Animal Companion Manga

The Decline
Three months later.
The tent was half-empty.
Cinder flipped through the air, landed perfectly, juggled the flaming pins with the same precision—but the applause was thin. Scattered. A few polite claps from the families who’d bothered to show up.
She forced her smile wider. Bowed deeper. Added an extra spin.
Nothing.
The little girl who used to sit in the front row wasn’t there anymore.
After the show, Cinder stood alone in the center ring, staring at the empty seats. Dust motes floated through the fading spotlight. The silence pressed against her ears.
"Pathetic."
She turned.
The Ringmaster stood at the edge of the ring, face shadowed, arms crossed.
"Sir, I—"
"The crowds are leaving because of you." His voice was cold. Sharp. "You’re stale. Boring. A one-trick pony—or should I say, one-trick mutt."
Her tail tucked instinctively. "I can learn new tricks. I’ll practice harder—"
"I’ve already made arrangements." He turned away. "There’s a new act coming. Someone with real talent."
The words hit like a punch to the gut.
"You’re replaceable, Cinder. Don’t forget that."
He walked away, boots echoing on the wooden floor.
Cinder stood frozen, flames still flickering on the pins in her hands.
Slowly, she let them drop.
They clattered to the ground, extinguished.
Weeks passed.

Gemini के साथ बातचीत
Create one best fighting anime Indian anime and with Japanese style and realistic

The concept of a "realistic Indian fighting anime with a Japanese style" is a fascinating intersection of cultures. While a long-running TV series that fits this exact description is still a "holy grail" for fans, there are specific films and characters that bridge this gap perfectly.

Here are the best examples that capture that specific realistic, Japanese-animated combat energy within an Indian context:

1. Ramayana: The Legend of Prince Rama (1992)
This is the gold standard. It was a co-production between India and Japan, directed by Yugo Sako.

The Style: Traditional 90s cel animation—the same era and quality as Princess Mononoke or Dragon Ball Z.

The Realism: While it involves divine elements, the choreography of the archery and swordplay is grounded in classical Indian martial arts. The weight of the armor, the tension of the bows, and the environmental detail (Ayodhya, the forests, Lanka) are rendered with Japanese precision.

Why it fits: It doesn’t feel like a "cartoon"; it feels like an epic anime film.

2. Arjun: The Warrior Prince (2012)
Though technically an Indian production, it heavily utilizes the "Anime-esque" visual language (shading, dynamic "camera" movement, and high-contrast lighting).

The Style: It uses a stylized 3D-on-2D look that mimics modern Japanese theatrical releases.

The Fighting: This is arguably the most realistic depiction of Kalaripayattu and ancient Indian warfare in animation. The training sequences and the final Kurukshetra battle focus on physics, momentum, and tactical combat.

3. The "Fate" Series (Karna and Arjuna)
If you want to see Indian characters in a high-budget, modern Japanese fighting anime, look at the Fate franchise (specifically Fate/Apocrypha and Fate/Grand Order).

The Character: Karna (Lancer of Red) is portrayed as one of the most powerful and noble "Servants" in the series.

The Fighting: His combat style is incredibly intense and animated by top-tier Japanese studios like A-1 Pictures. While it leans into "superpowered" territory, his movements are based on the mythic descriptions of his legendary skill.

4. Street Fighter II: V (The India Arc)
For a realistic look at 1990s India through a Japanese lens, the "India Arc" in this series is iconic.

The Context: Ryu and Ken travel to India to seek a master. They meet Dhalsim, who is portrayed not as a caricature, but as a wise, physically disciplined monk.

The Vibe: The episodes capture the grit, heat, and atmosphere of Calcutta and rural India with a grounded, realistic aesthetic typical of 90s "World Tour" anime.

Comparison of Styles
Feature The Legend of Prince Rama Arjun: The Warrior Prince Fate Series (Karna)
Animation Style Classic 90s Hand-drawn Stylized 3D/Cell-shaded Ultra-Modern Digital
Combat Focus Tactical Archery/Epic Scale Martial Arts/Kalaripayattu High-Octane Supernatural
Realism High (Cultural/Historical) High (Physics/Movement) Low (Fantasy/Power-scaling)
Recommendation: If you want the "one best" experience, watch the 4K Remaster of Ramayana: The Legend of Prince Rama. It is the most authentic fusion of Indian soul and Japanese craft ever created.

Mujhe is Manga Kar pahla chapter complete karna hai to uske hisab se ek achcha Sa prompt do

Agar aap ek realistic, Japanese-style Indian fighting manga shuru karna chahte hain, toh pehla chapter (One-shot ya Pilot) hamesha "Atmosphere" aur "Physicality" par focus hona chahiye.

Yahan ek behtareen prompt hai jise aap kisi bhi AI Image Generator (jaise Nano Banana 2) ya script-writing ke liye use kar sakte hain:

Manga Title Concept: "Kalaris Curse"
Setting: Kerala ka ek purana, mitti wala 'Kalari' (training pit) shaam ke waqt.

Chapter 1 Plot Outline: "The Weight of the Soil"
Opening (The Hook): Ek 19 saal ka ladka, Arjun, mitti se bhare pit mein akela khada hai. Uske shareer par pasina aur mitti lipti hui hai. Woh ek traditional Urumi (flexible sword) pakadne ki koshish kar raha hai, lekin uske haath kaanp rahe hain.

The Conflict: Uske saamne uska "Guru" khada hai—ek buddha lekin behad mazboot aadmi jiske chehre par ek purana zakhm hai. Guru kahte hain: "Mitti wahi mangti hai jo tum dene se darr rahe ho—apna garv (pride)."

