Class Discussion Manga

Título del cómic “Un rumor no define quién soy” Personajes Laura: niña amable, tranquila y buena amiga Elizabeth: compañera que inicia el conflicto Amigas del grupo Maestra (figura mediadora) Historia dividida en viñetas (escenas) Viñeta 1: La amistad Patio de la escuela primaria Laura aparece jugando y riendo con su grupo de amigas. Laura: —Me gusta mucho estar con ustedes, somos muy buenas amigas. Amiga: —¡Sí! Siempre nos apoyamos. Viñeta 2: El cambio Salón de clases Elizabeth está hablando en secreto con otras niñas. Elizabeth (susurrando): —Laura dijo cosas feas de ustedes… Amiga (confundida): —¿De verdad? Viñeta 3: El rumor Pasillo de la escuela Las amigas comienzan a alejarse de Laura. Laura (pensando): —¿Por qué ya no me hablan? ¿Qué hice mal? Viñeta 4: El conflicto Recreo Laura escucha a Elizabeth hablando mal de ella. Elizabeth: —No confíen en Laura, ella no es buena amiga. Laura (triste): —Eso no es verdad… Viñeta 5: El dolor Baño o banca del patio Laura está sola, con expresión triste. Laura (pensamiento): —Me duele que hablen de mí sin conocer la verdad. Viñeta 6: Pedir ayuda Salón de clases Laura se acerca a la maestra. Laura: —Maestra, alguien está diciendo cosas falsas sobre mí. Maestra: —Gracias por decirlo, vamos a hablarlo con respeto. Viñeta 7: La verdad Reunión del grupo La maestra reúne a las niñas. Maestra: —Hablar mal de alguien puede lastimar mucho. Aquí escucharemos la verdad. Laura: —Yo nunca hablé mal de ustedes. Las quiero como amigas. Viñeta 8: Reflexión Elizabeth con expresión de arrepentimiento Elizabeth: —Lo siento… hablé sin pensar y causé un problema. Viñeta 9: Perdón y aprendizaje Patio Las amigas vuelven a estar juntas. Amiga: —Perdón por no preguntarte antes, Laura. Laura: —Gracias por escucharme. Aprendimos algo importante. Viñeta 10: Final Todas juntas Narrador: —Los rumores pueden causar daño, pero hablar con la verdad y respeto puede sanar las amistades. Mensaje del cómic (puede ir al final) Moraleja: Hablar mal de los demás puede causar conflictos, pero la comunicación, la honestidad y el respeto ayudan a resolverlos.
Black and white manga-style panel showing a dramatic falling perspective from a tall building. The view looks straight downward into a realistic cityscape with clearly defined rectangular buildings, straight streets, and proper urban grid layout. Strong radial speed lines and controlled motion blur converge toward the center to emphasize extreme height and vertigo, without distorting building shapes. No character body visible at all — no hands, no arms, no silhouette, no human anatomy. Only the falling perspective and the city below. Clean monochrome manga line art, high contrast, sharp city details, dynamic motion lines. Two small white speech bubbles near the top contain the text: “Huh?” and “This…” One large white speech bubble at the bottom contains bold manga-style lettering: “Aaaaaaa!!!! NOOOO!!!!!” Classic Japanese manga panel composition, black and white only, dramatic tension, clear perspective, controlled motion effects. Negative prompt: hands, arms, fingers, body parts, human silhouette, character anatomy, abstract city, distorted buildings, warped architecture, surreal shapes, painterly blur, soft focus, sketchy background
This is a wild, satirical concept—very Jujutsu Kaisen meets true crime commentary. Here is the English translation, keeping the dramatic, "shonen-style" flair intact. Comic Title: "Domain Expansion: Paradise Lost vs. Party Purgatory" The Concept: The Battle of Infernal Domains In an interdimensional plane of existence where "cursed energy" generated by vice and infamy takes physical form, the greatest transgressors do not fight with fists, but with the expansion of their psychic "Domains." Here, Jeffrey Epstein and Diddy clash to determine who is the true "Master of Modern Darkness," each projecting his own twisted vision of power and corruption. The Plot Act I: The Summoning of Domains The story opens in a "Non-Place"—a floating arena amidst clouds made of broken TV screens and burnt banknotes. Jeffrey Epstein, possessing a cold and calculating aura, his snow-white hair reflecting moonlight even in the day, smiles sardonically. He has just activated his Domain Expansion: "The Temple of Secrets." The environment transforms: the Non-Place vanishes, replaced by a spectral, lush version of his private island (Little Saint James). Skeletal palm trees stand against a violet twilight sky. A colonial villa, elegantly sinister, rises at the center. The air is thick with recorded whispers, the echo of contracts, and the distant thrum of a landing helicopter. On the island, instead of sand, there are fragments of shredded legal documents. The "Sure-Hit" advantage of Epstein’s domain is that anyone who enters is immediately ensnared in a web of legal debt, non-disclosure agreements (NDAs), and implicit blackmail, manifesting as invisible, suffocating chains. On the other side, Diddy—with an expression of brazen arrogance, wearing a fur coat that sparkles with strobe lights and sunglasses reflecting a million paparazzi—does not hesitate. With a defiant cry, he activates his Domain Expansion: "The Endless Party." Epstein’s domain is torn asunder by an explosion of neon lights and deafening sound. The island partially fades, giving way to a futuristic, chaotic, and bottomless nightclub. Champagne bottles explode into clouds of sticky foam. Virtual dancers with distorted celebrity faces perform in loops. The air is saturated with the smell of sweat, expensive perfume, and a faint scent of "baby oil" that is anything but innocent. The "Sure-Hit" advantage of Diddy’s domain is that anyone who enters is forced to dance incessantly, suffering a sensory bombardment that renders them unable to think clearly, while being slowly "anointed" and weakened by a shimmering oil that leaves them vulnerable to manipulation. Act II: The Clash of Cursed Powers The two "masters" face off at the intersection of their domains. * Epstein manipulates his island: the trees transform into legal tentacles attempting to seize Diddy; the ocean waves are made of "dirty money" trying to drown him; and the villa’s screens project compromising videos intended to paralyze his reputation. His attacks are based on "Secret Information" which, when they land, reveal the opponent's weaknesses and past crimes. * Diddy responds by evoking the "Eternal Celebration": subwoofers launch soundwaves that shatter the structures of Epstein’s island. Giant champagne bottles transform into explosive projectiles. The oil permeating his domain becomes a corrosive substance that dissolves Epstein’s legal documents. His attacks are based on "Distraction and Corruption," aimed at eroding the opponent's will and making them "lose control" of their facade. During the fight, they exchange venomous barbs that, in this comedic context, sound like boasts of their own infamy: Epstein: "You’re just a novice! I built an empire on omertà, not some block party!" Diddy: "Old man! I reinvented the game! You were just an amateur with a checkbook! I have the charisma!" Act III: The Collapse of Domains and the Supreme Revelation As the two grow more enraged, their domains begin to merge into a grotesque mess: an island with built-in nightclubs, palm trees dancing to trap music, and legal contracts swirling like confetti. At the climax of the clash, a third entity manifests. It is not a being, but a gargantuan "Eye of Public Opinion" that opens above them, surrounded by millions of smartphone screens. This eye does not judge; it simply observes, recording every single infamy. The power of this "Eye" is so great that both domains—built on secrecy and distraction—begin to collapse. The Eye is not an attack, but a simple revelation. In that moment, Epstein and Diddy realize that the true "curse" is not their enemies, but the constant and inexorable surveillance of a world that, eventually, sees and judges everything. The comic concludes with the two trapped in a "non-place" made of cell phone screens showing their own misdeeds. They realize their "battle for dominance" was in vain. Neither can truly win when their very existence is under the world's merciless spotlight. Visual Style and Tone * Tone: Black comedy, grotesque and surreal satire, with a touch of existential horror. * Art Style: Highly detailed and dynamic, with a sharp contrast between the perverse elegance of Epstein’s domain and the gaudy excess of Diddy’s. The Domain Expansions should be visually spectacular and unsettling at the same time. * Colors: A rich and vibrant palette with heavy light-and-shadow contrasts, turning almost psychedelic during the Domain Expansion phases.
