bolt. “I need laborers, Not liabilities. You got a rap sheet? You look like you got a rap sheet. I don't pay for insurance risks.” Alex clenched his jaw. “I work hard. I don't ask questions. That's my resume.” Shane waved his hand. “Get lost,” Returning to his papers. “Go peddle your drama somewhere else. This is a respectable establishment. Alex turned to leave, his hand gripping the doorknob. It was the same old story. The world saw the grim on him and assumed he was trash. He was about to step back out into the scorching heat when the light in the doorway was suddenly eclipsed. A mountain of a man blocked the exit. This was steel At forty-four, he was a wall of muscle and scar tissue, wearing biker boots that clunked heavily against the cheap linoleum. He had to duck to enter the trailer, his presence immediately sucking the oxygen out of the room. He smelled of diesel and wet earth. Steel looked down at Alex. It wasn't a glare, It was an inspection. He looked at Alex's face, then down to the dusty cowboy boots. “Nice boots,” Steel rumbled. His voice sounded like gravel tumbling inside a cement mixer. Alex didn't flinch “They walk fine.” Steel smirked, a terrifying expression that somehow reached his eyes, He looked past Alex to the man at the desk. “Hire him, Shane.” Shane sputtered, his face turning a shade of indignity pink. “Steel, look at him! Hes a stray. Probably steal the copper wire first chance he gets.” Steel steps closer to the desk. “Kid wears boots like that, he ain't running from work,” Steel said just as another figure steps inside. If steel was a mountain, Mathew was the sapling growing on the cliff edge. The Nineteen Year old squeezed past Steel. Carrying a hydraulic pump over his shoulder with effortless, wiry strength. Long blond hair flowed out from under a hardhat that had been modified with a wide brim, making it like a plastic Stetson. “Morning,Shane! Morning, Steel!” Mathew chirped, his smile bright enough to crack the cynical atmosphere and eyes as red as a lava pit. He dumped the pump on the floor and looked at Alex. “Who's the fresh meat?” “This is Alex,” Steel said deciding the matter was settled. “Hes on the shovel crew.” Shane slams his hand on his desk. “I didn't agree to this!” Steel just crosses his massive arms, not even phased by Shane's outburst. “We're down two guys on the sewer lateral downtown. Unless you want to come down into the trench and hold the shoring Shane?” Shane paled at the thought of actual labor. He grumbled, pulling a clipboard from the stack. “Fine, Minimum wage. No benefits and if you die, you're fired before the ambulance gets there. Fill this out.” Alex took the clipboard. His hands were shaking slightly, not from fear but from the sudden jarring realization that he had stopped moving. He looked at Steel, who was watching him with a knowing intensity. “Ever dig a hole, Alex?” Steel asked. “I've dug plenty,” Alex said quietly. Mostly to hide things sometimes to hide himself. “Good,” Steel clapped a hand on Alex's shoulder, the weight of it nearly buckling the young mans knees. “Because that's what we do, We fix the rot underneath the city so the people up top can pretend the ground is solid. Welcome to the Family, Kid.” Mathew tipped his hardhat. “Don't worry Alex, stick with me. I'm a prodigy. I'll teach you the art of mud.” Alex looked at the three of them- The mister, The giant and the farm boy. It was a circus, a freak show of underground construction. But he looked at the pen in his hand, Alex realized for the first time in five years he wasn't holding a weapon or a bag of product. He was holding a future.
The glass walls of the fifty-second floor boardroom trapped heat like a greenhouse. Outside, the October sun hung low and unforgiving in a cloudless sky, casting long shadows across the polished table where twelve people sat, not speaking. They were strangers fashioned into colleagues by corporate necessity, each one holding their breath a little longer than natural, each one aware of being silently assessed by the others. In corporate America, the watching began long before the speaking. It was a dance of eyes—quick, darting glances followed by studied indifference. A man at the far end tapped his pen against the rim of his coffee cup, the sound precise and mechanical. A woman near the door folded the corner of her presentation notes, creasing it with her fingernail, then unfolding it, then folding it again. Small betrayals of nerves that everyone noticed and no one acknowledged. They waited for the meeting to begin, for someone to break the silence that had stretched like an elastic band between them. The tension wasn‘t personal—it was structural, built into the very architecture of ambition. In places like this, people became careful studies of one another: the way a colleague‘s smile didn’t reach their eyes, how another‘s handshake lingered a moment too long, the slight tremor in a supervisor’s voice when discussing quarterly projections. The human mind was designed to notice patterns, to sort signal from noise. In the corporate wilderness, this instinct sharpened to a knife’s edge. They watched for weakness the way wolves watched for limping deer. A woman in charcoal gray—her suit expensive but not ostentatious—checked her watch, the gesture so subtle it might have been a twitch. The room registered it anyway, a collective awareness that time was being measured. She had mastered the art of presence without performance, of being seen without seeming to seek attention. In the strange economy of office politics, this was a rare and valuable currency. Across the room, a man sat perfectly still. His stillness was different from the frozen anxiety of the others; it was deliberate, practiced, the stillness of someone who had learned that motion often revealed more than it accomplished. He watched the room with eyes that missed nothing and gave away less. When he blinked, it seemed deliberate, as if even this involuntary function had been brought under his control. Outside the windows, the city spread out like a circuit board, connections running between glass towers, power flowing invisibly between nodes of influence. Inside, the air conditioning hummed at the edge of hearing, a white noise that covered the sound of breath, of swallowing, of the small adjustments people made in their seats as they waited. People existed in layers. The surface layer