The Fight: Guru achanak hamla karte hain. Action realistic hona chahiye—koi magic nahi, sirf momentum, bones ka chatakna, aur dhool (dust) ka udna. Arjun ko mitti mein patka jata hai.

The Twist: Jab Arjun girta hai, toh use mitti ke andar ek purani, tooti hui talwar ki mooth (hilt) dikhti hai. Jaise hi woh use chhuta hai, ek purani "Yoddha" ki shadow uske piche dikhti hai.

Ending: Arjun khada hota hai, uska stance (posture) badal chuka hai. Woh ab darr nahi raha. Last panel mein uski aankhein bilkul ek baaz (hawk) jaisi chamak rahi hain.

Visual Prompt (For Image Generation)
Agar aap chapter ke main cover ya pehle page ke liye image generate karna chahte hain, toh yeh use karein:

Prompt: "Hyper-detailed Seinen manga style, black and white ink wash, high contrast. A young Indian martial artist with a lean, muscular build standing in a traditional Kerala Kalaripayattu pit. Dust motes dancing in the sunset light. He is wearing a traditional mundu, sweat glistening on his brown skin. Intense gaze, sharp Japanese-style facial features but distinctly Indian. Realistic anatomy, heavy line work like Takehiko Inoue's 'Vagabond'. The background shows ancient wooden pillars and traditional Indian weapons hanging on the wall. Cinematic low-angle shot."

CHARACTER BASE
chibi manga style, comedy, clean lineart, expressive faces, consistent character design, same characters in every panel

CHARACTER DETAILS:
1. Miss K (Kuntilanak – Leader): chibi female ghost, kuntilanak, long straight black hair covering part of face, pale skin, wearing simple white dress, confident leader aura, slightly scary but cute expression, sharp eyes, floating pose, main character energy

2. Go Yang (just head): chibi ghost girl with no arms and no legs, floating body, round simple shape, blank confused expression, awkward posture, minimal movement, cute and funny design

3. Bada (Nyi Roro Kidul – elegant baddie): chibi nyi roro kidul inspired girl, long wavy hair, elegant look, wearing flowing dress, confident and calm expression, seductive aura, graceful pose, slightly dramatic beauty

4. Po Cha (Pocong – clumsy): chibi pocong girl, wrapped in white burial shroud tied at top, round cute face, clumsy personality, expressive face, often tangled in cloth, funny and energetic

5. Po Chi (male Pocong – handsome): chibi handsome pocong boy, neat shroud, confident smile, charming expression, playful personality, energetic movement

6. Asep (Tuyul): chibi tuyul boy, small bald childlike figure, mischievous grin, greedy expression, playful evil energy, holding money, energetic pose

---

Panel 1 – Backstage chaos

Prompt:
chibi manga style, comedy, backstage concert chaos, 4 female ghost characters preparing, kuntilanak leader giving orders, pocong girl tripping on her shroud, nyi roro kidul calm fixing hair, ghost without limbs standing awkward, messy dressing room, energetic scene, exaggerated expressions, dynamic composition

Panel 2 – Po Cha fell

Prompt:
chibi manga style, funny scene, pocong girl falling face first because tangled shroud, dramatic fall, exaggerated expression, motion lines, slapstick comedy, simple background

Panel 3 – Bada calm

Prompt:
chibi manga style, calm confident girl brushing long hair, elegant aura, nyi roro kidul style, contrast with chaos, sparkles effect, relaxed expression, minimal background

Panel 4 – Walk to stage

Prompt:
chibi manga style, dramatic silhouette of 4 girl group walking to stage, backlight, spotlight, smoke effect, idol debut moment, cinematic composition

Panel 5 – anime pose

Prompt:
chibi manga style, 4 ghost girl group posing dramatically like idol anime, synchronized pose, confident expressions, freeze moment, spark effects, clean background

Panel 6 – Performance chaos

Prompt:
chibi manga style, chaotic idol performance, one ghost stiff and awkward without limbs, pocong girl struggling with shroud while dancing, elegant dancer too flexible, energetic messy choreography, exaggerated comedy motion

Panel 7 – Chaos close-up

Prompt:
chibi manga style, close up chaos, tangled cloth, exaggerated motion blur, funny expressions, overacting dance, dynamic angles, slapstick humor

Panel 8 – Audience hype

Prompt:
chibi manga style, ghost audience cheering, holding incense as lightsticks, wearing headbands with character faces, crying and screaming fans, exaggerated excitement, crowded scene as in concerts

Panel 9 – Asep kaya

Prompt:
chibi manga style, mischievous tuyul boy holding piles of money, greedy laughing expression, bodyguard pose, chaotic background, comedic evil laugh

Panel 10 – Po Chi entrance

Prompt:
chibi manga style, handsome pocong boy jumping while dragging big banner, energetic movement, playful expression, bouncing motion, comedic timing

Panel 11 – opened banner

Prompt:
chibi manga style, big banner opening dramatically, 4 ghost idols names written, exaggerated reveal moment, spotlight effect, comedic dramatic scene

Panel 12 – Parody ending

Prompt:
chibi manga style, split panel comparison, left side perfect glamorous kpop girl group, right side chaotic funny ghost girl group version, parody idol style, exaggerated contrast, humorous ending

---

note: same characters, consistent character design. character sheet consistency, same hairstyle and outfit

manga ka panel ek ghar jisme ek anomaly ak woman ko kha raha ho uski age 40 year ho anomaly human shape ka ho bo woman lethi ho anomaly uske uper betha hua ho usa face samne ki aur ho picture real lagni chahiye na ki ai gunrate women ke face sahma hu dra hua ho Bazaar style

Your manga is a quiet, emotional slice-of-life story that explores loneliness, grief, and healing through subtle moments and atmosphere. The story follows Erikku, a withdrawn teenage boy who feels emotionally empty after losing someone important from his past. Although life around him continues as normal—school routines, classmates’ laughter, everyday noise—Erikku feels disconnected, as if even the sky above him has fallen silent.

