Circus Manga Manga

Título del cómic “Un rumor no define quién soy” Personajes Laura: niña amable, tranquila y buena amiga Elizabeth: compañera que inicia el conflicto Amigas del grupo Maestra (figura mediadora) Historia dividida en viñetas (escenas) Viñeta 1: La amistad Patio de la escuela primaria Laura aparece jugando y riendo con su grupo de amigas. Laura: —Me gusta mucho estar con ustedes, somos muy buenas amigas. Amiga: —¡Sí! Siempre nos apoyamos. Viñeta 2: El cambio Salón de clases Elizabeth está hablando en secreto con otras niñas. Elizabeth (susurrando): —Laura dijo cosas feas de ustedes… Amiga (confundida): —¿De verdad? Viñeta 3: El rumor Pasillo de la escuela Las amigas comienzan a alejarse de Laura. Laura (pensando): —¿Por qué ya no me hablan? ¿Qué hice mal? Viñeta 4: El conflicto Recreo Laura escucha a Elizabeth hablando mal de ella. Elizabeth: —No confíen en Laura, ella no es buena amiga. Laura (triste): —Eso no es verdad… Viñeta 5: El dolor Baño o banca del patio Laura está sola, con expresión triste. Laura (pensamiento): —Me duele que hablen de mí sin conocer la verdad. Viñeta 6: Pedir ayuda Salón de clases Laura se acerca a la maestra. Laura: —Maestra, alguien está diciendo cosas falsas sobre mí. Maestra: —Gracias por decirlo, vamos a hablarlo con respeto. Viñeta 7: La verdad Reunión del grupo La maestra reúne a las niñas. Maestra: —Hablar mal de alguien puede lastimar mucho. Aquí escucharemos la verdad. Laura: —Yo nunca hablé mal de ustedes. Las quiero como amigas. Viñeta 8: Reflexión Elizabeth con expresión de arrepentimiento Elizabeth: —Lo siento… hablé sin pensar y causé un problema. Viñeta 9: Perdón y aprendizaje Patio Las amigas vuelven a estar juntas. Amiga: —Perdón por no preguntarte antes, Laura. Laura: —Gracias por escucharme. Aprendimos algo importante. Viñeta 10: Final Todas juntas Narrador: —Los rumores pueden causar daño, pero hablar con la verdad y respeto puede sanar las amistades. Mensaje del cómic (puede ir al final) Moraleja: Hablar mal de los demás puede causar conflictos, pero la comunicación, la honestidad y el respeto ayudan a resolverlos. EN ESPAÑOL
A kind and sweet boy with long black curly hair is helping his friend a energetic and sweet girl with a outfit the girl has long blonde hair in a ponytail
Miu has two-tone hair, one side white and the other black. Hange has brown hair in a ponytail. Eren has short brown hair and Levi has short black hair. Miu and Hange are walking down the hall and talking. They hear a commotion coming from Eren's room and decide to paint him. They open his door. They sit on Eren's bed and paint Eren's face. Miu and Hange laugh. Hange suddenly sees Eren waking up and decides to paint himself too. Miu stares at her nervously. When Eren wakes up, he looks surprised. Hange points at Miu and Eren catches her and Hange paints her. They laugh so hard that Levi bursts into the room with his typical angry expression and starts muttering something. Miu looks at Levi nervously and tries to smile. Levi looks away and starts laughing. Then he grabs Miu's hand and pulls her away. When they are alone, Miu watches him nervously. And Levi laughs at her.
Я был предан товарищами в глубине подземелья, но благодаря своему навыку «Бесконечная гача» я обрёл союзников девять тысяч девятьсот девяносто девятого уровня, чтобы отомстить бывшим соратникам и всему миру
Astid stood as a giantess while hiccup, being tiny, was climbing up Astrids boot. Astrid remarks that he won't have his dragon all the time, and that if he wants to get back to normal he better reach her shoulder quick
A Young boy and girl meet in highschool and end up becoming lovers
Seorang pria bernama haki sedang berbicara kepada wanita bernama oviva
Miu have long hair black and white Levi have short hair .Levi is vampire . The door opened and I looked in the mirror,I look who came. so I knew who was standing behind me. "Hello Levi, it's been a long time, maybe years." Mia beep quietly. "Hello Mia." He said it for the first time, so calmly. "When did you remember your previous life?" Levi asks and Miu already smiling. "Five years ago Levi." LEVI grits his teeth. "I knew you would find me and I waited for you to do it. It was fate." I stand up and walk over to him. We look into each other's eyes. "In the diary you left me, none of it made sense. You just died, why? Mia, why the hell." A tear falls from my eye. "Because if you died, I would lose the reason to live. I love you Levi. I never stopped. Our souls were connected when we first met. Since you are bound to me, you are not a Ymir subject." I say and he straightens up. "What did you say?" His eyes widen in surprise. "Let's move somewhere else please I don't want to talk about this here." He nods and grabs my hand. "I promise I won't die again. Neither will you. We will be together." He squeezes my hand even tighter.
