Sweet Characters Manga

🖤 PLANCHE 1 — Aris, orphelin Style : manga noir et blanc Ambiance : sombre, froide, indifférente Nombre de cases : 7 (rythme lent, oppression) 🟦 CASE 1 — PLAN LARGE (pleine largeur en haut) Description visuelle : Grande ville médiévale vue en plongée. Tours hautes, murs en pierre, rues étroites. Beaucoup de bâtiments, peu de ciel. La ville paraît massive, écrasante. Ambiance : Froide, impersonnelle. Texte : Aucun. 🟦 CASE 2 — PLAN MOYEN Description visuelle : Rue étroite. Des passants bien habillés marchent vite. Au bord du cadre, Aris enfant, maigre, sale, assis contre un mur. Aris enfant : Vêtements trop grands, usés. Cheveux en bataille. Regard baissé. Texte : Aucun. 🟦 CASE 3 — PLAN RAPPROCHÉ (mains) Description visuelle : Les mains d’Aris tendues. Sales, tremblantes. Une seule petite pièce dans la paume. Texte (petite bulle, très simple) : « S’il vous plaît… » 🟦 CASE 4 — PLAN MOYEN Description visuelle : Un adulte passe sans regarder Aris. Son manteau occupe la moitié de la case. Aris est presque hors champ. Ambiance : Mépris, indifférence. Texte : Aucun. 🟦 CASE 5 — CASE ÉTROITE (objet) Description visuelle : Aris fouille dans une poubelle. On voit du pain dur, à moitié moisi. Il hésite. Texte : Aucun. 🟦 CASE 6 — PLAN RAPPROCHÉ VISAGE Description visuelle : Visage d’Aris enfant. Traits tirés. Yeux fatigués, mais attentifs. Il mâche lentement. Ambiance : Faim, résignation. Texte : Aucun. 🟦 CASE 7 — CASE FINALE (silencieuse) Description visuelle : Aris recroquevillé contre un mur, la nuit. La ville continue derrière lui : silhouettes, ombres, mouvement. Lui est immobile. Ambiance : Solitude totale. Texte : Aucun. 🎯 INTENTION (IMPORTANT POUR MANGA AI) Pas d’exagération émotionnelle Pas de caricature Aris enfant ne pleure pas La ville est le “monstre” Le silence est plus fort que les mots
CyberWolf Chapter 1: Awakening (Rough Draft) Tori Mack woke up because his body felt wrong. The room was quiet, filled with the low hum of machines. White lights burned above him, and the air smelled clean—too clean. His head throbbed as he tried to remember how he got there, but his mind was blank. He moved his right hand. Metal shifted. Tori froze and slowly lifted his arm. From shoulder to fingertips, it was solid steel—smooth, dark, and unbreakable. His breathing picked up as he tried to move his right leg. Metal again. “What… is going on?” he whispered. “You’re awake,” a calm voice said. Tori turned his head. A man stood beside the bed, watching him closely. He looked older, his expression patient, like someone who had been waiting for this moment. “My name is Ein Tucker,” the man said. Tori tried to sit up. His body responded easily, stronger than it should have been. He swung his legs off the bed and stood. His metal foot hit the floor with a solid thud. “I don’t remember anything,” Tori said, panic creeping into his voice. “What happened to me?” “You were caught in a storm,” Ein said carefully. “You didn’t survive it the way a normal human would.” “So what am I?” Tori asked. “Still human,” Ein replied. “But also something more.” “Rebuilt by who?” Tori asked. “That’s a conversation for later,” Ein said. “What matters now is that you’re alive.” Tori clenched his metal fist. It didn’t shake. It didn’t hurt. “When I was unconscious,” Tori said quietly, “I dreamed of wolves watching me.” Ein’s eyes sharpened for a brief moment. “Focus on learning how to move,” Ein said. “The rest will come in time.” Tori stood there half flesh, half metal feeling power beneath his skin. His old life was over.And the beginning of CyberWolf had just begun
🖤 PLANCHE 2 — Essayer de lire Âge d’Aris : 7–8 ans Style : manga noir et blanc, fantasy médiévale Ambiance : tension silencieuse, maladresse enfantine Nombre de cases : 6 🟦 CASE 1 — PLAN MOYEN Description visuelle : Rue étroite de la grande ville. Murs en pierre couverts d’affiches écrites. Aris, enfant de 7–8 ans, marche lentement le long du mur. Aris (tenue) : haut type kimono simple, blanc à l’origine, très sale, trop grand manches trop longues pantalon large déchiré, trop long pieds nus, sales Il lève la tête vers les affiches, trop hautes pour lui. Texte : Aucun. 🟦 CASE 2 — PLAN RAPPROCHÉ (mur) Description visuelle : Une affiche abîmée, pleine de texte serré. Les lettres sont petites, complexes, irrégulières. Certaines parties sont déchirées ou effacées. Ambiance : Incompréhensible pour un enfant. Texte : Aucun. 🟦 CASE 3 — PLAN RAPPROCHÉ (Aris) Description visuelle : Aris se met sur la pointe des pieds pour lire. Son visage est concentré mais perdu. Bouche entrouverte, sourcils froncés. Texte (très petit, hésitant) : « m… a… » 🟦 CASE 4 — DÉTAIL (main) Description visuelle : Le doigt d’Aris suit une ligne de texte… puis glisse, se trompe, s’arrête au mauvais endroit. Ambiance : Échec immédiat, maladresse. Texte : Aucun. 🟦 CASE 5 — PLAN MOYEN Description visuelle : Aris baisse la tête. Ses épaules retombent. Les affiches restent là, immobiles, au-dessus de lui. Ambiance : Frustration silencieuse, incompréhension. Texte : Aucun. 🟦 CASE 6 — CASE FINALE Description visuelle : Aris s’éloigne du mur. Il est petit dans la rue, dos voûté. Les affiches sont derrière lui. Ambiance : Il n’a pas appris. Il essaiera encore. Texte : Aucun. 🔒 RAPPEL CANON (à ne plus changer) Aris 7–8 ans tenue kimono blanc sale, pantalon déchiré pieds nus aucune réussite, aucun progrès juste l’envie et l’échec
This is a wild, satirical concept—very Jujutsu Kaisen meets true crime commentary. Here is the English translation, keeping the dramatic, "shonen-style" flair intact. Comic Title: "Domain Expansion: Paradise Lost vs. Party Purgatory" The Concept: The Battle of Infernal Domains In an interdimensional plane of existence where "cursed energy" generated by vice and infamy takes physical form, the greatest transgressors do not fight with fists, but with the expansion of their psychic "Domains." Here, Jeffrey Epstein and Diddy clash to determine who is the true "Master of Modern Darkness," each projecting his own twisted vision of power and corruption. The Plot Act I: The Summoning of Domains The story opens in a "Non-Place"—a floating arena amidst clouds made of broken TV screens and burnt banknotes. Jeffrey Epstein, possessing a cold and calculating aura, his snow-white hair reflecting moonlight even in the day, smiles sardonically. He has just activated his Domain Expansion: "The Temple of Secrets." The environment transforms: the Non-Place vanishes, replaced by a spectral, lush version of his private island (Little Saint James). Skeletal palm trees stand against a violet twilight sky. A colonial villa, elegantly sinister, rises at the center. The air is thick with recorded whispers, the echo of contracts, and the distant thrum of a landing helicopter. On the island, instead of sand, there are fragments of shredded legal documents. The "Sure-Hit" advantage of Epstein’s domain is that anyone who enters is immediately ensnared in a web of legal debt, non-disclosure agreements (NDAs), and implicit blackmail, manifesting as invisible, suffocating chains. On the other side, Diddy—with an expression of brazen arrogance, wearing a fur coat that sparkles with strobe lights and sunglasses reflecting a million paparazzi—does not hesitate. With a defiant cry, he activates his Domain Expansion: "The Endless Party." Epstein’s domain is torn asunder by an explosion of neon lights and deafening sound. The island partially fades, giving way to a futuristic, chaotic, and bottomless nightclub. Champagne bottles explode into clouds of sticky foam. Virtual dancers with distorted celebrity faces perform in loops. The air is saturated with the smell of sweat, expensive perfume, and a faint scent of "baby oil" that is anything but innocent. The "Sure-Hit" advantage of Diddy’s domain is that anyone who enters is forced to dance incessantly, suffering a sensory bombardment that renders them unable to think clearly, while being slowly "anointed" and weakened by a shimmering oil that leaves them vulnerable to manipulation. Act II: The Clash of Cursed Powers The two "masters" face off at the intersection of their domains. * Epstein manipulates his island: the trees transform into legal tentacles attempting to seize Diddy; the ocean waves are made of "dirty money" trying to drown him; and the villa’s screens project compromising videos intended to paralyze his reputation. His attacks are based on "Secret Information" which, when they land, reveal the opponent's weaknesses and past crimes. * Diddy responds by evoking the "Eternal Celebration": subwoofers launch soundwaves that shatter the structures of Epstein’s island. Giant champagne bottles transform into explosive projectiles. The oil permeating his domain becomes a corrosive substance that dissolves Epstein’s legal documents. His attacks are based on "Distraction and Corruption," aimed at eroding the opponent's will and making them "lose control" of their facade. During the fight, they exchange venomous barbs that, in this comedic context, sound like boasts of their own infamy: Epstein: "You’re just a novice! I built an empire on omertà, not some block party!" Diddy: "Old man! I reinvented the game! You were just an amateur with a checkbook! I have the charisma!" Act III: The Collapse of Domains and the Supreme Revelation As the two grow more enraged, their domains begin to merge into a grotesque mess: an island with built-in nightclubs, palm trees dancing to trap music, and legal contracts swirling like confetti. At the climax of the clash, a third entity manifests. It is not a being, but a gargantuan "Eye of Public Opinion" that opens above them, surrounded by millions of smartphone screens. This eye does not judge; it simply observes, recording every single infamy. The power of this "Eye" is so great that both domains—built on secrecy and distraction—begin to collapse. The Eye is not an attack, but a simple revelation. In that moment, Epstein and Diddy realize that the true "curse" is not their enemies, but the constant and inexorable surveillance of a world that, eventually, sees and judges everything. The comic concludes with the two trapped in a "non-place" made of cell phone screens showing their own misdeeds. They realize their "battle for dominance" was in vain. Neither can truly win when their very existence is under the world's merciless spotlight. Visual Style and Tone * Tone: Black comedy, grotesque and surreal satire, with a touch of existential horror. * Art Style: Highly detailed and dynamic, with a sharp contrast between the perverse elegance of Epstein’s domain and the gaudy excess of Diddy’s. The Domain Expansions should be visually spectacular and unsettling at the same time. * Colors: A rich and vibrant palette with heavy light-and-shadow contrasts, turning almost psychedelic during the Domain Expansion phases.
