Dialogue Focus Manga

seinen manga, black and white, soft grayscale, cinematic lighting, intimate quiet setting, subtle sensual tension. rear view composition from slightly above a reading chair, aligned with the woman's perspective a woman sitting relaxed in a chair, wearing a loose blouse, barefoot, legs resting naturally over the armrests she holds a small book of poetry, but her attention is partially elsewhere a man kneeling low between the chair and her, only his upper back and head visible, very still and focused one of her feet resting lightly near or against his shoulder, subtle contact her hand pauses on the page, finger resting between lines, indicating her attention has shifted her expression calm, composed, faint awareness, no exaggerated emotion no explicit action shown, focus on psychological control, stillness, and awareness
seinen manga, black and white, soft grayscale, cinematic lighting, intimate quiet setting, subtle sensual tension, no explicit content rear view composition from slightly above a reading chair, aligned with the woman's perspective a woman sitting relaxed in a chair, wearing a loose blouse, barefoot, legs resting naturally over the armrests she holds a small book of poetry, but her attention is partially elsewhere a man kneeling low between the chair and her, only his upper back and head visible, very still and focused one of her feet resting lightly near or against his shoulder, subtle contact her hand pauses on the page, finger resting between lines, indicating her attention has shifted her expression calm, composed, faint awareness, no exaggerated emotion no explicit action shown, focus on psychological control, stillness, and awareness
Use the uploaded image as the exact reference frame. Preserve the artwork 100% identical. Do not alter the drawing style, linework, shading, lighting, anatomy, proportions, facial features, clothing design, or background. Keep the black-and-white sketch aesthetic exactly the same. Animate only very subtle motion: – A soft, gentle breeze slightly moving the hood fabric with minimal natural fold shifts – The hoodie drawstrings swaying very lightly – The hand raising upward very slightly and slowly, only a few centimeters Motion must be extremely subtle, smooth, and realistic. No exaggerated movement. No new elements. No camera movement. No zoom. No lighting change. No style change. No morphing. No facial change. The image should look identical to the original, as if a still drawing was brought to life with minimal wind movement.
Panel 1 (Full-width splash, establishing shot) Wide exterior view of Blackspire Keep at night, snow falling gently. A lone rider (Lady Seraphine in dark cloak) approaches the gates on horseback. Caption (top): "Midnight. The eve of his nameday." SFX: clip-clop… clip-clop… Panel 2 (Medium shot) Seraphine dismounts in the courtyard. Servants scatter in fear at her expression—eyes narrowed, lips pressed thin. Close-up inset on her face: subtle disgust already flickering. Thought bubble (small): …I only wished to surprise him. Panel 3 (Tall vertical panel) Seraphine strides down a torch-lit corridor, riding crop dangling loosely. Her boots echo. Background: shadows stretch long. SFX: thud… thud… thud… Panel 4 (Wide panel, door POV) The heavy solar door creaks open. Warm candlelight pours out. Foreground: Seraphine's silhouette in the doorway, cloak billowing slightly. Inside: chaotic bed scene just visible—bare limbs, tangled sheets, laughter frozen mid-breath. Panel 5 (Large panel, reveal) Full interior shot of the decadent bedroom: massive four-poster bed, candles guttering, furs and silks strewn everywhere. Center: Fat Lord Fortinbras sprawled naked, belly shining with sweat, surrounded by four equally naked noblewomen (two mother-daughter pairs: Mirene & Celine Varnholt; Elira & Lyssia Drayce). They freeze, eyes wide in horror. Under the bed: two more half-hidden girls in shifts, peeking out in terror. SFX: gasp! Panel 6 (Close-up on Seraphine) Tight on her face—eyes half-lidded, upper lip curled in revulsion. No shout. Just quiet, visceral disgust. A single bead of sweat rolls down her temple (not from anger—from sheer distaste). Thought bubble: …This… is what my husband chooses. Panel 7 (Medium group shot) The women scramble in panic: sheets tear, bare feet slap stone, arms cover themselves. Mirene clutches fabric; Celine bolts; Elira drags her daughter. The two under-bed girls crawl out, red-faced, fleeing past Seraphine like rats. Background: Fortinbras wheezes, trying to sit up, belly jiggling pathetically. Panel 8 (Over-the-shoulder from Seraphine) She stands motionless. View past her shoulder: the fleeing women disappear down the hall. Fortinbras in foreground, small and ridiculous on the ruined bed, mouth open in excuse. His speech bubble (stammering): "S-Seraphine… my love… this is—" Panel 9 (Extreme close-up on Seraphine) Her eyes only—cold, contemptuous pupils reflecting candle flames. No dialogue. Just a slow, deliberate blink of disgust. SFX: soft … Panel 10 (Medium shot) Seraphine steps forward one pace. She reaches out slowly and plucks a long auburn hair (Mirene's) from his damp chest. Holds it up between thumb and forefinger like something diseased. Her expression: lip curled further, nostrils slightly flared. Panel 11 (Tight two-shot) Close on Fortinbras's face—sweat pouring, small eyes darting, pleading. Inset panel (small): Seraphine's mouth, corners turned down in pure revulsion. Her dialogue (quiet, flat): "You are… disgusting." Panel 12 (Full-page splash, final blow) Seraphine turns her back and walks out, cloak swirling. The door begins to close behind her. Foreground: Fortinbras alone on the wrecked bed, naked, small, surrounded by cooling candles and the stench of his own excess. His face: crumpled in shame. Background fades to black around the edges. Caption (bottom, small text): She feels no fury. Only nausea. SFX: click (door shutting) (End scene.)