was what they showed in meetings like this—composed, professional, appropriate. Beneath that lay the calculations, the chess moves planned three steps ahead. And deeper still were the private histories that shaped each person’s reactions, the accumulated weight of past failures and successes, the scars and hopes they carried silently beneath their skin. Sometimes the layers bled into each other. Sometimes a crack formed in the careful facade, and something true leaked out—a flash of genuine anger, a moment of unexpected vulnerability, a laugh that wasn’t carefully modulated for the corporate environment. These moments were rare and often missed, except by those who had trained themselves to notice. The quality of attention varied from person to person. Some watched others only for what they could use or avoid. Some watched out of habit, a defensive posture developed through years of professional survival. And some—the rarest kind—watched with a genuine curiosity about the complex interior lives behind the professional masks. In the boardroom, a phone buzzed. The sound cut through the silence like a knife, and twelve pairs of eyes reflexively checked their devices, though only one had received a message. This momentary disruption released something in the room. A man cleared his throat. A woman straightened a stack of papers that was already straight. They were grateful for the small permission to move, to exist a little more fully in their bodies. The door opened. The CEO walked in, followed by two assistants carrying tablets and folders. The atmosphere shifted instantly, everyone sitting straighter, faces arranging themselves into expressions of attentive interest. This, too, was a performance—the showing of appropriate deference, the telegraphing of engagement. “I apologize for the delay,” the CEO said, though he did not sound apologetic. His voice filled the room without being particularly loud. “Shall we begin?” The meeting proceeded as meetings do—information exchanged, points raised and addressed, decisions deferred to future discussions. But beneath the agenda items and action points, other exchanges were taking place. Trust was being assessed. Alliances were forming and dissolving. People were making calculations about one another based on tone of voice, choice of words, micro-expressions that flashed across faces like summer lightning. As the meeting concluded, people gathered their things, breaking into smaller groups, voices suddenly lighter, postures more relaxed. The performance of the boardroom was over; a different, less formal performance began. They laughed at small jokes, made plans for lunch, complained about the traffic or the weather. In this transition space between formal meeting and return to their offices, something unexpected happened. The still man and the woman in charcoal gray both reached for the same door at the same time. Their fingers brushed, and though neither reacted visibly, something passed between them—a moment of mutual recognition, perhaps, or simply an awareness of another human being, solid and real in a world of carefully maintained appearances. They had never spoken. They worked in different departments, moved in different circles within the corporate ecosystem. But in that small moment of contact, each recognized something in the other—a similar quality of attention, perhaps, or a shared understanding of the elaborate theater playing out around them each day. Neither acknowledged it. The woman nodded politely and stepped back. The man opened the door and held it, the gesture neither servile nor condescending, simply practical. They went their separate ways. But something had changed, though neither could have said exactly what. A connection had formed, tenuous as a spider’s thread but present nonetheless. In the vast, impersonal machinery of corporate life, such connections were both rare and essential—small reminders of humanity in places designed to minimize its unpredictable effects. The afternoon sun slanted through the city’s towers, turning the glass to fire. In a thousand offices, a thousand conversations continued. People watched and were watched, spoke and were spoken to, each one carrying their private histories like stones in their pockets, each one hungry for moments of genuine connection in a world built of strategic interactions.
Nella prima vignetta, si vede una ragazza carina alta con coda di cavall con capelli neri, che sta camminando per il corridoio, sta per entrare in una classe esposta la porta scorrevole e si vede il suo aspetto anche viso, carina, elegante, aggraziata. Gli altri studenti nella classe sono tutti sorpresi dal suo bello aspetto., area disinteressata e leggermente sospettosa, ultimi banchi della classe, vedere lei che viene circondata da studenti interessati a conoscerla e a parlarle
Esto se desarrolla en la dinastía han, el joven general se encuentra en coma, así que su madre busca una novia para que se casen, pero nadie acepta, posteriormente llega un decreto imperial indicando que el general se casará con la hija del duque, y llega el día de la boda, esa noche, la novia va y le da un beso apasionado al general, quien está aun inconsciente en la cama (la cual es una cama elegante de la dinastía han), el novio empieza a reaccionar apasionadamente pero al darse cuenta de que la novia no es su amada la separa y le aclara que la situación no puede continuar, pero después de ese beso él recupera conciencia aunque queda en una silla de ruedas, posteriormente va a buscar a su anterior prometida quien le dice que ella no se casará con un discapacitado, pasan los días y los recien casados tienen otro encuentro romántico ya que él la valora más