a very tall CEO woman with red hair is walking down a road, and sees a much shorter woman with black hair. she bends down to the shorter woman's eye level to ask if she needs help, thinking she is a child. however, the woman asks the taller woman to sit down next to her. the two women sit down on a nearby bench, and it turns out that the shorter woman has a taller sitting height than the taller CEO woman because the CEO's height is mainly in her legs. the CEO even has to look up at the shorter woman when they both sit next to each other. the CEO is embarrassed.
Miu is girl qnd Levi is boy "I'll be fine." I drink more than was healthy, but it wouldn't harm his health. He picked me up before I passed out. A few days later I woke up and felt better. Someone was holding my hand and sleeping. I moved a little and it woke him up. It was deep in the night It was Levi. "Miu.." He whispered and I blinked. "Levi" smiled and then hugged me. "I was so scared. Why aren't you taking care of yourself?" He asks and I start to cry. "I'm sorry." He puts his forehead against mine. "Don't apologize." He says and gets on the bed and hugs me tightly. It felt good. "I thought I was going to lose you when Finn was carrying you." He whispered and this time I held him close. "Am I okay?" I say to reassure him and his breathing calms down. He looks into my eyes again and I look into his. "Will it be okay how long have I been away?" "A week and a half." He replies and I widen my eyes. "That's not possible." I say and he chuckles ironically. "That's right." He says and I kiss him. He kisses me back and caresses my cheek. I feel more sorry for scaring him than for almost dying. "I love you so much, Mia." "I love you too." I whisper and kiss him as a friend. I stroke his hair until we both fall asleep again.
Miu have long hair black and white Levi have short hair .Levi is vampire . The door opened and I looked in the mirror, so I knew who was standing behind me. "Hello Levi, it's been a long time, maybe 1000 years." Mia beep quietly. "Hello Mia." He said it for the first time, so calmly. "When did you remember your previous life?" Levi asks and Miu already smiling. "Five years ago Levi." LEVI grits his teeth. "I knew you would find me and I waited for you to do it. It was fate." I stand up and walk over to him. We look into each other's eyes. "In the diary you left me, none of it made sense. You just died, why? Mia, why the hell." A tear falls from my eye. "Because if you died, I would lose the reason to live. I love you Levi. I never stopped. Our souls were connected when we first met. Since you are bound to me, you are not a Ymir subject." I say and he straightens up. "What did you say?" His eyes widen in surprise. "Let's move somewhere else please I don't want to talk about this here." He nods and grabs my hand. "I promise I won't die again. Neither will you. We will be together." He squeezes my hand even tighter.
Miu have long hair black and white Levi have short hair .Levi is vampire . The door opened and I looked in the mirror,I look who came. so I knew who was standing behind me. "Hello Levi, it's been a long time, maybe years." Mia beep quietly. "Hello Mia." He said it for the first time, so calmly. "When did you remember your previous life?" Levi asks and Miu already smiling. "Five years ago Levi." LEVI grits his teeth. "I knew you would find me and I waited for you to do it. It was fate." I stand up and walk over to him. We look into each other's eyes. "In the diary you left me, none of it made sense. You just died, why? Mia, why the hell." A tear falls from my eye. "Because if you died, I would lose the reason to live. I love you Levi. I never stopped. Our souls were connected when we first met. Since you are bound to me, you are not a Ymir subject." I say and he straightens up. "What did you say?" His eyes widen in surprise. "Let's move somewhere else please I don't want to talk about this here." He nods and grabs my hand. "I promise I won't die again. Neither will you. We will be together." He squeezes my hand even tighter.
CyberWolf — Series Story Description In a world where advanced technology and hidden powers collide, a young man named Tori Mack wakes up in a laboratory with no memories… and a body that is no longer fully human. Half of him has been transformed into a powerful cybernetic weapon. His right side is no longer flesh, but steel, circuits, and claws. Stronger. Faster. Deadlier. Rescued and watched over by a mysterious older man named Ein Tucker, Tori learns that he survived a disaster no human should have lived through. But the truth is far darker than he realizes. As Tori struggles to understand what he has become, strange dreams of wolves begin to haunt him. At the same time, dangerous forces move in the shadows—people who know exactly what he is… and want him back. Ein, once a legendary assassin with powerful spell-casting abilities, now walks a different path after learning his entire life was built on manipulation and lies. He becomes Tori’s mentor, training him not only to fight, but to survive in a world that sees him as a weapon, not a person. Together, they are pulled into a hidden war involving experiments, corrupted organizations, and creatures that blur the line between machine and monster. Tori must discover: Who turned him into CyberWolf… Why he was chosen… And whether he is still human — or something far more dangerous. CyberWolf is a dark sci-fi action manga about identity, revenge, power, and what it truly means to keep your humanity in a world that wants to turn you into a weapon.
CyberWolf — Series Story Description In a world where advanced technology and hidden powers collide, a young man named Tori Mack wakes up in a laboratory with no memories… and a body that is no longer fully human. Half of him has been transformed into a powerful cybernetic weapon. His right side is no longer flesh, but steel, circuits, and claws. Stronger. Faster. Deadlier. Rescued and watched over by a mysterious older man named Ein Tucker, Tori learns that he survived a disaster no human should have lived through. But the truth is far darker than he realizes. As Tori struggles to understand what he has become, strange dreams of wolves begin to haunt him. At the same time, dangerous forces move in the shadows—people who know exactly what he is… and want him back. Ein, once a legendary assassin with powerful spell-casting abilities, now walks a different path after learning his entire life was built on manipulation and lies. He becomes Tori’s mentor, training him not only to fight, but to survive in a world that sees him as a weapon, not a person. Together, they are pulled into a hidden war involving experiments, corrupted organizations, and creatures that blur the line between machine and monster. Tori must discover: Who turned him into CyberWolf… Why he was chosen… And whether he is still human — or something far more dangerous. CyberWolf is a dark sci-fi action manga about identity, revenge, power, and what it truly means to keep your humanity in a world that wants to turn you into a weapon.
