Mystery Solving Manga

🖤 PLANCHE 6 — Les mots entrent

Même structure, même intention, juste un médium différent.

🟦 CASE 1 — CALME

Aris assis contre le mur.
Le livre ouvert devant lui.
Il lit.

Silence.

🟦 CASE 2 — PREMIÈRE ANOMALIE

Les mots quittent la page.

Pas tous.
Quelques lignes seulement.
Ils flottent, comme mal accrochés au monde.

Pas d’effet magique flashy.

🟦 CASE 3 — CONTACT

Les mots se collent à Aris :

sur les bras

sur le cou

sur le visage

sur les vêtements

Ils ne pénètrent pas encore.
Ils adhèrent.

👉 Comme une écriture qu’on ne peut plus effacer.

🟦 CASE 4 — DOULEUR

Gros plan sur le visage.

Les mots s’enfoncent :

ils disparaissent sous la peau

laissent des traces sombres

certaines lettres se déforment

Texte (petit, cassé) :
« —Gah— »

Cri humain.
Pas héroïque.

🟦 CASE 5 — LA CHUTE

Le corps lâche.

Aris glisse, s’effondre.
Les mots continuent d’entrer, même s’il ne lit plus.

Il n’a plus aucun contrôle.

🟦 CASE 6 — ÉVANOUISSEMENT

Aris inconscient.

Les mots ont disparu.
Plus rien de visible.

Le livre est toujours ouvert.

Silence.

Kurisutīna is a short, shy blonde girl who fled her homeland because of war. Her father died in the conflict, and her mother, consumed by grief, escapes into alcohol and neglects her emotionally. In a foreign country, Kurisutīna struggles at school, is rejected because of her origin, and feels isolated despite her constant efforts. Lost and fragile, she searches for her identity and a reason to keep going.

One day, she meets Māseru — a tall, quiet, and mysterious boy whose face is never fully shown. Calm and distant, he helps Kurisutīna see the world differently, teaching her that life is not built on grades, status, or material things, but on inner peace, self-understanding, and finding one’s own happiness.

Later, another person enters her life — more direct and grounded in reality. They become close, and through this friendship Kurisutīna becomes aware of the cruelty, injustice, and emptiness of the world around her. Suddenly, this person disappears, leaving behind only words that linger in her mind.

Kurisutīna continues attending school, but slowly begins to understand the meaning of those words. Eventually, she runs away from home to truly discover herself.

During her journey, she encounters situations that reveal both the good and evil of humanity. Each experience helps her confront her fears, emotions, and desires. Step by step, Kurisutīna begins to understand who she is — realizing that the answers she was searching for in others had always existed within her.

une jeune gacon rentre de l'école sous la pluie et découvre un cube noir qui flotte puis après un flache rouge, son bras droit est devenu noir avec le signe d'yeux rouge sur la paume de la mains. et des scientifique cherche a récupéré ce cube donc le garçon