Page 1 The protagonist wakes up. On the ceiling, written in messy handwriting: “DON’T FALL ASLEEP AGAIN.” He doesn’t remember writing it. Page 2 In the bathroom mirror, his face is slightly blurred. When he blinks — the reflection doesn’t. Page 3 Outside, everyone has his face. But different versions: Crying Smiling too wide Emotionless Terrified They all walk past him like nothing is wrong. Page 4 One of them stops. Leans close. Whispers: “Which one are you?” Page 5 Reality starts overlapping. Panels duplicate slightly off-center. Multiple versions of him stand in the same place. One says: “I’m the one who wanted to disappear.” Another: “I’m the one who wanted to be perfect.” Another: “I’m the one who pretends.” Page 6 He looks at his hands. They turn semi-transparent. Inside his arms, silhouettes of other “him” are screaming silently. Page 7 Everything freezes. Black background. White text: “IDENTITY DETECTED AS DEFENSE MECHANISM.” Page 8 He stands in a white void. Thousands of versions of himself surround him. They speak in unison: “You are not the original. You are a temporary arrangement.” Page 9 His body starts fragmenting into words: “I’m scared.” “I need control.” “I’m not enough.” “I don’t exist.” The words scatter like ash. Page 10 Pure white page. A tiny black dot in the center. Small text: “Consciousness rebooting.” In the bottom corner, barely visible: “Don’t fall asleep again.”
Tachio era, April 1923, at Ueno Park, a man wearing white uniform while carrying suitcase full of clothes was walking in the park; at that time the cherry blossoms were in full bloom he looked around him to see the families sitting together, children playing around.
Un jeune garçon de 12 ans qui porte un t shirt blanc et un short noir
Panel 1: Tinder match screen (“It’s a match”), two separate profile photos. Panel 2: She is texting from her place. Phone in hand. Panel 3: He is texting from his place. Shirtless after workout, chest tattoo visible on the right side, slightly fuller beard. Panel 4: Phone call, split panel. She at her place, he at his place. No physical contact. Notes: They haven’t met yet. All interactions are online or by phone only.
등장인물은 민수(성인,인기 bj다현의 거액후원자,3년간 다현에게 거액의 별풍선을 결제),영준(성인,다현의 남사친,다현과 섹스하는 사이다.),다현(성인,영준에게 푹 빠져있고 민수를 배려하지만 남자로 안본다.) 1컷:다현이 영준앞에서 엉덩이를 흔든다. 2컷:다현이 영준앞에서 방귀를 뀐다 이모든장면에 민수는 출현하지않는다
A giant Toriel holding tiny Frisk in the palm of her hand, and smiling at how cute the little human is
PANEL 1 (FULL PAGE – ESTABLISHING) ART: Wide shot of a quiet countryside town in spring. Trees sway gently. A school building sits in the distance. TEXT BOX (NARRATION): This story begins in a small town, on a typical spring day…
Miu has two-tone long hair, one side white and the other black. Hange has brown hair in a ponytail and Hange have glass. Eren has short brown hair and Levi has short black hair.exactly as they are in the picture Miu and Hange are walking down the hall and talking. They hear a commotion coming from Eren's room and decide to paint him. They open his door. They sit on Eren's bed and paint Eren's face. Miu and Hange laugh. Hange suddenly sees Eren waking up and decides to paint himself too. Miu stares at Hange nervously.Because Hange Betrayed Miu When Eren wakes up, he looks surprised. Hange points at Miu and Eren catches Miu and Hange paints Miu.even though Miu protests They laugh so hard that Levi bursts into the room with his typical angry expression and starts muttering something. Miu looks at Levi nervously and tries to smile. And say nervously ,,ehhh." Levi looks away and starts laughing in room. Then he grabs Miu's hand and pulls Levis room. When they are alone, Miu watches him nervously. And Levi laughs at her.
Ten thousand years after the Great Heaven War, the Dao has changed—and so has the world. Sects rule nations, flying swords fill regulated skies, and Heavenly Trials descend the moment a cultivator understands too much. In this late-stage cultivation era, power is institutionalized, ambition is monitored, and even righteousness is a political stance rather than a cosmic truth. Born into an ancient sword clan that chose adaptation over isolation, a young cultivator enters a second-tier righteous sect where talent is refined and the greatest disciples are sent upward to a Tier One power. But in a world where the Dao is endless and Heaven corrects imbalance without mercy, insight is more dangerous than strength. The path to immortality is uncertain. The Dao does not care about good or evil. And Heaven is always watching.
Page 1-2: Preparing for Eid Scene: The girls are sitting in the living room, talking about Eid " Meg: "I am so excited for Eid, but I feel sad for people who don't have enough ".Jo: "Yes... some children might not get any gifts or food "?Beth: "Maybe we can do something small to help them "?Meg: "What if we make them happy with little presents or sweets ".Jo: "That sounds nice! We can plan it together "Mom: "Ilove your idea, girls. Eid is not just for receiving, it's also for giving Page 3-4: Planning Scene: The girls discuss what each will do "Meg: "I think I can bake some sweets and share them "?Jo: "I will make some simple toys for the children. What do you think "Beth: "I have old clothes that I don't use. I can give them too "Meg: "That's perfect! Everyone can do something ". Jo: "Yes, we will make a small gift for each child "Mom:"| will collect all your gifts, and we can go together to give them Page 5-6: Working Together .Scene: The girls are busy preparing their gifts and food "!Meg: " like baking sweets, it smells so good ". Jo: "Making toys is fun, but I hope they will like them "Beth: "'m folding the clothes nicely. I hope they feel warm "Meg: "'m so happy we are doing this together ". Jo: "Yes, working together makes it even more fun "Beth: "Seeing them happy will make our Eid even better Page 7-8: Distributing Gifts Scene: Outside, the family gives food and gifts to the children "Beth: "Look at their smiles! They are so happy "Meg: "I feel so good giving them sweets "Jo: "It's amazing to see their faces light up ".Mom: "The joy of giving is much bigger than receiving "Meg: "I didn't know helping others could feel this wonderful "!Jo: "Yes... this is the real spirit of Eid Page 9-10: Returning Home .Scene: The girls walk home, feeling proud and happy "!Jo: "This is the best Eid I have ever had "Meg: "I agree. It feels better than any big gift ".Beth: "I want to do this every year *Mom: "That is the true meaning of Eid, helping others "Meg: " will always remember this feeling of joy "!Jo: "Next year, we can do even more Page 11-12: Ending Scene: The family sits for Eid breakfast, happy and laughing "Beth: "We should always help those in need "Meg: "Yes, let's make it a family tradition ".Jo: "A part of every Eid will go to the poor from now on "Mom: "I am proud of you girls. Giving makes Eid brighter for everyone "Meg: " love our family's Eid plan Jo: "And Ilove seeing everyone smile
Two sisters, long-time enemies, finally confront each other.