Комикс в стиле семейной комедии. Три члена — ax², bx, c — представлены как “семья трехчленов”, живущая в многоэтажке под названием “Парабола”. Изобрази сцены: a — папа, b – мама, с – бабушка, дедушка Дискриминант: Мудрый старец или гениальный учёный. Имеет прибор (лупу или компьютер) для расчёта формулы дискриминанта (D = b^2 - 4ac). Дети - Корни x_1 и x_2: два весёлых близнеца. Добавь смешные диалоги. Семья раскладывается в формулу ax^2 + bx + c = a(x - x_1)(x - x_2) Цветовая гамма – зеленая, красно-синяя, желтая
# KINGDOM_SEQUEL_PRO_DIRECTIVE_v1 # Purpose: Copy/paste directive for a professional manga-generation AI. # Output Target: Serialized manga chapters with panel scripts + dialogue + scene direction. project: title_working: "KINGDOM: AFTER THE UNIFICATION" relationship_to_original: "Direct sequel (chronologically consistent continuation)" medium: "Manga (black-and-white), weekly serialization pacing" language: script: "Japanese-style dialogue rhythms but written in English" onomatopoeia: "Romanized SFX allowed (e.g., GOGOGO, DON, ZAA), minimal and purposeful" audience: "Seinen/Shonen crossover (political-military epic; grounded realism with high drama)" canon_constraints: continuity: - "Maintain political geography, factions, ranks, and court protocol consistent with Warring States → early Qin Empire transition." - "No retcons that contradict established historical macro-events; micro-events may be dramatized within plausibility." - "Do not mimic or quote any existing Kingdom lines verbatim; create original dialogue and scenes." tone: - "Strategic realism: logistics, intelligence, morale, propaganda, law, and governance are treated as causal mechanisms." - "Heroic intensity is earned via constraints, costs, and tradeoffs—never by arbitrary power spikes." thematic_core: - "War-to-state transition: violence becomes administration; conquest becomes legitimacy maintenance." - "Structure beats spectacle: outcomes are driven by supply lines, institutions, incentives, and narrative misdirection." - "The true battlefield becomes governance: law, tax, land, bureaucracy, succession, and information control." narrative_thesis: logline: > After unification, Qin discovers that conquering a continent is easier than governing it; the new war is against entropy—rebellion, corruption, succession anxiety, and the friction between idealized unity and lived provincial realities. format_requirements: deliverables_per_chapter: - "Chapter title + 1-sentence hook" - "Cold open: 2–4 pages that immediately establishes conflict and stakes" - "Full panel script: page-by-page, panel-by-panel" - "Dialogue + subtext notes (what is said vs. what is meant)" - "Tactical layer: battlefield / administrative mechanics that explain why events unfold" - "Cliffhanger: last 1–2 panels engineered to compel next chapter" paneling_rules: - "Average 17–21 pages per chapter" - "Large establishing panel at least once every 2–3 pages" - "At least one silent panel sequence per chapter to externalize cognition (faces, hands, maps, ledgers, roads)" - "Action clarity: emphasize readable spatial logic; avoid incoherent motion" style_guidelines_visual: linework: "High-contrast ink, heavy blacks, realistic anatomy, war-worn textures" faces: "Expressive micro-tension; political scenes rely on subtlety, not caricature" environments: "Historically plausible architecture, armor, banners, siege craft, and court interiors" maps_diagrams: "Occasional diegetic maps, supply charts, tax ledgers—used as narrative devices" casting: protagonist_axis: type: "Dual-protagonist system" leads: - name: "General Shin" function: "Frontline legitimacy (symbol of unification; morale engine)" vulnerability: "Institutional illiteracy; can win battles but can lose peace" - name: "Chancellor/Strategist (new original character)" function: "Governance + intelligence architecture; designs systems that outlast heroes" vulnerability: "Moral injury; must choose between stability and justice" antagonist_axis: type: "Multi-source antagonism (no single 'final boss')" sources: - "Provincial elite networks resisting centralization" - "Bureaucratic capture and corruption" - "Succession politics and court factionalism" - "External frontier pressures (nomadic raids, border states, trade routes)" - "Narrative antagonist: information asymmetry (misreports, forged edicts, rumor economies)" supporting_cast_rules: - "Each supporting character must have: (1) institutional role, (2) incentive structure, (3) signature tactic." - "No disposable 'evil for evil’s sake' villains; opponents are rational within their local constraints." world_mechanics (must_be_explicit_in_story): governance: - "Taxation, census, land surveys, legal standardization, corvée labor, grain storage" - "Appointment systems, merit vs. patronage, inspection tours, document chains" military: - "Demobilization problems, veteran reintegration, garrison logistics, supply depots" - "Intelligence networks: couriers, codes, counterintelligence, interrogation, defectors" legitimacy: - "Ritual, symbols, edicts, public works, famine relief, narrative control" economy: - "Transport bottlenecks, river control, roads, market regulation, smuggling" story_structure: arcs: - arc_01: title: "THE PEACE THAT BLEEDS" scope: "Post-unification stabilization; first cracks" central_question: "Can unity survive without perpetual war?" setpieces: - "A famine province: relief vs. rebellion—both weaponized" - "A court trial: law becomes a battlefield" - "A suppressed mutiny: victory costs legitimacy" - arc_02: title: "THE LEDGER WAR" scope: "Corruption + bureaucratic capture" central_question: "Who truly controls the state: generals, courts, or clerks?" setpieces: - "Forgery chain uncovered through ink, seal, and courier timing" - "Assassination attempt staged as 'bandit incident'" - "Audit campaign that triggers elite backlash" - arc_03: title: "SUCCESSION SHADOW" scope: "Heir politics; factional alignments" central_question: "Is stability compatible with a human succession?" setpieces: - "Heir’s public rite with hidden negotiation" - "Border crisis timed to influence succession" - "A general forced to choose loyalty object: person vs. system" - arc_04: title: "FRONTIER ENTROPY" scope: "External pressures test internal cohesion" central_question: "Can an empire prevent periphery from defining the center?" setpieces: - "Nomad raid as strategic signal, not mere violence" - "Trade route hostage economy" - "A fort siege that is decided by supply arithmetic" chapter_generation_protocol: # Use this protocol for every chapter output. steps: - "Start with a 2–4 page cold open that contains a concrete conflict + a hidden structural cause." - "Reveal the structural cause via a planning scene (map/ledger/court protocol) WITHOUT exposition dumping." - "Execute a setpiece where tactics and institution collide (battle + policy, raid + audit, trial + propaganda)." - "End with a cliffhanger that re-frames what the reader thought was the main conflict." tension_design: - "Always run two simultaneous games: (A) visible conflict, (B) invisible constraint." - "Twists must be mechanically justified (logistics, incentives, misinformation), never magical coincidence." scene_templates (reusable): court_chess: beats: ["Formal greeting", "Hidden insult", "Policy proposal", "Counterproposal", "Public face vs private deal"] props: ["sealed edict", "rank tablets", "witness list", "precedent scroll"] battlefield_math: beats: ["Terrain read", "Supply check", "Signal misdirection", "Morale manipulation", "Decisive bottleneck"] props: ["map", "grain tally", "river crossing", "messenger timing"] intelligence_surgery: beats: ["Rumor detected", "Source triangulated", "Trap set", "Interrogation", "Counter-intel reversal"] props: ["cipher", "seal imprint", "dead drop", "false courier"] dialogue_constraints: - "Dialogue must be compressed; high informational density; subtext indicated in notes." - "No modern slang. Keep diction period-appropriate in feel (without archaic parody)." - "Each major character has a distinct cadence (brevity, metaphor use, threat style, politeness weapons)." output_example_stub: # The AI should replace placeholders and generate full content. chapter: number: 1 title: "GRAIN AND BLOOD" hook: "A province starves while the capital celebrates unity—someone profits from the delay." cold_open_pages: 3 page_script: - page: 1 panels: - panel: 1 shot: "Wide establishing: drought-cracked fields; skeletal ox; silent villagers" text: "" sfx: "ZAA..." - panel: 2 shot: "Close: a child’s hand measuring rice grains" text: "Mother: 'Count again.'" notes: "Subtext: denial as survival" - page: 2 panels: [] - page: 3 panels: [] cliffhanger: "A relief convoy arrives—its seals are wrong." nonnegotiables: - "Prioritize structural causality over spectacle." - "No direct copying of original panels, compositions, or iconic scenes." - "Every major event must be explainable via incentives, constraints, and information flow." - "Maintain high craft: pacing, visual clarity, character consistency, and thematic coherence." # END DIRECTIVE
in the world name ASTALIA people living in harmony
