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Character 1 looks out over the other characters before him. Character 1 mockingly says, "My, my, my... look at all the brave heroes assembled to face me." Defiant expressions appear on characters 2, 3 and 4's faces. Character 1 arrogantly says; "Show me what the City of Tueri can do."

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Pro Tips for Heroic Characters Manga

Start with a clear story concept
Plan your panel layout carefully
Focus on character expressions
Use speech bubbles effectively

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Popular Heroic Characters Manga Genres

Action Adventure

Comedy

Drama

Mystery

Romance

Thriller

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Recently Created Heroic Characters Manga

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character 2 stands in front of broken gates on the left, holding his massive sword before him. The moon shines high in the background as character 1 approaches from the right, 3 times the size of character 2.

Комикс в жанре супергероики. Три супергероя — “Тип без b”, “Тип без c” и “Тип без b и c”. Каждый спасает мир своим методом решения. Герой без b умеет делить на x, герой без c умеет извлекать корень, третий герой решает мгновенно. Вставь динамичные кадры, где они показывают свои формулы как суперсилы. Цветовая гамма – зеленая, красно-синяя

Two characters in a tense face-off amidst ruins. They stare each other down with serious, determined eyes. Detailed ruined city background. Dynamic shonen manga style.

jujutsu kaisen, new character, whit ddark aura, entrance

Serious manga portrait, staring directly at viewer. Intense eyes. Detailed face, shadows.

Two boys Heading to a store to buys some clothes only choose a white tank top and black speedo as they try it on and likes it

Serious manga portrait, staring directly at viewer. Intense eyes. Detailed face, dramatic shadows.

Character 2 senses character 1 behind him. He turns to look at her with an evil smirk on his face. Character 1 blows bubbles at character 2

Character 1 flies up into the air suddenly, making character 2 look up in shock. character 3 jumps behind character 2, a determined look on her face.

A line art comic about character 1 running through a bunch of small monster that are failing to catch her.

Black Verse:-A world of darkness and demons "Dark World", a palace surrounded by mountains "Ryomen palace", where demon lord of destruction had ruled.he is planning to destroy Earth.Our heroes "Namoshi" (main character) and his brother Antaro have to leave Earth to stop him.Namoshi has the power of lightning and thunder and his brother Antaro have power of fire and lava.they say some verses to get their powers and abilities.

the sister changes his borhter into a girl using a magic wand

Персонаж с картинки ремонтуючи електронні компоненти відкриває портал у інший вимір. Це світ Аніме

$Haruto and Yukari struggle to cooperate after Yukari’s sudden autonomy. Yukari’s cold demeanor clashes with Haruto’s emotional drive. Reika tries to mediate, but Yukari questions her own existence and Akirame’s role in her creation. Their bond begins to fracture as they prepare to leave the shrine.$

A beautiful young woman walking in the rain through a busy city street

Una joven estudiante de secundaria recibe el poder magico del agua al romper un sello antiguo de demonios, al hacerlo un joven mitad demonio le ayudara a restaurar el sello que rompio

4. Africa Climate Disinformation Toolkit
Manga illustration of an open toolkit filled with documents, charts, mobile devices, laptops.

African youth in classrooms or workshops actively learning.

Visual focus on fact-checking, detecting manipulation, and building counter-narratives.

7. Information Integrity Highlights
Two-panel spread:

Panel 1: African creators shaking hands with UNESCO representatives, with a digital network linking Africa to global platforms.

Panel 2: Manga-style training scenes of youth using UKWELI tools to fact-check.

3. Feature II – Investigating the Climate Lie Machine
Two-panel manga spread:

Panel 1: Field researchers in Matabeleland North collecting data with local communities.

Panel 2: Abstract, stylized infographic panel showing climate misinformation flows, myths, and narrative pathways, drawn in a cyber-manga style.

1. Opening Note – “2025 Highlights”
Full-page manga splash illustration of Africa.

Glowing nodes highlight Zimbabwe, Uganda, Kenya, and other regions.

Add digital network symbols, climate icons (sun, rain, trees), and scenes of Indigenous community gatherings.