seinen manga style, black and white, soft grayscale shading, cinematic lighting ONE SINGLE PANEL ONLY over-the-shoulder view of a man sitting alone in a dim room, only his upper back, neck, and partial profile visible he is holding a smartphone in front of him, screen clearly visible on the phone screen: a woman sitting in an airplane window seat, soft daylight coming from the window beside her the woman is looking directly into her phone camera, creating direct eye contact through the screen her expression calm, composed, slightly knowing the man’s posture slightly tense but controlled, leaning forward slightly focus on psychological tension and connection. clean composition, strong contrast, emphasis on eye contact and connection.
seinen manga style, black and white, soft grayscale shading, cinematic lighting ONE SINGLE PANEL ONLY no multiple panels, no collage quiet intimate interior, light through a window, calm atmosphere a composed elegant woman sitting on a sofa or armchair, wearing a simple dress, barefoot Both her bare feet resting naturally on a table, her legs spread , soles blackened from street dirt. She shows them to someone who is not in the picture. her posture relaxed, confident, effortless her facial expression calm, slightly knowing, composed, looking towards the camera focus on psychological tension and sensuality. clean composition, strong use of negative space, emphasis on body language and eye contact ONE speech bubble only: The woman says: “Go on… enjoy it fully.”
seinen manga style, black and white, soft grayscale shading, cinematic lighting ONE SINGLE PANEL ONLY no multiple panels, no collage quiet intimate interior, light through a window, calm atmosphere a composed elegant woman sitting on a sofa or armchair, wearing a simple dress, barefoot Her bare feet resting naturally on a , soles visible with natural marks. She shows them to someone who is not in the picture. her posture relaxed, confident, effortless her facial expression calm, slightly knowing, composed, looking towards the camera focus on psychological tension and sensuality. clean composition, strong use of negative space, emphasis on body language and eye contact ONE speech bubble only: The woman says: “Go on… enjoy it fully.”
seinen manga style, black and white, soft grayscale shading, cinematic lighting ONE SINGLE PANEL ONLY no multiple panels, no collage quiet intimate interior, light through a window, calm atmosphere a composed elegant woman sitting on a sofa or armchair, wearing a simple dress, barefoot Both her bare feet resting naturally on a table, her legs slightly spread , soles visible with natural dirt. She shows them to someone who is not in the picture. her posture relaxed, confident, effortless her facial expression calm, slightly knowing, composed, looking towards the camera focus on psychological tension and sensuality. clean composition, strong use of negative space, emphasis on body language and eye contact ONE speech bubble only: The woman says: “Go on… enjoy it fully.”
seinen manga style, black and white, soft grayscale shading, cinematic lighting ONE SINGLE PANEL ONLY no multiple panels, no collage quiet intimate interior, light through a window, calm atmosphere a composed elegant woman sitting on a sofa or armchair, wearing a simple dress, barefoot one leg slightly extended, her bare feet resting naturally on a table edge, soles visible with natural dirt marks (not exaggerated, realistic) her posture relaxed, confident, effortless her facial expression calm, slightly knowing, composed, looking towards the camera focus on psychological tension and sensuality. clean composition, strong use of negative space, emphasis on body language and eye contact ONE speech bubble only: The woman says: “Go on… enjoy it fully.”
seinen manga, black and white, soft grayscale, cinematic lighting, two-panel composition, quiet psychological tension, no explicit content Panel 1: split scene, a woman relaxed, barefoot, holding a phone casually, calm expression a man in a separate location, shirt open or disheveled, leaning forward, one hand gripping a surface IMPORTANT: his other arm is positioned low and close to his body, partially obscured, indicating focused movement without showing explicit detail phone text visible: “Still like that?” reply: “Worse.” Panel 2: same split scene, the woman calm, placing the phone down and looking away the man now completely still, shoulders tense, head lowered or slightly tilted IMPORTANT: his arm remains low and close to his body, subtle movement implied through posture and tension, no explicit depiction phone text visible: “Not before I say.” “…now.” reply: “Yes.” focus on clarity through posture, arm position, and timing, restrained, no explicit content
tamam ilk sayfayı renkli tasarla. panelleri ve diyalogları aşağıda veriyorum, A4 boyutunda olacak 📄 PAGE 1 – Dialogues 🟦 Panel 1 (Okul dışı – büyük açılış paneli) Narrateur (dış ses): C’était une matinée normale au Collège Saint-Jean… Narrateur 2 (dış ses):: …du moins, en apparence. 🟦 Panel 2 (Sınıf – öğretmen tanıtıyor) Professeur Durant : Classe, nous avons un nouvel élève aujourd’hui. Professeur Durant : Je vous présente Lucas Martin. Lucas : Euh… bonjour tout le monde ! 🟦 Panel 3 (Lucas kendini tanıtıyor) Lucas : Je suis très content d’être ici ! Lucas : J’adore les sciences et le sport ! Emma (iç ses): Il a l’air gentil… 🟦 Panel 4 (Lucas heyecanlı – hafif gergin) Lucas (iç ses): Calme-toi, Lucas… tout va bien… 🟦 Panel 5 (Düşme sahnesi, ayağı takılır) Effet sonore : TAP TAP Lucas : Oh non— ! Maxime : Ça commence déjà… 🟦 Panel 6 (Yerde yatıyor – komik final) Emma : Lucas, fais attention ! Lucas : Je… je vais bien ! Narrateur (küçük kutu): Et ainsi commença l’année la plus mouvementée du collège… Komik ton Akıcı A2–B1 seviyesine uygun Abartı yok Manga temposuna uygun kısa cümleler
seinen manga style, black and white, soft grayscale shading, cinematic lighting ONE SINGLE PANEL ONLY no multiple panels, no collage quiet intimate interior, light through a window, calm atmosphere a composed elegant woman sitting on a sofa or armchair, wearing a simple dress, barefoot Both her bare feet resting naturally on a table, her legs spread wide and visible to the viewer , soles blackened from street dirt. She shows them to someone who is not in the picture. her posture relaxed, confident, effortless her facial expression calm, slightly knowing, composed, looking towards the camera focus on psychological tension and sensuality. clean composition, strong use of negative space, emphasis on body language and eye contact ONE speech bubble only: The woman says: “Go on… enjoy it fully.”