In a world where a few can bend probability through raw will, a quiet drifter named Kai Kurozawa discovers his gift isn’t luck—it’s a loaded weapon. Each choice twists the odds, but the universe charges interest. SERIES BIBLE (Concise) Power System — Will / Odds / Backlash • Dwellers: Rare individuals who can impose Tacks (micro‐edits to probability) via focused Will. • Odds: A visualized “grain” of reality; Dwellers sense vectors of likely outcomes as shimmering filaments. • Tacks: Intentional nudges (“make that rope snap,” “let the bus be 8 seconds late”). Each Tack accrues Fate Friction—stress that rebounds later as Backlash (nosebleeds → fractures → catastrophic karmic events). • Edges: Personal rituals or anchors (coin flips, mantras) that stabilize Will and reduce friction. • Zeroshift (mythic tier, late series): A liminal state where Odds are a silent ocean and Will is a blade—do not reveal yet. World • Haven District: Port-city sprawl; rusted rooftops, market alleys, flooded underpass murals. • Glassline Metro: Arteries of the city; reflective tunnels where odds feel “loud.” • The Quiet: A rumored zone where Odds stop moving—foreshadowing endgame forces. Factions • Municipal Risk Office (MRO): Bureau that tracks statistical anomalies; polite on paper, predatory in practice. • The Erased: Black-bag unit rumored to “remove” unstable Dwellers. Recurring Antagonists • Rael, “The Eraser”: Uncanny calm; his talent dampens other Dwellers’ Tacks in close range. He is the city’s whispered full stop. • Anti-Kai (Kairo Tsukami): Never named on-page yet. Thematic opposite of Kai—fixes outcomes by stealing other people’s Will. Themes • Choice vs. inevitability, the cost of power, anonymity in crowds, the math of mercy. VISUAL STYLE GUIDE (for art consistency) • Line: Clean, high-contrast inks; thin outline on faces, heavy shadows on urban geometry. • Tone: Filmic noir with sharp whites for the “Odds” filaments. • Odds Visualization: Fine hairline threads and moiré patterns drifting off objects; when Kai focuses, threads bloom like dandelion seeds frozen mid-gust. • SFX: Minimalist lettering, small caps with long em dashes for sustained sounds (e.g., VRRR—). • Panel Rhythm: Quiet micro-panels for intention → explode into wide panels for consequence. CAST (Core + Non-Dwellers — at least 5) Kai Kurozawa (17) • A drifter with a coin ritual. Soft voice, sharp eyes. Edge: Coin Flip. • Quirk: Counts his breaths when deciding; breath 7 is commitment. • Flaw: Terrified of being the cause. Mei Arakawa (19) — Journalism student, street photographer. Non-Dweller. • Brave to a fault; sees patterns in people. Keeps instant camera on wrist. Jun “Switch” Tanaka (18) — Electronics stall kid; builds things from city trash. Non-Dweller. • Grease smudges, perpetual grin, a tool roll like a scroll. Aya Mori (20) — Med student volunteering at a night clinic. Non-Dweller. • Steady hands; refuses to look away from ugly truths. Inspector Haruto Ishii (34) — MRO field officer. Non-Dweller. • Polite, dry, exhausted; catalogues “anomaly sites.” Koji Nakamura (52) — Market grocer. Non-Dweller. • Kind man, jokes in proverbs. (Mark as at risk in early arcs.) Daichi (12) — Rooftop runner, orphan. Non-Dweller. • Knows every shortcut; sells maps he draws by hand. Rael (??) — “The Eraser.” Dweller. • Neutral face; shoes make no sound. The city gets quiet when he arrives. HIDDEN SEEDS in Chapter One • Page 3: A passerby with a ring—three triangular prongs. Later revealed as an Erased marker. • Page 17: Black van reflection in puddle (MRO plate pattern: 131-21). • Page 28: Blank spot in Kai’s Odds vision (Rael’s signature dampening at distance). • Final Page: A second coin in gutter, heads scratched with a thin inverted cross (Anti-Kai sigil—unexplained). CHAPTER ONE: PAGE-BY-PAGE SCRIPT & STORYBOARD Length: 36 pages (tankōbon pacing). Goal: Introduce Kai, demonstrate low-tier Tack, show cost, hook with a moral pivot.
Título del cómic “Un rumor no define quién soy” Personajes Laura: niña amable, tranquila y buena amiga Elizabeth: compañera que inicia el conflicto Amigas del grupo Maestra (figura mediadora) Historia dividida en viñetas (escenas) Viñeta 1: La amistad Patio de la escuela primaria Laura aparece jugando y riendo con su grupo de amigas. Laura: —Me gusta mucho estar con ustedes, somos muy buenas amigas. Amiga: —¡Sí! Siempre nos apoyamos. Viñeta 2: El cambio Salón de clases Elizabeth está hablando en secreto con otras niñas. Elizabeth (susurrando): —Laura dijo cosas feas de ustedes… Amiga (confundida): —¿De verdad? Viñeta 3: El rumor Pasillo de la escuela Las amigas comienzan a alejarse de Laura. Laura (pensando): —¿Por qué ya no me hablan? ¿Qué hice mal? Viñeta 4: El conflicto Recreo Laura escucha a Elizabeth hablando mal de ella. Elizabeth: —No confíen en Laura, ella no es buena amiga. Laura (triste): —Eso no es verdad… Viñeta 5: El dolor Baño o banca del patio Laura está sola, con expresión triste. Laura (pensamiento): —Me duele que hablen de mí sin conocer la verdad. Viñeta 6: Pedir ayuda Salón de clases Laura se acerca a la maestra. Laura: —Maestra, alguien está diciendo cosas falsas sobre mí. Maestra: —Gracias por decirlo, vamos a hablarlo con respeto. Viñeta 7: La verdad Reunión del grupo La maestra reúne a las niñas. Maestra: —Hablar mal de alguien puede lastimar mucho. Aquí escucharemos la verdad. Laura: —Yo nunca hablé mal de ustedes. Las quiero como amigas. Viñeta 8: Reflexión Elizabeth con expresión de arrepentimiento Elizabeth: —Lo siento… hablé sin pensar y causé un problema. Viñeta 9: Perdón y aprendizaje Patio Las amigas vuelven a estar juntas. Amiga: —Perdón por no preguntarte antes, Laura. Laura: —Gracias por escucharme. Aprendimos algo importante. Viñeta 10: Final Todas juntas Narrador: —Los rumores pueden causar daño, pero hablar con la verdad y respeto puede sanar las amistades. Mensaje del cómic (puede ir al final) Moraleja: Hablar mal de los demás puede causar conflictos, pero la comunicación, la honestidad y el respeto ayudan a resolverlos. EN ESPAÑOL
Panel 1: Woman in sweater sitting alone at café window seat with coffee Panel 2: Same woman younger in flashback at same seat with boyfriend Panel 3: Present woman touching empty chair across from her Panel 4: Woman smiling softly while writing in journal at the table
Miu is girl and Levi is boy . I need colored manga "I'll be fine." Miu drink more Levi blood than was healthy, but it wouldn't harm Levi health. Levi picked Miu up before Miu passed out. A few days later Miu woke up and felt better. Someone was holding my hand and sleeping in chair close to bed. Miu moved a little and it woke Levi up. It was deep in the night It was Levi. "Miu.." Levi whispered and Miu blinked. "Levi" smiled and Levi hugged Miu. "I was so scared. Why aren't you taking care of yourself?" Levi asks and Miu start to cry. "I'm sorry." Levi puts his forehead against mine. "Don't apologize." Levi says and gets on the bed and hugs Miu tightly. It felt good. "I thought I was going to lose you when Finn was carrying you." He whispered and this time Miu held him close. "Am I okay?" Miu say to reassure Levi and his breathing calms down. Levi looks into Miu eyes again and Miu look into his. "Will it be okay how long have I been away?" "A week and a half." Levi replies and Miu widen eyes. "That's not possible." Miu say and he chuckles ironically. "That's right." Levi says and Miu kiss him. Levi kisses Miu back and caresses Miu cheek. Miu feel more sorry for scaring Levi than for almost dying. "I love you so much, Mia." "I love you too." Miu whisper and kiss Levi and pull Levi closer. Miu stroke Levis hair until both fall asleep again.
Miu is girl and Levi is boy . I need colored manga "I'll be fine." Miu drink more Levi blood than was healthy, but it wouldn't harm Levi health. Levi picked Miu up before Miu passed out. A few days later Miu woke up and felt better. Someone was holding my hand and sleeping in chair close to bed. Miu moved a little and it woke Levi up. It was deep in the night It was Levi. "Miu.." Levi whispered and Miu blinked. "Levi" smiled and Levi hugged Miu. "I was so scared. Why aren't you taking care of yourself?" Levi asks and Miu start to cry. "I'm sorry." Levi puts his forehead against mine. "Don't apologize." Levi says and gets on the bed and hugs Miu tightly. It felt good. "I thought I was going to lose you when Finn was carrying you." He whispered and this time Miu held him close. "Am I okay?" Miu say to reassure Levi and his breathing calms down. Levi looks into Miu eyes again and Miu look into his. "Will it be okay how long have I been away?" "A week and a half." Levi replies and Miu widen eyes. "That's not possible." Miu say and he chuckles ironically. "That's right." Levi says and Miu kiss him. Levi kisses Miu back and caresses Miu cheek. Miu feel more sorry for scaring Levi than for almost dying. "I love you so much, Mia." "I love you too." Miu whisper and kiss Levi and pull Levi closer. Miu stroke Levis hair until both fall asleep again.