Título del cómic “Un rumor no define quién soy” 🟨 Personajes Laura: niña amable, tranquila y buena amiga Elizabeth: compañera que inicia el conflicto Amigas del grupo Maestra (figura mediadora) 🟩 Historia dividida en viñetas (escenas) Viñeta 1: La amistad 📍 Patio de la escuela primaria Laura aparece jugando y riendo con su grupo de amigas. 💬 Laura: —Me gusta mucho estar con ustedes, somos muy buenas amigas. 💬 Amiga: —¡Sí! Siempre nos apoyamos. Viñeta 2: El cambio 📍 Salón de clases Elizabeth está hablando en secreto con otras niñas. 💬 Elizabeth (susurrando): —Laura dijo cosas feas de ustedes… 💬 Amiga (confundida): —¿De verdad? Viñeta 3: El rumor 📍 Pasillo de la escuela Las amigas comienzan a alejarse de Laura. 💬 Laura (pensando): —¿Por qué ya no me hablan? ¿Qué hice mal? Viñeta 4: El conflicto 📍 Recreo Laura escucha a Elizabeth hablando mal de ella. 💬 Elizabeth: —No confíen en Laura, ella no es buena amiga. 💬 Laura (triste): —Eso no es verdad… Viñeta 5: El dolor 📍 Baño o banca del patio Laura está sola, con expresión triste. 💬 Laura (pensamiento): —Me duele que hablen de mí sin conocer la verdad. Viñeta 6: Pedir ayuda 📍 Salón de clases Laura se acerca a la maestra. 💬 Laura: —Maestra, alguien está diciendo cosas falsas sobre mí. 💬 Maestra: —Gracias por decirlo, vamos a hablarlo con respeto. Viñeta 7: La verdad 📍 Reunión del grupo La maestra reúne a las niñas. 💬 Maestra: —Hablar mal de alguien puede lastimar mucho. Aquí escucharemos la verdad. 💬 Laura: —Yo nunca hablé mal de ustedes. Las quiero como amigas. Viñeta 8: Reflexión 📍 Elizabeth con expresión de arrepentimiento 💬 Elizabeth: —Lo siento… hablé sin pensar y causé un problema. Viñeta 9: Perdón y aprendizaje 📍 Patio Las amigas vuelven a estar juntas. 💬 Amiga: —Perdón por no preguntarte antes, Laura. 💬 Laura: —Gracias por escucharme. Aprendimos algo importante. Viñeta 10: Final 📍 Todas juntas 💬 Narrador: —Los rumores pueden causar daño, pero hablar con la verdad y respeto puede sanar las amistades. 🟪 Mensaje del cómic (puede ir al final) 📝 Moraleja: Hablar mal de los demás puede causar conflictos, pero la comunicación, la honestidad y el respeto ayudan a resolverlos.
PÁGINA 1 Prompt para Geração de Imagem: "Página de mangá estilo shounen, leitura da direita para a esquerda. 4 quadrinhos grandes: 1. Quadrinhos superior direito: Paisagem ampla do Monte Fuji ao fundo, vila japonesa antiga à beira de um rio, sol poente pintando o céu de laranja/amarelo. Um jovem (Marcos) de cabelos castanhos, vestindo roupa de guerreiro com detalhes verdes/amarelos, segura uma katana com lâmina escura e detalhes coloridos que brilham suavemente. Narração: 'PERÍODO SENGOKU — Nas margens do Monte Fuji, uma pequena vila abriga um jovem com laços para uma terra distante...' 2. Quadrinhos abaixo: Plano médio em Marcos, olhos fechados. Luzes verdes/azuis flutuam ao seu redor, silhueta de onça-pintada ao fundo. Fala: 'A terra me fala... Ela sente quando algo está errado.' 3. Quadrinhos superior esquerdo: Ninja (Felyppe) de cabelos loiros claros, vestes escuras, cinto com ferramentas/shurikens precisas, pulando entre telhados. Fala: 'Os sinais estão claros. O Clã Kuroyami já está por perto. Precisamos estar prontos.' Nota lateral: 'Ferramentas criadas com conhecimentos de meus ancestrais alemães.' 4. Quadrinhos abaixo: Marcos e Felyppe de frente um para o outro, sombras de samurais de preto se aproximando ao fundo. Fala: 'Eles vieram mais cedo do que esperávamos!' Linhas de velocidade ao redor das sombras. Estilo: Mangá clássico, linhas nítidas, contraste bem definido."*
Suggested Title: Echo Resonator: The Boy Who Sees the Last Memories (Vol. 1) Description: What if an object's last memory was your own death? Haru Tanaka is a high school student trapped in a world of static and echoes. He possesses a skill that no one else has: by touching any object, he can see the last memory recorded in it. For Haru, the world is nothing more than a collection of other people's moments, a constant noise that has forced him to isolate himself from everyone... except Yuuki, his childhood friend and the only person who seems to leave no trace in his visions. His life changes drastically when he finds his lost cellphone in an abandoned classroom. When he touches it, the vision is not a memory from the past, but an echo of the future: a dark alley, a shadowy figure, a bloody knife, and the clock striking 11:11 PM. In the vision, the victim is Haru himself. Can you change the future if it has already been written as a memory? Join Haru in a frantic race against time in this supernatural psychological thriller. With only a few hours before the clock strikes the designated hour, Haru must use his gift to find out who is chasing him and why, while dealing with the growing mystery of Yuuki and the nature of his own powers.
