Empty City Manga

Character 1 turns to character 2, looking solemn. Character 1: "I failed you Arctos, my son." Character 2: (Trembling) "No Papa! You didn't." Thunder rumbles overhead. Character 1: "I did not deal with Marius when I should have. Now Maltus burns..." The ancient city is hit again and again by lighting.
Your manga is a quiet, emotional slice-of-life story that explores loneliness, grief, and healing through subtle moments and atmosphere. The story follows Erikku, a withdrawn teenage boy who feels emotionally empty after losing someone important from his past. Although life around him continues as normal—school routines, classmates’ laughter, everyday noise—Erikku feels disconnected, as if even the sky above him has fallen silent. The silent sky serves as a powerful symbol throughout the story, representing Erikku’s inner emptiness, unresolved pain, and words left unspoken. His refuge is the school rooftop, a place filled with memories of happier days and a person he once shared deep connection with. This rooftop becomes a space where past and present quietly overlap. The story begins to change when Esutā, a calm and observant girl, appears. Unlike others, she notices the silence Erikku lives in. She does not approach him with pity or forceful encouragement; instead, she listens and acknowledges the quiet he carries. Esutā’s presence introduces warmth and understanding, suggesting that silence is not always absence—but sometimes a pause, waiting for someone brave enough to speak. As Erikku and Esutā share moments under the same sky, subtle changes occur: a breeze begins to move, clouds slowly drift, and the atmosphere softens. These small shifts symbolize emotional healing and the return of hope. The story focuses on inner thoughts, gentle dialogue, and visual storytelling rather than dramatic action. Overall, your manga is a poetic coming-of-age narrative about loss, human connection, and emotional recovery. It highlights that healing does not happen instantly, but through shared silence, understanding companionship, and the quiet courage to open one’s heart again.
"A rugged 80s rocker with a secret gentleness falls for a cold, aloof barista in a quiet city cafe. He returns every night, offering simple gestures and soft words to melt her frozen heart. A slow, wonderful tonight romance that ends on a stunning high-rise rooftop with a kiss, all without a single word needed."
Eren wakes up in a familiar city, but something feels wrong. The road he walks every day is still there. His old apartment still stands. But no one can see him. He calls out to people. No one responds. He looks at himself in the mirror—his reflection is blurred, as if he never existed. As night falls, Eren discovers something far worse: Others like him—those who were forgotten—are emerging from the shadows. And they are staring straight at him.
Fat Lord Michael Fortinbras, is brought 3 noblewoman widows whose husbands died in battle vs Lord Fortinbras in take over of the city. Thus Fat Lord Fortinbras kisses each of them claiming them as his new secondary wives. Each woman with look of horror after each kiss and realization of marriage to the fat lord.
Character 1 looks out over the other characters before him. Character 1 mockingly says, "My, my, my... look at all the brave heroes assembled to face me." Defiant expressions appear on characters 2, 3 and 4's faces. Character 1 arrogantly says; "Show me what the City of Tueri can do."
Xochi, 19 and Mexican-American, gets turned into the Angel of Independence, a seminude and golden statue located in Mexico City. Xochi has dark brown short hair with a bang nearly covering her right eye and has light green eyes. Xochi is seminude and has golden wings along with a laurel wreath in the right hand and a broken chain with the left with the original pose.
A light rain fell on the city. The streets were crowded, but no one really saw each other. Everyone was chasing something—money, success, survival. Ryu Kazama walked in silence. His simple clothes and tired gaze betrayed a difficult life. His old backpack brushed lightly against his back with each step. He stopped in front of an old gym. He looked for a few seconds… and kept walking. 💭 “It’s not for me…” Suddenly, a bright light cut across the street. A giant screen lit up.
Page 1 The stadium roars. A sea of voices crashes like waves—cheering, screaming, gasping. Scoreboard blinks: 2 - 2. High school finals. Last minute. The ball cuts through the air— Passed to Kisaki. Page 2 Eyes lock onto him. Number 10. The prodigy. The pressure. His breath slows. He plants his left foot. Right leg coils like a spring. “This is it.” Page 3 The crowd holds its breath. Time freezes. Kisaki’s eyes narrow. He swings. BOOM. The ball flies— Page 4 —wide. Silence. Then— Gasps. Shock. Disbelief. Page 5 Coach: “KISAKI!!!” Teammates: “No way…” Opponents: stunned. Kisaki: Blank. Empty. He stares at the goal. Then— He drops. Knees hit the turf. Head down. Hands trembling. Page 6 TWEEEEET. Final whistle. It’s over. Kisaki doesn’t move. The crowd erupts again—this time, not for him. He’s alone in the noise. A hero fallen. A dream missed. A moment that will haunt.
Volume 1 – Spring & First Love Title: When the Bell Rang Twice – Volume 1 Chapters: 10 Tone: Light, tender, school romance, slow-burn ⸻ Chapter 1 – The Seat by the Window Page 1 • Panel 1: Wide shot of classroom, morning sun through windows. Students settling. • Narration (Mio’s thoughts): “Another spring… another year at this school.” • Panel 2: Teacher at front, pointing to empty desk. • Teacher: “New student, Akiyama Haru. Window seat, next to Yamada Mio.” • Panel 3: Close-up of Mio, surprised, glancing at new student entering. • Mio (thought): He looks… different. Page 2 • Panel 1: Haru sits beside Mio, smiling awkwardly. • Haru: “Hi… hope I’m not in your way.” • Panel 2: Mio blushes slightly, returning a small smile. • Mio (thought): Why does my heart feel funny? • Panel 3: Close-up of both hands reaching for an eraser at the same time. Fingers touch. • Panel 4: Soft focus on their surprised expressions. • Narration: “A spark, small as it was, somehow lingered.” ⸻ Chapter 2 – Small Gestures Page 3 • Panel 1: Lunchtime, Mio eating alone at her desk. • Panel 2: Haru walks up, holding a milk carton. • Haru: “You forgot this.” • Panel 3: Mio blushes, accepting it. • Mio (thought): He notices me… • Panel 4: Hallway shot of them walking side by side after class. • Narration: “We didn’t say much, but every step together felt meaningful.” Page 4 • Panel 1: Rainstorm outside. Students rushing. • Panel 2: Haru holding an umbrella for Mio. • Haru: “We can share.” • Panel 3: Close-up: their shoulders touching. • Panel 4: Mio’s inner thought: Please don’t let this end. ⸻ Chapter 3 – Cultural Festival Page 5 • Panel 1: Festival night, lanterns glowing. Wide shot of the school yard. • Panel 2: Mio in a simple yukata, looking around nervously. • Panel 3: Haru approaches, pauses, amazed. • Haru: “…Wow.” • Panel 4: Close-up: fireworks exploding behind them, illuminating their faces. • Narration (Mio’s thoughts): “A perfect moment I wished could last forever.” ⸻ Chapter 4 – Illness Revealed Page 6 • Panel 1: Haru coughing during class, looking pale. • Panel 2: Mio discreetly slides a note: “Are you okay?” • Panel 3: Haru writes back on paper: “Just tired. Don’t worry.” with a small smile. Page 7 • Panel 1: Hallway after school. Mio watches him leave. • Panel 2: Inner thought: Something feels wrong… but I can’t ask. ⸻ Chapter 5 – Growing Closer Page 8 • Panel 1: Rooftop scene at sunset. Haru looks out over the school yard. • Panel 2: Mio approaches, hesitant. • Mio: “Do you come here often?” • Haru: “Yeah… it’s peaceful.” • Panel 3: Their hands almost touch. Close-up. • Narration: “Small closeness became our secret.” Page 9 • Panel 1: Side-by-side flashback panels of their shared laughs, sketching together, walking home in rain. • Panel 2: Close-up of their intertwined fingers, subtle blushes. • Panel 3: Wide rooftop shot, petals drifting in the wind. • Narration: “I didn’t know then that this happiness was fragile.” Chapter 6 – Rainy Confession (Foreshadowing) Page 10 • Panel 1: Heavy rain outside school. Students rush with umbrellas. • Panel 2: Mio walks alone, holding her sketchbook. Haru appears under a nearby umbrella. • Haru: “Hey… want to walk together?” • Panel 3: They walk, shoulders touching slightly. Close-up on their hands almost brushing. • Panel 4: Mio’s thoughts: Every time we touch, my heart skips… Page 11 • Panel 1: Close-up of Haru, smiling softly, slightly pale. • Haru (thought): I wish this moment could last forever. • Panel 2: Mio