Episode 1: The Encounter The story begins with Kenshin, a lively and energetic boy in a neatly pressed school uniform, sprinting down a quiet residential street. The morning sun filters through the trees, casting dappled shadows on the pavement. Kenshin greets the neighbors as he zooms past, his cheerful “Good morning!” bringing smiles to their faces. His pace quickens as he checks his watch, realizing he’s dangerously close to being late. Spotting a shortcut through a narrow alley, he hesitates briefly before deciding to take the risk. **“This has to save me at least five minutes,”** he mutters to himself, dashing into the alley. As Kenshin exits the alley, the atmosphere shifts. A group of bullies is cornering another boy, their jeers and threats cutting through the otherwise calm morning. Kenshin instantly recognizes the boy being harassed— “That sounds like- “ “SHIN!?” a quiet but sharp-witted student. Shin meets Kenshin’s eyes and grins despite the situation. Kenshin smirks back and calls out, **“Again huh”** “Oh, hey kenshin” One of the bullies turns, his face twisted in annoyance. **“Who the hell are you supposed to be?”** he snarls. Kenshin steps forward with a confident swagger, cracking his knuckles. **“you guys don’t learn at all,so what’s the point in telling you”** he replies, they’re annoyed now and take their attention to kenshin. **“ I’m the guy who’s going to help kick your ass. Remember this face ,if you even can?”** said kenshin The bullies exchange glances before charging at Kenshin, their fists swinging wildly some actually hitting kenshin and landing some clean shots this gave shin some time to take some out from behind. Kenshin now catches his footing and ducks and weaves however, his movements fluid and precise. He lands a solid punch on one bullies, sending him stumbling back. Shin, seizing the opportunity, blocks another’s strike and counters with a sharp jab. The fight is over quickly as the bullies, bruised and humiliated, retreat. Kenshin looming over them all on the floor, his eyes narrowing. **“Here’s your choice: ya leave my friend here alone, or next time i’ll make sure there won't be a next time.”** “Tch y- yea whatever” they leave begrudgingly not really taking kenshin seriously but backing off for now As the dust settles, Shin dusts himself off and chuckles. **“Well that’s done with. I honestly didn’t expect to see you this morning’.”** Kenshin grins, shaking his head. **“I could say the same to you shin. Nice work back there”** Curious, Kenshin asks, **“Where’d you learn to fight like that?”** Shin hesitates, his expression unreadable. **“My roommate taught me a few things, he’s a karate student”** he replies casually. Kenshin frowns slightly. **“Roommate? I don’t think I’ve ever been to your place.”** Shin quickly changes the subject, glancing at his watch. **!“We’re going to be late if we don’t hurry.”** Scene: School arrival Realizing the time, Kenshin panics, tugging Shin’s sleeve. **“We’re going to miss the opening ceremony!”** Shin places a reassuring hand on his shoulder. **“Relax. We’ve still got time . Can you still run?”** Kenshin smirks, the fire of competition igniting in his eyes. **“They used to call me ‘The Flash’ for a reason-.”** Shin slaps the fuck out of kenshin Shin stares with an unimpressed look on his face. **“no one calls you that -_- .”** The two race through the streets, weaving through pedestrians and leaping over obstacles. As they near the school gates, the warning bell echoes through the air. With one final burst of speed, they slide into the assembly hall just as the final chime sounds. Breathing heavily, they find seats near the back of the room. A shadowy figure watches from a distance, their face obscured. They mutter under their breath, **“He hasn’t changed one bit.”** A ceremony was held to welcome the students to another academic year as the principal introduced herself and shared a few remarks. She went on to introduce the student body president Saiyaka Ichidori and dismissed the ceremony telling everyone to find their homerooms. After the ceremony, the students are instructed to find their homerooms. Kenshin and Shin scan the assignment board, their names listed under Class 11A. Excited to be in the same class, they make their way to the classroom. Along the way, Kenshin playfully nudges Shin. **“Ready to tackle another year together?”** Shin smirks. **“Always.”** As they enter the classroom, Kenshin immediately approaches a group of students, his natural charisma drawing their attention. **“Hey, I’m Kenshin! What’s up?”** He’s just beginning to exchange names when a voice cuts through the chatter. **“Is this your attempt at making friends, Kenshin?”** Kenshin freezes, recognizing the mocking tone instantly. The source of the voice steps forward, a sly grin on their face, and Kenshin groans. **“Oooof course, it’s you…”** Scene: Arrival of Dante and Karin As the class settles in, the door swings open, and Dante Koruiyu, an old classmate of Kenshin’s, strides in. His confident smirk instantly draws attention. Dante's eyes land on Kenshin, and his smirk widens into a grin. **“Yooo, Kenshin! How’s it goin’? Feels like it’s been ages since I’ve seen ya,”** Dante exclaims, walking up to him. Kenshin leans back slightly, pretending to size him up. **“Danteee ,hahaaa, you look like even more of muscle head >:)”** he teases, making a mock lifting gesture.and nudging shins arm Dante bursts into a laugh but quickly pulls Kenshin into a friendly hug, lowering his voice. **“That’s not funny,”** he grumbles, though there’s no real heat *behind his words. Kenshin chuckles, patting him on the back. **“i’m sorry ;-;”** Before their reunion can go any further, a blur of movement catches Kenshin off guard. A student suddenly appears behind him, aiming a kick at his head. Kenshin ducks just in time, laughing. **“WHAT THE-! H-HEY WATCH IT WILL Y-!”** Turning to face the attacker, he sees Karin Haruno “KARIN!?”Kenshin says, another familiar face from his past. she swiftly delivers a kick to his stomach catching him off guard. Kenshin doubles over, coughing, **“hhrgnn, oow.”** Shin chimes in after the kick “ Well I wasn’t expecting to see her?!” Dante also chimes in “ You said it, thought she was never coming back” Karin crosses her arms, leaning forward slightly. **“You’ve gotten rusty, Kenshin. Keep this up, and I'll even start feeling sorry for you.”** “That was a cheap shot, You always have to beat me up?ugrh”* kenshin says, groaning in pain from the kick* , the door to the classroom slides open with authority. Their teacher, Mr. Abarai, steps in. His sharp gaze silences the chatter, and he claps his hands once. **“Alright, everyone. Take your seats and Let’s get started for today.”** Shin helps Kenshin to his seat as the murmurs start up among the students. **“what was that all about?”