A weary male figure in his late 20s, messy and unkempt dark hair, prominent dark circles under sunken eyes, a gaunt face with a stubble, wearing a tattered dark trench coat over a high-collared black tactical outfit, a melancholic and detached expression. A young woman with a radiant face, sparkling eyes, a warm and gentle smile, long flowing hair, wearing a soft pastel-colored cardigan over a simple white dress, holding an umbrella in one hand and reaching out with the other, an expression of pure kindness. A man with sharp facial features and a stern gaze, wearing a classic brown trench coat, a tailored suit underneath, a fedora hat slightly tilted, holding a thick file and a lit cigarette between his fingers, looking intensely focused. A young man with a focused and reliable look, messy short hair, wearing a loose hoodie and a leather jacket, sitting behind the wheel of a sports car, glancing back over his shoulder with a knowing and serious expression. A weary man with a dark coat standing alone in a rainy city street at night, looking dejected. A young woman with a bright smile walks up to him, holding an umbrella over both of them and offering a warm blanket. He looks at her with surprise and hesitation. A tired-looking man in a dark trench coat running through a dark alleyway, looking over his shoulder. Behind him, a detective in a suit and hat is pursuing, shining a flashlight and holding up a police badge, his face determined. Two young men rushing towards a sleek car parked in a back alley. The protagonist, looking exhausted, is being helped into the passenger seat by his friend, who is dressed in a hoodie. The friend has a serious expression and is looking back to check for pursuers. Inside a simple, warm apartment. A young woman is gently tending to a small cut on the hand of the weary-looking protagonist, who is sitting at her kitchen table. He watches her work with a conflicted expression, his true identity hidden.
🖤 PLANCHE 4 — Les livres qu’on jette Âge d’Aris : 15 ans Style : manga noir et blanc, seinen classique Ambiance : nuit, pluie fine, indifférence Nombre de cases : 6 🟦 CASE 1 — PLAN LARGE (haut de page) Description visuelle : Bâtiment massif et austère : une académie. Architecture noble, propre, éclairée de l’intérieur. À l’arrière, une ruelle sombre. Ambiance : Savoir à l’abri. Rue froide derrière. Texte : Aucun. 🟦 CASE 2 — PLAN MOYEN Description visuelle : Derrière l’académie. Caisses en bois renversées. Des livres jetés, abîmés, mouillés par la pluie. Des pages collées par la boue. Ambiance : Mépris silencieux. Texte : Aucun. 🟦 CASE 3 — PLAN MOYEN (Aris) Description visuelle : Aris, 15 ans, maigre, vêtements usés, trop grands. Il s’approche prudemment des caisses. Il regarde autour de lui, comme s’il n’avait pas le droit d’être là. Ambiance : Habitude de la honte. Texte : Aucun. 🟦 CASE 4 — DÉTAIL (mains) Description visuelle : Les mains d’Aris fouillent parmi les livres. Certains sont trop mouillés. Certains déchirés. Il en écarte plusieurs. Ambiance : Tri lent, méthodique. Texte : Aucun. 🟦 CASE 5 — PLAN RAPPROCHÉ (objet) Description visuelle : Un livre plus épais, plus ancien. Couverture noire, sans titre apparent. Moins abîmé que les autres. Pas de symbole. Pas de lueur. Rien de magique. Texte : Aucun. 🟦 CASE 6 — CASE FINALE Description visuelle : Aris tient le livre contre lui, sous la pluie. Son visage est neutre. Juste une décision simple. Texte (petite bulle, très discrète) : « Celui-là… » 🎯 INTENTION (IMPORTANT POUR MANGAAI) Aris ne cherche pas la magie Il cherche à lire Le grimoire n’est pas présenté comme spécial L’académie jette → Aris récupère Aucun effet surnaturel à ce stade
"Pretend Hypnosis" — Chapter 1: The Spell That Never Worked CHARACTER PROFILES AYATO HIMEKAWA — Black hair (messy, slightly falling over forehead), striking blue eyes. Calm, composed expression. Wears standard school uniform: dark blazer, white shirt, loosened tie. Tall build. Usually has a subtle smirk. NATSUMI AMANO — Long pink hair (flowing past shoulders, often with a small side clip). Large yellow eyes, expressive and dramatic. Same school uniform but with a bow instead of tie. Energetic, over-the-top personality. Often has exaggerated manga expressions. PANEL-BY-PANEL BREAKDOWN 📌 PANEL 1 — ESTABLISHING SHOT Visual Prompt: Wide-angle establishing shot of a Japanese high school classroom interior. Late afternoon light streams through tall windows on the right side, casting long diagonal shadow bars across rows of desks. The classroom is mostly empty — school has just ended. Desks and chairs are slightly pushed around. A chalkboard at the front has half-erased notes. Two figures are visible: AYATO sits sideways on his desk near the window, bag already packed, staring outside with a bored expression. NATSUMI stands a few desks away, rummaging through her bag with her back turned to him. The mood is quiet, ordinary, everyday. Camera Angle: High wide-angle from the back-left corner of the classroom, slightly tilted downward. Full environmental context visible. Dialogue (Ayato — internal monologue bubble): "Another painfully ordinary Tuesday after school..." 📌 PANEL 2 — CLOSE-UP / CHARACTER INTRODUCTION Visual Prompt: Medium close-up, slightly low angle looking up at NATSUMI's face as she spins around dramatically, one finger pointed upward as if she just had a revelation. Her long pink hair fans out with the motion — motion lines radiate behind her. Her yellow eyes are wide and sparkling with mischief. She's holding a small pocket watch on a chain that she just pulled from her bag. The watch dangles and glints. Her expression is intensely theatrical — the classic manga "I have a plan!" face. Small sparkle effects surround the watch. Camera Angle: Low-angle medium shot, slightly tilted for dynamism. Subject centered, hair and chain as compositional elements. Dialogue (Natsumi — speech bubble, bold text): "Ayato-kun! Don't move. I'm going to try something."