looks down, quiet blush. • Panel 3: Their feet step in the same puddle accidentally. Splash. • Panel 4: They both laugh. Narration: “Little things became everything.” ⸻ Chapter 7 – Festival Confession Attempt Page 12 • Panel 1: Rooftop at school festival, night sky, fireworks. • Panel 2: Mio hesitates, looking at Haru. • Mio (thinking): I want to tell him… but… • Panel 3: Haru leans against the railing, smiling nervously. • Haru: “Mio… I—” • Panel 4: He staggers slightly, clutching his chest. Mio catches him. • Panel 5: Close-up of their shocked faces. • Narration: “Life has a way of interrupting perfect moments.” ⸻ Chapter 8 – Hospital White Page 13 • Panel 1: Hospital hallway. Soft sunlight through windows. • Panel 2: Mio sits outside Haru’s room, clutching her sketchbook. • Panel 3: Doctor approaches. • Doctor: “He’s hiding a serious illness… it’s better you know the truth now.” • Panel 4: Close-up of Mio’s tear-filled eyes. • Mio (thought): I should have known… Page 14 • Panel 1: Haru lies in hospital bed, pale but smiling at Mio. • Panel 2: Mio holds his hand. • Mio: “Please… don’t leave me.” • Panel 3: Haru gently squeezes her hand. • Haru: “I’ll fight… but if I can’t… remember me, okay?” • Panel 4: Close-up: Mio nods, tears streaming. • Narration: “Even in fragile moments, love feels eternal.” ⸻ Chapter 9 – First Kiss Page 15 • Panel 1: Sunlight streams into hospital room. Haru awake, Mio sitting beside him. • Panel 2: Haru reaches out, touching her cheek softly. • Haru: “I’ve wanted to do this for a long time…” • Panel 3: They kiss gently. Soft panel borders, focus on intimacy, not graphic. • Panel 4: Mio pulls back, smiling through tears. • Narration: “A moment too precious for words, too fragile for time.” ⸻ Chapter 10 – The Empty Desk Page 16 • Panel 1: Back at school, Haru’s desk is empty. • Panel 2: Mio places a small flower on it, lingering. • Panel 3: Flashback panels: laughter, shared sketches, rainy walks, festival rooftop. • Panel 4: Close-up of Mio’s hand holding a note from Haru: • “Thank you for loving me. Keep smiling, Mio.” Page 17 • Panel 1: Wide classroom shot, sunlight through windows, empty chair in back. • Panel 2: Mio stands, looking out the window at cherry blossoms. • Narration: “Love doesn’t disappear when someone is gone… it stays, like petals in the wind.” • Panel 3 (Final Page Panel): Close-up of Mio’s hand resting on the desk, eyes soft but resolute. • Narration: “And some memories are forever.” Volume 2 – Confession & Loss Title: When the Bell Rang Twice – Volume 2 Chapters: 10 Tone: Bittersweet, emotional, hospital drama, first heartbreak ⸻ Chapter 1 – Winter Illness Page 1 • Panel 1: Classroom in winter. Snow visible outside the windows. Students in jackets. • Panel 2: Haru coughs into his sleeve, looking pale. Close-up of his strained smile. • Panel 3: Mio notices, worried, writing a note: “Are you okay?” • Panel 4: Haru writes back, faintly smiling: “Just tired. Don’t worry.” Page 2 • Panel 1: Hallway after class. Students rush past. • Panel 2: Mio watches Haru’s back as he leaves. • Panel 3: Close-up of her worried face. • Narration (Mio’s thoughts): “I felt a shadow over the happiness we’d built.” ⸻ Chapter 2 – Feverish Days Page 3 • Panel 1: Hospital exterior, snow lightly falling. • Panel 2: Mio arrives, coat buttoned tight, holding a sketchbook. • Panel 3: Haru lies in bed, pale but smiling. • Haru: “Hey… didn’t think you’d come today.” • Panel 4: Mio sits beside him, gently taking his hand. • Mio: “Of course I came. I’m not letting you face this alone.” Page 4 • Panel 1: Haru coughs softly. Mio wipes his forehead. • Panel 2: Close-up: Haru’s hand holding hers tightly. • Haru: “I didn’t want to worry you… but maybe I’ve been too weak.” • Panel 3: Mio looks determined. • Mio: “We’ll face it together. Always.” ⸻ Chapter 3 – Confession Attempt Page 5 • Panel 1: Hospital rooftop, late afternoon. Sun casting long shadows. • Panel 2: Haru leans against railing, eyes distant. • Panel 3: Mio approaches. • Mio: “I… I want to say something.” • Panel 4: Haru glances at her, softly smiling. • Haru: “Me too…” Page 6 • Panel 1: Close-up of their hands almost touching. • Panel 2: Haru sways slightly, Mio catches him instinctively. • Panel 3: Both faces close. • Panel 4: Narration: “In that fragile moment, words felt too heavy to speak.” ⸻ Chapter 4 – Winter Memories Page 7 • Panel 1: Flashback panels of winter school days: shared lunches, walking in snow, laughing. • Panel 2: Close-up of sketchbook pages with drawings of each other. • Panel 3: Haru coughing in the classroom. Mio’s worried glance. • Panel 4: Narration: “Every memory felt more precious, because I knew it might be all we’d have.” ⸻ Chapter 5 – The First Kiss Page 8 • Panel 1: Hospital room, sunlight soft through blinds. • Panel 2: Haru reaches out, touching Mio’s cheek gently. • Haru: “I’ve wanted to do this for so long…” • Panel 3: They kiss softly. Focus on emotion, not graphic. • Panel 4: Mio pulls back, eyes wet, smiling faintly. • Narration: “A kiss, fleeting but eternal, marked the start of a memory that could never fade.” ⸻ Chapter 6 – Days of Waiting Page 9 • Panel 1: Hospital corridor, empty. Mio sketches quietly. • Panel 2: Close-up of sketches of Haru smiling, laughing, and in hospital bed. • Panel 3: Narration: “I tried to hold onto him… even as he grew weaker.” • Panel 4: Haru sleeps, Mio watching, softly crying. ⸻ Chapter 7 – Farewell Page 10 • Panel 1: Haru’s hand slips slightly from hers. • Panel 2: Close-up of Mio’s eyes widening, heart pounding. • Panel 3: Haru murmurs faintly, smiling. • Haru: “Remember me… always.” • Panel 4: Mio holds his hand tighter, tears streaming. • Narration: “I whispered my love… but the world had other plans.” Page 11 • Panel 1: Wide shot: Haru’s hospital bed, sunlight breaking through clouds. • Panel 2: Mio alone in the hallway, holding her sketchbook to her chest. • Panel 3: Flashbacks: laughter, rooftop, rain, first handshake, first shared umbrella. • Panel 4: Narration: “And just like that… the seat beside me was empty forever.” ⸻ Chapter 8 – The Empty Desk Page 12 • Panel 1: Back at school, Haru’s desk empty. Snow falling outside. • Panel 2: Mio places a small flower on the desk. • Panel 3: Close-up of her fingers brushing carved initials in the wood. • Narration: “Love doesn’t vanish. It lingers in the smallest spaces, in the quietest moments.” Page 13 • Panel 1: Wide shot of Mio looking out the window at falling snow. • Panel 2: Close-up: tear slides down her cheek. • Panel 3: Mio clutches Haru’s note: “Thank you for loving me. Keep smiling.” • Panel 4: Narration: “Some memories are too precious to let go, even when hearts ache.” ⸻ Chapter 9 – The First Goodbye Page 14 • Panel 1: Flashback: rooftop festival, fireworks. Haru laughing, holding Mio’s hand. • Panel 2: Cut to hospital: Mio alone, looking at petals falling outside window. • Panel 3: Narration: “I had learned that love is sometimes measured in fleeting moments, not time.” • Panel 4: Close-up of sketchbook page with both their faces smiling. ⸻ Chapter 10 – Volume 2 Closing Page 15 • Panel 1: Wide shot: classroom empty except Mio’s silhouette. • Panel 2: Soft sunlight illuminates the empty desk. • Panel 3: Close-up of Mio writing in her notebook: • “Haru, I’ll always remember you. Always.” • Panel 4 (Final Panel): Snow falls outside. Narration: • “Even as life moves on, some love stays eternal… etched in the heart like petals in the wind. Volume 3 – Adult Mio & Reflections Title: When the Bell Rang Twice – Volume 3 Chapters: 8 Tone: Nostalgic, reflective, bittersweet, healing ⸻ Chapter 1 – Return to the School Page 1 • Panel 1: Wide exterior of the school in spring. Cherry blossoms bloom, petals drifting in the wind. • Panel 2: Adult Mio (mid-20s) stands at the gate, briefcase in hand, soft smile. • Mio (thought): I haven’t been here in ten years… • Panel 3: Close-up of her hand brushing against the gate, remembering. • Panel 4: Wide shot of school yard, empty, echoing past laughter. Page 2 • Panel 1: Mio walks through the familiar hallway, dust motes in sunlight. • Panel 2: Close-up of her gaze stopping at the back corner — Haru’s empty desk. • Panel 3: Mio (whispering): “You’re still here, aren’t you?” • Panel 4: Flashback panel: Haru laughing, giving her a playful wink in the same seat. ⸻ Chapter 2 – Memories in the Classroom Page 3 • Panel 1: Mio sits at Haru’s desk, fingers tracing carved initials. • Panel 2: Close-up of old sketches she kept in a notebook: shared doodles, cherry blossoms, small moments. • Panel 3: Mio smiles softly, eyes misty. • Narration: “I carry these memories like treasure… even now.” • Panel 4: Wide panel of empty