The silent sky serves as a powerful symbol throughout the story, representing Erikku’s inner emptiness, unresolved pain, and words left unspoken. His refuge is the school rooftop, a place filled with memories of happier days and a person he once shared deep connection with. This rooftop becomes a space where past and present quietly overlap.

The story begins to change when Esutā, a calm and observant girl, appears. Unlike others, she notices the silence Erikku lives in. She does not approach him with pity or forceful encouragement; instead, she listens and acknowledges the quiet he carries. Esutā’s presence introduces warmth and understanding, suggesting that silence is not always absence—but sometimes a pause, waiting for someone brave enough to speak.

As Erikku and Esutā share moments under the same sky, subtle changes occur: a breeze begins to move, clouds slowly drift, and the atmosphere softens. These small shifts symbolize emotional healing and the return of hope. The story focuses on inner thoughts, gentle dialogue, and visual storytelling rather than dramatic action.

Overall, your manga is a poetic coming-of-age narrative about loss, human connection, and emotional recovery. It highlights that healing does not happen instantly, but through shared silence, understanding companionship, and the quiet courage to open one’s heart again.

Panel 1

Wide shot: A private chamber in the Fortinbras estate. Candlelight. Heavy curtains. The three women sit together—the Wife seated formally, the Priestess Concubine calm but guarded, the Woodcutter Girl nervous and out of place.

Caption:
Within House Fortinbras, even quiet conversations carried the weight of power.

Wife:
“Sit. We will speak plainly.”

Panel 2

Closer shot: The wife folds her hands in her lap, composed and stern.

Wife:
“You both belong to this household now.”
“So tell me… when my lord calls for you, how often does he summon you?”

Panel 3

Priestess concubine close-up: She averts her eyes slightly, but answers with controlled dignity.

Priestess Concubine:
“Often enough that I understand my place.”
“To him, companionship is not tenderness.”
“It is appetite, authority… and legacy.”

Panel 4

Woodcutter close-up: She looks uneasy, fingers tightened in her dress.

Woodcutter:
“I stopped counting.”
“When he wants someone, he sends for her.”
“That is all there is to it.”

Panel 5

The wife watches both women carefully. Her face is unreadable.

Wife:
“Then you understand the next matter.”
“If either of you becomes pregnant, what were you told to expect?”

Panel 6

Priestess concubine speaking: Calm, bitter wisdom in her expression.

Priestess Concubine:
“That the child will belong to House Fortinbras before it belongs to me.”
“That nurses, tutors, and household servants will raise it in the lord’s name.”
“That blood matters more than a mother’s wishes.”

Panel 7

Woodcutter speaking, tense: She looks smaller in the room, overwhelmed by the reality of it.

Woodcutter:
“I was told I would be watched day and night.”
“Fed well. Guarded. Kept safe.”
“But not for my sake.”
“For the child.”

Panel 8

The wife leans slightly forward. Her tone is firm, instructional.

Wife:
“That is the truth.”
“In this house, any child of Lord Fortinbras is part of the house’s future.”
“They are raised for rank, obedience, and usefulness.”

Panel 9

Half-panel focus on the wife, dark background behind her for emphasis.

Wife:
“They will learn the name Fortinbras before they learn their own desires.”
“They will be taught duty, inheritance, and power.”
“Some will strengthen alliances. Some will serve the estate. All will carry his shadow.”

Panel 10

Priestess concubine looks at the wife directly for the first time.

Priestess Concubine:
“And the mothers?”
“What becomes of us after the child is born?”

Panel 11

The wife answers. Her expression softens only slightly, but remains severe.

Wife:
“That depends.”
“A wise woman may gain security, comfort, even influence.”
“A foolish one will remain only what she was when she entered this house.”
“Useful… but never truly free.”

Panel 12

Final dramatic panel: The three women in silence. The wife sits upright at center, the priestess thoughtful, the woodcutter shaken. Candlelight flickers.

Woodcutter (small text):
“So the child is born into power… and we are not?”

Wife:
“The child is claimed by power from its first breath.”
“That is the way of House Fortinbras.”

Caption:
And in that chamber, each woman understood that motherhood in a great house was not mercy… but submission to legacy.