* one mutters. “I dunno, kick looked like it hurt though ,”** another adds, prompting a few chuckles. Kenshin rolls his eyes but grins. Scene: Hollow appearance The roll call begins, with each student introducing themselves. Names like Dante Koruiyu, Shin Kuchiki, and Karin Haruno come up, each met with varying reactions. Finally, it’s Kenshin’s turn. He stands, giving a small wave. **“Kenshin Takahashi. Nice to meet you all,”** he says confidently. Class proceeds uneventfully at first, but as Mr. Abarai begins outlining the year’s schedule, Scene Continuation: Hollow Disruption Shin kicks back in his chair, balancing effortlessly on its rear legs, folding a piece of notebook paper with a bored expression. Kenshin side-eyes him, whispering, "Seriously? You look like you’re about to nap." Shin smirks without looking up. "I’m multi-tasking. You should try it sometime, Kenshin." *”i hope you fall. -_-” said kenshin you're always on about something." said karin as she writes in her book Kenshin blinks, taken back. "What did I do ?" he asks under his breath, confusion written across his face as he turns to her. Shin remains leaning and keeps his eyes down, snickering softly at the exchange; he says, " she really got it out for you, Kenshin," muttering, he folded another piece of paper into a small, firm triangle. Dante, having listened to the teasing, snickers from his desk. "You knoww, when a girl acts like that, that means she likes ya kenshin" He grins, nudging Shin with his elbow. Shin chuckles at the thought Karin now “WHAT!” Slightly flustered, Kenshin can't help but laugh "BAHAHAHAHA." “Oh shut it KENSHINN!!” she says flustered and enraged. “ALRIGHT QUIET DOWN OR I’LL KICK YOU ALL OUT OF MY CLASS YOU HEAR ME” said Mr. Abarai tired of the annoying yapping He looks behind eyeing everyone in silence as kenshin gestures to shin The room falls even quieter, the chalk pressing against the board being all that’s heard. the air in the classroom shifts. a faint rumble disturbs the calm. At first, it’s subtle—like a distant vibration. Then it grows louder, shaking the walls and rattling the windows. Students exchange uneasy glances as Mr. Abarai tries to dismiss it. **“Oh? Well that’s odd , an earthquake maybe? ”** But the shaking intensifies, and Shin’s eyes narrow, his instincts flaring. Suddenly, he shouts, **“GET OUT OF THE WAY!”** The ceiling collapses in an explosion of dust and debris. Chaos erupts as students scream and scramble for cover. Acting quickly, Shin pulls Kenshin out of harm’s way, while Dante grabs Karin and shields her. **“Everyone okay?”** Kenshin yells, his voice hoarse. The students shout back, confirming they’re fine—except for one girl who’s pinned under a large piece of rubble. Kenshin and Shin rush to her side, struggling to free her. As they lift the rubble, Shin’s senses prick with unease. He looks around, his heart pounding as he spots something monstrous emerging from the ceiling. A huge, grotesque Hollow peaks its head out and observes, looking for something almost. Shin’s expression hardens. **“Kenshin, we need to move—now!”** Kenshin glances at the terrified students behind them and shakes his head. **“We can’t leave them. That thing could hurt someone!”** The beast now finds what it wanted. kenshin. Shin curses under his breath. **“Fine. We’ll lure it away.”** It slams down onto the floor raising it’s spiritual power causing most of the students to fall asleep, now inching towards the two They come up with a desperate plan: distract the creature and lead it toward a weak section of rubble to create an escape route. Shin taunts the Hollow, drawing its attention, while Kenshin positions himself. But it doesn’t seem to care and locks eyes with kenshin only and pounces towards kenshin Kenshin moving out of the way just in a nick of time It attacks him again, sending him crashing into the classroom door **“AGCKH!”**kenshin groans **“KENSHIN!”**shin yells Kenshin looks up at the creature one more time realizing what it’s after and decides. **“SHIN! CHANGE OF PLANS, IT’S ME THAT IT’S AFTER I’LL DISTRACT IT,AND YOU GET EVERYONE TO SAFETY!”** kenshin now runs off into the hall WHAT?! NO! YOU IDIOT YOU’LL DIE! Shin runs to the doorway worried but he trust’s Kenshin will be ok with how fast a runner he is. “Damnit ok” he looks at the other students and goes to help them out of the room. Kenshin and the hollow rush through the hall turning every corner until a dead end The hollow approaches kenshin **“Finally, *it lets out a barking noise as laughter* you’ve got legs boy, BUT NO BRAIN”** Kenshin shook by its voice and ability to speak. it rushes in to attack, kenshin now looking for ways to dodge knowing it’s probably futile but then time seems to slow only for a blur of movement to intercept the attack. A man in a bucket hat stands between Kenshin and the Hollow, effortlessly blocking the creature’s fist. **“Who… who are you?”** Kenshin stammers. The man doesn’t look back, his voice calm but firm. **“Now’s not the time for introductions.”** Turning his attention to the Hollow, the man addresses it directly. **“A Hollow this bold inside the living world? What are you doing here?”** Kenshin blinks in confusion. **“ a Hollow?”** he mutters to himself. “RrrrGhrr YOU’RE IN MY WAAAY!”the hollow growls The creature lunges again, but the man counters with a devastating blow from behind, sending it flying towards kenshin crashing through the wall and outside the building. **“W- woah”** Kenshin ducks and exclaims. the man jumps out of the hole in the wall disappearing into the wind “He- he’s gone” says kenshin Kenshin sees the hollow fall to the ground and dart off now disappearing into the bush cover behind the school Kenshin is now filled with more questions than answers Kenshin! Shin says as he rounds the corner “Phew your safe”shin says relieved Outside, emergency responders arrive, ushering the students to safety. The students outside are talking about the “earthquake” and about how faulty and weak the school building must be Shin pulls Kenshin to his feet, both of them visibly shaken. **“We should get out of here before anymore weird stuff happens”** Shin says, his tone serious. The school is dismissed for the day, with students sent home as repairs begin. Kenshin walks alongside Shin out of the building, his mind racing with thoughts about the strange man and the monstrous creature. **“What the hell was that thing?”