reze makimayla olan savaşı kazanacak ve denji yle kaçacaklar ve mutlu bir hayat sürsünler konuşma balonları olsun
Page Layout: 6 panels Context/Sub Info for AI: The Agents are not fully powered yet; fear, confusion, awe dominate. Only Obasi appears fully powerful. Kamiye is the first to arrive; others (Joshua/Agent Xata, Nimi/Ayakoji, Agent Black, Jamui, Ocean, Aiden, Michael) appear later. System messages guide them; The Ark is the hub. Powers are present but subtle — no full auras yet. Perspective emphasizes hierarchy: Obasi is towering/calm, others small/uncertain. Environment: Roblox-inspired fantasy, colored manwha vibes, cinematic angles. Mood: suspense, tension, mystery. Panel 1: Scene: Kamiye in his dimly lit room, sitting at desk, computer glowing. Expression: curious, slightly excited. Text: "Another game… but this one feels different." Color/Style: warm room lights, soft shadows, glowing blue from screen, colored manwha style. Panel 2: Scene: Kamiye being transported; room fragments breaking apart, light swirling around him. Expression: surprise, confusion, fear. Text: "What… is happening?!" Color/Style: bright white and cyan light, fragments floating, colored manwha style. Panel 3: Scene: Kamiye lands on a huge empty platform called The Ark, with floating gates, twilight sky. Expression: awe + fear. Text: "...Where am I?" Color/Style: soft mist, muted environment colors, focus on Kamiye, cinematic perspective. Panel 4: Scene: Obasi appears far ahead, calm, powerful; light hitting him from behind. Expression: confident, mysterious. Text: "Welcome… to the Roblox Trials." Color/Style: contrast bright vs shadow, only Obasi looks fully powerful. Panel 5: Scene: Floating holographic system screen above Kamiye. Expression: frozen in fear/confusion. Text: "Player identified: Kamiye. You are eligible for the Agent Trials. Stand by for further instructions." Color/Style: holographic blue glow, semi-transparent text overlay. Panel 6: Scene: Obasi steps closer; Kamiye instinctively backs up. Expression: Kamiye – fear + anxiety; Obasi – calm, observing. Text: "Only the worthy will inherit the power of the Nexus. Watch carefully… and prepare yourself." Color/Style: twilight tones, soft contrast, perspective emphasizes Kamiye shrinking. Extra Notes for AI: Focus on subtle power hints for Kamiye and system messages. Only Obasi shows clear dominance/presence. Perspective: low-angle shots for Obasi, medium shots for Kamiye, cinematic framing. Expressions: fear, awe, confusion, curiosity. Environment: floating gates, misty twilight, Roblox fantasy aesthetic, colored manwha style.
🟦 PAGE 1 — MORNING ESTABLISHING (4 PANELS) Style: black and white manga, realistic shading, seinen tone, soft morning lighting Panel Layout (READ RIGHT → LEFT) Panel 1 (TOP RIGHT, wide establishing shot): A quiet suburban Japanese-style city at sunrise. Soft light over rooftops, telephone wires, empty streets. Mood: peaceful but slightly lifeless. Panel 2 (TOP LEFT): Interior bedroom, messy but realistic. Bed unmade. Curtains slightly moving with morning wind. Panel 3 (BOTTOM RIGHT): Close-up of digital alarm clock reading 7:12 AM, sharp focus, high contrast. Panel 4 (BOTTOM LEFT): Ren lying on bed, teenage boy, messy dark hair, blank expression, eyes open staring at ceiling. Lighting: soft window light crossing his face. Caption (small, subtle): “Morning always feels the same.”