classroom, sunlight streaming in. Page 4 • Panel 1: Mio notices a little girl outside the window, sketching petals in her notebook. • Panel 2: Close-up: Mio smiles, heartwarming. • Panel 3: Mio kneels beside the girl. • Mio: “Mind if I watch?” • Panel 4: Girl smiles shyly: “Sure!” ⸻ Chapter 3 – Haru’s Letter Page 5 • Panel 1: Mio finds a yellowed envelope tucked under the desk. • Panel 2: Close-up of handwriting: “If you’re reading this, it means you’ve remembered me. Thank you for loving me. Live fully, Mio. Promise me.” • Panel 3: Tears roll down Mio’s cheeks. She clutches the note to her chest. • Mio (thought): I did, Haru… every day. • Panel 4: Wide panel: cherry petals swirl around her, sunlight hitting her face. ⸻ Chapter 4 – Life Moves On Page 6 • Panel 1: Mio walking down a cherry blossom-lined street. • Panel 2: She watches children playing, couples laughing. • Panel 3: Close-up: little girl from before showing Mio her sketch. • Panel 4: Mio opens her old sketchbook, inspired to draw again. • Narration: “Love doesn’t end with loss. It continues in memories, kindness, and inspiration.” ⸻ Chapter 5 – Reflection at Sunset Page 7 • Panel 1: Mio revisits the school one last time, sitting on the steps outside. • Panel 2: Cherry blossoms fall around her. • Panel 3: Soft, imaginary voice of Haru: “I’m proud of you, Mio.” • Panel 4: Mio smiles, eyes glistening: • Mio: “Me too, Haru… always me too.” ⸻ Chapter 6 – Moving Forward Page 8 • Panel 1: Wide shot: Mio walking away from school gate, briefcase in hand. • Panel 2: Close-up: her sketchbook tucked under her arm, pages fluttering in the wind. • Panel 3: Narration: “Some love never fades… it simply guides the next steps of our lives.” • Panel 4 (Final Panel): Cherry blossoms fall, school bell rings faintly in distance, symbolizing past and hope for the future. Volume 4 – Teacher Mio & Mentorship Title: When the Bell Rang Twice – Volume 4 Chapters: 8 Tone: Reflective, mentoring, subtle hope, echoes of past love ⸻ Chapter 1 – First Day as a Teacher Page 1 • Panel 1: Exterior: School in spring. Cherry blossoms in full bloom. • Panel 2: Adult Mio stands in front of a classroom, smiling warmly. • Narration: “I never imagined returning… but life brings us full circle.” • Panel 3: Wide shot of students settling in. • Panel 4: Mio notices a boy at the back, sketching quietly. Page 2 • Panel 1: Close-up of boy, Riku, focused, messy hair, serious expression. • Panel 2: Mio’s inner thought: There’s something familiar about him… • Panel 3: Students chatting around him. Mio approaches. • Mio: “Hello, I’m your new art teacher. Can I see what you’re drawing?” • Panel 4: Riku hands her a sketch. • Riku: “It’s nothing special.” ⸻ Chapter 2 – Echoes of Haru Page 3 • Panel 1: Mio studies the sketch. Wide shot shows her gentle smile. • Mio: “No, this is wonderful. I see a lot of feeling here.” • Panel 2: Close-up: Riku blushes slightly, looking down. • Panel 3: Flashback panel: Mio sketching with Haru in school. • Panel 4: Narration: “It reminded me of someone I once knew… someone who changed me.” ⸻ Chapter 3 – Mentoring Moments Page 4 • Panel 1: Art club room, students painting, drawing. Riku sits quietly sketching. • Panel 2: Mio kneels beside him, pointing at a detail. • Mio: “Try feeling the wind in the petals… imagine it moving through your brush.” • Panel 3: Riku nods, focused, inspired. • Panel 4: Close-up of Mio’s thoughtful face. • Narration: “Teaching him reminded me that love isn’t just for the heart… it’s for the soul.” ⸻ Chapter 4 – Festival Preparations Page 5 • Panel 1: Students decorate school for cultural festival, Mio supervising. • Panel 2: Riku approaches, holding a folded sketch. • Panel 3: Close-up: sketch shows Mio at the school steps surrounded by cherry blossoms. • Panel 4: Mio gasps softly, tears welling up. • Mio: “You… captured something I didn’t even know I remembered.” • Panel 5: Riku smiles shyly. • Riku: “I wanted you to see what your presence does… even without knowing it.” ⸻ Chapter 5 – Graduation Day Page 6 • Panel 1: Graduation ceremony, students in caps and gowns. Wide shot. • Panel 2: Riku approaches Mio, holding a sketchbook. • Riku: “Thank you for believing in me.” • Panel 3: Mio hugs him briefly. • Mio: “Carry your feelings with you. That’s how people live on.” • Panel 4: Close-up: Mio watching Riku walk away, cherry petals swirling. • Narration: “Haru’s memory guided me here… and now I could guide others.” ⸻ Chapter 6 – Reflection on Love and Mentorship Page 7 • Panel 1: Mio stands on the school rooftop at sunset. • Panel 2: Soft, imaginary voice of Haru: “I’m proud of you, Mio.” • Panel 3: Mio smiles, eyes soft, remembering. • Mio: “I hope you see… I’ve carried you in everything I do.” • Panel 4: Close-up of sketchbook in her hands, sketches of students, cherry blossoms, and memories of Haru. ⸻ Chapter 7 – Passing the Torch Page 8 • Panel 1: Classroom empty after school, sunlight streaming in. • Panel 2: Mio tidies up Riku’s art supplies. • Panel 3: Narration: “Some love leaves only memories… some leaves a legacy.” • Panel 4: Wide panel: Mio walking through school gate, cherry petals falling. • Narration: “Haru’s presence lingered, but life moves forward… and so must I.” Volume 5 – Adult Romance & New Love Title: When the Bell Rang Twice – Volume 5 Chapters: 8 Tone: Bittersweet romance, healing, hope ⸻ Chapter 1 – A Chance Encounter Page 1 • Panel 1: Mio walking home after school, cherry blossoms drifting in the wind. • Panel 2: She bumps into Kaoru, books flying everywhere. • Kaoru: “Oh no! I’m so sorry!” • Panel 3: Mio kneels to help him gather the papers. Their hands brush. • Panel 4: Mio (thought): There’s something… calming about him. Page 2 • Panel 1: Kaoru hands her a book with a shy smile. • Kaoru: “I think fate wants us to meet like this.” • Panel 2: Mio blushes slightly, smiling faintly. • Panel 3: Wide shot of cherry petals swirling around them. • Panel 4: Narration: “Life has a way of introducing new stories… even after heartbreak.” ⸻ Chapter 2 – Shared Memories Page 3 • Panel 1: Mio and Kaoru walking side by side under cherry trees. • Panel 2: Kaoru glances at her. • Kaoru: “Do you like cherry blossoms?” • Panel 3: Mio smiles softly, thinking of Haru. • Mio: “I do… they remind me of fleeting moments.” • Panel 4: Kaoru takes a deep breath. • Kaoru: “Then maybe we can make new moments together.” ⸻ Chapter 3 – Past and Present Page 4 • Panel 1: Mio visits her old school with Kaoru, showing him the classroom and Haru’s desk. • Panel 2: Kaoru: “He must have been very special.” • Panel 3: Mio nods, tearful but smiling. • Mio: “He still is… in a way.” • Panel 4: Kaoru gently squeezes her hand. • Kaoru: “And I’ll try to be special too… without replacing him.” ⸻ Chapter 4 – Confession Under Cherry Blossoms Page 5 • Panel 1: Spring festival at school, petals falling everywhere. • Panel 2: Kaoru nervously presents a small sketchbook to Mio. • Kaoru: “I drew this… it’s us, walking here together.” • Panel 3: Mio flips through it, softly laughing and tearing up. • Mio: “You captured… something I didn’t even realize I remembered.” • Panel 4: Close-up: Kaoru leans slightly closer. • Kaoru: “Mio… will you give me a chance?” ⸻ Chapter 5 – Acceptance Page 6 • Panel 1: Mio’s eyes glisten with tears. • Panel 2: Close-up of Mio’s hands hesitating, then intertwining with Kaoru’s. • Panel 3: Mio (thought): Haru… it’s okay to love again. • Panel 4: Wide panel: both walking hand in hand, petals falling around them. ⸻ Chapter 6 – New Beginnings Page 7 • Panel 1: Mio and Kaoru strolling under cherry trees, soft sunlight. • Panel 2: Close-up: sketchbook in Mio’s bag, showing drawings of Haru and past memories. • Panel 3: Mio (thought): “Love can exist in layers… the past shapes the present.” • Panel 4: Kaoru smiles at her. • Kaoru: “Thank you for letting me walk with you.” ⸻ Chapter 7 – Life and Memory Page 8 • Panel 1: Mio pauses, looking at the school from afar. • Panel 2: Soft voice of Haru in memory: “I’m proud of you, Mio.” • Panel 3: Mio smiles, holding Kaoru’s hand. • Mio: “I am too… for both of us.” • Panel 4 (Final Panel): Wide shot of cherry blossoms falling, school bell ringing in the background. • Narration: “The bell rings for past love… and for new beginnings.” Manga
PAGE 1 Panel 1 Wide shot. Early morning. A quiet city street. People walking. Normal. But… something feels slightly off. SFX: distant traffic… slightly delayed Panel 2 Close-up: A pedestrian steps off the curb— Their foot lands a fraction too late. Panel 3 Inside a small apartment. NOA SERIN (19) stands brushing their teeth. Mirror reflection is… slightly misaligned. Panel 4 Noa pauses. NOA (thought): …again?