As she walks, she stumbles over a loose stone and falls to the ground, her hair flowing around her face and her expression a mix of surprise and embarrassment.
RISE ABOVE THE CLOUDS PANEL:1 Morning sky,soft golden clouds Narattor:Every sky begins with a sunrise … and every hero begins with a doubt Tharaneesh: what if I’m not strong enough? PANEL:2 Sarveswaran flying beside him Sarveswaran:strength isn’t power .its belief PANEL:3 Broken sky bridge hanging between clouds . Narrator :the sky bridge collapse leaving many clouds villagers trapped Villages :helping us ! PANEL:4 Tharaneesh looks down nervous Tharaneesh : its too for .... I might fall PANEL:5 Sarveswaran places a hand on his shoulder Sarveswaran :courage is talking the step anyway PANEL:6 Tharaneesh leeds-light sorrounds SFX :SHINE ! NARATTOR :The movements he believed, the sky responds PANEL:7 Sky bridge reforms with glowing Villagers :you did it PANEL:8 Tharaneesh smiles , standing taller Tharaneesh :I guess I was strong all alone . FINAL PANEL Both heroes watching the sunset Narattor:when you rise above fear ,you didn’t just touch the sky
🔹 BÖLÜM 1 – SESSİZLİKTEN ÖNCE Scene 1 Panel 1 (Wide Panel) Night cityscape. Flickering streetlights. Long shadows stretch across buildings. Narration Box: “Some nights feel heavier than others. Even silence holds tension.” Panel 2 (Wide Panel) Three figures standing on a rooftop, overlooking the city. Panel 3 (Close-up – Polat) Muscular body, clenched fists, calm but intense eyes. Thought Bubble (Polat): This city… something’s wrong again. Panel 4 (Medium Shot – Yigit) Glasses reflecting light, hands in pockets. Speech Bubble (Yigit): “Even the wind changed direction.” Panel 5 (Medium Shot – Arda) Standing at the edge, hair moving in the wind, eyes glowing slightly. Speech Bubble (Arda): “This city isn’t the same anymore.” Panel 6 (Close-up – Yigit adjusting glasses) Speech Bubble (Yigit): “Nothing stays the same.” “But some things can still be controlled.” Panel 7 (Close-up – Polat) Speech Bubble (Polat): “That’s why we’re here.” Panel 8 (Silent Panel) Metallic sound echoes from afar. SFX: CLANG…
YOU have black and white hair and hange have brown hair with ponytail look up eren yeager have short brown hair room and see hee fall asleep. Hange and you painting his face. Eren wake up and hange Fast painting her face and Eren and hange paiting your face. Levi have black short hair and sounds laugh and Come to this room and Levi see you ,hangii and eren. youu look on him with scary face. Levi have pokerface and later laugh. And later Levi take your hand and
Panel 1 (wide, top): A car on the road. Caption: Distance was just a number. ⸻ Panel 2: Map fragment: Utena → Vilnius. Panel 1 (Top, wide) Bus arriving in Utena. She stepping off with a small bag. Caption: This time, I went to him. ⸻ Panel 2 At his place. Table with sushi. Casual atmosphere. Caption: We had sushi at his place. (No exaggerated romance, just normal, real.) ⸻ Panel 3 Later. Living room. She lying down slightly on the couch. He sitting close. No text. ⸻ Panel 4 (Close, intimate framing) He leans closer. Their faces very near. Almost a kiss — but not yet. Small caption: He was very close. OR more subtle: Almost.
, there was a tiny oil lamp that sat in the corner of a temple. It was not as bright as the big lamps and not as beautiful either. One night, a strong wind blew and all the big lamps went out. Only the little lamp stayed lit, protecting its flame with its small glass cover. Because of that tiny light, people could find their way and relight the others. The little lamp learned that night: you don’t need to be big to make a big difference.