** Kenshin finally asks. Scene Aftermath of hollow As the remaining students leave the school grounds, Shin realizes that Kenshin has disappeared. Concerned, he begins searching through the nearby streets, scanning the area for any sign of his friend. His worry grows as he remembers the strange events of the day—the Hollow, the mysterious man, and Kenshin’s shaken demeanor. Just as Shin rounds a corner near the school, he bumps into Karin, who is also on her way home. She raises an eyebrow at him. **“What’s the rush, Shin? You look like you’ve seen a ghost.”** **“It’s Kenshin,”** Shin replies, slightly out of breath. **“He wandered off somewhere. I thought he might’ve been with you.”** Karin frowns, crossing her arms. **“No, I haven’t seen him.he still does that?”** Shin tilts his head. **“What do you mean?”** Karin sighs, leaning against a nearby wall. **“ It’s his way of dealing with things—getting some air, being alone with his thoughts. It’s been like that since we were kids. Just leave him be”** Shin blinks, surprised by her insight. **“You’ve known him that long?”** **“Yeah,”** Karin replies, her tone softening. **“He’s always been like this, especially after his dad… you know…”** Shin’s eyes widen slightly. **“What happened to his dad?”** Karin hesitates, looking away. **“He grew up without him but this isn’t my story to tell It’s a tough subject, Kenshin doesn’t like talking about it,but you should take that up with him your self.”** Shin absorbs this information, feeling a new layer of respect and understanding for his friend., “You know karin, you’re not too bad when your not kicking somebody ’” said shin gratefully Her soft expression shifts to a more stern and annoyed one “oh bug off” “ehehehe” Later that evening, Kenshin sits in his dimly lit room, the soft hum of the evening breeze drifting through his open window. His mind races, replaying the chaos from earlier—the Hollow, the mysterious stranger, and the ominous voice in the alley. He stares at his hands, clenching and unclenching his fists. **“Was it real? Or am I losing it?”** he mutters. His gaze drifts to his reflection in the window. **“No… it had to be real. There’s no way I imagined all of that.”** The muffled sounds of his family moving about the house draw him back to reality. With a deep sigh, he gets up to grab a snack from the kitchen, hoping to distract himself. Scene: Shin Arrives As Kenshin heads downstairs, a knock at the front door interrupts him. Confused, he hesitates for a moment before opening it. Standing there is Shin, his expression serious but tinged with worry. **“Shin? What are you doing here?”** **“We need to talk,”** Shin replies, his tone leaving no room for argument. **“Come outside.”** The two step onto the porch, the faint glow of the moon illuminating their surroundings. They sit side by side on the wooden steps, the silence between them heavy. **“You looked out of it earlier,”** Shin starts. **“I figured you’d need someone to talk to.”** Kenshin hesitates before speaking. **“It’s just… today was a lot, you know? I’ve never seen anything like that creature before. And that man… Who was he? Why did he call it a Hollow?”** Shin percs up at the word hollow. He exhales slowly, his gaze fixed on the ground. **“I can’t answer all your questions but maybe someday the answers will come.”** They lapse into silence again before Kenshin asks, **“What about you? What’s your story, Shin?”** Shin’s expression softens, and he leans back slightly. **“I lost my mom a few years ago. She… she was everything to me. After she died, I felt lost for a long time. But then I realized I had to keep moving forward, for her.”** Kenshin nods, understanding the pain behind Shin’s words. **“I didn’t know. I’m sorry.”** I didn’t change much for this part but it felt almost odd and out of place a little awkward too Before Shin can respond, a piercing scream cuts through the night air, sending a chill down both their spines. They exchange a glance before hearing a familiar, guttural growl echo in the distance. Scene: The Chase Kenshin springs to his feet, his heart pounding. **“That’s it! It’s back!”** **“Wait!”** Shin shouts, grabbing his arm. **“You don’t even know what you’re dealing with!”** But Kenshin pulls free, his determination overriding his fear. Exactly! So their's only one way to find out**”** **“THIS FOOL—HE’S GONNA GET HIMSELF KILLED!”** Shin shouts after him, gritting his teeth. Reluctantly, he takes off after Kenshin. The two race through the quiet streets, following the sounds of the growling hollow They skid to a stop at a open empty street where the massive Hollow looms over a terrified young girl. Its glowing yellow eyes snap toward the newcomers, and a chilling grin spreads across its mask. Scene: Confronting the Hollow **“Shin, get her out of here!”** Kenshin orders, stepping forward. **“You can’t fight that thing-”** Shin protests, but Kenshin cuts him off. **“Just do it! Please!”** Reluctantly, Shin moves toward the girl, grabbing her before the hollow could get his hands on her. shielding her as he leads her away from the monster. Meanwhile, Kenshin squares off against the Hollow, his fists trembling but his resolve unwavering. He lunges forward, throwing a punch at the creature’s leg, but it barely flinches. The Hollow retaliates, swiping at Kenshin with its massive claws. He ducks and rolls, narrowly avoiding the attack. **“You’re fast,”** the Hollow growls, its voice guttural and mocking. **“But speed won’t save you.”** as the hollow kicks shin away and grabs the little girl holding her over his head **“Why don’t you try to attack me I’m sure this poor innocent soul would love to get demolished”** Kenshin stops as he grits his teeth, trying to find an opening, but the creature ligers the girl over them using her as leverage. With a laugh, the Hollow speaks again: **“You reek of strength, boy. That’s why I came to your school. To consume your soul. It’s… delicious.”** Kenshin freezes, his mind racing. **“I Knew it. So everyone WAS put in danger because of me.”** The thought shakes him, but before he can react, the Hollow lunges again. This time, its claws graze his side, sending him tumbling to the ground. The revelation leaves Kenshin paralyzed, his mind a whirlwind of guilt and fear. The realization that his very existence might put others in danger weighs heavily on him. Before he can react, the Hollow lunges, its massive claws wrapping around him like a vice. Pinned, Kenshin struggles to break free, the Hollow’s dark energy sapping his strength. Shin watches from a distance, his expression shifting from shock to distress as he sees Kenshin’s anguish. In that moment, Shin recalls a haunting memory—an incident from his past when his inability to act led to devastation. That same suffocating guilt had once consumed him, leaving scars that never fully healed. The image of that day flashes in his mind, reigniting his determination. Shin clenches his fists, muttering to himself, **“I won’t let this happen again. Not this time.”