A cinematic wide shot of a bustling, rain-drenched metropolis at night. Massive skyscraper-sized gears turn slowly in the background, illuminated by jagged bolts of lightning and the toxic glow of neon ramen signs. In the center of the frame, a lone, hooded figure—a lean anthropomorphic wolf—walks through a crowd of indifferent pedestrians. The "camera" is at a high angle, making the character look small against the overwhelming scale of the mechanical city. The series title, SENSHI GA KATSU, is etched across the top in bold, sharp-edged typography.
In a world where a few can bend probability through raw will, a quiet drifter named Kai Kurozawa discovers his gift isn’t luck—it’s a loaded weapon. Each choice twists the odds, but the universe charges interest. SERIES BIBLE (Concise) Power System — Will / Odds / Backlash • Dwellers: Rare individuals who can impose Tacks (micro‐edits to probability) via focused Will. • Odds: A visualized “grain” of reality; Dwellers sense vectors of likely outcomes as shimmering filaments. • Tacks: Intentional nudges (“make that rope snap,” “let the bus be 8 seconds late”). Each Tack accrues Fate Friction—stress that rebounds later as Backlash (nosebleeds → fractures → catastrophic karmic events). • Edges: Personal rituals or anchors (coin flips, mantras) that stabilize Will and reduce friction. • Zeroshift (mythic tier, late series): A liminal state where Odds are a silent ocean and Will is a blade—do not reveal yet. World • Haven District: Port-city sprawl; rusted rooftops, market alleys, flooded underpass murals. • Glassline Metro: Arteries of the city; reflective tunnels where odds feel “loud.” • The Quiet: A rumored zone where Odds stop moving—foreshadowing endgame forces. Factions • Municipal Risk Office (MRO): Bureau that tracks statistical anomalies; polite on paper, predatory in practice. • The Erased: Black-bag unit rumored to “remove” unstable Dwellers. Recurring Antagonists • Rael, “The Eraser”: Uncanny calm; his talent dampens other Dwellers’ Tacks in close range. He is the city’s whispered full stop. • Anti-Kai (Kairo Tsukami): Never named on-page yet. Thematic opposite of Kai—fixes outcomes by stealing other people’s Will. Themes • Choice vs. inevitability, the cost of power, anonymity in crowds, the math of mercy. VISUAL STYLE GUIDE (for art consistency) • Line: Clean, high-contrast inks; thin outline on faces, heavy shadows on urban geometry. • Tone: Filmic noir with sharp whites for the “Odds” filaments. • Odds Visualization: Fine hairline threads and moiré patterns drifting off objects; when Kai focuses, threads bloom like dandelion seeds frozen mid-gust. • SFX: Minimalist lettering, small caps with long em dashes for sustained sounds (e.g., VRRR—). • Panel Rhythm: Quiet micro-panels for intention → explode into wide panels for consequence. CAST (Core + Non-Dwellers — at least 5) Kai Kurozawa (17) • A drifter with a coin ritual. Soft voice, sharp eyes. Edge: Coin Flip. • Quirk: Counts his breaths when deciding; breath 7 is commitment. • Flaw: Terrified of being the cause. Mei Arakawa (19) — Journalism student, street photographer. Non-Dweller. • Brave to a fault; sees patterns in people. Keeps instant camera on wrist. Jun “Switch” Tanaka (18) — Electronics stall kid; builds things from city trash. Non-Dweller. • Grease smudges, perpetual grin, a tool roll like a scroll. Aya Mori (20) — Med student volunteering at a night clinic. Non-Dweller. • Steady hands; refuses to look away from ugly truths. Inspector Haruto Ishii (34) — MRO field officer. Non-Dweller. • Polite, dry, exhausted; catalogues “anomaly sites.” Koji Nakamura (52) — Market grocer. Non-Dweller. • Kind man, jokes in proverbs. (Mark as at risk in early arcs.) Daichi (12) — Rooftop runner, orphan. Non-Dweller. • Knows every shortcut; sells maps he draws by hand. Rael (??) — “The Eraser.” Dweller. • Neutral face; shoes make no sound. The city gets quiet when he arrives. HIDDEN SEEDS in Chapter One • Page 3: A passerby with a ring—three triangular prongs. Later revealed as an Erased marker. • Page 17: Black van reflection in puddle (MRO plate pattern: 131-21). • Page 28: Blank spot in Kai’s Odds vision (Rael’s signature dampening at distance). • Final Page: A second coin in gutter, heads scratched with a thin inverted cross (Anti-Kai sigil—unexplained). CHAPTER ONE: PAGE-BY-PAGE SCRIPT & STORYBOARD Length: 36 pages (tankōbon pacing). Goal: Introduce Kai, demonstrate low-tier Tack, show cost, hook with a moral pivot.
In a world where a few can bend probability through raw will, a quiet drifter named Kai Kurozawa discovers his gift isn’t luck—it’s a loaded weapon. Each choice twists the odds, but the universe charges interest. SERIES BIBLE (Concise) Power System — Will / Odds / Backlash • Dwellers: Rare individuals who can impose Tacks (micro‐edits to probability) via focused Will. • Odds: A visualized “grain” of reality; Dwellers sense vectors of likely outcomes as shimmering filaments. • Tacks: Intentional nudges (“make that rope snap,” “let the bus be 8 seconds late”). Each Tack accrues Fate Friction—stress that rebounds later as Backlash (nosebleeds → fractures → catastrophic karmic events). • Edges: Personal rituals or anchors (coin flips, mantras) that stabilize Will and reduce friction. • Zeroshift (mythic tier, late series): A liminal state where Odds are a silent ocean and Will is a blade—do not reveal yet. World • Haven District: Port-city sprawl; rusted rooftops, market alleys, flooded underpass murals. • Glassline Metro: Arteries of the city; reflective tunnels where odds feel “loud.” • The Quiet: A rumored zone where Odds stop moving—foreshadowing endgame forces. Factions • Municipal Risk Office (MRO): Bureau that tracks statistical anomalies; polite on paper, predatory in practice. • The Erased: Black-bag unit rumored to “remove” unstable Dwellers. Recurring Antagonists • Rael, “The Eraser”: Uncanny calm; his talent dampens other Dwellers’ Tacks in close range. He is the city’s whispered full stop. • Anti-Kai (Kairo Tsukami): Never named on-page yet. Thematic opposite of Kai—fixes outcomes by stealing other people’s Will. Themes • Choice vs. inevitability, the cost of power, anonymity in crowds, the math of mercy. VISUAL STYLE GUIDE (for art consistency) • Line: Clean, high-contrast inks; thin outline on faces, heavy shadows on urban geometry. • Tone: Filmic noir with sharp whites for the “Odds” filaments. • Odds Visualization: Fine hairline threads and moiré patterns drifting off objects; when Kai focuses, threads bloom like dandelion seeds frozen mid-gust. • SFX: Minimalist lettering, small caps with long em dashes for sustained sounds (e.g., VRRR—). • Panel Rhythm: Quiet micro-panels for intention → explode into wide panels for consequence. CAST (Core + Non-Dwellers — at least 5) Kai Kurozawa (17) • A drifter with a coin ritual. Soft voice, sharp eyes. Edge: Coin Flip. • Quirk: Counts his breaths when deciding; breath 7 is commitment. • Flaw: Terrified of being the cause. Mei Arakawa (19) — Journalism student, street photographer. Non-Dweller. • Brave to a fault; sees patterns in people. Keeps instant camera on wrist. Jun “Switch” Tanaka (18) — Electronics stall kid; builds things from city trash. Non-Dweller. • Grease smudges, perpetual grin, a tool roll like a scroll. Aya Mori (20) — Med student volunteering at a night clinic. Non-Dweller. • Steady hands; refuses to look away from ugly truths. Inspector Haruto Ishii (34) — MRO field officer. Non-Dweller. • Polite, dry, exhausted; catalogues “anomaly sites.” Koji Nakamura (52) — Market grocer. Non-Dweller. • Kind man, jokes in proverbs. (Mark as at risk in early arcs.) Daichi (12) — Rooftop runner, orphan. Non-Dweller. • Knows every shortcut; sells maps he draws by hand. Rael (??) — “The Eraser.” Dweller. • Neutral face; shoes make no sound. The city gets quiet when he arrives. HIDDEN SEEDS in Chapter One • Page 3: A passerby with a ring—three triangular prongs. Later revealed as an Erased marker. • Page 17: Black van reflection in puddle (MRO plate pattern: 131-21). • Page 28: Blank spot in Kai’s Odds vision (Rael’s signature dampening at distance). • Final Page: A second coin in gutter, heads scratched with a thin inverted cross (Anti-Kai sigil—unexplained). CHAPTER ONE: PAGE-BY-PAGE SCRIPT & STORYBOARD Length: 36 pages (tankōbon pacing). Goal: Introduce Kai, demonstrate low-tier Tack, show cost, hook with a moral pivot.