Chapter 1: “Two Strangers, One Dream”
This is the story of a boy and a girl who meet accidentally… or maybe it was God’s plan.
People say that life tests us before teaching us something important.
A boy named Sujal and a girl named Anika both studied in the same college. By coincidence, their
roll numbers were close, so they ended up sitting on the same bench. Slowly, they started talking,
and a simple interaction turned into a beautiful friendship.
After a few months, their bond grew stronger. They attended lectures together, helped each other
with studies, and talked almost every day. Their friendship became a special part of their daily lives.
One day, the college organized an event. There was a group dance competition, and Sujal and
Anika participated along with Anika’s male friend and another female friend. Later, the group was
divided into duos. Sujal and Anika became one pair, while the other two formed the second duo.
Both pairs performed amazingly, and their team won first prize.
As time passed, they got a group project. Anika decided to make a group of four and invited Sujal,
Harsh (their senior), and her female friend. During this project, Sujal and Anika’s bond became
even stronger. They trusted each other deeply and understood each other without saying much.
After one year, Anika asked Sujal a question:
“Why did you become my friend?”
Sujal smiled and replied,
“I don’t really know… but whenever I talk to you, I feel good. When I sit with you, it feels like home.
In short, when I’m with you, my mind feels happy and peaceful.”
Months passed, and Sujal started feeling something special for Anika. But he was afraid. He
thought that if he confessed his feelings, it might break their friendship.
One day, Anika suddenly called Sujal and asked him to meet her urgently. They met in a garden.
Anika seemed very happy.
She said,
“A boy named Harsh proposed to me… and I said yes.”
At that moment, Sujal felt like the ground beneath his feet disappeared. He stayed silent while
Anika happily told him everything about Harsh—how they met and how it all happened. She had no
idea what Sujal truly felt for her.
Sujal wanted to express his feelings, but he couldn’t. His heart spoke words that never reached his
lips:
Kahan se laaun woh lafz jo tujhe sunai de,
Duniya dekhe chaand ko, mujhe sirf tu dikhaai de…
That night, Sujal was completely broken. He cried a lot. To distract himself, he went on a short trip,
trying to heal from the pain.
After that, they didn’t meet for many days, but they still talked on the phone. Soon, Sujal got busy
with his university exams. Meanwhile, Anika suddenly stopped answering calls and didn’t even
come for her exams.
One day, Sujal received a call from an unknown number....
Like for Part 2....
Thank you

Ultra detailed manga illustration of Elon Musk reimagined as a powerful anime character, inspired by a white-haired sorcerer aesthetic, sharp jawline, confident calm expression, glowing blue eyes, modern futuristic outfit mixed with anime battle uniform, standing in a dramatic pose, energy aura surrounding him, cinematic lighting, Japanese manga art style, clean line art, high contrast shading, dynamic perspective, anime key visual, ultra sharp focus, 4K quality, dramatic sky background, heroic and mysterious vibe

screenshot of a anime boy who is 12-13 years old personality kind helpful and stubborn he with a smile on his face Spiky anime-style hair: hair color Warm caramel / light copper → soft, approachable, kind but still adventurous eyes color pick for Cakiro: Amber / golden brown eyes skin color Peachy / light apricot skin outfit Page 3

His eyes open halfway.

Amber-golden, still unfocused.

He squints at the ceiling, then shuts them again.

“Five more minutes…” he mutters.

The room remains quiet.

Ochaco Uraraka as an adult bride, soft pink wedding dress with elegant details, looking at herself in the mirror, slightly nervous but glowing with happiness, sunlight through the window, sakura petals outside, emotional atmosphere, 4 manga panels page layout, close-up on her eyes, romantic anime style, detailed background, consistent anime style, same character designs, soft cinematic lighting, manga panel composition

“Anime cinematic scene, Lelouch Lamperouge activating Geass eye glow, intense red and gold light in iris, commanding stare. Cherri Bomb (Hazbin Hotel) reimagined in anime style, punk aesthetic, chaotic hair and outfit, holding weapon lowered, expression blank under mind control. Ruined industrial city at dusk, strong backlighting, wind, dust particles, dramatic shadows, psychological tension, high detail, Code Geass visual style, widescreen composition.”

crea un comic donde se explique el buen uso de la IA ,con un robot animado y llamativo que enseñe las herramientas que nos ofrece la ia.

Create Manga/Anime 機甲警察メタルジャック Volume 1: The Resurrection of Justice Cover.

Just this two girls goo anime con and have cosplay of mqn character

A man with his hair tied back, wearing a white t-shirt with a long-sleeved black shirt underneath, black shorts, and blue sneakers is called Mizaki. After playing basketball, he returns home and uncovers a mysterious crystal that gives him power, right after that, the government calls him for he annual team vs team death fight.

Anime watercolor style illustration of melui walking through a sunflower field, wind blowing petals, warm tones, serene mood, gentle lighting

Sci-fi anime illustration of lopunny controlling a holographic console, glowing blue interfaces, cool color palette, futuristic lab setting, thoughtful expression

Face of a 15 year old boy, wide eyes open, shocked expression, fear and surprise, sweat on face, dramatic lighting, anime portrait, highly detailed, emotional --ar 1:1

Gritted Teeth
setup
Extreme close-up of a fierce anime heroine Marcheta's lower face and mouth, gritting her teeth in intense anger,, character lick her lips while she's smiling close-up, character's mouth close-up, character's eyes close-up, character is trolls and monsters

"A new Malagasy anime style story: a young man living in the countryside witnesses a town mafia group extorting money from his community. Determined, he sets out for the town to take down the mafia."

Use the uploaded image as the exact reference frame. Preserve the artwork 100% identical. Do not alter the drawing style, linework, shading, lighting, anatomy, proportions, facial features, clothing design, or background. Keep the black-and-white sketch aesthetic exactly the same.
Animate only very subtle motion:
– A soft, gentle breeze slightly moving the hood fabric with minimal natural fold shifts
– The hoodie drawstrings swaying very lightly
– The hand raising upward very slightly and slowly, only a few centimeters
Motion must be extremely subtle, smooth, and realistic.
No exaggerated movement.
No new elements.
No camera movement.
No zoom.
No lighting change.
No style change.
No morphing.
No facial change.
The image should look identical to the original, as if a still drawing was brought to life with minimal wind movement.