L’anime commence dans une genre de salle noir vue première personne du perso principal , ( des yeux rouge?) nous parle et nous dit : "tu sais déjà ce qui va se passer tu la vue dans ton rêve , sa ne devrait aps tarder et à ce moment la….tout finira" en tendant sa main vers nous , le perso ne peux pas parler est effrayer on voit ses clignement de yeux , et quand la main arrive sur notre visage( donc pile au moment où il dit "tout se finira" il se réveille en sursaut , son amie qui était venue le réveiller sursaute aussi elle lui parle mais il entend pas , il regarde autour de lui frénétique et il entend comme si il avait les oreilles bouchées , son amie lui touche l’épaule et il revient à la "normale" et elle dit :"tu pleure ?" Le héros dit Nn Et la nouveau clignement du perso principal mais quand l’œil se rouvre on a la vision de l’amie qui regarde le perso principal qui a effectivement une larme à l’œil
Ms. Aisyah walked slowly between the desks. “One of Freud’s followers, Carl Jung, disagreed with him.” “What did he change?” Mei Ling asked. “Jung said the unconscious isn’t just personal,” she explained. “He believed in a collective unconscious.” The class looked confused. “It means,” she continued, “humans share universal memories and symbols — called archetypes.” “Like heroes? Mothers? Villains?” Amir asked. “Exactly!” she smiled. “Jung moved beyond just sexual instincts and focused on shared human experiences.”Ms. Aisyah erased the board and wrote in big letters: INFERIORITY “Alfred Adler believed people are driven by the need to overcome feelings of inferiority.” “Not hidden desires?” Farah asked. “No. He believed we strive for superiority — to improve ourselves.” She continued, “He also created birth order theory.” “Firstborns?” someone whispered. “Yes. Firstborns may become overachievers. Middle children competitive. Youngest children may feel less responsible.” “But is it proven?” Amir asked. Ms. Aisyah smiled knowingly. “Research shows birth order has very little effect on personality. But Adler’s idea about striving for improvement remains influential.”The class was now fully awake. “Karen Horney strongly disagreed with Freud’s ideas about women,” Ms. Aisyah said firmly. “She replaced ‘penis envy’ with something different.” The class shifted awkwardly. “She argued that what truly matters is basic anxiety.” “What’s that?” Mei Ling asked. “It’s the anxiety children feel when they are small in a big, powerful world.” She showed a photo of a child sitting alone at a beach. “Children cope with anxiety in different ways — by moving toward people, against people, or away from people.” “So personality comes from insecurity?” Farah asked. “Partly. Horney believed poor childhood security leads to unhealthy relationship patterns.”Finally, Ms. Aisyah wrote: Life Span Development “Erik Erikson agreed with Freud that childhood matters,” she said, “but he believed development continues throughout life.” “Not just childhood?” Amir asked. “No. Erikson created eight psychosocial stages — from infancy to old age.” She drew a timeline across the board. “Each stage involves a social conflict. Trust vs mistrust. Identity vs role confusion. And so on.” “So it’s more social than sexual?” Mei Ling asked. “Exactly.”Ms. Aisyah leaned against her desk. “So what did the Neo-Freudians do?” Silence. Then Amir spoke carefully. “They kept Freud’s idea of the unconscious… but focused more on social relationships?” Ms. Aisyah beamed. “Yes. They moved away from sexual instincts and emphasized culture, relationships, anxiety, personal growth, and lifelong development.” The bell rang loudly. As the students packed their bags, Farah whispered, “Poor Freud. Everyone changed his theory.” Ms. Aisyah laughed softly. “That’s how psychology grows.” She erased the board slowly, leaving only one word behind: Evolution.
Ten thousand years after the Great Heaven War, the Dao has changed—and so has the world. Sects rule nations, flying swords fill regulated skies, and Heavenly Trials descend the moment a cultivator understands too much. In this late-stage cultivation era, power is institutionalized, ambition is monitored, and even righteousness is a political stance rather than a cosmic truth. Born into an ancient sword clan that chose adaptation over isolation, a young cultivator enters a second-tier righteous sect where talent is refined and the greatest disciples are sent upward to a Tier One power. But in a world where the Dao is endless and Heaven corrects imbalance without mercy, insight is more dangerous than strength. The path to immortality is uncertain. The Dao does not care about good or evil. And Heaven is always watching.
CLIMATE X INDIGENOUS VOICES MAGAZINE EDITION – 2025 HIGHLIGHTS OPENING NOTE 2025 has been a defining year for Climate X Indigenous Voices — a year of deep listening, bold experimentation, and continent-wide action against climate disinformation. From grassroots fieldwork to global information integrity frameworks, this project has cemented itself as one of Africa’s leading voices on climate truth, Indigenous knowledge, and digital resilience. This edition captures the milestones, stories, and sparks that shaped our journey. FEATURE I — Foundations of a Movement Project Foundations & Ethical Community Partnerships Our year began where all great stories do — on the ground. Core teams were formed across Zimbabwe, Uganda, Kenya and regional media hubs, with contracts, TORs, and workflow structures firmly established. Early engagement with Indigenous partners — including the Tjwa community and others — ensured ethical collaboration, transparent consent, and storytelling shaped with communities, not about them. FEATURE II — Investigating the Climate Lie Machine Grassroots Disinformation Research In Matabeleland North, our field teams completed a landmark study with the Tjwa community. The research reveals how climate disinformation impacts resource access, daily decision-making, and community adaptation. These findings now anchor our content pipeline — from animations to community exhibitions — and the full report will be released on our public document-sharing platform. Africa Climate Disinformation Toolkit The continent’s first integrated guide to climate misinformation has been finalised. Led by an information integrity expert, the toolkit documents: Recurring myths Localised misinformation patterns Platform-driven manipulation Emerging online climate narratives Launching this December via webinar, the Toolkit already informs youth trainings and content strategy. It will be publicly accessible for download and reading. FEATURE III — Art as Resistance Art-Driven Dissemination Strategy From murals to exhibitions, 2025 strengthened the role of art in climate truth-telling. Community artists partnered with us to transform research into accessible, culturally rooted visual storytelling. A centerpiece was the exhibition inspired by The Last Forest documentary, showcased at the Green Cities Expo in September. FEATURE IV — Nurturing the Next Generation of