$In a world where a few can bend probability through raw will, a quiet drifter named Kai Kurozawa discovers his gift isn’t luck—it’s a loaded weapon. Each choice twists the odds, but the universe charges interest. SERIES BIBLE (Concise) Power System — Will / Odds / Backlash • Dwellers: Rare individuals who can impose Tacks (micro‐edits to probability) via focused Will. • Odds: A visualized “grain” of reality; Dwellers sense vectors of likely outcomes as shimmering filaments. • Tacks: Intentional nudges (“make that rope snap,” “let the bus be 8 seconds late”). Each Tack accrues Fate Friction—stress that rebounds later as Backlash (nosebleeds → fractures → catastrophic karmic events). • Edges: Personal rituals or anchors (coin flips, mantras) that stabilize Will and reduce friction. • Zeroshift (mythic tier, late series): A liminal state where Odds are a silent ocean and Will is a blade—do not reveal yet. World • Haven District: Port-city sprawl; rusted rooftops, market alleys, flooded underpass murals. • Glassline Metro: Arteries of the city; reflective tunnels where odds feel “loud.” • The Quiet: A rumored zone where Odds stop moving—foreshadowing endgame forces. Factions • Municipal Risk Office (MRO): Bureau that tracks statistical anomalies; polite on paper, predatory in practice. • The Erased: Black-bag unit rumored to “remove” unstable Dwellers. Recurring Antagonists • Rael, “The Eraser”: Uncanny calm; his talent dampens other Dwellers’ Tacks in close range. He is the city’s whispered full stop. • Anti-Kai (Kairo Tsukami): Never named on-page yet. Thematic opposite of Kai—fixes outcomes by stealing other people’s Will. Themes • Choice vs. inevitability, the cost of power, anonymity in crowds, the math of mercy. VISUAL STYLE GUIDE (for art consistency) • Line: Clean, high-contrast inks; thin outline on faces, heavy shadows on urban geometry. • Tone: Filmic noir with sharp whites for the “Odds” filaments. • Odds Visualization: Fine hairline threads and moiré patterns drifting off objects; when Kai focuses, threads bloom like dandelion seeds frozen mid-gust. • SFX: Minimalist lettering, small caps with long em dashes for sustained sounds (e.g., VRRR—). • Panel Rhythm: Quiet micro-panels for intention → explode into wide panels for consequence. CAST (Core + Non-Dwellers — at least 5) Kai Kurozawa (17) • A drifter with a coin ritual. Soft voice, sharp eyes. Edge: Coin Flip. • Quirk: Counts his breaths when deciding; breath 7 is commitment. • Flaw: Terrified of being the cause. Mei Arakawa (19) — Journalism student, street photographer. Non-Dweller. • Brave to a fault; sees patterns in people. Keeps instant camera on wrist. Jun “Switch” Tanaka (18) — Electronics stall kid; builds things from city trash. Non-Dweller. • Grease smudges, perpetual grin, a tool roll like a scroll. Aya Mori (20) — Med student volunteering at a night clinic. Non-Dweller. • Steady hands; refuses to look away from ugly truths. Inspector Haruto Ishii (34) — MRO field officer. Non-Dweller. • Polite, dry, exhausted; catalogues “anomaly sites.” Koji Nakamura (52) — Market grocer. Non-Dweller. • Kind man, jokes in proverbs. (Mark as at risk in early arcs.) Daichi (12) — Rooftop runner, orphan. Non-Dweller. • Knows every shortcut; sells maps he draws by hand. Rael (??) — “The Eraser.” Dweller. • Neutral face; shoes make no sound. The city gets quiet when he arrives. HIDDEN SEEDS in Chapter One • Page 3: A passerby with a ring—three triangular prongs. Later revealed as an Erased marker. • Page 17: Black van reflection in puddle (MRO plate pattern: 131-21). • Page 28: Blank spot in Kai’s Odds vision (Rael’s signature dampening at distance). • Final Page: A second coin in gutter, heads scratched with a thin inverted cross (Anti-Kai sigil—unexplained). CHAPTER ONE: PAGE-BY-PAGE SCRIPT & STORYBOARD Length: 36 pages (tankōbon pacing). Goal: Introduce Kai, demonstrate low-tier Tack, show cost, hook with a moral pivot.$

Première scène d’une histoire isekai en style webtoon japonais / manga.

Une classe de lycée entière (environ 70 élèves) est soudainement téléportée dans un autre monde.

Les élèves portent des uniformes scolaires couleur café, certains sont choqués, d’autres effrayés, certains tombent au sol, d’autres se regardent sans comprendre.

L’environnement est étrange et fantastique : ciel irréel avec des couleurs inhabituelles, lumière mystique, sol inconnu, légère brume magique autour du groupe.

L’atmosphère est tendue et dramatique, sentiment de confusion, de peur et d’incompréhension.

Au centre de l’image, un petit groupe d’élèves se démarque légèrement, comme des futurs personnages importants.

Style artistique : Korean webtoon + Japanese anime, haute qualité, traits nets, ombrages doux, expressions faciales très détaillées.

Éclairage cinématographique, lumière surnaturelle venant du ciel, tons dramatiques.

Composition dynamique, vue semi-large pour montrer le groupe et le nouveau monde.

Ambiance : début d’une aventure sombre, mystérieuse et dangereuse.

A muscular male dungeon explorer explores a dungeon and finds a pair of cursed Tabi (ninja shoes) ontop of a petistal in the treasure room, he walks to the Tabi (ninja shoes), being intransed by them, he takes off his boots and puts on the Tabi (ninja shoes), but the tabi binds to his feet and start to tickle the soles of his feet, the man falls to the ground laughing hystarically, trying to take off the Tabi (ninja shoes) but failing, eventually the man pees himself from laughing so hard