The Slice-of-Life Comedy: "The Bodyguard's Day Off" Genre: Comedy, Gourmet, Seinen The Plot: He is the legendary, most feared bodyguard for a global tech CEO. However, the manga focuses entirely on his Sundays off. He is an obsessive perfectionist who spends his free time pursuing the "perfect" cup of coffee and the ultimate strawberry shortcake. The Hook: Because of his terrifying appearance, every mundane interaction (ordering at a cat cafe, buying groceries, helping an old lady cross the street) turns into a misunderstood, high-tension standoff. People think he's planning a heist when he’s actually just checking if the tomatoes are organic. Name: Ren "Iron" Kurosawa Signature Move/Trait: The "Quiet Gaze"—he can silence a room just by lowering his sunglasses slightly. Internal Conflict: He looks like a villain but lives by a strict, almost knight-like code of honor. Physique & Features Build: He possesses a powerful, athletic frame with broad shoulders that fill out his suit perfectly. Head: He is completely bald, with a smooth, polished scalp that adds to his intimidating and streamlined silhouette. Complexion: He has a rich, deep brown skin tone that contrasts sharply with his black attire. Facial Expression: His expression is stoic and unreadable. He has a strong, squared jawline and a thin, firm mouth that suggests he is a man of few words. Style & Accessories Eyewear: He wears classic black aviator-style sunglasses with dark lenses, completely masking his eyes and making him impossible to read. Jewelry: * A heavy, polished silver cuban-link chain sits prominently over his tie. He has subtle black stud piercings in both earlobes, adding a modern, edgy touch to his formal look. Attire: He’s dressed in a "triple black" formal ensemble: A sharp, tailored black blazer with notched lapels. A crisp black dress shirt and a matching matte black necktie. A sleek silver tie bar and a perfectly folded white pocket square, which provides the only pop of brightness on his suit. describe how the cover of the manga would look
Against the backdrop of old England, Charles Dickens stands on the street and talk abouy himself, and this is what he says: I was a famous English writer. I was born in 1812 in Portsmouth, England. My family was poor, and my childhood was difficult. When I was only twelve years old, I had to work in a factory to help support my family. This difficult experience greatly influenced my life and work. I saw how difficult life was for poor people, especially children. Later, I began writing stories about the real social problems of my time. I loved reading and learning. I believed that books could change people and make society a kinder place. In my novels, I showed the difference between good and evil, kindness and cruelty. My most famous works include "Oliver Twist," "A Christmas Carol," "David Copperfield," and "Great Expectations." My stories are full of emotion, strong characters, and important life lessons. My books are still popular today. People all over the world read my stories for pleasure and inspiration.
The story takes place in a modern Japan reshaped by the emergence of Manifestations—supernatural abilities that awakened suddenly a generation ago. At first, Manifested individuals were feared, hunted, and misunderstood. But as their numbers grew, governments were forced to adapt, creating strict systems to regulate, train, and monitor them. Society now lives in a tense balance: Manifested citizens walk the same streets as ordinary people, yet invisible lines divide them. To manage this new reality, elite institutions like Reidō Academy were established. Part school, part military facility, part containment center, Reidō trains young Manifested students to control their powers while quietly assessing which ones might become threats. Behind its polished reputation lies a network of surveillance, political agendas, and secret research into unstable awakenings.The world outside the academy is no safer. Criminal syndicates exploit Manifested children, rogue operatives like Ryona Itadori challenge the government’s authority, and rumors spread of ancient bloodlines whose powers defy classification. Ordinary citizens live in awe and fear, unsure whether Manifestations are humanity’s evolution—or its downfall. Amid this fragile landscape, a new generation rises: students with unstable abilities, hidden pasts, and destinies shaped by forces they don’t yet understand. And at the center of it all stands Toji Zenith, an unmanifested boy whose quiet presence hides a power older and more dangerous than the world is prepared for.
Your manga is a quiet, emotional slice-of-life story that explores loneliness, grief, and healing through subtle moments and atmosphere. The story follows Erikku, a withdrawn teenage boy who feels emotionally empty after losing someone important from his past. Although life around him continues as normal—school routines, classmates’ laughter, everyday noise—Erikku feels disconnected, as if even the sky above him has fallen silent. The silent sky serves as a powerful symbol throughout the story, representing Erikku’s inner emptiness, unresolved pain, and words left unspoken. His refuge is the school rooftop, a place filled with memories of happier days and a person he once shared deep connection with. This rooftop becomes a space where past and present quietly overlap. The story begins to change when Esutā, a calm and observant girl, appears. Unlike others, she notices the silence Erikku lives in. She does not approach him with pity or forceful encouragement; instead, she listens and acknowledges the quiet he carries. Esutā’s presence introduces warmth and understanding, suggesting that silence is not always absence—but sometimes a pause, waiting for someone brave enough to speak. As Erikku and Esutā share moments under the same sky, subtle changes occur: a breeze begins to move, clouds slowly drift, and the atmosphere softens. These small shifts symbolize emotional healing and the return of hope. The story focuses on inner thoughts, gentle dialogue, and visual storytelling rather than dramatic action. Overall, your manga is a poetic coming-of-age narrative about loss, human connection, and emotional recovery. It highlights that healing does not happen instantly, but through shared silence, understanding companionship, and the quiet courage to open one’s heart again.