Climate Truth Creators Green Media Accelerator: Fake News Fighters Track In Nairobi, the Green Media Accelerator launched a dedicated track for Fake News Fighters (FNF) — now one of Africa’s leading climate information integrity models. Through mentorship, fact-checking skills, and seed funding, FNF empowered young media innovators to produce verified, creative responses to climate lies. INFORMATION INTEGRITY HIGHLIGHTS Positioning Africa in the Global Info Integrity Landscape 2025 saw FNF align with the UNESCO Declaration for Information Integrity in the Public Sphere, marking a milestone for African-driven climate truth models. In 2026, FNF will contribute directly to shaping the world’s first Climate Information Integrity Framework, anchoring African solutions in global policy spaces. Fake News Fighters Bootcamps – Kenya & Uganda Using UKWELI as the core tool, two bootcamps trained 30 young creators to: Fact-check climate misinformation Detect platform manipulations Produce counter-narratives Map the real-world impacts of false climate stories These creators now feed into a continent-wide content pipeline. FEATURE V — Content, Storytelling & Digital Resistance Voices Rooted Podcast Production of the first episodes began this month. Key recordings include: Dr. Albert K. Barume, UN Special Rapporteur on the Rights of Indigenous Peoples Indigenous leaders and frontline climate defenders The podcast positions Indigenous wisdom at the centre of Africa’s climate discourse. Hope Not Heat! — Log Off The Lies Digital Campaign Bold. Satirical. Youth-driven. Log Off The Lies has become our strongest weapon against climate misinformation. Highlights: Infomercial launched in October — 2 million views Hero content released last week — 1.8 million views Youth social storm platform launched — 100+ engagements and counting Humour + fact-checking = sharper climate awareness among youth audiences This campaign now shapes the continent’s conversation on online climate manipulation. Influencer Travel Vlogs Travel and contracting with leading African vloggers is underway. Their content — spotlighting Indigenous adaptation stories — will be released early next year for wider impact. Documentary Production In Zimbabwe: Filming completed in August. Trailer for The Last Forest reached 2.5 million views. Festival submissions are being prepared for 2026. In Uganda: Filming has begun, expanding the documentary footprint across the region. A major national event is planned to engage policy makers on Indigenous Peoples' Rights, Conservation, FPIC and Extractive Industries. FEATURE VI — Youth Creativity & Climate Knowledge Climate Fake News Smackdown This creative competition invited youth to challenge climate myths. Three winners — one each from Zimbabwe, Kenya and Uganda — are now producing myth-busting content for release this month. Climate Facts Animations Three animated explainers are in production: Episode 1 releases on 10 December Episode 2 is complete Episode 3 follows early next year These animations demystify climate disinformation for youth audiences. FEATURE VII — Growing a Continental Network Africa Climate Labs Network Content hubs across East and Southern Africa are collaborating to build an Africa-wide front against climate disinformation. 2026 will deepen: Joint content planning Regular reporting Skill exchanges Coordinated distribution strategies Mid-term M&E is tracking reach, narrative shifts, and behaviour change across communities. SPECIAL RECOGNITION Fake News Fighters Wins Amnesty International Zimbabwe Award FNF received the Digital Creativity Award, affirming that information integrity is fundamental to climate justice. Without reliable information, communities cannot defend their rights, advocate for policy change, or hold powerful actors accountable. LOOKING AHEAD — 2026 AND BEYOND Next year, Climate X Indigenous Voices pivots from standalone outputs to continent-wide narrative influence. Key Priorities for 2026 Expanding UKWELI’s integration into broader African dialogues on climate truth and Indigenous resilience Strengthening the Fake News Fighters track for Zimbabwean and Tanzanian innovators Documentary production in Kenya and Tanzania A refreshed, more dynamic phase of the Hope Not Heat! campaign Strategic release of delayed content to maximise engagement 2026 will be the year the project scales from impactful storytelling to movement-level influence.
Helen, or here hero name Elastigirl, was at home, looking sternly down at her son Dash, who was tiny in her hand, saying he is grounded and that she is taking him to his room. Then proceeds to stretch out her mid section to form a kangaroo like pouch, putting Dash into it before beginning to walk through the house
Liel, seorang pengusaha sukses yang dingin dan tidak percaya pada cinta, telah kehilangan kepercayaan pada wanita setelah dikhianati oleh mantan pacarnya. Ayaa, seorang wanita yang ceria dan optimis, bekerja sebagai desainer grafis di perusahaan Liel. Mereka bertemu secara tidak sengaja di kantor, dan Liel langsung tertarik dengan kecantikan Ayaa. Namun, Ayaa tidak tahu bahwa Liel adalah bosnya, dan Liel tidak ingin Ayaa mengetahui identitasnya. Mereka mulai menghabiskan waktu bersama, dan Liel perlahan-lahan membuka hatinya pada Ayaa. Namun, ketika Ayaa mengetahui kebenaran tentang identitas Liel, dia merasa tertipu dan memutuskan untuk menjauh. Liel menyadari bahwa dia telah jatuh cinta dengan Ayaa, dan dia akan melakukan apa saja untuk mendapatkannya kembali. Ayaa, yang juga telah jatuh cinta dengan Liel, harus memutuskan apakah dia bisa memaafkan Liel dan menerima cintanya. Cerita ini akan menjadi perjalanan emosional yang penuh dengan cinta, pengkhianatan, dan akhirnya, kebahagiaan. *Liel:* - Umur: 28 tahun - Pekerjaan: Pengusaha sukses - Kepribadian: Dingin, tidak percaya pada cinta - Latar belakang: Dikhianati oleh mantan pacarnya *Ayaa:* - Umur: 25 tahun - Pekerjaan: Desainer grafis - Kepribadian: Ceria, optimis - Latar belakang: Tidak memiliki pengalaman cinta yang baik
Anime watercolor style illustration of melui walking through a sunflower field, wind blowing petals, warm tones, serene mood, gentle lighting
Page 1 The stadium roars. A sea of voices crashes like waves—cheering, screaming, gasping. Scoreboard blinks: 2 - 2. High school finals. Last minute. The ball cuts through the air— Passed to Kisaki. Page 2 Eyes lock onto him. Number 10. The prodigy. The pressure. His breath slows. He plants his left foot. Right leg coils like a spring. “This is it.” Page 3 The crowd holds its breath. Time freezes. Kisaki’s eyes narrow. He swings. BOOM. The ball flies— Page 4 —wide. Silence. Then— Gasps. Shock. Disbelief. Page 5 Coach: “KISAKI!!!” Teammates: “No way…” Opponents: stunned. Kisaki: Blank. Empty. He stares at the goal. Then— He drops. Knees hit the turf. Head down. Hands trembling. Page 6 TWEEEEET. Final whistle. It’s over. Kisaki doesn’t move. The crowd erupts again—this time, not for him. He’s alone in the noise. A hero fallen. A dream missed. A moment that will haunt.