** He reaches into his pocket and pulls out what looks like an ornate candy dispenser. He pops one of the capsules into his mouth, and in an instant, a dramatic transformation occurs. His physical body collapses lifelessly to the ground, but standing above it is Shin in a black robe, his Zanpakutō gleaming in hand. Kenshin stares in disbelief, his voice trembling. **“Shin… What… what are you?”** Shin steps forward, his resolve clear. **“I’m a Soul Reaper,. And I’m going to end this now.”** The hollow now grabs a distracted kenshin The Hollow lets out a guttural laugh, mocking Shin’s bold declaration. **“You? End me? What could a brat like you possibly hope to achieve?”** *Shin readies himself* Now tell me rrunt, which do i devour first, so delicious how about both at the same time” * the beast opens it’s jaws and brings the two closer to it’s mouth* Without hesitation, Shin moves with blinding speed at the hollow, But the hollow uses his hand with the girl in a flash clenching tightly and waving her in from of shin, “NUH UH UUUUH”,it says like a true troll but shin acted quickly and slammed his sword to the ground causing him to ricochet toward’s the hand kenshin was in and severe the hollow’s hand clean off freeing kenshin. The hollow was bewildered and caught off guard yelling in pain but tried to maintain his composure It the directs it’s shriek toward shin paralyzing him mid air for a few seconds The monster uses this time to get the jump on shin and slams him to the ground near kenshin with arm that had a severed hand. one knee. A wave of weakness washes over him—his energy is fading fast.**”what’s happening, somethings wrong”** , coughing violently as blood drips from the corner of his mouth. Kenshin rushes to his side, desperation etched across his face. **“Shin! Are you okay?”** Struggling to stand, Shin looks up at Kenshin, his voice weak but determined. **“There’s only one way to stop this thing now… Kenshin, I have to transfer my Soul Reaper powers to you.”** Kenshin’s eyes widened. **“What? That’s insane! What will happen to you ?”** Shin nods solemnly. **“I don’t know But right now, you’re the only one who can finish this. Kenshin expression turns to a mix of emotions as he struggles to think properly on what to do If we don’t do this,not just us. But hundreds…”** He grips his sword. And kenshin looks back at the hollows as it licks it’s wound**“ no….”** said shin, “thousands” kenshin wincing at the thought of knowing what comes next. “Will die” said shin hopelessly. Kenshin only imagining is already frustrated”ALRIGHT! I’LL DO IT COME ON WE DON’T HAVE MUCH TIME!” . Shin nods with determination places the hilt of his Zanpakutō against Kenshin’s chest, and a radiant light engulfs them both. Kenshin gasps as an overwhelming surge of energy floods his body. His school uniform transforms into a black Soul Reaper robe, and in his hand materializes a sword, pulsing with spiritual energy. The Hollow, sensing the shift in power, hesitates “Hrnmm?” Kenshin gives a rough look at the beast not saying a word but a thousand were spoken with just that short glance. The tension builds on the battlefield … **“GGRAAAUUUGHHHH”** the creature sends it arm with no hand and kenshin but he just on top of the arm and sends a wave of energy slicing it’s other arm with gir inl it setting her free she now runs to shin to feel safe , Now i can end i end you for real this time The creature now knowing it’s out of options uses it’s technique from earlier at the school creating a mist surrounding itself and kenshin hoping to cause him to sleep so it can eat him and get away Kenshin sends a wave of energy directly at the hollow’s torso through the smoke however, causing an explosion clearing some of the fog but not all and the hollow submerges itself into mist once more, the creature now sends a kick from the mist but kenshin avoids it and slashes it’s leg off causing the hollow to lose it’s balance and fall over kenshin jumps out of the smoke directly in front of the full moon he charges his blade up once more and sends a big wave of energy down on the dastardly hollow ending it once and for all. Shin utterly gobsmacked his useless ass couldn’t believe how cool it was to see Kenshin fight like that. Kenshin falls to the ground panting heavily as he lands on his feet “Kenshin you did it! that was incredible!”shin said happily in admiration Kenshin turns to shin who’s behind him giving a thumbs up hiding his want to collapse to the ground. “Now come on let’s deal with this litte girl, quickly” shin says He gestures toward the spirit of the young girl who had been held captive by the hollow**““You need to perform a konso on her.”** Kenshin raised an eyebrow, confused. “A… what?” Shin sighed, crossing his arms. “It’s a konso. You use the end of your sword’s guard to send good spirits over to the Soul Society. Basically, it’s like sending them to what you people call heaven.” Kenshin blinked, still processing the explanation. “You just… tap them on the forehead or something?” Shin nodded, motioning toward the girl. “Exactly. Use the guard, press it to her forehead, and say konso. It’ll help her move on.” Understanding now, Kenshin walked over to the spirit of the girl, kneeling beside her. His expression softened as he spoke gently, comforting her. “It’s okay. You’re going to a better place. Somewhere peaceful. I promise.” He gripped his Zanpakuto and rested the end of the guard softly against her forehead. “KONSO!” a soft light envelops her form. “You’re free now,” he says softly, watching as her spirit fades into the sky. As the light dims, Kenshin collapses, his body finally giving out. Shin, with the last of his strength, drags himself toward Kenshin’s side. Together, they lay on the ground, battered but alive. Shin’s voice echoes in Kenshin’s mind as shin looks to the stars above him : **“This is just the beginning, Kenshin. The world you’ve stepped into… it’s far greater than you or I could ever imagine.”** The words linger as the episode concludes with the caption: TO BE CONTINUED.