“anime classroom morning light, soft shoujo manga style, warm atmosphere, students entering the room, desks and windows, gentle lighting, calm school vibe”

DIÁLOGO:
Narración (Sorao):
"Otro día más… ojalá nadie me mire demasiado."
en estilo manga y que no tenga tanto colores fuertes que sea como un manga real de papel

Prompt:

Create a 6-panel anime manga page, light romantic comedy style, wholesome and playful mood, soft lighting, clean lineart, expressive faces, modern everyday setting, high quality, square panels, speech bubbles in Russian, no suggestive or explicit content.

Panel 1: cozy apartment, young девушка сидит с телефоном, рядом чайник, спокойная домашняя атмосфера
Text: «Жду, пока чайник закипит… горячей воды нет 😩»

Panel 2: split screen, молодой парень с телефоном, дружелюбная улыбка
Text: «Может, помочь? Воду налить 🙂»

Panel 3: комедийная фантазия, парень “телепортируется” в ванную как шутка, лёгкий пар, без намёков, девушка удивлена и смеётся
Small caption: «режим фантазии: ВКЛ»
Text (парень): «Давай я телепортнусь и помогу 😄»
Text (девушка): «Хаха, давай 😄»

Panel 4: ванная сцена, полностью безопасная, оба просто стоят и смеются, дружеская атмосфера
Text (парень): «Вот это сервис 😄»

Panel 5: крупный план девушки, улыбка, лёгкий троллинг
Text: «Ты там уже всё продумал, да? 😂»

Panel 6: крупный план парня, лёгкая улыбка
Text: «Я просто люблю помогать 😄»

Style tags: anime manga, wholesome, light comedy, soft shading, clean lineart, no nsfw, no suggestive content

an average man by the name of kiuri who lives in Tokyo just so happens to be a multiverse adjuster. by moving slightly to the right at the perfect moment, his jacket caught a man's briefcase latch. The latch finished opening completely in the middle of the street, slinging his paperwork everywhere causing a traffic jam. If kiuri didn't cause the traffic jam to take place, many people would have died on a nearby bridge that collapsed. The subtle nudges & ripples one creates by being at the exact right place at the right time is what counts. Able to see a multitude of outcomes & possibilities, he helps guide along the ones that are meant to happen & fix anomalies such as haunted houses or some friend group dabbling in the occult leaving portals open in their basement.

In this calculus manga , trajectory analyst Alex is tasked with tracking a test rocket at Mission Control. Ten seconds after launch, Alex must determine the rocket's instantaneous velocity, explaining that visually, this is represented by the slope of the tangent line on the height graph at that precise point. To perform the calculation accurately, Alex works with Supervisor Sam to use the formal limit definition of the derivative, breaking down the algebraic steps. The mission is briefly interrupted by a sensor glitch that causes a clear discontinuity on the ascent graph. Alex analyzes this anomaly, explaining that because the function is not continuous at that moment, it cannot be differentiable. After resolving the issue, the rocket’s path stabilizes, but the flight stages become more complex. Realizing the limit definition is too slow for these new models, Alex utilizes basic differentiation rules to rapidly compute the velocity, confidently leading the mission to orbit.

Core Style & Aesthetic: Simple and clean colored manga art style, bold line art, flat cel-shading with minimal gradients, natural noon daylight (12:00 PM) with bright and direct lighting. ****

Character Definition (Megumin): A young female anime character with medium-length dark brown hair and striking red eyes. **** She wears a red long-sleeved tunic with gold/yellow trim, a brown leather corset-style belt with a silver buckle, and a brown choker. **** Her leg wear is asymmetrical: white bandages wrapped around her right leg and a single dark thigh-high sock on her left leg, paired with brown boots. ****

Environmental Setting: A modern Japanese residential suburb with two-story detached houses featuring gabled roofs. **** The color palette for the architecture consists of beige, light yellow, cream, and grey-blue tones. **** The scene includes narrow paved streets and iconic utility poles with a dense network of overhead power lines. ****

Narrative Panel Sequence:

Establishing Shot: A wide high-angle, 45-degree diagonal perspective looking down at a street corner. ****

Medium Shot: A frontal 90-degree eye-level view of the character standing in front of the suburban houses. ****

Character Study: A full-body portrait of the character standing still, showcasing her complete outfit and asymmetrical design. ****

Close-up Action: An intense close-up of the character’s face with her mouth open as if shouting or speaking loudly, with one index finger raised in a warning or declamatory gesture. ****

PROMPT :

Anime-style cinematic scene, poor town with a slightly timeless setting (not modern, no clear technology era), dusty streets, small worn houses, wooden signs, subtle gold-rush atmosphere. The environment feels alive but modest, with hints of poverty and fatigue.

A young boy (around 10 years old), thin, messy hair, slightly bruised face, worn-out clothes, barefoot or with broken shoes, is running through the street in panic and urgency. He looks desperate, emotional, almost crying, shouting loudly:

“I swear! I swear! My brother is down there! He went into the Earth!”

The camera follows him dynamically as he runs.

Around him:

Groups of townspeople talking in the street (men, women, elders)
Some people reading newspapers
Close-up of newspaper headlines hinting at strange events underground, unusual minerals, or mysterious phenomena
People reacting casually, skeptically, laughing or ignoring him

Dialogue atmosphere:

“What is he talking about?”
“That kid’s lost his mind…”
“Always the same stories…”

Tone: mix of light humor and underlying tension.

As the boy keeps shouting, subtle strange phenomena begin to appear:

A compass spinning uncontrollably in someone’s hand
Metal objects slightly vibrating
A glass trembling on a table
A bird flying erratically in the sky

No one fully notices at first, except maybe one old gold prospector who slowly stops and looks serious.