Chapter 3: The Whisper in the Forest (Rewritten) The academy grounds were quiet after the sparring match. Most students had gone home, still buzzing about the clash between Shawn, Jaden, and Isaiah. The three of them stayed behind, each unsettled by what had just happened. None of them had expected the match to end the way it did — with strange flickers of power none of them could explain. Shawn stood on the rooftop, his black cloak fluttering in the wind. A sleek, angular mask covered the lower half of his face, hiding his expression. Beneath it, his 1-Tomoe Hoshigan pulsed faintly, spinning slowly. He clenched his fist. Something inside me is waking up. Down below, Jaden leaned against a training post. His hair was spiked and wild, and he wore a black shirt with one long sleeve and one short. His Byakugan was active, veins bulging at his temples. He flipped a kunai in his hand, but his usual smirk was gone. That thing I felt… it wasn’t mine. But it was watching. Isaiah stood at the edge of the woods, his dreadlock-like hair swaying slightly. A thick fur collar wrapped around his neck, and his eyes were locked on the trees. He didn’t speak. He didn’t move. But he felt it — something in the forest was staring back. A breeze rustled the leaves. Isaiah’s hand twitched toward his blade. Nothing. But the feeling didn’t leave. That night, the three of them were summoned to the headmaster’s office. The room was dim, lit only by a single lantern. Scrolls lined the walls, and a large map of the village was pinned behind the desk. The headmaster, an older shinobi with a long scar across his jaw, studied them in silence. “You three,” he said finally, “are different.” They didn’t respond. “I don’t know what’s inside you. But I’ve seen enough to know this — something is coming. And when it does, you’ll either be our greatest hope… or our greatest threat.” He turned to the window. “Tomorrow, you’ll be sent on your first mission. A simple patrol. But stay sharp. The forest has been… restless.” Outside, the wind howled. And deep in the woods, something opened its eyes.
A dark sci-fi horror story set in a massive underground research facility built beneath the earth to hide a classified experiment called Project Hope. Scientists there develop HRV-13, a modified virus designed to repair damaged cells and regenerate the human body without altering DNA. At first the results seem miraculous—cancer disappears, spinal injuries heal, and paralyzed patients stand again. Animals recover from fatal experiments, and the researchers begin to believe they have discovered a cure that could change the future of medicine. But the virus does not simply heal—it amplifies the body’s natural systems. Muscles grow stronger but uncontrollably, nerves regenerate too fast, organs begin overproducing chemicals, and the human body starts behaving like a machine running without limits. Each patient’s biology evolves differently, turning them into unpredictable biological experiments. The story follows a lone survivor who enters the abandoned facility years later. The building is silent, filled with flickering lights, empty laboratories, and sealed containment rooms. While exploring the corridors he finds the journal of the lead scientist, documenting the entire experiment—from hopeful beginnings to catastrophic failure. Through these entries the reader slowly learns what happened inside the facility: human trials, strange symptoms, military oversight, and the terrifying realization that the virus never stopped working. The deeper the survivor goes into the facility—through research labs, animal testing wings, medical wards, and containment chambers—the more disturbing the truth becomes. The experiment meant to save humanity may have created a new form of life, one that spreads through biology itself. The atmosphere is tense and claustrophobic: dark hallways, abandoned hospital beds, humming machines, and the constant feeling that something inside the building is still alive.
panel de manga en blanco y negro, estilo shonen con estética rockera, familia alternativa con actitud rebelde, padre con cabello largo y expresión seria, madre con mirada intensa y estilo punk, adolescente con audífonos y gesto desafiante, dibujo a tinta, alto contraste, sombras marcadas, screentone japonés, líneas dinámicas, viñeta vertical, estilo manga clásico, monocromático, ilustración detallada, sin color monocromático, entintado profesional, trama japonesa, líneas de velocidad, estilo impreso en revista manga
📘 Estructura de 12 Paneles: "El Auto que quería Cariño" Panel 1: El Escenario Visual: Un galpón rural polvoriento. Al fondo, un auto viejo cubierto de una capa de polvo blanca (como harina). El Ogre Bueni entra con una linterna. Diálogo (Ogre): —Che auto… ¿hoy querés arrancar? Prompt Manga: Wide shot, dusty barn interior. An old, boxy classic car covered in thick white dust. Friendly ogre entering. Manga linework, screentones. Panel 2: El Rechazo Visual: Primer plano del faro del auto que parece un ojo soñoliento. Una burbuja de texto sale del motor. Diálogo (Auto): —No… ay, no… déjenme dormir… Prompt Manga: Close-up of the car's headlight looking like a sleepy eye. Text bubble coming from the engine. Grumpy expression. Panel 3: El Sapo Churro Visual: Sapo Aldo toca el auto con un dedo y se llena de polvo. Está blanco de pies a cabeza. El Ogre y la Vaca Bueni miran asombrados. Diálogo (Aldo): —¡Ay, parezco un churro! ¡Ja, ja! Prompt Manga: Small toad named Aldo covered in white dust. He looks like a "churro" (powdered snack). Comedy manga style, speed lines. Panel 4: El Gato Salvador Visual: Un gato entra con una aspiradora vieja y ruidosa que rebota por el suelo (Boom, boom). Diálogo (Gato): —¡Acá vengo a salvar el día! Prompt Manga: Smug cat dragging a retro vacuum cleaner. Tail held high. Dynamic perspective. SFX: BOOM BOOM. Panel 5: El Caos de la Limpieza Visual: La aspiradora encendida a máxima potencia (FIIIUUU). El gato sale volando hacia atrás por la succión, con los pelos de punta. Diálogo (Gato): —¡Me dejó el pelo como nube! Prompt Manga: Action panel. Vacuum sucking air violently. Cat flying backwards with static, puffy fur. High energy, chaotic manga effect. Panel 6: El Gran Esfuerzo Visual: Todos empujan el auto. La Vaca con la nariz, los sapos por atrás, el Ogre de un costado. El auto está plantado y hace sonar la bocina molesto. Diálogo (Vaca): —Está haciendo capricho. Prompt Manga: Group effort. Ogre, cow, and toads straining to push the car. Sweat drops. SFX: HONK! (Bocina). Panel 7: La Sabiduría del Pato Visual: El Pato Bueni llega caminando tranquilo con aire de profesor mientras el Sapo Pepe se ríe en el suelo. Diálogo (Pato): —¿Probaste preguntarle qué quiere? Prompt Manga: Duck with a small bowtie looking wise. Sapo Pepe laughing in the background. Calm vs Chaos. Panel 8: El Secreto Revelado Visual: El Ogre se agacha frente al paragolpes, escuchando con atención. El auto susurra. Diálogo (Auto): —Yo quiero que me laven… Prompt Manga: Emotional panel. Ogre leaning close to the car's grill. Tiny, shaky text bubble. Sweet moment. Panel 9: El Spa del Campo Visual: Montaje de limpieza. La Vaca tira agua, los sapos frotan las ruedas y el gato limpia los vidrios mientras canta. Prompt Manga: Montage panel. Multiple small scenes of the animals scrubbing and washing the car. Bubbles and sparkles everywhere. Panel 10: ¡Como Nuevo! Visual: El auto brilla intensamente. Los personajes se tapan los ojos por el reflejo del sol en la carrocería. Diálogo (Gato): —¡Epa! ¡Parece un auto último modelo! Prompt Manga: The car is sparkling white/silver. Intense light glints (shoujo manga sparkles). Characters looking impressed. Panel 11: ¡Arranca! Visual: El Ogre gira la llave. Humo feliz sale del escape y el motor ruge con fuerza. Los sapos saltan del susto. Diálogo (Sapos): —¡Ah! ¡Nos asustó! Prompt Manga: Dynamic engine start. "VROOM" SFX in big letters. Toads jumping in mid-air from surprise. Panel 12: Final Feliz Visual: El auto manejando solito llevando las cajas, todos los animales saludando y riendo. Diálogo (Vaca): —Solo necesitaba cariño… y un baño. Prompt Manga: Wide shot. Car driving happily towards the horizon (or boxes). All characters waving. Heart icons. "FIN".