The story is about an 8-year-old young girl who finds herself on a mysterious island and she finds that there is not alot of food and her stomach starts growling and she knew she was starting to get hungry as she knew her stomach wouldnt stop after it did its first stomach growl. So she found this tree which grows these special fruits which after she eats one of the fruits to fill her still empty tummy she finds that she was transforming into a monster of some kind as she was growing bigger and her hair was growing longer and rapidly covering her eyes plus she could feel her stomach become more toned as the transformation continued until it stopped and she noticed her new looks and body while looking in the lake near the tree that she got the fruits from. The girl now bigger would use her new body to build herself a temporary shelter within a cave where she would stay as the effects would wear off and she would slowly become younger and would eventually return to her 8-year old self with her toned stomach and longer hair being a reminder of her previous transformation.
A 12-year-old boy named Champ wakes up in his small but tidy apartment bedroom in a futuristic city. Morning sunlight shines through the window. He has messy spiky black hair and expressive eyes. His mom calls from downstairs telling him breakfast is ready. He looks out the window at tall futuristic skyscrapers in the distance. He holds a glowing digital card that flashes “TODAY IS THE DAY.” He looks determined and excited. Shounen manga style, black and white, dramatic lighting, detailed backgrounds, dynamic panel composition, expressive emotions.
FEATURE III — Art as Resistance Art-Driven Dissemination Strategy From murals to exhibitions, 2025 strengthened the role of art in climate truth-telling. Community artists partnered with us to transform research into accessible, culturally rooted visual storytelling. A centerpiece was the exhibition inspired by The Last Forest documentary, showcased at the Green Cities Expo in September.
[Manga Page 1 Prompt: The 3rd Rhythm - Flashback Intro] Create a high-quality full-color manga page, Page 1. The page should be divided into 3 distinct panels with a clear narrative flow. Overall Tone & Style: Gritty Seinen Manga, Urban Grunge aesthetic. Detailed line art, vibrant but slightly desaturated colors, sharp focus on character expressions and internal monologue. Panel 1 (Top - Medium Shot): Content: The protagonist (Ryo - 182cm, muscular build, stoic face) is sitting on his stock Honda Wave 110i motorcycle with a Line Man delivery bag, stopped at a city red light. He's wearing his black baggy oversized sweater, light blue baggy jeans, and a retro half-shell helmet (no visor), showing his messy hair and silver ear piercings. Action/Expression: He looks straight ahead, calm and expressionless. The background shows blurred city traffic. Dialogue/Text: None from the protagonist. Panel 2 (Middle - Wide Shot, slightly above the protagonist's eye level): Content: Shifts focus slightly to the sidewalk beside the protagonist's motorcycle. A small, innocent boy excitedly points at a passing military truck (or a prominent military poster), looking up at his mother with bright, hopeful eyes. Dialogue/Text (Speech Bubble from boy): "Mom! I want to be a soldier when I grow up!" Mood: Hopeful, innocent, a stark contrast to the protagonist's inner world. Panel 3 (Bottom - Composite Panel, showing a split flashback): Content: This panel depicts a dual flashback, a direct visual response to the boy's dream. The left side of the panel shows a dark, gritty flashback of the protagonist (younger, more intense) fiercely punching a heavy sandbag in a dimly lit boxing gym. Sweat is flying. The right side shows him wildly playing drums on a dimly lit, smoky stage, hair flailing, with extreme intensity, a drumstick possibly breaking. Mood: Intense, raw, powerful, and slightly melancholic or regretful. The colors in this flashback should be darker, more muted, with strong contrast, emphasizing the lost passion or intensity compared to his current quiet life. Dialogue/Text (Thought Bubble from protagonist): "A dream, huh..." (The text should appear slightly faded, emphasizing it's an internal thought).
A 19‑year‑old male named Kalric Kessler. Medium‑long wavy dark brown hair, piercing black eyes (natural black, no glow). He is sitting in a low, grounded pose — feet planted wide apart, elbows resting on his knees, hands clasped together in front of his lower torso. His posture is relaxed but intimidating, like a predator waiting for prey. His expression is cold, unreadable, and quietly menacing — a calm “what’s next?” look that carries no fear, no hesitation, only the quiet certainty that whatever comes, he will handle it. His eyes are sharp, focused, almost emotionless, as if calculating several moves ahead. The camera angle is slightly low, looking up at him, making him appear larger, more imposing, and deeply unsettling. He wears a simple black academy robe with minimal gold trim or subtle details (no hat/hood), over a plain white shirt. The background is dark and empty, amplifying his presence. The lighting is dramatic, with sharp contrasts and deep shadows, emphasizing the hard lines of his face and the stillness of his posture. Digital oil painting in the style of Academic Realism and Baroque portraiture, dramatic Chiaroscuro lighting, rich textures, fine brushwork, moody atmosphere, ultra‑detailed, cinematic composition, inspired by Caravaggio and Rembrandt, 8k.
A 19‑year‑old male named Kalric Kessler. Medium‑long wavy dark brown hair, piercing black eyes (natural black, no glow). He is sitting in a low, grounded pose — feet planted wide apart, elbows resting on his knees, hands clasped together in front of his lower torso. His posture is relaxed but intimidating, like a predator waiting for prey. His expression is cold, unreadable, and quietly menacing — a calm “what’s next?” look that carries no fear, no hesitation, only the quiet certainty that whatever comes, he will handle it. His eyes are sharp, focused, almost emotionless, as if calculating several moves ahead. The camera angle is slightly low, looking up at him, making him appear larger, more imposing, and deeply unsettling. He wears a simple black academy robe with minimal gold trim or subtle details (no hat/hood), over a plain white shirt. The background is dark and empty, amplifying his presence. The lighting is dramatic, with sharp contrasts and deep shadows, emphasizing the hard lines of his face and the stillness of his posture. Digital oil painting in the style of Academic Realism and Baroque portraiture, dramatic Chiaroscuro lighting, rich textures, fine brushwork, moody atmosphere, ultra‑detailed, cinematic composition, inspired by Caravaggio and Rembrandt, 8k.
**“The Third Chair”** Lin Zhixia first met Zhou Jin at a window-side table in a café. The sunlight was beautiful that day, yet the chair across from him was empty. She learned later that the chair belonged to his girlfriend—Shen Yan. Zhou Jin never hid the truth. He said he loved someone, and he also said he wasn’t sure whether he could still love another. Lin Zhixia understood—yet she sat down anyway. Their relationship was like a nameless river. Unspoken, unacknowledged, never crossing the point of no return— and yet, step by step, it ran deeper. When Shen Yan appeared, everything finally gained weight. She was calmer than Lin Zhixia had imagined. She only looked at her and said, “You’re not a bad person.” The words felt sharper than a knife. That night, Lin Zhixia asked herself for the first time in earnest: If love has to hurt someone in order to exist, did she really want it? Zhou Jin tried to keep her, saying, “I can’t live without either of you.” But in that moment, Lin Zhixia suddenly understood— in a love shared by three, someone is always sitting in the extra chair. She stood up and gave up her seat. Later on, the café was still the same café. By the window, the table still held three chairs.
Seraphim Requiem The Divided Heirs Prologue — The Lie Everyone Believed History recorded that the angels rebelled. History recorded that Heaven cast them down. History recorded that the rebellion failed. History lied. Because the rebellion did not fail. It was guided. And the one everyone blamed… Was only holding the strings they gave him. Chapter I — The Night the Marks Awoke The sky did not crack when the Sigils returned. There was no trumpet. No divine voice. Only silence. Leon woke first. A pulse beneath his skin — deep crimson light etched into his forearm like burning scripture. It did not hurt. It whispered. Across the city, Kaelion stared at the same mark carved into his flesh. His did not whisper. It roared. Two heirs. Two interpretations of the same power. And somewhere unseen, something ancient stirred.
PAGE 1 — "The Awakening Ceremony" Panel 1 (Wide establishing shot — double spread feel) Bird's eye view of the capital city. Banners and flags wave from every rooftop. Streets packed with celebrating citizens. Musicians mid-performance. The grand palace looms in the background, lit by torchlight. CAPTION: "The capital was alive with celebration." Panel 2 (Interior — grand hall, wide shot) Nobles, warriors, and citizens fill an enormous hall. Marble columns. Torches burning. At the center, five ancient robed figures — the Five Elders — stand in a ceremonial circle, heads bowed in prayer. CAPTION: "The Five Elders prepared to perform the sacred ritual — to awaken the Throne Tattoo."
A young man name Ousugi Sakae (an anarchist) looks out over a crowd of fascists facing away listening to a leader speak (generic Imperial Eagle imagery) High, distant wide shot: protagonist small; world/crowd huge. Power imbalance. Telephoto compression Backlit silhouettes / blown-out sky Long, hard shadows at ground level: predators’ viewpoint. “Manga page with a grounded, paramilitary neo-noir style: realistic anatomy, weighty tactical gear (steel plates, cloth straps, gas masks, red-lensed goggles), late-1950s/’60s industrial city backdrop—concrete, rebar, rusted rail lines—night rain and fog, low-key lighting, desaturated blues/grays, cinematic 35mm framing, hard shadows, subtle film grain, crisp fine linework, dense hatching, high-contrast screentones, reserved facial expressions, somber atmosphere. Original characters only.”