The boy stops in the middle of the street, out of breath, holding a strange small rock or mineral in his hand (dark, dense, slightly glowing or reflecting oddly), trying to show it to people.

Camera slowly focuses on the object.

Mood: adventurous, mysterious, emotional, slightly chaotic, with a sense that something big has just begun.

Anime cinematic lighting, expressive faces, dynamic motion, detailed background, strong storytelling composition.

“Anime‑style teenage boy named Riven, the hero, 17 years old, medium black hair with one messy fringe over his left eye. Sharp but very tired eyes, light bags under them, sleepy expression like he just woke up. Athletic, fit body, looks like a gym and sports guy. Wears a neat school uniform: white shirt, dark blazer, striped tie. One sleeve slightly rolled up, thin black wristband on one wrist. He walks normally like other students, no wheelchair or stick, just looks exhausted from lack of sleep. Manga style, semi‑realistic, clean lines, soft shading, school pathway background.”

kaito best friend of riven,
Anime‑style teenage boy, 17 years old, short neat dark‑brown hair combed to the side, friendly eyes, relaxed smile. Medium height, athletic but not as intense as his friend Riven. Wears the same school uniform but with blazer slightly open on top. Casual vibe, maybe a hoodie hanging off his bag or over one shoulder. Looks like he had a normal night’s sleep, calm and supportive expression. Manga style, semi‑realistic, clean lines, school background, walking beside a very tired friend.”

Panel 1 (wide shot): Early morning at a school, a paved pathway with students walking. Two teenage boys walking toward school. The first boy, named Riven, looks very tired and sleepy but walks normally. He has medium black hair with one messy fringe over his left eye, light bags under his eyes, athletic build, neat school uniform with one sleeve rolled up and a thin black wristband. The second boy, named Kaito, looks relaxed and friendly, short neat dark‑brown hair, blazer slightly open, casual vibe, walking beside Riven.
Panel 2 (close‑up Riven): Riven’s sleepy face, eyes half‑open, hand lightly rubbing his temple, slight tired smile, backpack on his shoulder.
Panel 3 (Kaito worried): Kaito looking at Riven, slightly raised eyebrow, concerned expression. Speech bubble: ‘Riven, did you even sleep yesterday?’
Panel 4 (Riven determined): Riven looks straight ahead with calm, focused eyes, aura of quiet determination, slightly blurred background. Speech bubble: ‘Kind of… not much… but I won’t faint until I win.’

A professional 6-panel colored manga page. [Plan 1: Domain Expansion] Panel 1: Sukuna summons a dark domain filled with glowing red Hyperbola equations and floating Combination symbols $C_n^k$. Panel 2: Gojo counters with a blue Ellipse barrier protected by golden Binomial Newton expansion formulas $(a+b)^n$. [Plan 2: The Ultimate Clash] Panel 3: Sukuna fires Parabolic slashes $y^2=2px$ mixed with Permutation codes $A_n^k$. Panel 4: Close up on Gojo's Six Eyes calculating the binomial probability of the attack. Panel 5: Gojo fires a massive "Hollow Purple" orb, merging energy that shatters a giant Pascal's Triangle in the background. Panel 6: Gojo stands victorious over the shattered coordinate grid, floating "Q.E.D" text in the sky. Style: High-quality colored anime art, vibrant neon blue and red effects, cinematic lighting, sharp mathematical debris.

Panel 1

Visual: A high-angle, distant view of the continuous factory buildings in Kowloon Industrial Area, Hong Kong. Streets lined with traditional Hong Kong-style signboards in traditional Chinese characters. Bright, clear weather with a soft, healing art style. The exteriors of three large factories—Wah Fung, Sing Lee, and Wing Tai—are clearly visible.
Action: No character movement.
Caption (Narrator): Most of Hong Kong's daily necessities are supplied by these three large local factories.

Panel 2

Visual: Inside a local Hong Kong grocery store. Shelves stocked with daily necessities and cooking oil. A shop assistant stands to the side, replacing price tags. Passersby stop and stare at the new price list.
Expression: Citizens look frustrated, with slightly furrowed brows.
Citizen Dialogue: Prices of daily necessities have been going up for no reason lately. It's really not worth it.

Panel 3

Visual: Three factory price adjustment documents laid neatly on a table. The papers are arranged orderly, clearly showing the same date and same percentage increase for all three. The identical data visually highlights the anomaly.

Panel 4

Visual: An ordinary citizen holding a smartphone, their finger tapping on the screen to access the Competition Commission's (Hong Kong) reporting portal. Their expression is full of indignation.
Citizen Dialogue: This is outrageous. I have no choice but to call the Commission to report these illegal acts

Create a high-quality Japanese manga-style story with cinematic panels, dramatic lighting, and detailed environments.
The story is set in a mysterious city called “Astraea”, a place that appears every 100 years and exists outside of normal time.
The city has floating buildings, broken clocks in the sky, glowing streets, and surreal architecture that blends ancient and futuristic styles.

Main character: a 16-year-old boy named Ren, with dark hair, slightly worn clothes, expressive eyes showing confusion and determination.