PAGE 1 : L'ambiance (Le calme avant la tempête) Case 1 (Plan d'ensemble - Très large) : Une vue panoramique d'une ville immense mais détruite. Des gratte-ciels éventrés, des lianes partout. Le ciel est gris, lourd. SFX : VUUUUUU (Le vent qui souffle). Case 2 (Plan moyen) : Zoom sur une ruelle sombre encombrée de débris. On voit une silhouette encapuchonnée de dos qui marche. C'est JIN. SFX : CRIC... CRAC... (Bruits de pas sur du verre). Case 3 (Gros plan) : Focus sur la main de Jin. Elle est humaine, mais elle tient un appareil étrange qui bip (un détecteur). SFX : Bip... Bip... Case 4 (Gros plan visage) : On voit le bas du visage de Jin. Il sourit légèrement. JIN : "Bingo."
Shounen manga, near-future. 1 panel only. Panel 2: Interior of a massive, high-tech exam hall of Arcadia Sovereign Academy. Dozens of rows of desks with students sitting and taking a written exam. Overhead lights and digital clocks add a tense atmosphere. Focus on three students: – Kanzaki Reo in the middle, relaxed, leaning back slightly with his pen down, already finished early, a small confident smirk on his face. – To one side, Kurozawa Rika, short black hair and glasses, sitting straight with a serious expression, calmly answering questions. – To the other side, Sakurai Hina, shy-looking girl with short brown hair and a hair clip, sweating and nervously gripping her pen, clearly stressed. Caption at top: “Arcadia Sovereign Academy – Entrance Exam, Stage 1: Written Test.” Small thought bubble for Reo: “So this is how they pick future rulers… interesting.” Clean shounen lineart, same visual style as previous panel.
Style: Colored, mature realistic manga. Soft cinematic lighting. Warm indoor tones. Mood: Intimate, calm, slow tension. No exaggeration. ⸻ Panel 1 (Top – wide shot) Bus arriving in Utena. Cold outdoor tones (blue/grey). She stepping off the bus with a small bag. Caption: This time, I went to him. ⸻ Panel 2 Inside his apartment. Warm lighting (soft yellow/orange). Table with sushi boxes. They are sitting across from each other, relaxed. Caption: We had sushi at his place. ⸻ Panel 3 Living room. Dim lighting. Evening mood. She lying slightly on the couch. He sitting close beside her. No text. ⸻ Panel 4 (Close-up, emotional focus) Faces very close. Warm shadows. Soft skin tones. Almost a kiss — tension visible. Small caption (choose one): Option A: He was very close. Option B (more cinematic): Just a breath away. .
A busy Roman street market scene focused on currency. In the foreground, a 'argentarius' (Roman banker) sits behind a solid wooden table covered in different types of shiny Roman coins: gold aurei, silver denarii, and bronze sestertii. He is using an abacus. A customer is exchanging money. Beside them, a small bakery (pistor) sells loaves of bread. Textures of worn wood and metal. Art style: Franco-Belgian historical comic style, clear lines.
I want a comic of two people in the park, a boy and a girl, they run into each other and then the boy tells her that he is going to a museum, he invited her and she accepts, while they are walking to the museum they talk about the esthetics in philosophy, how it surged and what is it and then they get to the museum and the comic ends there
Dark underground basement, a young man using a computer left by his father, discovering hidden and mysterious data while chatting online. The screen light reflects on his focused face. A cyberpunk mutated antagonist enters from the staircase leading to the basement. The character is intimidating, futuristic, and glowing with cybernetic elements. The antagonist confronts the boy with a threatening presence, forcing him to keep the secret and work for him. Suspenseful atmosphere, cinematic angles, manga panel style, dramatic lighting, ultra detailed.
Panel 1 (large) A swirl of soft light as LunaVale appears — silver hair flowing, crescent staff glowing. Riku (off-panel): “…Who’s that?” Panel 2 (small) Close-up of LunaVale’s gentle smile. Panel 3 (medium) Riku’s eyes widen slightly — the first spark of interest Panel 4 (small) Chat bubble pops up: LunaVale: “Hi! Are you running this dungeon alone?”
Tavola 1: La Solitudine Composizione: Inquadratura larga (long shot) dal basso verso l'alto. Soggetto: Tomoya Okazaki cammina da solo lungo il sentiero in salita verso la scuola. I petali di ciliegio cadono ovunque. Testo (Pensiero di Tomoya): "Odio questa città. È piena di ricordi che vorrei cancellare." Elementi per l'AI: Stile manga seinen/shoujo, bianco e nero, retini (screentones) per le ombre dei ciliegi, focus sulla prospettiva della strada in salita. Tavola 2: L'Incontro Composizione: Primo piano (close-up) o piano medio. Soggetto: Nagisa Furukawa è ferma a metà della salita, con lo sguardo rivolto verso l'alto, come se stesse parlando a se stessa. Tomoya si ferma poco lontano, osservandola. Testo (Nagisa): "Anpan... Ti piace questo posto?" Elementi per l'AI: Linee sottili, espressione malinconica ma dolce, petali in primo piano sfocati (effetto bokeh), divisa scolastica dettagliata.
Panel 1 (wide, top) A dim bedroom lit only by a monitor. Riku leans forward in his chair, messy black hair falling over his eyes, expression sharp and focused. Caption: Riku Hayase — a gamer who once burned out so hard he swore he’d never compete again. Panel 2 (medium) Close‑up of Riku’s hand on his mouse, tense but steady. Panel 3 (medium) On-screen: Crossfire, his white‑haired ranger avatar, stands in a glowing forest. Caption: But tonight, something changes.