Chapter Intro: The seal is broken. The Rift stirs. Deep within the void, a presence awakens — ancient and furious. The Riftborn King, long dormant, has opened his eye. As the Hidden Leaf regroups, Team 0 is summoned to a secret chamber beneath the Hokage Tower. There, the truth behind the Hoshigan, Isaiah’s mutation, and the Riftborn’s obsession with their bloodlines is finally revealed. Scene 1: Descent into Secrets Interior panel: A spiral staircase winds deep beneath the Hokage Tower. The walls are carved with ancient symbols. Torches flicker with blue flame. - Shawn: Cloaked in black, his white fox mask with red markings clipped to his belt. His face is calm, with sharp cheekbones and a faint scar beneath his right eye. His 3-Tomoe Hoshigan glows with a fourth mark forming — a black diamond at the center. The obsidian-forged sword rests across his back, humming with gravitational energy. - Jaden: His long, flowing black hair cascades down his back, tied loosely at the base. He wears a black shinobi robe with a red flame crest on the chest, one sleeve torn to reveal his muscular left arm. His Byakugan is dormant but alert, and his black gloves are worn from battle. - Isaiah: Towering and broad-shouldered, his dark skin is marked with faint black veins from his mutation. His dreadlocks are tied back, and his jagged fur-lined cloak drapes over a cream-colored combat tunic. A kunai spins slowly in his right hand, his eyes scanning every shadow. Hokage (gravely): “This vault predates the village. It holds the truth behind your powers.” Kuroda (to Shawn): “Your eye didn’t awaken by chance. It was chosen — by something older than chakra itself.” Scene 2: The Memory Stone A massive crystal floats in the center of the chamber, pulsing with violet light. As Shawn steps forward, his Hoshigan reacts — the fourth mark completes with a flash. Shawn (wincing, voice strained): “It’s… calling me.” He reaches out. The moment his fingers touch the stone, a surge of energy floods the room. Time freezes. Jaden and Isaiah are suspended mid-step, their expressions locked in concern. Scene 3: The Riftborn King Revealed Shawn is pulled into a vision. He stands in a shattered world — skies torn open, stars bleeding. A throne of bone and obsidian looms ahead. Upon it sits the Riftborn King — a towering figure with six arms, a jagged crystal crown, and a massive Hoshigan embedded in his chest. Riftborn King (voice like thunder): “You wear my legacy, child. My eye. My curse.” Shawn (steady, eyes glowing): “I’m not your heir.” Riftborn King: “You already are. The Eye remembers. And soon… so will you.” The King raises a hand. The vision shatters. Scene 4: The Eye Evolves Back in the chamber, time resumes. Shawn stumbles back, breathing hard. His Hoshigan now bears a fourth tomoe — a black diamond spinning at the center. Jaden (rushing forward, long hair flowing): “Shawn! What happened?!” His Byakugan activates instantly, veins bulging at his temples. He scans Shawn’s chakra network — it’s swirling, unstable, like a storm inside a bottle. Isaiah (stepping in, dreadlocks swaying): “Your chakra… it’s not yours anymore.” His mutation pulses in response, black veins glowing faintly beneath his skin. Shawn (voice low, eyes burning): “I saw him. The Riftborn King. He’s coming.” Scene 5: The King’s Herald The chamber trembles. A Riftborn sigil burns into the air. A voice echoes from the stone. Riftborn Voice (disembodied): “The King rises. The Eye will return. And the world will kneel.” The sigil vanishes. Silence falls. Hokage (to Team 0): “You three are the last line. If the King crosses over… we fall.” Scene 6: Final Panel Full-page spread: Team 0 stands before the glowing memory stone. - Shawn: Cloak fluttering, Hoshigan gleaming with four tomoe. His obsidian blade hums with power. - Jaden: Long hair flowing, Byakugan fully active, lightning crackling at his fingertips. - Isaiah: Dreadlocks wild, mutation coiled like a shadow beast behind him, kunai in hand. Narration box: The King has awakened. The Eye has remembered. And the war for reality has begun.
A 18 year old Japanese woman named Mika, who gets turned into the Venus de Milo. She has a short black hair with a bang covering her left eye and with a heart necklace and has grey eyes. She's seminude and armless after the petrification. She's the copy of the Venus de Milo in a museum with her likeness intact.