📘 Estructura de 12 Paneles: "El Auto que quería Cariño" Panel 1: El Escenario Visual: Un galpón rural polvoriento. Al fondo, un auto viejo cubierto de una capa de polvo blanca (como harina). El Ogre Bueni entra con una linterna. Diálogo (Ogre): —Che auto… ¿hoy querés arrancar? Prompt Manga: Wide shot, dusty barn interior. An old, boxy classic car covered in thick white dust. Friendly ogre entering. Manga linework, screentones. Panel 2: El Rechazo Visual: Primer plano del faro del auto que parece un ojo soñoliento. Una burbuja de texto sale del motor. Diálogo (Auto): —No… ay, no… déjenme dormir… Prompt Manga: Close-up of the car's headlight looking like a sleepy eye. Text bubble coming from the engine. Grumpy expression. Panel 3: El Sapo Churro Visual: Sapo Aldo toca el auto con un dedo y se llena de polvo. Está blanco de pies a cabeza. El Ogre y la Vaca Bueni miran asombrados. Diálogo (Aldo): —¡Ay, parezco un churro! ¡Ja, ja! Prompt Manga: Small toad named Aldo covered in white dust. He looks like a "churro" (powdered snack). Comedy manga style, speed lines. Panel 4: El Gato Salvador Visual: Un gato entra con una aspiradora vieja y ruidosa que rebota por el suelo (Boom, boom). Diálogo (Gato): —¡Acá vengo a salvar el día! Prompt Manga: Smug cat dragging a retro vacuum cleaner. Tail held high. Dynamic perspective. SFX: BOOM BOOM. Panel 5: El Caos de la Limpieza Visual: La aspiradora encendida a máxima potencia (FIIIUUU). El gato sale volando hacia atrás por la succión, con los pelos de punta. Diálogo (Gato): —¡Me dejó el pelo como nube! Prompt Manga: Action panel. Vacuum sucking air violently. Cat flying backwards with static, puffy fur. High energy, chaotic manga effect. Panel 6: El Gran Esfuerzo Visual: Todos empujan el auto. La Vaca con la nariz, los sapos por atrás, el Ogre de un costado. El auto está plantado y hace sonar la bocina molesto. Diálogo (Vaca): —Está haciendo capricho. Prompt Manga: Group effort. Ogre, cow, and toads straining to push the car. Sweat drops. SFX: HONK! (Bocina). Panel 7: La Sabiduría del Pato Visual: El Pato Bueni llega caminando tranquilo con aire de profesor mientras el Sapo Pepe se ríe en el suelo. Diálogo (Pato): —¿Probaste preguntarle qué quiere? Prompt Manga: Duck with a small bowtie looking wise. Sapo Pepe laughing in the background. Calm vs Chaos. Panel 8: El Secreto Revelado Visual: El Ogre se agacha frente al paragolpes, escuchando con atención. El auto susurra. Diálogo (Auto): —Yo quiero que me laven… Prompt Manga: Emotional panel. Ogre leaning close to the car's grill. Tiny, shaky text bubble. Sweet moment. Panel 9: El Spa del Campo Visual: Montaje de limpieza. La Vaca tira agua, los sapos frotan las ruedas y el gato limpia los vidrios mientras canta. Prompt Manga: Montage panel. Multiple small scenes of the animals scrubbing and washing the car. Bubbles and sparkles everywhere. Panel 10: ¡Como Nuevo! Visual: El auto brilla intensamente. Los personajes se tapan los ojos por el reflejo del sol en la carrocería. Diálogo (Gato): —¡Epa! ¡Parece un auto último modelo! Prompt Manga: The car is sparkling white/silver. Intense light glints (shoujo manga sparkles). Characters looking impressed. Panel 11: ¡Arranca! Visual: El Ogre gira la llave. Humo feliz sale del escape y el motor ruge con fuerza. Los sapos saltan del susto. Diálogo (Sapos): —¡Ah! ¡Nos asustó! Prompt Manga: Dynamic engine start. "VROOM" SFX in big letters. Toads jumping in mid-air from surprise. Panel 12: Final Feliz Visual: El auto manejando solito llevando las cajas, todos los animales saludando y riendo. Diálogo (Vaca): —Solo necesitaba cariño… y un baño. Prompt Manga: Wide shot. Car driving happily towards the horizon (or boxes). All characters waving. Heart icons. "FIN".