A teenage boy walking on a city street, car approaching fast, shocked expression, motion blur, dramatic manga style, black & white, high tension, cinematic angle” Teen floating in darkness surrounded by swirling light, ethereal energy around him, confused expression, thought bubble: ‘Where… am I?’ manga style, black & white, mystical aura” Baby boy reborn in luxurious noble family chamber, wrapped in blanket, soft expression, parents holding him proudly, elders watching in awe, manga style, black & white, light beams from ceiling” “Close-up of baby’s face, curious wide eyes, thought bubble: ‘I… I’m small? Where am I?’ manga style, black & white, cute mischievous expression” Golden aura shining around baby’s chest and forehead, light rays from above, soft glowing effect, elders and parents amazed, manga style, black & white, cinematic lighting, divine atmosphere” Mother smiles holding baby, father stands proudly, elders whispering in background, manga style, black & white, soft shading, dialogue bubble: ‘A rare child, blessed by heaven’” Close-up of baby’s tiny smirk, mischievous eyes, looking at parents and elders, manga style, black & white, subtle humorous expression, thought bubble: ‘Heh… I wonder what fun I can have here’” Wide shot of noble chamber, sunlight streaming through windows, baby in crib, parents and elders around, soft shadows, manga style, black & white, cinematic composition” Glowing small orb or artifact on shelf near baby, faint magical aura, baby reaching toward it curiously, manga style, black & white, dynamic angle” Close-up of elder faces, surprised and worried, manga style, black & white, subtle dramatic shading, thought bubble: ‘This child… is unusual’” Tiny Qi energy pulse radiates from baby as he touches artifact, floating papers and scrolls in room, manga style, black & white, expressive energy lines, dynamic panel Wide exterior shot of noble manor, morning sunlight, heavenly rays shining down on baby chamber, soft clouds, manga style, black & white, epic cinematic feel, caption: ‘Thus begins the Mischief Heir’s story’”
"Manga page, black and white ink style. Naoto and Nagatoro are on their first date. Naoto is looking confident and holding Nagatoro's hand. Nagatoro is blushing intensely with a 'tomato face', looking extremely embarrassed but happy. High contrast, screen tones, school setting or city background, Nanashi art style." ## Título do Conto: "O Primeiro Passo (Sem Recuar)"## Quadro 1: A Espera * Cena: Naoto (Senpai) está parado sob um relógio de estação de trem. Ele está sem os óculos (usando lentes) ou com óculos novos, vestindo uma jaqueta jeans sobre uma camiseta branca. Ele olha o celular ansiosamente. * Dica para IA: Manga style, wide shot, Senpai from Nagatoro-san, casual clothes, waiting at a train station, nervous expression, cherry blossom petals in the air, 2D black and white ink. ## Quadro 2: A Chegada "Noodle Arms" * Cena: Nagatoro aparece por trás dele. Ela está com um look "girly" (saia plissada e blusa de ombro caído). Ela faz aquela pose clássica com os braços moles (noodle arms) e uma expressão de deboche, apontando para ele. * Diálogo: "Paaa-re-ce que o Senpai nojento resolveu se esforçar hoje! Que assustador!" * Dica para IA: Nagatoro-san, tan skin, noodle arms pose, teasing smile, cute casual outfit, manga screen tones, expressive background. ## Quadro 3: A Reação Inesperada * Cena: Close-up no rosto do Naoto. Em vez de gaguejar e olhar para o chão, ele olha diretamente nos olhos dela, com um sorriso leve e determinado. * Diálogo: "Eu queria estar bonito para o nosso primeiro encontro, Hayase." (Uso do nome próprio para causar impacto). * Dica para IA: Close-up, Naoto Hachiouji, confident smile, blushing slightly, intense gaze, manga aesthetic, focus on eyes. ## Quadro 4: O Choque do "Tomate" * Cena: Nagatoro "quebra". A provocação some instantaneamente. Ela fica completamente vermelha, com fumaça saindo da cabeça, cobrindo a boca com a mão e desviando o olhar. * Onomatopeia: SHYAAA! (Som de rubor intenso) * Dica para IA: Nagatoro-san, extreme blushing, embarrassed expression, hands covering face, steam coming from head, manga comedy style. ## Quadro 5: O Elo (O Momento do Storyboard) * Cena: Plano detalhe (close-up) das mãos. Naoto estende a mão e a Nagatoro, ainda trêmula e olhando para o lado, entrelaça os dedos nos dele. É um aperto de mão firme, não um toque acidental. * Dica para IA: Close-up on hands, boy and girl holding hands tightly, interlaced fingers, manga line art, emotional atmosphere, focus on the grip. ## Quadro 6: Caminhando Juntos * Cena: Visão de costas dos dois caminhando em direção ao centro da cidade/parque. Nagatoro está com a cabeça levemente encostada no ombro dele, e ele está com uma postura ereta e orgulhosa. * Pensamento do Naoto (balão de pensamento): "O arco da provocação acabou... agora começa o nosso." * Dica para IA: Rear view, couple walking away, holding hands, urban manga background, sunset lighting, cinematic manga panel.