The story is about an 8-year-old young girl who finds herself on a mysterious island and she finds that there is not alot of food and her stomach starts growling and she knew she was starting to get hungry as she knew her stomach wouldnt stop after it did its first stomach growl. So she found this tree which grows these special fruits which after she eats one of the fruits to fill her still empty tummy she finds that she was transforming into a monster of some kind as she was growing bigger and her hair was growing longer and rapidly covering her eyes plus she could feel her stomach become more toned as the transformation continued until it stopped and she noticed her new looks and body while looking in the lake near the tree that she got the fruits from. The girl now bigger would use her new body to build herself a temporary shelter within a cave where she would stay as the effects would wear off and she would slowly become younger and would eventually return to her 8-year old self with her toned stomach and longer hair being a reminder of her previous transformation.
Tassi Hangbé, la reine rossignol Sœur jumelle du roi Akaba, Tassi Hangbé, un peu oubliée par l’histoire, est la 5ème reine de la dynastie royale d’Abomey. Littéralement le nom hangbé signifie “la voix de la chanson” en langue fon d’Abomey. Depuis son enfance, celle qui n’était encore qu’une princesse du royaume avait pour passion la musique et chantait remarquablement bien. Avec ses belles chansons, elle égayait chaque soir les réunions entre son père et ses frères. L’histoire révèle même que les soirs où elle était absente, le roi et ses frères envoyaient des serviteurs l’appeler car ne pouvant se passer des douces mélodies de la princesse à qui le sobriquet ” hangbé ” fut donné. Cette appellation deviendra plus tard son nom officiel dans tout le royaume. La gouvernance de la reine Hangbé En 1708, alors que le roi Akaba meurt des suites d’une courte maladie pendant la guerre, sa sœur Tassi Hangbé présente à ses côtés décide de de garder le secret de sa mort pour ne pas démoraliser les troupes. Déguisée en son frère, elle prend le commandement de l’armée et mène les combats jusqu’à la victoire finale à Lissèzoun, où elle vainc le royaume de Wémè. À son retour à Abomey, le fils d’Akaba étant encore trop jeune pour régner, c’est Hangbé qui prend les rênes du royaume du Danxomè. Bien qu’aucune cérémonie officielle n’ait eu lieu, elle portait tous les symboles du pouvoir royal : les sandales sacrées (saloubata), le grand pagne décoré (avotita), la récade (mankpo). Reconnue et respectée comme souveraine, elle était toujours accompagnée du siège et du parasol royal. Elle recevait de tous le respect dû à son rang mais les réalités phallocratiques du royaume n’ont pas tardé à la rattraper. Le règne d’une femme dérangeait dans un contexte fortement dominé par les hommes. Au palais comme dans le reste du royaume, certains hommes manifestaient ouvertement leur indignation à l’idée de laisser une femme sur le trône de Houégbadja. Subissant complots et tensions familiales, qui lui coûtent notamment l’annulation de son mariage et la perte de deux fils, Hangbè finit par céder le pouvoir à son frère Dossou, intronisé en 1711 sous le nom d’Agadja. Malgré son règne très court, Tassi Hangbé reste une figure majeure de l’histoire du Danxomè. Proche de son peuple, attachée à la religion et aux arts, elle a surtout marqué son époque en mettant en valeur le rôle des femmes, notamment par la création du corps des Amazones, un héritage restructuré et renforcé par la suite plus tard par le roi Ghézo. Le combat féministe de la mère des amazones Selon Damien Mariano Agliti, guide à l’Office de tourisme de la région d’Abomey, « Tassi Hangbé a pris cette initiative pour donner une véritable place aux femmes au sein du royaume ». Son influence ne s’est pas arrêtée à ses quatre années de règne. Même après avoir quitté le trône, Nan Hangbé est restée une haute dignitaire respectée, intervenant activement dans les affaires du royaume — notamment lorsqu’elle s’opposa à son frère qui refusa de retourner le pouvoir au fils d’Akaba une fois celui-ci en âge de régner.Elle a aussi joué un rôle clé dans la reconnaissance des femmes dignitaires, appelées Tassi, facilement identifiables grâce à leurs pagnes souvent posés sur la tête. Aujourd’hui encore, à Abomey, une femme perpétue la tradition de la reine guerrière : elle occupe le trône de Tassi Hangbé, dirige les cultes annuels et veille sur les affaires de la collectivité Hangbé
Bir kız okulda duvara yaslanmış bir şekilde elinde kitapla yanına okulun en popüler çocuğu gelir