Descrizione personaggi:Sushi: cilindro nero, camicia bianca a righe con scollo aperto, gilet nero con bottoni dorati e spalle strutturate, cintura marrone, pantaloni grigi con motivo geometrico laterale e scarpe scure eleganti. Ten: camicia grigio scuro aderente con spalle scoperte e alamari sul petto, cintura larga con grande fibbia tonda, pantaloni chiari infilati in stivali neri alti. Afficche: maglia nera corta con spallacci rigidi, bracciali/guanti viola, pantaloni viola strappati al fondo, stivaletti viola con fibbie. "Un giorno andremo a vivere in spagna" Disse un ragazzo con occhiali e capelli lunghi "Ao ten, hai sentito quanto è difficile arrivarci? Ci sono un sacco di pericoli nel viaggio e mica possiamo andarci in aereo, disicuro in qualche modo ci anullerebbero il viaggio." Disse un ragazzo , amico di Ten "Ha ragione Sushi ,Ten quello che hai Appena detto sembra una stupidata che si dice in ogni gruppo di amici, tipo " andremo a vivere in Giappone " rispose un nanetto , schierandosi con Sushi "Ok, capisco Affiche , ma non possiamo stare qua , non solo siamo in questa orrenda Italia , ma siamo in una delle zone più isolate , vuoi lavorare nei campi fino a 90 anni Afficche? Guarda che lo spagnolo è facile." Disse Ten, " Ok, ammetto che hai ragione , non possiamo vivere qua , disicuro finiremo giù da un ponte per la depressione" Rispose afficche, "AO Ten , come pensi che arriveremo in Spagna? Ti ricordo che noi non abbiamo Neanche una macchina e non possiamo permetterci neanche una vespa in tre fra poco" "Ragazzi, mi darete del pazzo, ma se ci pensate bene , non abbiamo alcuna speranza oltre questa quindi.. bisogna rubarne una." Ten, pensava che i suoi amici avrebbero chiamato la polizia sperando in qualche soldo come ringraziamento... "Ci sto, non abbiamo altra via di fuga , e non sarà tanto difficile" "AO AFFICCHE ANCHE TE!? PENSACI BENE , NON POSSIAMO SCAPPARE COSÌ" "sushiii, fin da piccolo hai sempre voluto comprarti un auto e guidarla , questa è la tua occasione! è proprio questo il momento in qui metterai le mani sul tuo primo volante sushiii" Ten e afficche continuarono a provocare sushi per tutto il tempo , finché Sushi dopo un po' ha ceduto e ha dato l'ok per il furto.. , ma c'erano delle regole da seguire: non potevano spostarsi con i mezzi pubblici ; non potevano farsi vedere per la strada ; e dovevano trovare un buon piano per rubarla EP0 "Un giorno andremo a vivere in spagna" Pianificazione Per settimane, I tre scelgono la casa e la studiano, la casa è di un uomo di classe borgese chiamato giovans; La routine di Giovans è precisa: esce ogni giorno alle 7:30, rientra alle 19:00. Il sabato sera va sempre a cena fuori accompagnato dagli amici; La casa ha una finta telecamera sopra il campanello, ed ha un cane corso che tiene fuori. La serratura è vecchia, ma non entreranno da lì , Una finestra del bagno resta spesso aperta a vasistas. La casa è abbastanza isolata Senza vicini e con un gran terreno. Sabato ore 21:20, Avvicinamento Ten cammina vicino alla recinzione " dannati quei due , che cosa mi hanno fatto fare" dice ten preda alla depressione , aveva un pallone da calcio in testa dove aveva nascosto i suoi capelli , aveva una sola canottiera e non indossava neanche pantaloni, per lo più, gli avevano disegnato finti tatuaggi sulle braccia , tra cui una barba che lo rendeva orrendo " neanche gli occhiali mi hanno lasciato, dopo gli faccio vedere" ten si avvicino alla recinzione , il cane corso se ne accorse subito e corse verso di lui, abbaiando forte contro di lui, stava distraendo sia il cane , sia la telecamera che c'era nel cancello , " come posso chiamarti?" Dice ten guardando il cane che gli ringhiava contro. Afficche si infila nella finestra dopo aver scavalcato la recinzione, "aspetta un attimo, come faccio ad aprire a sushi ora , non ci sono chiavi dannazione"
Un vista partida por la mitad, la parte inferior la noche con una luna siniestra sobre el mar y la parte superios el dia con nubes y un sol radiante
Full page manga splash in black and white. Haruto Takagi, 22-year-old guy with messy black hair and round glasses, sitting alone in a dark messy bedroom at night, intensely coding on his laptop. The laptop screen glows with a cute pixel-art RPG game. Dramatic light beam from the screen lighting his focused tired face. Scattered energy drink cans, clothes, and boxes on the floor. Big bold title at the top: PIXEL NO KOI Subtitle: Level Up with You Bottom left: Chapter 1 - New Game+ Haruto thinking in a speech bubble: 'This time... with this game... I'll level up my own life too.' Clean professional manga style, sharp lines, atmospheric lighting"
🖤 PLANCHE 4 — Les livres qu’on jette Âge d’Aris : 15 ans Style : manga noir et blanc Ambiance : nuit, pluie fine, indifférence Nombre de cases : 6 Tenue (inchangée, canon) : haut type kimono simple, blanc à l’origine, très sale, rapiécé pantalon large déchiré pieds nus silhouette maigre, posture fermée aucun élément moderne 🟦 CASE 1 — PLAN LARGE (haut de page) Description visuelle : Bâtiment imposant : une académie. Façade noble, fenêtres éclairées. La pluie tombe doucement. À l’arrière, une ruelle sombre. Texte : Aucun. 🟦 CASE 2 — PLAN MOYEN (arrière de l’académie) Description visuelle : Caisses en bois renversées. Livres jetés au sol. Pages mouillées, couvertures abîmées, boue. Texte : Aucun. 🟦 CASE 3 — PLAN MOYEN (Aris) Description visuelle : Aris, 15 ans, s’accroupit près des livres. Il regarde autour de lui, par réflexe. Personne. Texte : Aucun. 🟦 CASE 4 — DÉTAIL (mains) Description visuelle : Ses mains fouillent lentement. Il écarte : un livre trop mouillé un autre déchiré Gestes calmes, méthodiques. Texte : Aucun. 🟦 CASE 5 — PLAN RAPPROCHÉ (objet) Description visuelle : Un livre plus épais, ancien. Couverture noire, sans titre visible. Moins abîmé que les autres. Aucun symbole. Aucune lueur. Texte : Aucun. 🟦 CASE 6 — CASE FINALE Description visuelle : Aris serre le livre contre lui, sous la pluie. Son visage est neutre. Décision simple. Texte (petite bulle) : Aris récupère ce que le monde abandonne renforce le caractère obstiné d’Aris aucune victoire
🖤 PLANCHE 5 — L’abri Âge d’Aris : 15 ans Style : manga noir et blanc Ambiance : silence, isolement, vent Nombre de cases : 6 Tenue (canon, inchangée) : haut type kimono simple, blanc à l’origine, très sale, rapiécé pantalon large déchiré pieds nus posture fermée, fatiguée aucun élément moderne 🟦 CASE 1 — PLAN LARGE (haut de page) Description visuelle : Une ancienne ferme abandonnée, hors de la ville. Herbes hautes. Clôture cassée. Grange à moitié effondrée. Maison principale encore debout, sombre. Le ciel est gris. Le vent fait bouger les herbes. Texte : Aucun. 🟦 CASE 2 — PLAN MOYEN (Aris de dos) Description visuelle : Aris, 15 ans, debout face à la ferme. Il est petit dans le cadre. Le livre est serré contre lui. Ambiance : Hésitation silencieuse. Texte : Aucun. 🟦 CASE 3 — DÉTAIL (la porte) Description visuelle : La porte de la maison est entrouverte. Elle grince légèrement sous le vent. L’intérieur est noir. Texte : Aucun. 🟦 CASE 4 — PLAN RAPPROCHÉ (Aris) Description visuelle : Le visage d’Aris. Fatigué. Neutre. Pas de peur visible, juste l’habitude. Ambiance : Il a déjà été chassé ailleurs. Texte (très petit) : Aucun. 🟦 CASE 5 — PLAN MOYEN (intérieur) Description visuelle : Intérieur de la maison. Vide. Poussière au sol. Murs fissurés. Un pan de toit laisse passer un peu de lumière. Aris est assis contre un mur. Le livre posé devant lui. Texte : Aucun. 🟦 CASE 6 — CASE FINALE Description visuelle : Gros plan sur le livre fermé. Les mains d’Aris hésitent au-dessus de la couverture. Silence total. Texte : Aucun. 🎯 INTENTION (VERROUILLÉE) Aris cherche le calme Il ne fuit pas → il s’isole Il n’attend rien du livre La maison est déjà morte Rien de magique encore 👉 La tension vient du silence, pas de l’action.