ACT 1 – The Illusion Jia Wen wakes up at 5AM every school day. She: Spends two hours grooming. Wears replica luxury items. Arrives early so no one sees her taking the bus. Leaves late so no one questions how she goes home. Her Instagram is curated carefully: OOTDs. Café shots. Luxury-inspired captions. Her classmates assume she’s rich. For the first time, she feels noticed. One day at the school café, a guy accidentally spills orange juice on her designer bag. She overreacts. Someone records it. The clip goes viral on TikTok: “Pretty girl with attitude over $4k bag.” People start searching for her Instagram. Her follower count explodes overnight. She feels powerful. For the first time— She thinks the lie might actually become real. ACT 2 – Exposure A comment appears: “That bag isn’t authentic.” Soon, an anonymous account posts comparison photos: Stitching flaws Logo misalignment Screenshots from Taobao listings More posts follow: Zoom-ins on every outfit. Breakdowns of every item. Her followers spike again—but now it’s mockery. In school: Whispers. Side glances. People stop talking when she walks past. Her best friend confronts her: “Why didn’t you just tell me?” The betrayal hurts more than the public humiliation. Then it escalates. The hate account posts: “Her dad drives Grab.” That breaks her. Not because it’s untrue— But because she never wanted her family dragged into her insecurity. ACT 3 – The Boy Who Stayed Ethan, the guy from the juice incident, starts sitting near her during lectures. Not dramatically. Just quietly. He never commented on the scandal. He knew the bag was fake. But he never said anything. One day she snaps at him: “You think this is funny?” He replies calmly: “No. I think you were scared.” They begin having small conversations. He reveals: Growing up rich didn’t mean freedom. He’s expected to take over the family business. Every relationship he’s had was influenced by money. He doesn’t see her as fake. He sees someone trying to survive social pressure. Their connection builds slowly. Through shared lunches. Late-night project work. Honest conversations. No dramatic flirting. Just understanding. CLIMAX – The Choice A mid-tier fashion brand reaches out to Jia Wen. They offer her a paid collaboration. Condition: Lean into the “luxury aesthetic.” She hesitates. At the same time, the hate account threatens to expose more about her family. She realises: If she keeps pretending, this cycle will never stop. So she does something unexpected. She goes live on Instagram. No filters. No luxury backdrop. She admits: The bags were fake. She wanted people to think she was rich. She was ashamed of her normal life. Then she says: “I thought if I looked expensive, I would feel worth more.” She posts a photo of: Her HDB block. Her dad’s car. Her mum’s uniform. Her followers drop. Silence. Resolution Days later, a small local thrift fashion brand reaches out. They don’t want luxury. They want authenticity. She begins rebuilding her page: Budget styling. Real student life. Honest captions. Her following grows slowly—but it’s real. Ethan confesses—not when she’s trending, but when she’s rebuilding quietly. “I liked you before the bag. I liked you after it disappeared too.” She asks him: “Why didn’t you expose me?” He answers: “Because I didn’t want to win by humiliating someone.” They don’t rush into a perfect romance. They start dating slowly. As equals. Without performance. Ending Theme The story ends with Jia Wen walking to school in daylight. No hiding. No leaving early. No staying late. Someone recognises her—not as the fake luxury girl. But as herself. And this time, she doesn’t look away.
# **MANGA — CHAPTER 1: THE UNKNOWN CREST** **Chapter Length:** ~45–55 pages **Style:** Clean fantasy lineart • strong lighting contrast • cinematic paneling --- ## **PAGE 1 (OPENING SPLASH)** **Full-page splash** A quiet classroom bathed in warm morning light. Dust floats in the air. Caption (top corner): **“Ordinary days don’t announce their end.”** --- ## **PAGES 2–5 — THE TEN STUDENTS** **Page 2** * Panel 1: Ayane solving equations effortlessly, chalk flying. * Panel 2: Ren smirking at a chess app on his phone (phone hidden under desk). * Panel 3: Mika sketching a horned monster—its eyes seem *almost alive*. **Page 3** * Panel 1: Haru stretching lazily at the back. * Panel 2: Yui asleep, sunlight on her face. * Panel 3: Shin typing rapidly, code reflected in his glasses. **Page 4** * Panel 1: Emi flipping flashcards, focused. * Panel 2: Daichi holding a mechanical puzzle. * Panel 3: Daiki leaning over, correcting him—twin synergy. **Page 5** * Panel 1 (wide): Sora staring out the window at the sky. * Panel 2 (close-up): Kaito’s notebook—**blank page**, only his name written. * Panel 3: Kaito’s eyes, observant but unsure. Caption: *“Everyone shines. Except me.”* --- ## **PAGES 6–8 — THE SUMMONING** **Page 6** * Panel 1: Classroom lights flicker. * Panel 2: Students look around, confused. * Panel 3 (low angle): Faint glowing symbols under desks. **Page 7** * Panel 1: Magic circle fully forms across the floor. * Panel 2: Wind explodes—papers and desks lift. * Panel 3: Students screaming as light engulfs them. **Page 8** * Full black page. Small white text in center: **“….”** --- ## **PAGES 9–12 — ANOTHER WORLD** **Page 9** * Panel 1: Kaito’s eyes snap open. * Panel 2: Cold marble beneath his hand. **Page 10** * Double-page spread: **Grand Summoning Hall**—crystal pillars, floating chandeliers, glowing runes. **Page 11** * Panels of knights surrounding them, weapons raised. * Students huddle together, panicked. **Page 12** * Tall figure steps forward—robes flowing. * Close-up of calm, ancient eyes. Caption: **“Archmage Eldorion.”** --- ## **PAGES 13–16 — THE TRUTH** **Page 13** * Eldorion explaining with a magic projection of the world cracking. **Page 14** * Visual metaphors: * A brain overlaid with magic circuits. * Symbols for logic, memory, creativity, empathy. Page 15 Students’ reactions—fear, determination, disbelief. Page 16 * Kaito silent in the back. Thought bubble: *“Intelligence… then why me?”* --- PAGES 17–26 — CREST AWAKENING **Page 17** * Crest Chamber revealed—massive, glowing apparatus. Pages 18–22 * Montage panels: * Crests manifesting clearly. * Fire, wind, light, calculation-based magic. * Chamber stable… controlled. Page 23 * Kaito steps forward. * Eldorion watching closely. Page 24 * The device flickers. * Runes shatter. * Darkness bleeds into the chamber. Page 25 Full-page spread: Kaito’s crest forming—**shifting, glitching, absorbing light. Page 26 * Eldorion’s shocked expression. Text (bold): “An Unknown Crest…? PAGES 27–34 — CONSEQUENCES** Page 27 * Outside the capital—alarm bells ringing. Page 28 * Rift tears open. * Massive silhouette emerging. Page 29 RIFT BEAST reveal—jagged, unstable form. Pages 30–32 * Students on battlements. * Some activate crests instinctively. * Minor monsters repelled. Page 33 Kaito trembling. His crest pulses faintly. Page 34 Magic around him stabilizes—cracks sealing without explosion. Others don’t notice. PAGES 35–40 — THE CHOICE Page 35 Eldorion shouting retreat orders. Page 36 Students pulling back. Page 37 Kaito watching the beast roar. Page 38 Close-up: fist clenched. Page 39 * He steps forward alone. * Air distorts around him. Page 40 * Crest glowing softly—*not violently*. --- PAGE 41 (FINAL PAGE — CLIFFHANGER) Full-page close-up Kaito’s calm eyes reflecting the Rift Beast. Bold text at the bottom: “If I can stop it… then I will.” NEXT CHAPTER PREVIEW “The First Battle — When Magic Breaks Its Own Rules."