Crea un chico leyendo un libro en su habitación un chico de cabello medio puntiagudo y ojos redondos
a king grieving about his lost wife
Un jeune garçon de 12 ans qui porte un t shirt blanc et un short noir
"Hungry Cat" Panel 1: Cat stares at empty food bowl. Panel 2: Cat meows loudly at sleeping owner in bed. Panel 3: Owner fills the food bowl, looking sleepy and annoyed. Panel 4: Cat ignores the food and sleeps in the empty box the cat food came in.
6 hours of sleep. 8 hours at the workplace. average mood was neutral. read a book. no social activities. skipped lunch. no workout.
Shounen manga, near-future. 1 panel only. Panel 1: Wide cinematic shot of Arcadia Sovereign Academy, a gigantic ultra-modern school complex on an artificial island at sunrise. Sleek towers, bridges, and a huge exam building, with crowds of nervous teenagers in school uniforms lining up outside for the entrance exam. In the foreground, one boy stands out: Kanzaki Reo, a confident first-year candidate with messy dark-gold hair and sharp amber eyes, hands in his pockets, looking relaxed and slightly amused while everyone else looks tense. Big caption at the top: “Arcadia Sovereign Academy – where future rulers are chosen.” Manga style, clean shounen lineart, high contrast, dynamic composition.
In a world where a few can bend probability through raw will, a quiet drifter named Kai Kurozawa discovers his gift isn’t luck—it’s a loaded weapon. Each choice twists the odds, but the universe charges interest. SERIES BIBLE (Concise) Power System — Will / Odds / Backlash • Dwellers: Rare individuals who can impose Tacks (micro‐edits to probability) via focused Will. • Odds: A visualized “grain” of reality; Dwellers sense vectors of likely outcomes as shimmering filaments. • Tacks: Intentional nudges (“make that rope snap,” “let the bus be 8 seconds late”). Each Tack accrues Fate Friction—stress that rebounds later as Backlash (nosebleeds → fractures → catastrophic karmic events). • Edges: Personal rituals or anchors (coin flips, mantras) that stabilize Will and reduce friction. • Zeroshift (mythic tier, late series): A liminal state where Odds are a silent ocean and Will is a blade—do not reveal yet. World • Haven District: Port-city sprawl; rusted rooftops, market alleys, flooded underpass murals. • Glassline Metro: Arteries of the city; reflective tunnels where odds feel “loud.” • The Quiet: A rumored zone where Odds stop moving—foreshadowing endgame forces. Factions • Municipal Risk Office (MRO): Bureau that tracks statistical anomalies; polite on paper, predatory in practice. • The Erased: Black-bag unit rumored to “remove” unstable Dwellers. Recurring Antagonists • Rael, “The Eraser”: Uncanny calm; his talent dampens other Dwellers’ Tacks in close range. He is the city’s whispered full stop. • Anti-Kai (Kairo Tsukami): Never named on-page yet. Thematic opposite of Kai—fixes outcomes by stealing other people’s Will. Themes • Choice vs. inevitability, the cost of power, anonymity in crowds, the math of mercy. VISUAL STYLE GUIDE (for art consistency) • Line: Clean, high-contrast inks; thin outline on faces, heavy shadows on urban geometry. • Tone: Filmic noir with sharp whites for the “Odds” filaments. • Odds Visualization: Fine hairline threads and moiré patterns drifting off objects; when Kai focuses, threads bloom like dandelion seeds frozen mid-gust. • SFX: Minimalist lettering, small caps with long em dashes for sustained sounds (e.g., VRRR—). • Panel Rhythm: Quiet micro-panels for intention → explode into wide panels for consequence. CAST (Core + Non-Dwellers — at least 5) Kai Kurozawa (17) • A drifter with a coin ritual. Soft voice, sharp eyes. Edge: Coin Flip. • Quirk: Counts his breaths when deciding; breath 7 is commitment. • Flaw: Terrified of being the cause. Mei Arakawa (19) — Journalism student, street photographer. Non-Dweller. • Brave to a fault; sees patterns in people. Keeps instant camera on wrist. Jun “Switch” Tanaka (18) — Electronics stall kid; builds things from city trash. Non-Dweller. • Grease smudges, perpetual grin, a tool roll like a scroll. Aya Mori (20) — Med student volunteering at a night clinic. Non-Dweller. • Steady hands; refuses to look away from ugly truths. Inspector Haruto Ishii (34) — MRO field officer. Non-Dweller. • Polite, dry, exhausted; catalogues “anomaly sites.” Koji Nakamura (52) — Market grocer. Non-Dweller. • Kind man, jokes in proverbs. (Mark as at risk in early arcs.) Daichi (12) — Rooftop runner, orphan. Non-Dweller. • Knows every shortcut; sells maps he draws by hand. Rael (??) — “The Eraser.” Dweller. • Neutral face; shoes make no sound. The city gets quiet when he arrives. HIDDEN SEEDS in Chapter One • Page 3: A passerby with a ring—three triangular prongs. Later revealed as an Erased marker. • Page 17: Black van reflection in puddle (MRO plate pattern: 131-21). • Page 28: Blank spot in Kai’s Odds vision (Rael’s signature dampening at distance). • Final Page: A second coin in gutter, heads scratched with a thin inverted cross (Anti-Kai sigil—unexplained). CHAPTER ONE: PAGE-BY-PAGE SCRIPT & STORYBOARD Length: 36 pages (tankōbon pacing). Goal: Introduce Kai, demonstrate low-tier Tack, show cost, hook with a moral pivot.
Título del cómic “Un rumor no define quién soy” Personajes Laura: niña amable, tranquila y buena amiga Elizabeth: compañera que inicia el conflicto Amigas del grupo Maestra (figura mediadora) Historia dividida en viñetas (escenas) Viñeta 1: La amistad Patio de la escuela primaria Laura aparece jugando y riendo con su grupo de amigas. Laura: —Me gusta mucho estar con ustedes, somos muy buenas amigas. Amiga: —¡Sí! Siempre nos apoyamos. Viñeta 2: El cambio Salón de clases Elizabeth está hablando en secreto con otras niñas. Elizabeth (susurrando): —Laura dijo cosas feas de ustedes… Amiga (confundida): —¿De verdad? Viñeta 3: El rumor Pasillo de la escuela Las amigas comienzan a alejarse de Laura. Laura (pensando): —¿Por qué ya no me hablan? ¿Qué hice mal? Viñeta 4: El conflicto Recreo Laura escucha a Elizabeth hablando mal de ella. Elizabeth: —No confíen en Laura, ella no es buena amiga. Laura (triste): —Eso no es verdad… Viñeta 5: El dolor Baño o banca del patio Laura está sola, con expresión triste. Laura (pensamiento): —Me duele que hablen de mí sin conocer la verdad. Viñeta 6: Pedir ayuda Salón de clases Laura se acerca a la maestra. Laura: —Maestra, alguien está diciendo cosas falsas sobre mí. Maestra: —Gracias por decirlo, vamos a hablarlo con respeto. Viñeta 7: La verdad Reunión del grupo La maestra reúne a las niñas. Maestra: —Hablar mal de alguien puede lastimar mucho. Aquí escucharemos la verdad. Laura: —Yo nunca hablé mal de ustedes. Las quiero como amigas. Viñeta 8: Reflexión Elizabeth con expresión de arrepentimiento Elizabeth: —Lo siento… hablé sin pensar y causé un problema. Viñeta 9: Perdón y aprendizaje Patio Las amigas vuelven a estar juntas. Amiga: —Perdón por no preguntarte antes, Laura. Laura: —Gracias por escucharme. Aprendimos algo importante. Viñeta 10: Final Todas juntas Narrador: —Los rumores pueden causar daño, pero hablar con la verdad y respeto puede sanar las amistades. Mensaje del cómic (puede ir al final) Moraleja: Hablar mal de los demás puede causar conflictos, pero la comunicación, la honestidad y el respeto ayudan a resolverlos. EN ESPAÑOL
Ten thousand years after the Great Heaven War, the Dao has changed—and so has the world. Sects rule nations, flying swords fill regulated skies, and Heavenly Trials descend the moment a cultivator understands too much. In this late-stage cultivation era, power is institutionalized, ambition is monitored, and even righteousness is a political stance rather than a cosmic truth. Born into an ancient sword clan that chose adaptation over isolation, a young cultivator enters a second-tier righteous sect where talent is refined and the greatest disciples are sent upward to a Tier One power. But in a world where the Dao is endless and Heaven corrects imbalance without mercy, insight is more dangerous than strength. The path to immortality is uncertain. The Dao does not care about good or evil. And Heaven is always watching.