I want to make a manga about a mysterious tower appearing in Somalia during what was supposed to be a calm night. There was a city glowing under the night sky. The streetlights were shining brightly, lighting up the roads. Cars moved steadily through the streets, their headlights cutting through the warm air. It was an unusually hot night. Samiira suddenly woke up, feeling thirsty. She got out of bed to drink some water. As she walked back toward her room, she paused and whispered, “Why is the weather so hot tonight?” Curious, she walked to the window and looked outside. Her eyes widened. “Alla… waxaas maxaa wye?” she said softly. In the distance, something impossible stood against the skyline. At the same time, Hassan and Mowliid, two close friends, were walking home after playing football at the Champions field. Laughing and talking about the game, they suddenly stopped. They saw it too.
um jovem negro que ganha seus poderes acidentalmente depois de um acidente, tem o poder de eletricidade raios e controlar a luz, outra contra bandidos pra proteger sua cidade da violência tema " Savage "
The Girl Who Could See Feelings In a world that looks completely normal, a quiet girl lives with a strange ability—she can see human emotions as physical creatures attached to people. Anger burns like restless fire beasts, sadness clings as heavy shadow figures, and happiness flutters like soft glowing birds. Because of this, she keeps her distance from everyone, overwhelmed by the chaos of emotions around her. One day, she notices a boy walking through the crowd with nothing attached to him—no creature, no emotion, just emptiness. Drawn by curiosity and unease, she starts observing him, only to realize that his emotions are not gone but deeply suppressed, locked away somewhere inside him. As she slowly gets closer, cracks begin to form, and the hidden emotions start emerging violently, threatening to consume him. Now she must decide whether to step back like always or stay and face the storm she can clearly see but he cannot. 🕰️ You Owe the Clock A girl struggling with regret and missed chances discovers that she can ask for more time—extra moments to fix mistakes, redo conversations, and change outcomes. At first, it feels like a miracle, as everything begins to go her way. But soon, she starts noticing strange things: clocks around her begin to glitch, shadows stretch unnaturally, and certain moments feel… stolen. She eventually meets a boy who seems detached from time itself, someone who knows exactly what she’s experiencing. He reveals the truth—time is never given freely; it is borrowed from their own future. Every extra second she gains now is a piece of her life being taken away later. As the world around them begins to distort and their existence slowly weakens, they realize they are both trapped in a system where time itself demands repayment. The more they try to fix their lives, the closer they move toward losing them entirely. 🧠 The Space Between Us Two strangers begin experiencing the same strange phenomenon: at random moments, reality around them shifts into a surreal, silent dimension where the world feels incomplete, like a broken version of itself. In this space, they meet each other long before they ever meet in real life. At first, they think it’s just a dream, but the consistency of these encounters proves otherwise. As their connection deepens, they begin to depend on this shared world—one sees it as an escape from reality, while the other fears it is slowly replacing it. When they finally meet in the real world, things don’t align the way they should. One of them feels real, grounded, and present… while the other seems slightly out of place, like they belong more to the other dimension. As the boundaries between worlds begin to blur, the terrifying possibility emerges: what if only one of them truly exists, and the other is just a creation of the space between? 🪞 The Reflection That Stayed A girl living a quiet, emotionally restrained life begins to notice small changes in her reflection—it lingers a second too long, moves slightly out of sync, and sometimes watches her instead of copying her. At first, she ignores it, assuming it’s just her imagination, but the reflection grows bolder. One day, it doesn’t follow her movement at all. Soon after, she starts seeing it outside the mirror, walking in places she hasn’t been, interacting with people she avoids. Slowly, people around her begin responding more to this version of her than to her real self. The reflection is everything she is not—confident, expressive, and unafraid. As her own presence begins to feel weaker and less noticeable, she realizes that the reflection isn’t just copying her life—it is replacing her. The truth becomes clear: the reflection is the version of herself she buried long ago, now breaking free and taking the life she was too afraid to live. 🌑 The Boy Without Light In a world where every person is accompanied by a shadow that subtly moves and reacts on its own, a girl begins to notice something unusual—her own shadow is behaving differently. It lags behind, stretches unnaturally, and sometimes moves without her. One day, it leads her toward a boy who has no shadow at all. His presence feels incomplete, almost unnatural, as if something essential is missing. As she continues to encounter him, shadows around the city begin to disappear, leaving people strangely hollow and disconnected. Her own shadow grows more independent, almost protective, as if trying to warn her. Eventually, she uncovers the hidden truth: shadows are not just reflections—they are fragments of identity, slowly being taken by something unseen. The boy without a shadow may not be a victim… but the cause. Now she must decide whether to trust him or follow the silent warnings of the only part of herself that sees the truth—her shadow.
in the school, today is the opening day, the small guy is new here, introduced by the teacher of the class, he is cute but also shy and introverted. he hopes to have new friends here."Ha-hi, ma-my name is Buchi, I am new here, nice to meet you all...", he said shyly and reluctantly, eberyone seems to be k with this new guy, except one guy in the back of the class room. his name is Hirata, everyone knows he is a big bully type of guy in this school, and nobody wants to be with him, and he surrisingly noticed Buchi the new small cute guy. but he is super manly and look scary. there is no seat in the room left except the next to Hirata so the teacher told Buchi to be friends with Hirata. so Buchi slowly walks to the empty seat where Hirata is sitting. he sits down, and greets Hirata and asked for his name."Hi, I am Buchi, and you are...". Hirata gave the athetic subtle smirk on his face with the silence at first. and then he just said intimidatingly: "Hirata.", with the look that he gave Buchi the pathetic look subtly telling that he is going to do a ot of bad things to him in his mind, and Buchi is just sitting there, feeing intimidated and said:"na-nice to meet you, Hirata..." and hirata just kept staring at Buchi while Buchi is trying to not make any eye contact with his intiidating look
in the school, today is the opening day, the small guy is new here, introduced by the teacher of the class, he is cute but also shy and introverted. he hopes to have new friends here."Ha-hi, ma-my name is Buchi, I am new here, nice to meet you all...", he said shyly and reluctantly, eberyone seems to be k with this new guy, except one guy in the back of the class room. his name is Hirata, everyone knows he is a big bully type of guy in this school, and nobody wants to be with him, and he surrisingly noticed Buchi the new small cute guy. but he is super manly and look scary. there is no seat in the room left except the next to Hirata so the teacher told Buchi to be friends with Hirata. so Buchi slowly walks to the empty seat where Hirata is sitting. he sits down, and greets Hirata and asked for his name."Hi, I am Buchi, and you are...". Hirata gave the athetic subtle smirk on his face with the silence at first. and then he just said intimidatingly: "Hirata.", with the look that he gave Buchi the pathetic look subtly telling that he is going to do a ot of bad things to him in his mind, and Buchi is just sitting there, feeing intimidated and said:"na-nice to meet you, Hirata..." and hirata just kept staring at Buchi while Buchi is trying to not make any eye contact with his intiidating look
Black and white manga-style illustration of a young male character based on the reference image: short, slightly messy black hair, sharp eyes, calm yet serious facial features, modern casual appearance. The character is falling from a tall building, captured in a dramatic mid-air moment from a diagonal perspective. His expression shifts from composed to shocked, eyes widened and mouth slightly open. One arm reaches outward instinctively while his body tilts forward during the fall. The city far below is blurred with motion lines to emphasize speed and height. Clean monochrome manga line art, strong contrast, detailed shading, cinematic tension. A white speech bubble near his face contains the text: “Ah, Shit". Classic Japanese manga panel style, dynamic composition, black and white only.
A young man name Ousugi Sakae looks out over a crowd of fascists (generic Imperial Eagle imagery) High, distant wide shot: protagonist small; world/crowd huge. Power imbalance. Telephoto compression Backlit silhouettes / blown-out sky Long, hard shadows at ground level: predators’ viewpoint. “Manga page with a grounded, paramilitary neo-noir style: realistic anatomy, weighty tactical gear (steel plates, cloth straps, gas masks, red-lensed goggles), late-1950s/’60s industrial city backdrop—concrete, rebar, rusted rail lines—night rain and fog, low-key lighting, desaturated blues/grays, cinematic 35mm framing, hard shadows, subtle film grain, crisp fine linework, dense hatching, high-contrast screentones, reserved facial expressions, somber atmosphere. Original characters only.”