Visual style:

Black and white manga with strong ink contrast
Occasional glowing cyan highlights to represent time anomalies
Highly detailed backgrounds (dense city, floating structures, time distortions)
Cinematic panel composition (wide shots, close-ups, dramatic angles)

Tone:

Mysterious, emotional, philosophical, slightly dark sci-fi

Story progression panels:

Opening panel: A normal city scene collapsing into a glitch in reality, showing Astraea emerging
Ren falling through a dimensional rift into Astraea
First view of the city: floating streets, inverted buildings, clocks melting in the sky
Ren walking through a crowd of people who appear in multiple ages of themselves (child, adult, old at once)
Close-up of Ren realizing he is the only “fixed time” person
City authorities or guardians approaching him, mysterious masked figures made of fragmented time
Action scene: reality distortion around Ren as he tries to escape
Final scene: Ren standing at the center of a collapsing time tower, discovering that Astraea is a collective consciousness simulation of humanity

Add cinematic panel transitions, speech bubbles minimal, focus on visual storytelling.

$In a world where a few can bend probability through raw will, a quiet drifter named Kai Kurozawa discovers his gift isn’t luck—it’s a loaded weapon. Each choice twists the odds, but the universe charges interest. SERIES BIBLE (Concise) Power System — Will / Odds / Backlash • Dwellers: Rare individuals who can impose Tacks (micro‐edits to probability) via focused Will. • Odds: A visualized “grain” of reality; Dwellers sense vectors of likely outcomes as shimmering filaments. • Tacks: Intentional nudges (“make that rope snap,” “let the bus be 8 seconds late”). Each Tack accrues Fate Friction—stress that rebounds later as Backlash (nosebleeds → fractures → catastrophic karmic events). • Edges: Personal rituals or anchors (coin flips, mantras) that stabilize Will and reduce friction. • Zeroshift (mythic tier, late series): A liminal state where Odds are a silent ocean and Will is a blade—do not reveal yet. World • Haven District: Port-city sprawl; rusted rooftops, market alleys, flooded underpass murals. • Glassline Metro: Arteries of the city; reflective tunnels where odds feel “loud.” • The Quiet: A rumored zone where Odds stop moving—foreshadowing endgame forces. Factions • Municipal Risk Office (MRO): Bureau that tracks statistical anomalies; polite on paper, predatory in practice. • The Erased: Black-bag unit rumored to “remove” unstable Dwellers. Recurring Antagonists • Rael, “The Eraser”: Uncanny calm; his talent dampens other Dwellers’ Tacks in close range. He is the city’s whispered full stop. • Anti-Kai (Kairo Tsukami): Never named on-page yet. Thematic opposite of Kai—fixes outcomes by stealing other people’s Will. Themes • Choice vs. inevitability, the cost of power, anonymity in crowds, the math of mercy. VISUAL STYLE GUIDE (for art consistency) • Line: Clean, high-contrast inks; thin outline on faces, heavy shadows on urban geometry. • Tone: Filmic noir with sharp whites for the “Odds” filaments. • Odds Visualization: Fine hairline threads and moiré patterns drifting off objects; when Kai focuses, threads bloom like dandelion seeds frozen mid-gust. • SFX: Minimalist lettering, small caps with long em dashes for sustained sounds (e.g., VRRR—). • Panel Rhythm: Quiet micro-panels for intention → explode into wide panels for consequence. CAST (Core + Non-Dwellers — at least 5) Kai Kurozawa (17) • A drifter with a coin ritual. Soft voice, sharp eyes. Edge: Coin Flip. • Quirk: Counts his breaths when deciding; breath 7 is commitment. • Flaw: Terrified of being the cause. Mei Arakawa (19) — Journalism student, street photographer. Non-Dweller. • Brave to a fault; sees patterns in people. Keeps instant camera on wrist. Jun “Switch” Tanaka (18) — Electronics stall kid; builds things from city trash. Non-Dweller. • Grease smudges, perpetual grin, a tool roll like a scroll. Aya Mori (20) — Med student volunteering at a night clinic. Non-Dweller. • Steady hands; refuses to look away from ugly truths. Inspector Haruto Ishii (34) — MRO field officer. Non-Dweller. • Polite, dry, exhausted; catalogues “anomaly sites.” Koji Nakamura (52) — Market grocer. Non-Dweller. • Kind man, jokes in proverbs. (Mark as at risk in early arcs.) Daichi (12) — Rooftop runner, orphan. Non-Dweller. • Knows every shortcut; sells maps he draws by hand. Rael (??) — “The Eraser.” Dweller. • Neutral face; shoes make no sound. The city gets quiet when he arrives. HIDDEN SEEDS in Chapter One • Page 3: A passerby with a ring—three triangular prongs. Later revealed as an Erased marker. • Page 17: Black van reflection in puddle (MRO plate pattern: 131-21). • Page 28: Blank spot in Kai’s Odds vision (Rael’s signature dampening at distance). • Final Page: A second coin in gutter, heads scratched with a thin inverted cross (Anti-Kai sigil—unexplained). CHAPTER ONE: PAGE-BY-PAGE SCRIPT & STORYBOARD Length: 36 pages (tankōbon pacing). Goal: Introduce Kai, demonstrate low-tier Tack, show cost, hook with a moral pivot.$

In an era where six Supremes mark the absolute ceiling of existence, the world moves under a quiet, grinding tension: five Supremes stand revealed, anchoring nations, deterring wars, and defining the limits of power, while the sixth vanished long ago without death, omen, or echo, leaving behind not silence but a sense of deliberate containment that only beings at that level can feel; kingdoms ring their borders with alliances and naval forces, especially along the eastern ocean where island chains hide ancient mana scars, academies promote Gifted through rigid ranks obsessed with combat metrics and measurable mana, blind to the truth that Supremacy is not earned but survived, and above it all walks the MC, a Supreme who abandoned the system itself after realizing it was not a ladder but a cage, designed after the disappearance to prevent another from breaking reality the way the missing one nearly did; as nations posture, research forbidden spells, and quietly fear escalation, the MC senses what others refuse to name, that the missing Supreme did not fall or transcend but uncovered something beyond Supremacy and chose exile or imprisonment to stop it from cascading, making the current balance an illusion sustained by fear and ignorance, and as cracks spread through mana laws, island anomalies stir, and Supreme senses begin to distort, the story moves toward an inevitable convergence where the MC, the vanished Supreme, and the system meant to bind them are forced into collision, deciding whether the world remains stable, ascends, or shatters under the weight of truths it was never meant to hold.