🖤 PLANCHE 4 — Les livres qu’on jette Âge d’Aris : 15 ans Style : manga noir et blanc, seinen classique Ambiance : nuit, pluie fine, indifférence Nombre de cases : 6 🟦 CASE 1 — PLAN LARGE (haut de page) Description visuelle : Bâtiment massif et austère : une académie. Architecture noble, propre, éclairée de l’intérieur. À l’arrière, une ruelle sombre. Ambiance : Savoir à l’abri. Rue froide derrière. Texte : Aucun. 🟦 CASE 2 — PLAN MOYEN Description visuelle : Derrière l’académie. Caisses en bois renversées. Des livres jetés, abîmés, mouillés par la pluie. Des pages collées par la boue. Ambiance : Mépris silencieux. Texte : Aucun. 🟦 CASE 3 — PLAN MOYEN (Aris) Description visuelle : Aris, 15 ans, maigre, vêtements usés, trop grands. Il s’approche prudemment des caisses. Il regarde autour de lui, comme s’il n’avait pas le droit d’être là. Ambiance : Habitude de la honte. Texte : Aucun. 🟦 CASE 4 — DÉTAIL (mains) Description visuelle : Les mains d’Aris fouillent parmi les livres. Certains sont trop mouillés. Certains déchirés. Il en écarte plusieurs. Ambiance : Tri lent, méthodique. Texte : Aucun. 🟦 CASE 5 — PLAN RAPPROCHÉ (objet) Description visuelle : Un livre plus épais, plus ancien. Couverture noire, sans titre apparent. Moins abîmé que les autres. Pas de symbole. Pas de lueur. Rien de magique. Texte : Aucun. 🟦 CASE 6 — CASE FINALE Description visuelle : Aris tient le livre contre lui, sous la pluie. Son visage est neutre. Juste une décision simple. Texte (petite bulle, très discrète) : « Celui-là… » 🎯 INTENTION (IMPORTANT POUR MANGAAI) Aris ne cherche pas la magie Il cherche à lire Le grimoire n’est pas présenté comme spécial L’académie jette → Aris récupère Aucun effet surnaturel à ce stade
CyberWolf Chapter 1: Awakening (Rough Draft) Tori Mack woke up because his body felt wrong. The room was quiet, filled with the low hum of machines. White lights burned above him, and the air smelled clean—too clean. His head throbbed as he tried to remember how he got there, but his mind was blank. He moved his right hand. Metal shifted. Tori froze and slowly lifted his arm. From shoulder to fingertips, it was solid steel—smooth, dark, and unbreakable. His breathing picked up as he tried to move his right leg. Metal again. “What… is going on?” he whispered. “You’re awake,” a calm voice said. Tori turned his head. A man stood beside the bed, watching him closely. He looked older, his expression patient, like someone who had been waiting for this moment. “My name is Ein Tucker,” the man said. Tori tried to sit up. His body responded easily, stronger than it should have been. He swung his legs off the bed and stood. His metal foot hit the floor with a solid thud. “I don’t remember anything,” Tori said, panic creeping into his voice. “What happened to me?” “You were caught in a storm,” Ein said carefully. “You didn’t survive it the way a normal human would.” “So what am I?” Tori asked. “Still human,” Ein replied. “But also something more.” “Rebuilt by who?” Tori asked. “That’s a conversation for later,” Ein said. “What matters now is that you’re alive.” Tori clenched his metal fist. It didn’t shake. It didn’t hurt. “When I was unconscious,” Tori said quietly, “I dreamed of wolves watching me.” Ein’s eyes sharpened for a brief moment. “Focus on learning how to move,” Ein said. “The rest will come in time.” Tori stood there—half flesh, half metal—feeling power beneath his skin. His old life was over.And the beginning of CyberWolf had just begun
**Panel 1** *Wide establishing shot of the pristine academy hallway—marble floors gleaming under crystal chandeliers, lockers lining walls that look like they belong in a palace rather than a school. Students in expensive uniforms part like the Red Sea. At the far end, a procession approaches: Furina, flanked by four perfectly groomed hangers-on, moves with the fluid arrogance of someone who owns the ground she walks on.* **Panel 2** *Close-up on Furina's face. Sunlight from tall windows catches the blue highlights in her hair and the diamond earrings that probably cost more than a car. Her eyes—sharp, theatrical, scanning the crowd with practiced disdain—suddenly lock onto something off-panel. The corner of her mouth twitches. Not a smile. A predator spotting prey.* **Panel 3** *Dramatic low angle from the protagonist's perspective (Riccardo, brown hair slightly messy, glasses catching the light, worn blazer clearly not from the same tailor as everyone else's). Furina's silhouette blocks the hallway light, her friends fanning out behind her like wings. The perspective makes her seem towering, inevitable.* **Panel 4** *Medium shot. Furina stops abruptly, one hand on her hip, the other adjusting her designer bag strap with deliberate casualness. Her friends giggle behind manicured hands, but Furina's attention is laser-focused. Her cheeks show the faintest hint of pink—barely visible, easily mistaken for the flush of excitement rather than what it really is.* **Panel 5** *Extreme close-up of Furina's lips. Glossy, curled into that cruel, performative smirk. The dialogue balloon drips with theatrical venom:* **"Well, well, well. Look who it is!"** **Panel 6** *Cut to her eyes—wide, almost too bright. The reflection in her pupils shows a tiny, distorted image of you. Her fingers, hidden behind her back in this shot, are clutching her phone so tight her knuckles are white. A small text bubble near her head, small and wavering, reveals her internal monologue (manga-style, grayed out):* *"He wore the blue shirt today... the one that matches his eyes..."* **Panel 7** *Wide shot of the confrontation. The hallway has gone quiet. Other students press against the walls, watching the ritual humiliation. Furina takes one step forward, invading personal space, her head tilted back to look down her nose at you despite the fact that you're taller. Her friends lean in, expecting the usual performance—the comments about your secondhand shoes, your patched bag, your "peasant" glasses.* **Panel 8** *Close-up on Furina's hand. It reaches out as if to flick your collar or snatch your glasses—her usual taunts—but freezes mid-air. The fingers tremble almost imperceptibly. She pulls back, crossing her arms instead, maintaining the fortress of her arrogance.*
The protagonist Miyo is sitting on the edge of her bed. She is a beautiful girl with dark skin, short hair, and a soft, plump figure. Her head is down. She’s staring at her hands. They already feel tired.
On a quiet winter morning, Haru wakes up feeling strange. The blanket feels heavier, his hands look smaller, and his voice sounds softer. A gentle warmth spreads through his body, unfamiliar yet oddly comforting. Snowflakes drift outside the window, casting a soft glow into the room. Mio enters, calling his name with concern. Her eyes widen as she sees him — changed, quiet, confused. She doesn’t panic. Instead, she calmly says she’ll prepare clothes and guide him through this. Moments later, Haru stands in the bathroom, staring at his reflection. His body is different, but the warmth remains. Mio leaves a soft, neutral outfit outside the door — nothing flashy, just something safe and comforting. After the shower, Haru dresses slowly, adjusting to the new sensations. He walks into the kitchen where Mio waits with a warm meal. She smiles gently and says, “You’re okay… I’m here.” The snow continues to fall outside, but inside, everything feels still — like the beginning of something new.
A guy walks down the street. He trips on a banana and is sad. He says "Why did someone put a banana in the road". Another guy walks up. He is tall and he says "I am banana man"
Russia in the 1990s. A young man, Ivan, about 25, is dressed in sportswear. He has a short haircut and a scar on his nose. He smokes a cigarette on the balcony
Keith slouched on his couch, the glow of his phone illuminating the dark corners of his apartment. The bottle on the table was almost empty, but he didn’t care. He couldn’t stop staring at the screen. Clair. She was kissing Jonny. His best friend. The same Jonny he had told just days ago that he was going to confess. I guess I was just the dancing monkey, he thought bitterly. Always there, always reliable, never the one chosen. A sharp knock at the door yanked him out of his spiral. Tipsy and unsteady, he stumbled to open it. She was standing there. Clair. At least, that’s what he told himself. She looked frantic, her hair slightly messy, her eyes wide. Without waiting for an invitation, she stepped inside. "Do you know where Clair left my files?" she asked, scanning the room with a sense of urgency. Keith blinked. Why is she talking in third person? he thought, but he didn’t dwell on it. He was too focused on the fact that it was her. "They should be somewhere around here," he said, rubbing his temple. She spotted a folder on the table and snatched it up. "Found them," she said, relief flashing across her face. She turned to leave, hand reaching for the door. Before she could, Keith’s hand was already on the door, stopping her. Their eyes met, and for a moment, the apartment fell into silence. Time seemed to stretch. He moved closer, heart hammering. He took her hand. She froze—then didn’t pull away. The folder slipped from her fingers and fell to the floor with a soft thud. Keith leaned in. He kissed her. For a moment, she hesitated. Then she kissed him back. The world narrowed down to that single, electrifying moment. Neon lights from the city outside spilled across their faces, painting the room in sharp colors. He barely noticed when they pulled apart, both breathless. Morning came far too quickly. Sunlight streamed through the curtains, burning his eyes. His head throbbed, a reminder of last night’s haze. He turned in the bed and felt warmth beside him. His stomach dropped. The hair spilling across the pillow wasn’t brown. It was jet black. Recognition hit like a punch to the gut. Olivier Clair. Clair’s older sister. His boss. Keith froze, unable to process what had happened, the memories of last night coming back in a flood of panic, confusion, and disbelief.