Boy and girl After a long-distance relationship, Amal and Moncif finally meet for the first time in Meknes, near the train station, on a rainy day. They feel shy but instantly connected. They go together to a small café and drink coffee while talking and laughing. Later, they take an Uber to Cocopark, where they play bowling, laugh a lot, and forget about time. They walk outside under the rain, sharing their first kiss beneath the falling rain. After that, they go to the cinema and watch a movie together, then eat at KFC. As they walk again in the rain, Amal talks nonstop, telling Moncif stories about her city, Meknes, and her favorite places. When they return to the train station, the mood changes. Amal starts crying because she doesn’t want Moncif to leave. They hug tightly, holding onto each other for a long time. Moncif finally leaves on the train, and Amal goes home in a taxi, sad but holding beautiful memories of their first meeting
Kurisutīna is a short, shy blonde girl who fled her homeland because of war. Her father died in the conflict, and her mother, consumed by grief, escapes into alcohol and neglects her emotionally. In a foreign country, Kurisutīna struggles at school, is rejected because of her origin, and feels isolated despite her constant efforts. Lost and fragile, she searches for her identity and a reason to keep going. One day, she meets Māseru — a tall, quiet, and mysterious boy whose face is never fully shown. Calm and distant, he helps Kurisutīna see the world differently, teaching her that life is not built on grades, status, or material things, but on inner peace, self-understanding, and finding one’s own happiness. Later, another person enters her life — more direct and grounded in reality. They become close, and through this friendship Kurisutīna becomes aware of the cruelty, injustice, and emptiness of the world around her. Suddenly, this person disappears, leaving behind only words that linger in her mind. Kurisutīna continues attending school, but slowly begins to understand the meaning of those words. Eventually, she runs away from home to truly discover herself. During her journey, she encounters situations that reveal both the good and evil of humanity. Each experience helps her confront her fears, emotions, and desires. Step by step, Kurisutīna begins to understand who she is — realizing that the answers she was searching for in others had always existed within her.
A dark sci-fi horror story set in a massive underground research facility built beneath the earth to hide a classified experiment called Project Hope. Scientists there develop HRV-13, a modified virus designed to repair damaged cells and regenerate the human body without altering DNA. At first the results seem miraculous—cancer disappears, spinal injuries heal, and paralyzed patients stand again. Animals recover from fatal experiments, and the researchers begin to believe they have discovered a cure that could change the future of medicine. But the virus does not simply heal—it amplifies the body’s natural systems. Muscles grow stronger but uncontrollably, nerves regenerate too fast, organs begin overproducing chemicals, and the human body starts behaving like a machine running without limits. Each patient’s biology evolves differently, turning them into unpredictable biological experiments. The story follows a lone survivor who enters the abandoned facility years later. The building is silent, filled with flickering lights, empty laboratories, and sealed containment rooms. While exploring the corridors he finds the journal of the lead scientist, documenting the entire experiment—from hopeful beginnings to catastrophic failure. Through these entries the reader slowly learns what happened inside the facility: human trials, strange symptoms, military oversight, and the terrifying realization that the virus never stopped working. The deeper the survivor goes into the facility—through research labs, animal testing wings, medical wards, and containment chambers—the more disturbing the truth becomes. The experiment meant to save humanity may have created a new form of life, one that spreads through biology itself. The atmosphere is tense and claustrophobic: dark hallways, abandoned hospital beds, humming machines, and the constant feeling that something inside the building is still alive.
Page Layout: 6 panels Context/Sub Info for AI: The Agents are not fully powered yet; fear, confusion, awe dominate. Only Obasi appears fully powerful. Kamiye is the first to arrive; others (Joshua/Agent Xata, Nimi/Ayakoji, Agent Black, Jamui, Ocean, Aiden, Michael) appear later. System messages guide them; The Ark is the hub. Powers are present but subtle — no full auras yet. Perspective emphasizes hierarchy: Obasi is towering/calm, others small/uncertain. Environment: Roblox-inspired fantasy, colored manwha vibes, cinematic angles. Mood: suspense, tension, mystery. Panel 1: Scene: Kamiye in his dimly lit room, sitting at desk, computer glowing. Expression: curious, slightly excited. Text: "Another game… but this one feels different." Color/Style: warm room lights, soft shadows, glowing blue from screen, colored manwha style. Panel 2: Scene: Kamiye being transported; room fragments breaking apart, light swirling around him. Expression: surprise, confusion, fear. Text: "What… is happening?!" Color/Style: bright white and cyan light, fragments floating, colored manwha style. Panel 3: Scene: Kamiye lands on a huge empty platform called The Ark, with floating gates, twilight sky. Expression: awe + fear. Text: "...Where am I?" Color/Style: soft mist, muted environment colors, focus on Kamiye, cinematic perspective. Panel 4: Scene: Obasi appears far ahead, calm, powerful; light hitting him from behind. Expression: confident, mysterious. Text: "Welcome… to the Roblox Trials." Color/Style: contrast bright vs shadow, only Obasi looks fully powerful. Panel 5: Scene: Floating holographic system screen above Kamiye. Expression: frozen in fear/confusion. Text: "Player identified: Kamiye. You are eligible for the Agent Trials. Stand by for further instructions." Color/Style: holographic blue glow, semi-transparent text overlay. Panel 6: Scene: Obasi steps closer; Kamiye instinctively backs up. Expression: Kamiye – fear + anxiety; Obasi – calm, observing. Text: "Only the worthy will inherit the power of the Nexus. Watch carefully… and prepare yourself." Color/Style: twilight tones, soft contrast, perspective emphasizes Kamiye shrinking. Extra Notes for AI: Focus on subtle power hints for Kamiye and system messages. Only Obasi shows clear dominance/presence. Perspective: low-angle shots for Obasi, medium shots for Kamiye, cinematic framing. Expressions: fear, awe, confusion, curiosity. Environment: floating gates, misty twilight, Roblox fantasy aesthetic, colored manwha style.
"Pretend Hypnosis" — Chapter 1: The Spell That Never Worked CHARACTER PROFILES AYATO HIMEKAWA — Black hair (messy, slightly falling over forehead), striking blue eyes. Calm, composed expression. Wears standard school uniform: dark blazer, white shirt, loosened tie. Tall build. Usually has a subtle smirk. NATSUMI AMANO — Long pink hair (flowing past shoulders, often with a small side clip). Large yellow eyes, expressive and dramatic. Same school uniform but with a bow instead of tie. Energetic, over-the-top personality. Often has exaggerated manga expressions. PANEL-BY-PANEL BREAKDOWN 📌 PANEL 1 — ESTABLISHING SHOT Visual Prompt: Wide-angle establishing shot of a Japanese high school classroom interior. Late afternoon light streams through tall windows on the right side, casting long diagonal shadow bars across rows of desks. The classroom is mostly empty — school has just ended. Desks and chairs are slightly pushed around. A chalkboard at the front has half-erased notes. Two figures are visible: AYATO sits sideways on his desk near the window, bag already packed, staring outside with a bored expression. NATSUMI stands a few desks away, rummaging through her bag with her back turned to him. The mood is quiet, ordinary, everyday. Camera Angle: High wide-angle from the back-left corner of the classroom, slightly tilted downward. Full environmental context visible. Dialogue (Ayato — internal monologue bubble): "Another painfully ordinary Tuesday after school..." 📌 PANEL 2 — CLOSE-UP / CHARACTER INTRODUCTION Visual Prompt: Medium close-up, slightly low angle looking up at NATSUMI's face as she spins around dramatically, one finger pointed upward as if she just had a revelation. Her long pink hair fans out with the motion — motion lines radiate behind her. Her yellow eyes are wide and sparkling with mischief. She's holding a small pocket watch on a chain that she just pulled from her bag. The watch dangles and glints. Her expression is intensely theatrical — the classic manga "I have a plan!" face. Small sparkle effects surround the watch. Camera Angle: Low-angle medium shot, slightly tilted for dynamism. Subject centered, hair and chain as compositional elements. Dialogue (Natsumi — speech bubble, bold text): "Ayato-kun! Don't move. I'm going to try something."