Black and white manga-style panel showing a dramatic falling perspective from a tall building. The view looks straight downward into a realistic cityscape with clearly defined rectangular buildings, straight streets, and proper urban grid layout. Strong radial speed lines and controlled motion blur converge toward the center to emphasize extreme height and vertigo, without distorting building shapes. No character body visible at all — no hands, no arms, no silhouette, no human anatomy. Only the falling perspective and the city below. Clean monochrome manga line art, high contrast, sharp city details, dynamic motion lines. Two small white speech bubbles near the top contain the text: “Huh?” and “This…” One large white speech bubble at the bottom contains bold manga-style lettering: “Aaaaaaa!!!! NOOOO!!!!!” Classic Japanese manga panel composition, black and white only, dramatic tension, clear perspective, controlled motion effects. Negative prompt: hands, arms, fingers, body parts, human silhouette, character anatomy, abstract city, distorted buildings, warped architecture, surreal shapes, painterly blur, soft focus, sketchy background
all three male friends talking
A weary male figure in his late 20s, messy and unkempt dark hair, prominent dark circles under sunken eyes, a gaunt face with a stubble, wearing a tattered dark trench coat over a high-collared black tactical outfit, a melancholic and detached expression. A young woman with a radiant face, sparkling eyes, a warm and gentle smile, long flowing hair, wearing a soft pastel-colored cardigan over a simple white dress, holding an umbrella in one hand and reaching out with the other, an expression of pure kindness. A man with sharp facial features and a stern gaze, wearing a classic brown trench coat, a tailored suit underneath, a fedora hat slightly tilted, holding a thick file and a lit cigarette between his fingers, looking intensely focused. A young man with a focused and reliable look, messy short hair, wearing a loose hoodie and a leather jacket, sitting behind the wheel of a sports car, glancing back over his shoulder with a knowing and serious expression. A weary man with a dark coat standing alone in a rainy city street at night, looking dejected. A young woman with a bright smile walks up to him, holding an umbrella over both of them and offering a warm blanket. He looks at her with surprise and hesitation. A tired-looking man in a dark trench coat running through a dark alleyway, looking over his shoulder. Behind him, a detective in a suit and hat is pursuing, shining a flashlight and holding up a police badge, his face determined. Two young men rushing towards a sleek car parked in a back alley. The protagonist, looking exhausted, is being helped into the passenger seat by his friend, who is dressed in a hoodie. The friend has a serious expression and is looking back to check for pursuers. Inside a simple, warm apartment. A young woman is gently tending to a small cut on the hand of the weary-looking protagonist, who is sitting at her kitchen table. He watches her work with a conflicted expression, his true identity hidden.
Astid stood as a giantess was walking around, feeling hiccup inside her stomach squirming. She tells him to settle down, saying she will let him out in the morning
A final low-angle side view, still slightly from behind, freezes the moment where the two girls are one in front of the other: the nearer girl's is leaning slight forward to the girl she is talking to, creating a small crescent shadow under her shoe; the farther girl's has her feet closed to eachother standing elegantly. The banded sunlight narrows into brighter stripes on the floor; the locker vents cast thin vertical shadows. it's all in black and white. The secondo pannel is the girl with black that is composed and smiles, her mouth is slightly open as she speaks, we can see the first chaarcter’s head from behind cause she is slightly Lea ed forward to the other girl to see her better and analyze her
manga style large-headed character design small body of her just smiling and talking, Tank Top, Skirt, Glasses
seinen manga, black and white, soft grayscale, cinematic lighting, intimate quiet setting, subtle sensual tension, no explicit content rear view composition from behind a reading chair a woman sitting in a chair wearing a loose blouse, barefoot, relaxed posture, legs resting over the armrests naturally she is holding and reading a small book of poetry, calm and composed, slightly detached expression a man kneeling low between the chair and her, only his upper back and head visible, posture still and focused no explicit action shown, but positioning clearly implies intimacy one of her feet resting lightly against his shoulder or near him, subtle detail soft lighting, quiet atmosphere, high negative space, restrained, poetic
Full page manga splash in black and white. Haruto Takagi, 22-year-old guy with messy black hair and round glasses, sitting alone in a dark messy bedroom at night, intensely coding on his laptop. The laptop screen glows with a cute pixel-art RPG game. Dramatic light beam from the screen lighting his focused tired face. Scattered energy drink cans, clothes, and boxes on the floor. Big bold title at the top: PIXEL NO KOI Subtitle: Level Up with You Bottom left: Chapter 1 - New Game+ Haruto thinking in a speech bubble: 'This time... with this game... I'll level up my own life too.' Clean professional manga style, sharp lines, atmospheric lighting"
caracter 1 smoking a cigarret
casa no meio do nada