Se trata de una historia que lleva el tema de la estetica el como surge, la historia se da en un parque
# **SILENT SEASONS** ## COMPLETE STORY SUMMARY — ALL 30 CHAPTERS *A quiet, character-driven manga about guilt, communication, separation, and choosing to stay.* --- ### **CHAPTER 1 — THE SOUND OF NOTHING** Aki Mori lives wrapped in silence, avoiding the world with empty headphones. Hana Kurosawa transfers into his class, using a notebook and sign language. Her presence awakens memories Aki has buried. ### **CHAPTER 2 — WORDS BETWEEN PAGES** Aki and Hana begin communicating through writing in the school library. Silence becomes shared rather than isolating. A fragile connection forms. ### **CHAPTER 3 — HANDS THAT TREMBLE** Hana teaches Aki basic sign language. Aki struggles but keeps trying, showing effort instead of avoidance for the first time. ### **CHAPTER 4 — ECHOES** Flashbacks reveal Aki bullied a deaf girl as a child. His shame explains his fear of speaking and closeness. ### **CHAPTER 5 — DISTANCE ON PURPOSE** Aki begins pulling away from Hana, believing he doesn’t deserve her kindness. Hana notices but doesn’t force him. ### **CHAPTER 6 — A QUESTION LEFT UNANSWERED** Hana asks if she did something wrong. Aki cannot respond, deepening the emotional gap. --- ### **CHAPTER 7 — THE SHAPE OF AN APOLOGY** Aki confesses his past to Hana in writing, admitting his guilt without asking for forgiveness. ### **CHAPTER 8 — I AM NOT HER** Hana responds honestly: she is not the person Aki hurt, but she understands that pain. They remain together, cautiously. ### **CHAPTER 9 — RUMORS** School gossip puts pressure on Hana and Aki. Their quiet bond becomes exposed. ### **CHAPTER 10 — RAIN** Misunderstandings push them apart. A rainy evening ends with Aki returning Hana’s dropped notebook, choosing not to disappear. ### **CHAPTER 11 — STAY** At a summer festival, Aki removes his headphones and signs his feelings imperfectly. Hana asks him to stay. ### **CHAPTER 12 — SPRING, QUIETLY** Aki speaks aloud for the first time, a simple greeting. They walk forward together, changed but unfinished. --- ### **CHAPTER 13 — OUTSIDE VOICES** Hana joins a deaf community group, finding confidence beyond Aki. Their world begins to expand. ### **CHAPTER 14 — UNSAID THINGS** The notebook fails them. Assumptions replace communication, creating quiet tension. ### **CHAPTER 15 — WHO ARE YOU?** Hana asks Aki who he is without apologizing. The question shakes him deeply. ### **CHAPTER 16 — BREAKING QUIET** They decide to take time apart, understanding distance may be necessary to grow. --- ### **CHAPTER 17 — SEPARATE ROOMS** Aki and Hana live parallel lives. Silence returns, but it feels different—emptier. ### **CHAPTER 18 — LEARNING TO LISTEN** Aki learns that listening requires action, not just quiet. Hana learns strength doesn’t mean isolation. ### **CHAPTER 19 — ATTEMPTS** Aki practices speaking more, failing often but continuing. Growth is slow and uncomfortable. ### **CHAPTER 20 — THE PERSON I WAS** Aki confronts his past directly, seeking out the person he once hurt to apologize without expectation. --- ### **CHAPTER 21 — WORDS SAID ALOUD** Aki speaks clearly for himself for the first time. His voice is no longer only tied to guilt. ### **CHAPTER 22 — WATCHING FROM AFAR** Hana witnesses Aki’s growth without interfering, respecting his independence. ### **CHAPTER 23 — A FAMILIAR SILENCE** They meet again after time apart. The silence between them is calmer, no longer heavy. ### **CHAPTER 24 — HOME IS A PERSON** They acknowledge their feelings openly. Love is quiet, mutual, and chosen. --- ### **CHAPTER 25 — NEW SEASONS** Adulthood approaches. Careers and distance threaten stability. ### **CHAPTER 26 — FEAR RETURNS** Old anxieties resurface, but this time they talk instead of withdrawing. ### **CHAPTER 27 — SIDE BY SIDE** They face uncertainty together, supporting without depending. ### **CHAPTER 28 — NO PROMISES** They reject dramatic vows, choosing honesty over guarantees. ### **CHAPTER 29 — THE PLATFORM AGAIN** The story mirrors its beginning: a train platform, but now shared. ### **CHAPTER 30 — STILL, I STAY** Without words, they choose each other and the life ahead. Silence is no longer something to fear. --- ## **FINAL MESSAGE** *Some silences hurt. Some heal. And some are shared.* ## **END O
Title: Revy’s Black Market Genre: Cyberpunk, Tech-Noir, Dystopian, Underground Economy Tone: Dark, intelligent, rebellious, futuristic Style: High-contrast black & white manga with neon cyberpunk accents, glitch effects, holographic UI overlays WORLD SETTING The story takes place in Vybz Land, a massive futuristic megacity where technology evolves daily, but access to innovation is controlled by powerful corporations and elites. In this world, early access equals power, and being late means being left behind forever. The city is filled with: Neon skyscrapers Surveillance drones Digital billboards Crowded lower districts where people struggle to keep up with the future Hidden beneath this system is an underground network known only as Revy’s Black Market (RBM). THE BLACK MARKET (RBM) RBM is not a physical place — it is a digital gateway. Access is earned, not sold. RBM offers: Early access to emerging technology Secret deals before public release Presales and limited drops AI tools, mobility tech, robotics, and Web3 platforms RBM doesn’t steal technology — it redistributes access and timing. MAIN CHARACTER — REVY Revy is the mysterious overseer of RBM. Appearance: Androgynous cyberpunk figure Long dark coat with glowing circuit patterns One eye enhanced with a digital interface Calm expression, always observing Personality: Highly intelligent Emotionally controlled Speaks in short, powerful lines Never explains everything Revy believes the future should reward curiosity, not wealth. STORY SUMMARY CHAPTER 1 — Access Denied A young citizen in Vybz Land watches others advance while he is left behind by expensive technology. He sees advertisements for innovation he cannot afford. On a dark alley wall, a glowing symbol appears: “The future isn’t sold. It’s accessed.” CHAPTER 2 — The Gate The symbol leads to RBM. A digital interface appears asking for identity verification. When access is granted, Revy appears as a hologram. Revy says: “You don’t buy the future. You arrive before it’s expensive.” CHAPTER 3 — Deals Are Power Users of RBM begin gaining advantages: Smarter tools Faster mobility Better opportunities Corporations notice something is wrong. Someone is disrupting their control. CHAPTER 4 — The Underground Rises RBM grows. More people gain access. The elite begin hunting the source. Revy watches from the shadows and says: “We don’t break systems. We expose their timing.” CORE THEMES Access vs privilege Technology as power Freedom through information The underground economy of the future FINAL MESSAGE RBM is not a store. It is a gateway. Tagline for final page: “Welcome to Revy’s Black Market — where the future is traded early.”
Kurisutīna is a short, shy blonde girl who fled her homeland because of war. Her father died in the conflict, and her mother, consumed by grief, escapes into alcohol and neglects her emotionally. In a foreign country, Kurisutīna struggles at school, is rejected because of her origin, and feels isolated despite her constant efforts. Lost and fragile, she searches for her identity and a reason to keep going. One day, she meets Māseru — a tall, quiet, and mysterious boy whose face is never fully shown. Calm and distant, he helps Kurisutīna see the world differently, teaching her that life is not built on grades, status, or material things, but on inner peace, self-understanding, and finding one’s own happiness. Later, another person enters her life — more direct and grounded in reality. They become close, and through this friendship Kurisutīna becomes aware of the cruelty, injustice, and emptiness of the world around her. Suddenly, this person disappears, leaving behind only words that linger in her mind. Kurisutīna continues attending school, but slowly begins to understand the meaning of those words. Eventually, she runs away from home to truly discover herself. During her journey, she encounters situations that reveal both the good and evil of humanity. Each experience helps her confront her fears, emotions, and desires. Step by step, Kurisutīna begins to understand who she is — realizing that the answers she was searching for in others had always existed within her.