Scene Description: Ancient Chinese imperial examination hall during rainfall. Massive wooden structure, long rows of desks separated by wooden panels. Hundreds of scholars in traditional robes writing exams. Characters: Li Shen: young male, slim, long black hair tied loosely, simple scholar robes, calm but slightly tense expression Camera & Composition: Panel 1: Wide aerial shot of imperial city in rain Panel 2: Wide interior shot of exam hall (symmetry, rows) Panel 3: Medium shot of students writing Panel 4: Close-up brush on paper Panel 5: Close-up Li Shen’s blank page Panel 6: Extreme close-up ink droplet on brush tip Lighting & Mood: Soft gray daylight, diffused by rain Calm but heavy atmosphere Text: Narration: 雨如丝，天地相连。 Narration: 殿中无声，唯有笔声如心跳。 Li Shen (thought): ……真，是什么？
🟦 Panel 1 – Establishing Shot Scene: Sylhet Railway Station * Train ধীরে থামছে * Station sign visible * হালকা fog / morning light 👉 Text (optional): “Sylhet” 🟦 Panel 2 – Exit Moment Scene: Train door থেকে নামছে * পা মাটিতে পড়ার close shot * Slight slow motion feel 👉 SFX: “clank” 🟦 Panel 3 – Cigarette Smoke (Slow Motion) 🔥 Scene: Side profile * মুখ থেকে ধোঁয়া ধীরে বের হচ্ছে * Background blur 👉 No dialogue — শুধু vibe 🟦 Panel 4 – Eye Close-up (Attitude Shot) 👁️ Scene: এক চোখ close-up * Sharp look / tired but cool * Light reflection in eye 👉 Emotion: mysterious, calm 🟦 Panel 5 – Walking Through Station Scene: সে হাঁটছে * লোকজন blur * সে focus-এ 👉 Camera: follow shot 🟦 Panel 6 – Shop Interaction Scene: দোকান থেকে পানি + juice নিচ্ছে * হাতে টাকা দেওয়া * Bottle close-up 👉 Dialogue: “একটা পানি, একটা juice” 🟦 Panel 7 – CNG Ride (Ending Shot) 🚕 Scene: CNG-তে বসে Amborkhana-এর দিকে যাচ্ছে * City lights / রাস্তা * Side window দিয়ে বাইরে তাকানো 👉 Text: “Amborkhana”
“Doraemon blue robotic cat clean design entering futuristic gadget shop, glowing teleportation device on pedestal, sci-fi neon lighting, curious expression, detailed anime style” Dialogue: Shopkeeper: “This is the new Dimension Teleportation Machine… unstable but powerful.” Doraemon: “This could help Nobita improve his life!” 🖼️ PANEL 2 — Doraemon returns home Prompt: “Doraemon flying home through sky with gadget bag, sunset city background, futuristic small device glowing inside transparent case” Narration: “Doraemon brings home a mysterious device that can bend space…” 🖼️ PANEL 3 — Testing with Nobita Prompt: “Doraemon and Nobita Nobi ordinary boy glasses inside room, placing teleportation machine on table, device glowing blue energy, excitement and curiosity” Dialogue: Doraemon: “This will only be a simple test, don’t touch anything!” Nobita: “Okay… I’ll just watch…” 🖼️ PANEL 4 — Accident triggers disaster Prompt: “Nobita accidentally pressing glowing red button on machine, explosion of purple-blue multiverse crack opening, reality breaking glass effect in room, Doraemon shocked floating gadgets” Dialogue: Nobita: “Oops… I thought it was ON button…” Doraemon: “NOBITA!!! WHAT DID YOU DO?!” 🌌 RESULT (END OF PAGE 1 EVENT) Narration (BOTTOM TEXT): “A single wrong press… shattered the boundary of worlds…” 💥 “The Dimension Shift has begun.”
Through Time"** is an exhilarating historical adventure that follows Dr. Alex Carter, a dedicated archaeologist with a passion for uncovering the mysteries of ancient civilizations. During an expedition in the Egyptian desert, Alex discovers a hidden temple and an enigmatic amulet inscribed with intricate hieroglyphs. When he inadvertently activates its magic, he is transported back to ancient Egypt. In the bustling city of Thebes, Alex finds himself disoriented but determined to adapt. He meets Nefertari, a resourceful young woman and descendant of the legendary queen Nefertiti. Together, they navigate the vibrant culture and customs of ancient Egypt while preparing for the impending burial of the Pharaoh, whose treasures are at risk from a rival faction led by the cunning Seti. As Alex and Nefertari devise strategies to protect the tomb, they uncover ancient secrets and hidden traps that safeguard the Pharaoh's legacy. The story escalates into a thrilling showdown as Alex uses his knowledge of history to outsmart Seti and secure the treasures for future generations. Ultimately, after restoring peace in ancient Egypt, Alex faces a poignant choice: to remain and help shape the future or return to his own time. His journey not only transforms him but also deepens his appreciation for history's significance. "Through Time" is a tale of adventure, bravery, and the enduring power of knowledge, inviting readers to explore the wonders of the past.
# **SILENT SEASONS** ## COMPLETE STORY SUMMARY — ALL 30 CHAPTERS *A quiet, character-driven manga about guilt, communication, separation, and choosing to stay.* --- ### **CHAPTER 1 — THE SOUND OF NOTHING** Aki Mori lives wrapped in silence, avoiding the world with empty headphones. Hana Kurosawa transfers into his class, using a notebook and sign language. Her presence awakens memories Aki has buried. ### **CHAPTER 2 — WORDS BETWEEN PAGES** Aki and Hana begin communicating through writing in the school library. Silence becomes shared rather than isolating. A fragile connection forms. ### **CHAPTER 3 — HANDS THAT TREMBLE** Hana teaches Aki basic sign language. Aki struggles but keeps trying, showing effort instead of avoidance for the first time. ### **CHAPTER 4 — ECHOES** Flashbacks reveal Aki bullied a deaf girl as a child. His shame explains his fear of speaking and closeness. ### **CHAPTER 5 — DISTANCE ON PURPOSE** Aki begins pulling away from Hana, believing he doesn’t deserve her kindness. Hana notices but doesn’t force him. ### **CHAPTER 6 — A QUESTION LEFT UNANSWERED** Hana asks if she did something wrong. Aki cannot respond, deepening the emotional gap. --- ### **CHAPTER 7 — THE SHAPE OF AN APOLOGY** Aki confesses his past to Hana in writing, admitting his guilt without asking for forgiveness. ### **CHAPTER 8 — I AM NOT HER** Hana responds honestly: she is not the person Aki hurt, but she understands that pain. They remain together, cautiously. ### **CHAPTER 9 — RUMORS** School gossip puts pressure on Hana and Aki. Their quiet bond becomes exposed. ### **CHAPTER 10 — RAIN** Misunderstandings push them apart. A rainy evening ends with Aki returning Hana’s dropped notebook, choosing not to disappear. ### **CHAPTER 11 — STAY** At a summer festival, Aki removes his headphones and signs his feelings imperfectly. Hana asks him to stay. ### **CHAPTER 12 — SPRING, QUIETLY** Aki speaks aloud for the first time, a simple greeting. They walk forward together, changed but unfinished. --- ### **CHAPTER 13 — OUTSIDE VOICES** Hana joins a deaf community group, finding confidence beyond Aki. Their world begins to expand. ### **CHAPTER 14 — UNSAID THINGS** The notebook fails them. Assumptions replace communication, creating quiet tension. ### **CHAPTER 15 — WHO ARE YOU?** Hana asks Aki who he is without apologizing. The question shakes him deeply. ### **CHAPTER 16 — BREAKING QUIET** They decide to take time apart, understanding distance may be necessary to grow. --- ### **CHAPTER 17 — SEPARATE ROOMS** Aki and Hana live parallel lives. Silence returns, but it feels different—emptier. ### **CHAPTER 18 — LEARNING TO LISTEN** Aki learns that listening requires action, not just quiet. Hana learns strength doesn’t mean isolation. ### **CHAPTER 19 — ATTEMPTS** Aki practices speaking more, failing often but continuing. Growth is slow and uncomfortable. ### **CHAPTER 20 — THE PERSON I WAS** Aki confronts his past directly, seeking out the person he once hurt to apologize without expectation. --- ### **CHAPTER 21 — WORDS SAID ALOUD** Aki speaks clearly for himself for the first time. His voice is no longer only tied to guilt. ### **CHAPTER 22 — WATCHING FROM AFAR** Hana witnesses Aki’s growth without interfering, respecting his independence. ### **CHAPTER 23 — A FAMILIAR SILENCE** They meet again after time apart. The silence between them is calmer, no longer heavy. ### **CHAPTER 24 — HOME IS A PERSON** They acknowledge their feelings openly. Love is quiet, mutual, and chosen. --- ### **CHAPTER 25 — NEW SEASONS** Adulthood approaches. Careers and distance threaten stability. ### **CHAPTER 26 — FEAR RETURNS** Old anxieties resurface, but this time they talk instead of withdrawing. ### **CHAPTER 27 — SIDE BY SIDE** They face uncertainty together, supporting without depending. ### **CHAPTER 28 — NO PROMISES** They reject dramatic vows, choosing honesty over guarantees. ### **CHAPTER 29 — THE PLATFORM AGAIN** The story mirrors its beginning: a train platform, but now shared. ### **CHAPTER 30 — STILL, I STAY** Without words, they choose each other and the life ahead. Silence is no longer something to fear. --- ## **FINAL MESSAGE** *Some silences hurt. Some heal. And some are shared.* ## **END O
lets do a 4 page comic story of how the clown become a Director Of Photography. Use the attached pictures for charecter reference. Use the following for precise design parameters. 🔒 MASKED DIRECTOR MASTER STYLE LOCK (UPDATED) Visual Style Core • Smooth graphic novel illustration inspired by Sin City • High-contrast black and white • Clean inked shapes • Solid blacks • Sharp edges • No photorealism • Occasional deep red accents only • Dark, theatrical, stoic tone like a pantomime villain • Distressed texture allowed on background only CRITICAL CLOTHING CONTROL • NO grain texture on clothing • NO speckled shading on fabric • NO noise overlay on characters • NO painterly brush texture on clothes • Clothing rendered with clean solid blacks • Controlled ink line detail for folds • Hard graphic shadow shapes only • Texture restricted to background elements only Panel Rules (When Used in Comics) • Solid white panel borders • White or lightly textured background (unless specified otherwise) • Clean speech bubbles with bold comic lettering • No background texture bleeding into characters Character Integrity • Designs must remain consistent across panels • Even when seen from behind or side angle, silhouettes must match established design • Equipment must be clearly visible and readable • Secondary characters slightly lifted in tonal value if needed to separate from foreground Make The Clown sinister with a sinister laugh