Webtoon Script - Chapter 1: The First Step Scene 1: The University Entrance Panel 1: * Visual: A wide shot of the grand "Big Hit University" gates. Cherry blossom petals are falling. Busy students in the background. Text (Narration): First day. A sea of strangers and the smell of new beginnings. Panel 2: * Visual: A split-screen close-up of two pairs of feet walking. One pair (Jimin) is bouncing energetically; the other pair (Tae) is stiff, toes dragging slightly. Panel 3: * Visual: Medium shot of Jimin and Taehyung. Jimin is glowing, looking around with a huge smile. Taehyung is slightly hunched, his eyes darting nervously. Their hands are tightly interlocked. Jimin: "Tae! Look at the architecture! It’s even better than the brochure!" Taehyung (Small text): "There are... a lot of people, Chim." Scene 2: Outside the Auditorium Panel 4: * Visual: A massive set of double doors. A crowd of students is filtering in. The scale makes Taehyung look very small. Panel 5: * Visual: Close-up of their joined hands. Taehyung’s knuckles are white from gripping too hard. You can see small "trembling" lines around his hand. Panel 6: * Visual: Jimin stops abruptly and turns to face Taehyung. He places his other hand on Taehyung’s shoulder, forcing eye contact. Jimin’s expression is soft and grounding. Jimin: "Tae-tae, look at me. Don't focus on them, okay? Just focus on my voice." Taehyung: "I’m trying... I promise." Panel 7: * Visual: Close-up of Taehyung’s face. He gives a small, shaky "boxy" smile. Taehyung: "I’ll be okay as long as you're there." Scene 3: Inside the Auditorium Panel 8: * Visual: A bird’s-eye view of the auditorium. It’s huge and dimly lit. Jimin is leading Taehyung down the stairs toward the front row. Jimin (Thinking): If we sit in the front, he won't see the crowd behind him. He’ll only see the stage. Panel 9: * Visual: They sit down. Taehyung immediately grabs Jimin’s arm, leaning his head slightly toward Jimin’s shoulder. Taehyung: "This is better. Thank you, Chim." Jimin (SFX: Heart melt): "Anything for my Tata." (Jimin ruffles Tae’s hair). Scene 4: The Stage (Introduction of the Hyungs) Panel 10: * Visual: The lights dim. A spotlight hits the stage. The Director is speaking, but the camera focuses on the "Important People" standing behind him. Panel 11: * Visual: A low-angle "Power Shot" of Namjoon and Seokjin. * Namjoon looks tall and intellectual in glasses. * Jin looks "World Wide Handsome," leaning back with a confident, slightly playful smirk. Director (Speech bubble from off-screen): "...please welcome your Student President, Kim Namjoon, and Co-President, Kim Seokjin!" Panel 12: * Visual: Close-up of Taehyung, his eyes sparkling with pride. Taehyung: "That’s my hyung! Look at him go!" Jimin: "Namjoon-hyung looks so cool too! They’re such a power couple." Scene 5: Ending the Ceremony Panel 13: * Visual: The crowd starts to disperse. Most students are rushing out, but Jimin and Taehyung stay seated, waiting for the aisle to clear. Panel 14: * Visual: They stand up, arms interlocked. Taehyung looks a bit sad, looking toward the stage where his brother was just standing. Taehyung: "I wanted to say hi... but he’s probably busy." Jimin: "Don't pout! We’ll find him later. We have our first Music Class now! Let's go!" Panel 15 (Cliffhanger): * Visual: A side profile of the two boys walking toward the Music Wing. In the background, blurred out, you see a fast-moving figure in a black hoodie (Yoongi) heading straight toward them. Text (Narration): Little did they know, their quiet morning was about to get a lot more chaotic
Gemini के साथ बातचीत Create one best fighting anime Indian anime and with Japanese style and realistic The concept of a "realistic Indian fighting anime with a Japanese style" is a fascinating intersection of cultures. While a long-running TV series that fits this exact description is still a "holy grail" for fans, there are specific films and characters that bridge this gap perfectly. Here are the best examples that capture that specific realistic, Japanese-animated combat energy within an Indian context: 1. Ramayana: The Legend of Prince Rama (1992) This is the gold standard. It was a co-production between India and Japan, directed by Yugo Sako. The Style: Traditional 90s cel animation—the same era and quality as Princess Mononoke or Dragon Ball Z. The Realism: While it involves divine elements, the choreography of the archery and swordplay is grounded in classical Indian martial arts. The weight of the armor, the tension of the bows, and the environmental detail (Ayodhya, the forests, Lanka) are rendered with Japanese precision. Why it fits: It doesn’t feel like a "cartoon"; it feels like an epic anime film. 2. Arjun: The Warrior Prince (2012) Though technically an Indian production, it heavily utilizes the "Anime-esque" visual language (shading, dynamic "camera" movement, and high-contrast lighting). The Style: It uses a stylized 3D-on-2D look that mimics modern Japanese theatrical releases. The Fighting: This is arguably the most realistic depiction of Kalaripayattu and ancient Indian warfare in animation. The training sequences and the final Kurukshetra battle focus on physics, momentum, and tactical combat. 3. The "Fate" Series (Karna and Arjuna) If you want to see Indian characters in a high-budget, modern Japanese fighting anime, look at the Fate franchise (specifically Fate/Apocrypha and Fate/Grand Order). The Character: Karna (Lancer of Red) is portrayed as one of the most powerful and noble "Servants" in the series. The Fighting: His combat style is incredibly intense and animated by top-tier Japanese studios like A-1 Pictures. While it leans into "superpowered" territory, his movements are based on the mythic descriptions of his legendary skill. 