Space for a large manga-style editorial title.

Персонаж з картинки підходить до будинку з написом robocode. Він трішки хвилюється, але потрапляючи в середину школи, бачить багато дітей, які радісні, програмують, паяють та роблять експерименти. Персонаж посміхається і говорить: "Нарешті я знайшов місце, де я буду з радістю навчатись!"

FEATURE III — Art as Resistance
Art-Driven Dissemination Strategy

From murals to exhibitions, 2025 strengthened the role of art in climate truth-telling. Community artists partnered with us to transform research into accessible, culturally rooted visual storytelling.
A centerpiece was the exhibition inspired by The Last Forest documentary, showcased at the Green Cities Expo in September.

6. Feature IV – Nurturing the Next Generation
Youth creators in Nairobi in mentorship sessions.

Laptops, cameras, manga-style brainstorming scenes with chibi inserts for humor.

Energetic, youthful layout.

A young man name Ousugi Sakae looks out over a crowd of fascists (generic Imperial Eagle imagery) High, distant wide shot: protagonist small; world/crowd huge. Power imbalance. Telephoto compression Backlit silhouettes / blown-out sky Long, hard shadows at ground level: predators’ viewpoint. “Manga page with a grounded, paramilitary neo-noir style: realistic anatomy, weighty tactical gear (steel plates, cloth straps, gas masks, red-lensed goggles), late-1950s/’60s industrial city backdrop—concrete, rebar, rusted rail lines—night rain and fog, low-key lighting, desaturated blues/grays, cinematic 35mm framing, hard shadows, subtle film grain, crisp fine linework, dense hatching, high-contrast screentones, reserved facial expressions, somber atmosphere. Original characters only.”

Pegasus soars over a river valley, the sun setting on the left side. Gathering storm clouds block out the sun. The Pegasus flies towards snow capped mountains on the right side. No words.

5. Feature III – Art as Resistance
High-energy manga scenes of murals, live painting, The Last Forest–inspired exhibitions.

Youth interacting with community art, expressive faces, bold ink strokes, vibrant palettes.

A muscular male dungeon explorer explores a dungeon and finds a pair of cursed Tabi (ninja shoes) ontop of a petistal in the treasure room, he walks to the Tabi (ninja shoes), being intransed by them, he takes off his boots and puts on the Tabi (ninja shoes), but the tabi binds to his feet and start to tickle the soles of his feet, the man falls to the ground laughing hystarically, trying to take off the Tabi (ninja shoes) but failing, eventually the man pees himself from laughing so hard

FEATURE IV — Nurturing the Next Generation of Climate Truth Creators
Green Media Accelerator: Fake News Fighters Track

In Nairobi, the Green Media Accelerator launched a dedicated track for Fake News Fighters (FNF) — now one of Africa’s leading climate information integrity models.
Through mentorship, fact-checking skills, and seed funding, FNF empowered young media innovators to produce verified, creative responses to climate lies.

FEATURE I — Foundations of a Movement
Project Foundations & Ethical Community Partnerships

Our year began where all great stories do — on the ground. Core teams were formed across Zimbabwe, Uganda, Kenya and regional media hubs, with contracts, TORs, and workflow structures firmly established.
Early engagement with Indigenous partners — including the Tjwa community and others — ensured ethical collaboration, transparent consent, and storytelling shaped with communities, not about them.

CLIMATE X INDIGENOUS VOICES
MAGAZINE EDITION – 2025 HIGHLIGHTS
OPENING NOTE

2025 has been a defining year for Climate X Indigenous Voices — a year of deep listening, bold experimentation, and continent-wide action against climate disinformation. From grassroots fieldwork to global information integrity frameworks, this project has cemented itself as one of Africa’s leading voices on climate truth, Indigenous knowledge, and digital resilience.
This edition captures the milestones, stories, and sparks that shaped our journey.

Un gato negro filósofo llamado sombra piensa en el génesi biblico y su creación, se pregunta respecto a que las cosas se crean cuando las nombra. Poteriormente se pregunta ¿Ya vendrá el mushe JuanJo a darme de comer?, ya tengo hambre.

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