Première scène d’une histoire isekai en style webtoon japonais / manga.

Une classe de lycée entière (environ 70 élèves) est soudainement téléportée dans un autre monde.

Les élèves portent des uniformes scolaires couleur café, certains sont choqués, d’autres effrayés, certains tombent au sol, d’autres se regardent sans comprendre.

L’environnement est étrange et fantastique : ciel irréel avec des couleurs inhabituelles, lumière mystique, sol inconnu, légère brume magique autour du groupe.

L’atmosphère est tendue et dramatique, sentiment de confusion, de peur et d’incompréhension.

Au centre de l’image, un petit groupe d’élèves se démarque légèrement, comme des futurs personnages importants.

Style artistique : Korean webtoon + Japanese anime, haute qualité, traits nets, ombrages doux, expressions faciales très détaillées.

Éclairage cinématographique, lumière surnaturelle venant du ciel, tons dramatiques.

Composition dynamique, vue semi-large pour montrer le groupe et le nouveau monde.

Ambiance : début d’une aventure sombre, mystérieuse et dangereuse.

Crée un univers original de manga/anime avec les caractéristiques suivantes :

1. **Cadre (Décor & Monde)**
- Type d’univers : [futuriste / médiéval fantastique / contemporain avec éléments surnaturels]
- Lieu principal : [ville, royaume, école, planète]
- Ambiance visuelle : [néon cyberpunk, pastel lumineux, sombre gothique, traditionnel japonais]

2. **Personnages principaux**
- Héros : [nom, âge, traits physiques, personnalité, objectif]
- Antagoniste : [nom, motivation, style visuel, pouvoir]
- Alliés secondaires : [2-3 personnages avec rôle et dynamique]

3. **Thèmes & Messages**
- Thème central : [amitié, quête de pouvoir, lutte contre l’injustice, amour interdit]
- Message sous-jacent : [espoir, résilience, corruption du pouvoir, équilibre entre tradition et modernité]

4. **Éléments narratifs clés**
- Conflit principal : [guerre, tournoi, rivalité, survie]
- Événements déclencheurs : [attaque, découverte d’un pouvoir, trahison]
- Progression : [arc d’apprentissage → arc de confrontation → arc de révélation]

5. **Style visuel et animation**
- Palette de couleurs dominante : [chaude, froide, contrastée]
- Style graphique : [shōnen dynamique, seinen réaliste, shōjo élégant]
- Animation : [fluide et énergique, atmosphérique et contemplative]

Donne une description détaillée et cohérente de cet univers, en mettant l’accent sur l’immersion visuelle et émotionnelle.

“Doraemon blue robotic cat clean design entering futuristic gadget shop, glowing teleportation device on pedestal, sci-fi neon lighting, curious expression, detailed anime style”
Dialogue: Shopkeeper: “This is the new Dimension Teleportation Machine… unstable but powerful.”
Doraemon: “This could help Nobita improve his life!”
🖼️ PANEL 2 — Doraemon returns home
Prompt: “Doraemon flying home through sky with gadget bag, sunset city background, futuristic small device glowing inside transparent case”
Narration: “Doraemon brings home a mysterious device that can bend space…”
🖼️ PANEL 3 — Testing with Nobita
Prompt: “Doraemon and Nobita Nobi ordinary boy glasses inside room, placing teleportation machine on table, device glowing blue energy, excitement and curiosity”
Dialogue: Doraemon: “This will only be a simple test, don’t touch anything!”
Nobita: “Okay… I’ll just watch…”
🖼️ PANEL 4 — Accident triggers disaster
Prompt: “Nobita accidentally pressing glowing red button on machine, explosion of purple-blue multiverse crack opening, reality breaking glass effect in room, Doraemon shocked floating gadgets”
Dialogue: Nobita: “Oops… I thought it was ON button…”
Doraemon: “NOBITA!!! WHAT DID YOU DO?!”
🌌 RESULT (END OF PAGE 1 EVENT)
Narration (BOTTOM TEXT):
“A single wrong press… shattered the boundary of worlds…”
💥 “The Dimension Shift has begun.”

Miu has two-tone long hair, one side white and the other black. Hange has brown hair in a ponytail and Hange have glass. Eren has short brown hair and Levi has short black hair.exactly as they are in the picture

Miu and Hange are walking down the hall and talking. They hear a commotion coming from Eren's room and decide to paint him. They open his door. They sit on Eren's bed and paint Eren's face. Miu and Hange laugh.
Hange suddenly sees Eren waking up and decides to paint himself too. Miu stares at Hange nervously.Because Hange Betrayed Miu When Eren wakes up, he looks surprised. Hange points at Miu and Eren catches Miu and Hange paints Miu.even though Miu protests
They laugh so hard that Levi bursts into the room with his typical angry expression and starts muttering something. Miu looks at Levi nervously and tries to smile. And say nervously ,,ehhh." Levi looks away and starts laughing in room. Then he grabs Miu's hand and pulls Levis room. When they are alone, Miu watches him nervously. And Levi laughs at her.