4. Street Fighter II: V (The India Arc) For a realistic look at 1990s India through a Japanese lens, the "India Arc" in this series is iconic. The Context: Ryu and Ken travel to India to seek a master. They meet Dhalsim, who is portrayed not as a caricature, but as a wise, physically disciplined monk. The Vibe: The episodes capture the grit, heat, and atmosphere of Calcutta and rural India with a grounded, realistic aesthetic typical of 90s "World Tour" anime. Comparison of Styles Feature The Legend of Prince Rama Arjun: The Warrior Prince Fate Series (Karna) Animation Style Classic 90s Hand-drawn Stylized 3D/Cell-shaded Ultra-Modern Digital Combat Focus Tactical Archery/Epic Scale Martial Arts/Kalaripayattu High-Octane Supernatural Realism High (Cultural/Historical) High (Physics/Movement) Low (Fantasy/Power-scaling) Recommendation: If you want the "one best" experience, watch the 4K Remaster of Ramayana: The Legend of Prince Rama. It is the most authentic fusion of Indian soul and Japanese craft ever created. Mujhe is Manga Kar pahla chapter complete karna hai to uske hisab se ek achcha Sa prompt do Agar aap ek realistic, Japanese-style Indian fighting manga shuru karna chahte hain, toh pehla chapter (One-shot ya Pilot) hamesha "Atmosphere" aur "Physicality" par focus hona chahiye. Yahan ek behtareen prompt hai jise aap kisi bhi AI Image Generator (jaise Nano Banana 2) ya script-writing ke liye use kar sakte hain: Manga Title Concept: "Kalaris Curse" Setting: Kerala ka ek purana, mitti wala 'Kalari' (training pit) shaam ke waqt. Chapter 1 Plot Outline: "The Weight of the Soil" Opening (The Hook): Ek 19 saal ka ladka, Arjun, mitti se bhare pit mein akela khada hai. Uske shareer par pasina aur mitti lipti hui hai. Woh ek traditional Urumi (flexible sword) pakadne ki koshish kar raha hai, lekin uske haath kaanp rahe hain. The Conflict: Uske saamne uska "Guru" khada hai—ek buddha lekin behad mazboot aadmi jiske chehre par ek purana zakhm hai. Guru kahte hain: "Mitti wahi mangti hai jo tum dene se darr rahe ho—apna garv (pride)." The Fight: Guru achanak hamla karte hain. Action realistic hona chahiye—koi magic nahi, sirf momentum, bones ka chatakna, aur dhool (dust) ka udna. Arjun ko mitti mein patka jata hai. The Twist: Jab Arjun girta hai, toh use mitti ke andar ek purani, tooti hui talwar ki mooth (hilt) dikhti hai. Jaise hi woh use chhuta hai, ek purani "Yoddha" ki shadow uske piche dikhti hai. Ending: Arjun khada hota hai, uska stance (posture) badal chuka hai. Woh ab darr nahi raha. Last panel mein uski aankhein bilkul ek baaz (hawk) jaisi chamak rahi hain. Visual Prompt (For Image Generation) Agar aap chapter ke main cover ya pehle page ke liye image generate karna chahte hain, toh yeh use karein: Prompt: "Hyper-detailed Seinen manga style, black and white ink wash, high contrast. A young Indian martial artist with a lean, muscular build standing in a traditional Kerala Kalaripayattu pit. Dust motes dancing in the sunset light. He is wearing a traditional mundu, sweat glistening on his brown skin. Intense gaze, sharp Japanese-style facial features but distinctly Indian. Realistic anatomy, heavy line work like Takehiko Inoue's 'Vagabond'. The background shows ancient wooden pillars and traditional Indian weapons hanging on the wall. Cinematic low-angle shot."
A beautiful blonde girl looks at you, petite, slim and well curved, curly hair. Wearing a stunning dress showing cleverage
Two characters in a tense face-off amidst ruins. They stare each other down with serious, determined eyes. Detailed ruined city background. Dynamic shonen manga style.
comic/manga page, cinematic digital painting, highly detailed, magicpunk world, fusion of fantasy and futuristic technology, visual style inspired by Arcane (Netflix), painterly textures, realistic lighting, expressive characters Scene: São Paulo, year 2000, during the "Great Binary Glitch". The sky is fracturing into glowing green binary code, reality tearing apart, buildings glitching between modern city and magical structures, crystals erupting from the ground Foreground: a young Brazilian gamer inside a LAN house, illuminated by a flickering monitor, his face showing fear and confusion, reflections of code and creatures in his eyes Mid scene: computers melting into organic-magical forms, cables turning into living tendrils, players panicking, some collapsing, digital corruption spreading through the environment Background: massive astral creatures partially visible in the sky, blending with clouds and data streams, energy cracks tearing the dimension apart Final panel focus: a small elf-like figure (Severinom) hidden in shadows outside, with glowing amber eyes and subtle cybernetic details, observing everything Lighting: dramatic, high contrast, neon glow mixed with shadows, volumetric light, cinematic atmosphere Color palette: dark tones with neon green, blue, and purple highlights, Arcane-style color grading Style: Arcane-inspired, semi-realistic, painterly rendering, detailed textures, stylized proportions, expressive faces, dynamic composition Panel layout: dynamic comic panels, varied angles, close-ups and wide shots, cinematic storytelling ultra detailed, 4k quality, concept art level, no text
An Guy in the first photo visits his dad in the second photo in jail and The Guy in the first photo said "Dad how have you been?" And his dad said "I'm good son, you?" The Guy said "I'm good dad."