半分の君 Romaji: Hanbun no Kimi Meaning: “Half of You” At Hoshizora Academy, the Compatibility Program forces second year students to live together like married couples — cooking, cleaning, studying, sharing a dorm unit, and being graded on emotional sync. High scores mean scholarships. Low scores mean repeating the year. The program is infamous for creating bonds that feel too real and exposing feelings students try to hide. Ignatius Arimura enters the year hoping to stay invisible. He’s quiet, introverted, and still carrying the ache of a breakup he never healed from. Aoi Kisaragi was his first love — the girl who made him feel alive, and the girl who walked away from him without ever explaining why. Aoi hides her guilt behind her bright smile, convincing herself she’s moved on to Ren. Ignatius tells himself he likes Mina because it’s easier than admitting he still aches for Aoi. When the pairing announcement arrives, Aoi silently begs for Ren. Ignatius silently hopes for Mina. Both pray they won’t be paired with each other. But fate is cruel. Their names appear together with a compatibility score of 12%, the lowest in the program. The room goes silent. Aoi’s smile cracks. Ignatius’s heart sinks. Moving into the same dorm feels like reopening a wound neither of them survived. Their first days together are a disaster. Aoi’s loud music, Ignatius’s quiet routines, her clutter, his need for order — everything clashes. Their first evaluation ends in failure. But when Ignatius freezes during a public speaking assignment, Aoi steps in without hesitation, her voice steady, her hand brushing his as she takes over. For a moment, it feels like the version of them that used to exist. Their score rises to 18%, and Ignatius realizes with a painful twist that he never stopped caring. Seeing Mina and Ren working together so naturally only deepens the ache. Aoi watches Ren laugh with Mina in a way he never laughed with her. Ignatius watches Mina shine beside Ren and wonders if he ever had a chance. Both feel jealousy they refuse to acknowledge. That night, Aoi cries quietly in the bathroom, and Ignatius hears her through the door. He stands there, hand hovering over the handle, but he doesn’t know if he’s allowed to comfort her anymore. They eventually agree to a truce and create a “Compatibility Strategy Plan.” Cooking together leads to soft laughter. Communication drills turn into arguments that somehow end with them smiling. Late night study sessions blur into moments where they forget they’re supposed to be exes. They fall asleep on opposite ends of the couch, but each night they wake up a little closer. Their score jumps to 41%. Aoi wakes one morning with Ignatius’s jacket draped over her shoulders. She doesn’t ask why. He doesn’t tell her. And then comes the chapter that changes everything. One night, after a long study session, Aoi falls asleep at the table, her head resting on her arms. Ignatius tries to wake her, but she mumbles something soft and exhausted, and he can’t bring himself to shake her. He sits beside her, meaning to stay only a moment. But he’s tired too. He rests his head on his folded arms, inches from hers. The room is warm. The silence is gentle. Without meaning to, they drift off together. When they wake, the sun is rising. Aoi’s head is resting on Ignatius’s shoulder. His hand is loosely holding hers. Their breaths are slow and in sync, like they’ve been sleeping together for years. For a long moment, neither moves. Neither speaks. The world feels fragile, like one wrong word could shatter it. Aoi’s cheeks turn pink. Ignatius’s heart races. They pull away slowly, reluctantly, as if their bodies haven’t caught up to their minds. Their score jumps to 52% the next day, and the teachers quietly note that their emotional sync spiked overnight. Aoi begins noticing Ignatius again — the way he concentrates, the way he softens when he’s comfortable, the way he still remembers her favorite snacks. Ignatius begins noticing Aoi’s hidden fears — her loneliness behind her popularity, her pressure to be perfect, the way she tries so hard not to disappoint anyone. They move around each other like a married couple who never learned how to stop caring. They share toothbrush cups, laundry baskets, late night ramen, sleepy mornings, and quiet moments that feel too intimate for two people who claim they’re over each other. During the festival test, their booth becomes the most popular attraction. Aoi turns down a confession from another boy, her voice trembling. Ignatius gets flustered when Mina compliments him, and Aoi notices the way he blushes. Their score jumps to 63%. That night, Aoi quietly asks him if he ever hated her after the breakup. Ignatius can’t answer. He can’t lie. The silence between them is thick with everything they never said. Rumors spread that pairs might be reassigned. Aoi panics at the thought of losing her chance with Ren. Ignatius panics at the thought of losing Mina. But beneath those fears is something heavier: neither of them wants to be separated from each other. Aoi cries alone on the balcony, and Ignatius silently places a blanket over her shoulders. She doesn’t turn around, but she leans into the warmth. They stand there together, the distance between them shrinking in ways neither of them can deny. A storm knocks out the power one night, leaving them in darkness with no cameras, no expectations, no pretending. They talk honestly for the first time in months. Aoi admits she’s tired of being the strong one. Ignatius admits he’s tired of being the quiet one. They sit close, closer than they have since before the breakup, sharing warmth in the dark. Aoi falls asleep with her head on his shoulder again. Ignatius doesn’t move. Their emotional sync test the next morning hits 92%, the highest in the program. As Ren and Mina grow closer, Aoi and Ignatius realize their old crushes were fantasies — safe illusions they clung to because they were afraid of the real thing. The real connection is the one they’ve rebuilt: messy, painful, warm, and real. They act like a married couple — cooking together, arguing, laughing, sharing space, sharing silence — but they’re not lovers. Not yet. They’re something in between, something fragile and terrifying and impossible to name. When the reassignment list is posted, Aoi’s hands shake and K Ignatius’s heart pounds. They scan the list, terrified. Their names remain together. Not because of luck. Not because of the system. But because they earned it. Aoi turns to him, eyes shining with something fragile and hopeful, and whispers, “Ignatius … can we try again?” He takes her hand gently, like she might break, and says, “Yeah. This time… let’s not run.” They’re not lovers. Not yet. But they’re closer than they’ve ever been — a pair who lives like a married couple, fights like rivals, and holds each other like home.