Een auto die op de snelweg rijdt, rijdt een bosrijk gebied in tijdens regen
Pegasus soars over a river valley, the sun setting on the left side. Gathering storm clouds block out the sun. The Pegasus flies towards snow capped mountains on the right side. No words.
PAGE 1 – SPLASH Wide establishing shot of Driftwood at night. Cozy tavern lights glow in the foreground, Fracture scar pulsing faintly in the purple sky above the town. Caption box top left: "In a fractured world, old friends sometimes find each other again… usually right before everything goes to hell."
A beautiful young woman walking in the rain through a busy city street
close-up of the young man touching his head, tired eyes looking down, subtle sadness, soft lighting, calm manga tone, inner monologue bubble thought bubble text: “That dream again…” final manga panel, calm composition, empty space for narration box narration box text: “That same dream. It’s already the third time this week.”
Serious manga portrait, staring directly at viewer. Intense eyes. Detailed face, shadows.
it needs to be in color( no weapon no book) Her fingers traced the cold iron bars. How many nights had she spent here? How many times had she counted the bars, unable to sleep? The space smelled like hay and rust and old wood. There were scratches in the walls—claw marks from previous performers, maybe. Or from her own restless nights. She curled up on the mattress, tail wrapped around herself, ears flat against her skull. "I’m a bird trapped in a cage," she whispered to the darkness. The lantern flickered. And then—movement outside her window. A tall figure passed by, silhouetted against the moonlight. Cinder sat up, ears perking. The figure wore a long coat and a plague doctor mask—the beak curved and sharp. But strangest of all, faint stars seemed to glow across the mask’s surface, like constellations trapped in porcelain. Her heart skipped. Who—? The figure moved silently through the sleeping circus, heading toward the edge of the grounds. For the first time in weeks, she felt something other than despair. Curiosity.
it needs to be in color( no weapon no book) Her fingers traced the cold iron bars. How many nights had she spent here? How many times had she counted the bars, unable to sleep? The space smelled like hay and rust and old wood. There were scratches in the walls—claw marks from previous performers, maybe. Or from her own restless nights. She curled up on the mattress, tail wrapped around herself, ears flat against her skull. "I’m a bird trapped in a cage," she whispered to the darkness. The lantern flickered. And then—movement outside her window. A tall figure passed by, silhouetted against the moonlight. Cinder sat up, ears perking. The figure wore a long coat and a plague doctor mask—the beak curved and sharp. But strangest of all, faint stars seemed to glow across the mask’s surface, like constellations trapped in porcelain. Her heart skipped. Who—? The figure moved silently through the sleeping circus, heading toward the edge of the grounds. For the first time in weeks, she felt something other than despair. Curiosity.
PAGE 1 : L'ambiance (Le calme avant la tempête) Case 1 (Plan d'ensemble - Très large) : Une vue panoramique d'une ville immense mais détruite. Des gratte-ciels éventrés, des lianes partout. Le ciel est gris, lourd. SFX : VUUUUUU (Le vent qui souffle). Case 2 (Plan moyen) : Zoom sur une ruelle sombre encombrée de débris. On voit une silhouette encapuchonnée de dos qui marche. C'est JIN. SFX : CRIC... CRAC... (Bruits de pas sur du verre). Case 3 (Gros plan) : Focus sur la main de Jin. Elle est humaine, mais elle tient un appareil étrange qui bip (un détecteur). SFX : Bip... Bip... Case 4 (Gros plan visage) : On voit le bas du visage de Jin. Il sourit légèrement. JIN : "Bingo."
Panel 1 (Wide panel – city rooftop, night) A quiet city under a dark sky. A teenage boy stands on a rooftop, hands in his pockets, wind blowing his jacket. Text (narration): Every night… the city stops breathing for five minutes. Panel 2 (Close-up – boy’s face) His eyes are tired but alert. A digital watch glows. Watch: 4:55 AM Boy (thinking): It’s almost time. Panel 3 (Street below – eerie silence) Cars frozen mid-road. A bird suspended in the air. Everything is still. Sound effect: …… Panel 4 (Medium panel – behind the boy) A girl suddenly appears behind him, holding an umbrella despite no rain. Girl: “You see it too, don’t you?” Panel 5 (Close-up – boy startled) He turns sharply, eyes wide. Boy: “You’re not frozen…” Panel 6 (Half-page style dramatic panel) The sky begins to glow faintly. Time feels tense. Girl (smiling slightly): “Neither are you. That’s why the city chose us.” Watch: 4:59 AM Panel 7 (Final panel – sunrise) Light floods the city. Everything moves again. The rooftop is empty. Text (narration): Tomorrow… I’ll wait again. Small text at bottom: To be continued.