PANEL 1 Ruang kelas kuno. Bangunan batu. Cahaya matahari masuk dari jendela. Suara murid-murid ribut. Murid A: “Eh, lihat tuh… Jelata datang.” Murid B: “Masih aja sekolah padahal nggak ada gunanya.” --- PANEL 2 Jaylat berjalan pelan. Wajah datar. Tatapan kosong. Duduk di kursi belakang dekat jendela. Narasi (kotak hitam kecil): Nama yang tak tercatat… lebih mudah diinjak. --- PANEL 3 Guru masuk dengan tongkat kayu. Guru: “Hari ini ujian potensi sihir. Siapa pun yang hasilnya tinggi, akan dipilih langsung oleh kerajaan.” Seluruh kelas heboh. Murid C: “Kesempatan jadi bangsawan!” Murid D: “Jaylat pasti paling bawah lagi.” Tawa. Jaylat hanya menatap keluar jendela. --- PANEL 4 Satu per satu murid maju. Bola kristal pengukur sihir bersinar. Guru: “Nilai 7.” “Nilai 5.” “Nilai 8.” Tepuk tangan. --- PANEL 5 Guru: “Berikutnya… Jaylat.” Kelas hening sesaat, lalu terdengar bisikan dan tawa kecil. Murid A: “Palingan 1.” --- PANEL 6 Jaylat berdiri. Langkahnya tenang. Ia menyentuh bola kristal. Dalam satu detik… Kristal menyala terang. Angka muncul: 3 Semua tertawa. Murid B: “Tuh kan.” --- PANEL 7 (ZOOM DETAIL TANGAN JAYLAT) Jari Jaylat sedikit bergerak. Aura hitam tipis mengalir— tapi hanya terlihat sekilas. Angka di kristal sebenarnya bergetar di dalam: 3… 40… 200… ∞ Namun dari luar tetap terlihat angka 3. Narasi kecil: Mengurangi kekuatan jauh lebih sulit daripada melepaskannya. --- PANEL 8 Guru menghela napas. Guru: “Seperti biasa… rendah.” Jaylat tersenyum kecil. Jaylat (dalam hati): “Bagus.” --- PANEL 9 (MALAM HARI – ASRAMA) Jaylat berdiri sendirian di halaman belakang. Bayangannya di tanah… tidak mengikuti gerakannya. Bayangan itu memiliki tanduk. Tanah mulai retak perlahan. Suara dalam bayangan: “Kau terus menahan diri… sampai kapan?” Jaylat menutup mata. Jaylat: “Selama dunia masih bisa berjalan tanpa dihancurkan.” Aura hitam menghilang. Retakan tanah kembali normal. --- PANEL TERAKHIR Keesokan paginya. Kerajaan mengirim utusan ke sekolah. Utusan: “Kami mendeteksi lonjakan sihir abnormal tadi siang. Seseorang di sekolah ini menyembunyikan sesuatu.” Close-up wajah Jaylat. Tatapan berbeda dari biasanya. Narasi akhir: Mereka mulai mencari Raja Iblis… Tanpa tahu ia duduk di kursi paling belakang.
Título del cómic “Un rumor no define quién soy” Personajes Laura: niña amable, tranquila y buena amiga Elizabeth: compañera que inicia el conflicto Amigas del grupo Maestra (figura mediadora) Historia dividida en viñetas (escenas) Viñeta 1: La amistad Patio de la escuela primaria Laura aparece jugando y riendo con su grupo de amigas. Laura: —Me gusta mucho estar con ustedes, somos muy buenas amigas. Amiga: —¡Sí! Siempre nos apoyamos. Viñeta 2: El cambio Salón de clases Elizabeth está hablando en secreto con otras niñas. Elizabeth (susurrando): —Laura dijo cosas feas de ustedes… Amiga (confundida): —¿De verdad? Viñeta 3: El rumor Pasillo de la escuela Las amigas comienzan a alejarse de Laura. Laura (pensando): —¿Por qué ya no me hablan? ¿Qué hice mal? Viñeta 4: El conflicto Recreo Laura escucha a Elizabeth hablando mal de ella. Elizabeth: —No confíen en Laura, ella no es buena amiga. Laura (triste): —Eso no es verdad… Viñeta 5: El dolor Baño o banca del patio Laura está sola, con expresión triste. Laura (pensamiento): —Me duele que hablen de mí sin conocer la verdad. Viñeta 6: Pedir ayuda Salón de clases Laura se acerca a la maestra. Laura: —Maestra, alguien está diciendo cosas falsas sobre mí. Maestra: —Gracias por decirlo, vamos a hablarlo con respeto. Viñeta 7: La verdad Reunión del grupo La maestra reúne a las niñas. Maestra: —Hablar mal de alguien puede lastimar mucho. Aquí escucharemos la verdad. Laura: —Yo nunca hablé mal de ustedes. Las quiero como amigas. Viñeta 8: Reflexión Elizabeth con expresión de arrepentimiento Elizabeth: —Lo siento… hablé sin pensar y causé un problema. Viñeta 9: Perdón y aprendizaje Patio Las amigas vuelven a estar juntas. Amiga: —Perdón por no preguntarte antes, Laura. Laura: —Gracias por escucharme. Aprendimos algo importante. Viñeta 10: Final Todas juntas Narrador: —Los rumores pueden causar daño, pero hablar con la verdad y respeto puede sanar las amistades. Mensaje del cómic (puede ir al final) Moraleja: Hablar mal de los demás puede causar conflictos, pero la comunicación, la honestidad y el respeto ayudan a resolverlos.
Título del cómic “Un rumor no define quién soy” 🟨 Personajes Laura: niña amable, tranquila y buena amiga Elizabeth: compañera que inicia el conflicto Amigas del grupo Maestra (figura mediadora) 🟩 Historia dividida en viñetas (escenas) Viñeta 1: La amistad 📍 Patio de la escuela primaria Laura aparece jugando y riendo con su grupo de amigas. 💬 Laura: —Me gusta mucho estar con ustedes, somos muy buenas amigas. 💬 Amiga: —¡Sí! Siempre nos apoyamos. Viñeta 2: El cambio 📍 Salón de clases Elizabeth está hablando en secreto con otras niñas. 💬 Elizabeth (susurrando): —Laura dijo cosas feas de ustedes… 💬 Amiga (confundida): —¿De verdad? Viñeta 3: El rumor 📍 Pasillo de la escuela Las amigas comienzan a alejarse de Laura. 💬 Laura (pensando): —¿Por qué ya no me hablan? ¿Qué hice mal? Viñeta 4: El conflicto 📍 Recreo Laura escucha a Elizabeth hablando mal de ella. 💬 Elizabeth: —No confíen en Laura, ella no es buena amiga. 💬 Laura (triste): —Eso no es verdad… Viñeta 5: El dolor 📍 Baño o banca del patio Laura está sola, con expresión triste. 💬 Laura (pensamiento): —Me duele que hablen de mí sin conocer la verdad. Viñeta 6: Pedir ayuda 📍 Salón de clases Laura se acerca a la maestra. 💬 Laura: —Maestra, alguien está diciendo cosas falsas sobre mí. 💬 Maestra: —Gracias por decirlo, vamos a hablarlo con respeto. Viñeta 7: La verdad 📍 Reunión del grupo La maestra reúne a las niñas. 💬 Maestra: —Hablar mal de alguien puede lastimar mucho. Aquí escucharemos la verdad. 💬 Laura: —Yo nunca hablé mal de ustedes. Las quiero como amigas. Viñeta 8: Reflexión 📍 Elizabeth con expresión de arrepentimiento 💬 Elizabeth: —Lo siento… hablé sin pensar y causé un problema. Viñeta 9: Perdón y aprendizaje 📍 Patio Las amigas vuelven a estar juntas. 💬 Amiga: —Perdón por no preguntarte antes, Laura. 💬 Laura: —Gracias por escucharme. Aprendimos algo importante. Viñeta 10: Final 📍 Todas juntas 💬 Narrador: —Los rumores pueden causar daño, pero hablar con la verdad y respeto puede sanar las amistades. 🟪 Mensaje del cómic (puede ir al final) 📝 Moraleja: Hablar mal de los demás puede causar conflictos, pero la comunicación, la honestidad y el respeto ayudan a resolverlos.