In a world where a few can bend probability through raw will, a quiet drifter named Kai Kurozawa discovers his gift isn’t luck—it’s a loaded weapon. Each choice twists the odds, but the universe charges interest. SERIES BIBLE (Concise) Power System — Will / Odds / Backlash • Dwellers: Rare individuals who can impose Tacks (micro‐edits to probability) via focused Will. • Odds: A visualized “grain” of reality; Dwellers sense vectors of likely outcomes as shimmering filaments. • Tacks: Intentional nudges (“make that rope snap,” “let the bus be 8 seconds late”). Each Tack accrues Fate Friction—stress that rebounds later as Backlash (nosebleeds → fractures → catastrophic karmic events). • Edges: Personal rituals or anchors (coin flips, mantras) that stabilize Will and reduce friction. • Zeroshift (mythic tier, late series): A liminal state where Odds are a silent ocean and Will is a blade—do not reveal yet. World • Haven District: Port-city sprawl; rusted rooftops, market alleys, flooded underpass murals. • Glassline Metro: Arteries of the city; reflective tunnels where odds feel “loud.” • The Quiet: A rumored zone where Odds stop moving—foreshadowing endgame forces. Factions • Municipal Risk Office (MRO): Bureau that tracks statistical anomalies; polite on paper, predatory in practice. • The Erased: Black-bag unit rumored to “remove” unstable Dwellers. Recurring Antagonists • Rael, “The Eraser”: Uncanny calm; his talent dampens other Dwellers’ Tacks in close range. He is the city’s whispered full stop. • Anti-Kai (Kairo Tsukami): Never named on-page yet. Thematic opposite of Kai—fixes outcomes by stealing other people’s Will. Themes • Choice vs. inevitability, the cost of power, anonymity in crowds, the math of mercy. VISUAL STYLE GUIDE (for art consistency) • Line: Clean, high-contrast inks; thin outline on faces, heavy shadows on urban geometry. • Tone: Filmic noir with sharp whites for the “Odds” filaments. • Odds Visualization: Fine hairline threads and moiré patterns drifting off objects; when Kai focuses, threads bloom like dandelion seeds frozen mid-gust. • SFX: Minimalist lettering, small caps with long em dashes for sustained sounds (e.g., VRRR—). • Panel Rhythm: Quiet micro-panels for intention → explode into wide panels for consequence. CAST (Core + Non-Dwellers — at least 5) Kai Kurozawa (17) • A drifter with a coin ritual. Soft voice, sharp eyes. Edge: Coin Flip. • Quirk: Counts his breaths when deciding; breath 7 is commitment. • Flaw: Terrified of being the cause. Mei Arakawa (19) — Journalism student, street photographer. Non-Dweller. • Brave to a fault; sees patterns in people. Keeps instant camera on wrist. Jun “Switch” Tanaka (18) — Electronics stall kid; builds things from city trash. Non-Dweller. • Grease smudges, perpetual grin, a tool roll like a scroll. Aya Mori (20) — Med student volunteering at a night clinic. Non-Dweller. • Steady hands; refuses to look away from ugly truths. Inspector Haruto Ishii (34) — MRO field officer. Non-Dweller. • Polite, dry, exhausted; catalogues “anomaly sites.” Koji Nakamura (52) — Market grocer. Non-Dweller. • Kind man, jokes in proverbs. (Mark as at risk in early arcs.) Daichi (12) — Rooftop runner, orphan. Non-Dweller. • Knows every shortcut; sells maps he draws by hand. Rael (??) — “The Eraser.” Dweller. • Neutral face; shoes make no sound. The city gets quiet when he arrives. HIDDEN SEEDS in Chapter One • Page 3: A passerby with a ring—three triangular prongs. Later revealed as an Erased marker. • Page 17: Black van reflection in puddle (MRO plate pattern: 131-21). • Page 28: Blank spot in Kai’s Odds vision (Rael’s signature dampening at distance). • Final Page: A second coin in gutter, heads scratched with a thin inverted cross (Anti-Kai sigil—unexplained). CHAPTER ONE: PAGE-BY-PAGE SCRIPT & STORYBOARD Length: 36 pages (tankōbon pacing). Goal: Introduce Kai, demonstrate low-tier Tack, show cost, hook with a moral pivot.
Haruto and Yukari struggle to cooperate after Yukari’s sudden autonomy. Yukari’s cold demeanor clashes with Haruto’s emotional drive. Reika tries to mediate, but Yukari questions her own existence and Akirame’s role in her creation. Their bond begins to fracture as they prepare to leave the shrine.
Chapter 1: The Day We Met The sun rose over the Hidden Leaf Village, casting golden light across the rooftops and the stone faces of the Hokage Monument. Birds chirped lazily, and the academy courtyard buzzed with anticipation. Today was the first day of training for the newest class of shinobi — and among them were three who would one day change everything. Shawn stood beneath a tree at the edge of the courtyard, arms crossed, eyes scanning the crowd. His dreadlocks hung low, swaying slightly in the breeze. He wore a dark cloak and a white fox mask clipped to his belt. He didn’t speak. He didn’t need to. His presence was quiet, but heavy — like gravity itself bent around him. Jaden was already moving. He flipped a kunai between his fingers, sharp eyes darting from student to student. His hair was spiky and wild, and his shirt bore a red flame spiral emblem. One eye shimmered faintly red — a flicker of the Sharingan, maybe. The other was pale, unreadable. He smirked, confident and restless. Then came Isaiah. He arrived late, walking through the academy gates with a slow, deliberate stride. A hood shadowed his face, but the scar over his left eye was unmistakable. He didn’t speak. He didn’t smile. His chakra felt… different. Like something ancient was buried inside him, waiting. The instructor stepped forward, voice firm. “Line up! Today marks the beginning of your journey. You’ll train, you’ll fight, and if you survive — you’ll become shinobi of the Hidden Leaf.” The students scrambled into formation. Shawn, Jaden, and Isaiah ended up side by side, silent. They didn’t speak. But something passed between them — a flicker of recognition, a sense of connection. Like their fates were already tangled. None of them knew it yet, but deep inside each of them, something was stirring. A seal. A beast. A mutation. A destiny. And so, the story began.
주인공이 소파에 누워 성의 없이 스마트폰 자판을 툭툭 치는 모습. 화면에는 "ㄱㄱㄱㄱㄱ"가 가득함. "아, 귀찮은데... 일단 대충 채워서 포인트만 받자!" (효과음: 타닥타닥) [단순 반복 금지] 의미 없는 자음/모음, 특수문자 나열은 반려 대상입니다.