Cover Art Manga

**Panel 1:** Shy girl with long hair holding books walking under cherry blossom trees at school **Panel 2:** Girl bumps into tall boy with dark hair, books falling, pink petals floating around them **Panel 3:** Close-up of their hands touching while reaching for the same book on the ground **Panel 4:** Both standing and blushing while looking away from each other, cherry blossoms falling
🟣 SCENE 1 — HINGE: THE FIRST MESSAGE Date: 17 September 2025 | Night Prompt: Vertical webtoon panel. Ameen lying on his bed in a dark room, ceiling fan shadows moving slowly. Phone light illuminates his face, eyes focused, slightly amused smile forming. Cut to second panel: Ayesha sitting cross-legged on her bed, confident posture, glasses slightly slipping down her nose, smirk on her lips as she types. Minimal background, focus on faces and phone glow. Details: Pencil sketch lines on hands and face Soft warm watercolor lighting Chat bubbles floating like thoughts Dialogue (optional): Ayesha: “So… are you actually interesting?” Ameen (thought): “Oh. She’s trouble.”
Scene 1: The Return Wide panel: Team 0 walks through the village gates at dusk. The sky is orange, the air tense. Villagers glance at them with awe and unease. Narration box: After surviving the Riftborn encounter, Team 0 returns — changed. Jaden (arms crossed, Byakugan deactivated): “Tch. That wasn’t a C-rank mission.” Isaiah (low voice, eyes scanning rooftops): “They sent us out there on purpose.” Shawn (mask cracked, cloak torn): “They wanted to see what we’d become.” Scene 2: Hokage’s Office Interior panel: The Hokage stands at the window, arms behind his back. Kuroda leans against the wall, arms folded. Hokage: “You faced a Riftborn. And lived.” Kuroda: “They didn’t just survive. They adapted.” Cut to close-up of Shawn’s eye — the 1-Tomoe Hoshigan spinning slowly. Hokage: “Then it’s time.” Scene 3: Graduation Ceremony Wide panel: The academy courtyard is filled with students. Team 0 stands apart — Shawn masked, Jaden with his one-sleeve shirt and spiked hair, Isaiah with his fur collar and dreadlocks. Headmaster (announcing): “Shawn. Jaden. Isaiah. Step forward.” Close-up: The Hokage ties a headband around Shawn’s forehead. Hokage (softly): “You’re no longer students. You’re shinobi.” Scene 4: Private Moment — Rooftop Night panel: Shawn sits on a rooftop, mask off, staring at the stars. His Hoshigan glows faintly. Shawn (thinking): “This eye… it’s not just power. It’s a key.” Scene 5: Training Grounds — Jaden Action panel: Jaden trains alone, sweat flying as he strikes a wooden post. His Byakugan activates mid-strike. Jaden (gritting teeth): “If I’m gonna protect them… I need more.” Scene 6: Isaiah’s Reflection Interior panel: Isaiah stands before a mirror. His reflection flickers — for a moment, it’s not him. It’s… something else. Isaiah (quietly): “What am I becoming?” Scene 7: The Riftborn Watch Dark chamber panel: The masked Riftborn cultist watches a projection of Team 0. Cultist: “The Hoshigan awakens. The Mutation stabilizes. The Byakugan adapts.” A voice from the shadows replies: Unknown Voice: “Let them grow. When the seal breaks… they’ll remember who they were.” Scene 8: Final Panel — Team 0 Full-page spread: Team 0 stands on a cliff at dawn, headbands gleaming, eyes forward. Narration box: They were forged in shadow. Tempered by truth. And now… they’re ready to face the Rift.
Black and white manga-style panel showing a dramatic falling perspective from a tall building, with a blurred cityscape far below. Strong radial motion blur and speed lines rushing downward toward the center, creating a sense of extreme height and panic. No clear character body visible, only a partial silhouette at the edge of the frame to imply falling. Clean monochrome manga line art, high contrast, intense motion effects. Two small white speech bubbles near the top of the panel contain the English text: “Huh?” and “This…” One large white speech bubble dominating the lower part of the panel contains bold, handwritten manga-style text: “Aaaaaaa!!!! NOOOO!!!!! Negative Prompt: color, grayscale shading, soft lighting, calm atmosphere, character standing, clear facial details, multiple characters, flat perspective
أبغى مانجا مغامرات وأكشن بشخصيتين فقط. راح أرسل صورة الشخصيات، التزموا بها بدون تغيير. الستايل شبه واقعي، مليان تفاصيل، ألوان قوية وإضاءة درامية، نفس الستايل في الصورة المرجعية بدون اختلاف بين الصفحات. القصة تعتمد على الجري، المطاردات، والمعارك مع الديناصورات. العوالم خضراء ومليانة أشجار، وكل صفحة يكون فيها حدث واضح ومشوق
Black and white manga-style panel showing a dramatic falling perspective from a tall building. The view looks straight downward into a realistic cityscape with clearly defined rectangular buildings, straight streets, and proper urban grid layout. Strong radial speed lines and controlled motion blur converge toward the center to emphasize extreme height and vertigo, without distorting building shapes. No character body visible at all — no hands, no arms, no silhouette, no human anatomy. Only the falling perspective and the city below. Clean monochrome manga line art, high contrast, sharp city details, dynamic motion lines. Two small white speech bubbles near the top contain the text: “Huh?” and “This…” One large white speech bubble at the bottom contains bold manga-style lettering: “Aaaaaaa!!!! NOOOO!!!!!” Classic Japanese manga panel composition, black and white only, dramatic tension, clear perspective, controlled motion effects. Negative prompt: hands, arms, fingers, body parts, human silhouette, character anatomy, abstract city, distorted buildings, warped architecture, surreal shapes, painterly blur, soft focus, sketchy background
this needs to be in color take out the book and weapon please use the character from last panel After the show, Cinder walked through the circus grounds, still buzzing with adrenaline. Performers clapped her shoulder. Vendors offered her candied apples. The strongman lifted her onto his shoulders for a victory lap. She belonged here. That night, curled up in her wagon, she stared at the wooden ceiling and thought about Ryan. Ryan. Her old street-performing partner. The one who’d taught her how to juggle when she was just a scrappy kid with oversized ears and a tail she couldn’t control. He’d always drop the third apple on purpose during their act—just to make the kids laugh. "One day, Cin," he’d said, grinning with that lopsided smile, "we’ll perform for kings and queens. We’ll be legends." She’d believed him. But when the circus scouts came through town, only Cinder had been chosen. Ryan had pushed her forward. "Go. You’re better than this street corner. I’ll catch up—I promise." That was three years ago. She wondered if he’d made it. If he was performing somewhere grand. If he still remembered her. Her ears drooped slightly. I hope you’re okay, Ryan.
Manga japanese style, full color, poetic cinematic lighting, abandoned house interior, warm sunlight entering through broken windows. Three kids hiding behind old furniture making playful scary noises, while the other two are just entering the house, slightly scared at first, then everyone laughing when they realize it is a joke. Dramatic but playful mood, dusty air, soft light rays. Pascale, Simón, Luciano, Rafa and Martu present in scene. Preserve character identity strictly. No text, no speech bubbles, no watermark.
A young woman named Mika who gets turned into the Venus de Milo
Black and white manga-style illustration of a young male character falling forward from a tall building, body positioned almost horizontally, not vertical. The character is leaning forward mid-air, as if being thrown off balance, with one arm stretched forward and the other trailing behind, legs angled backward. Camera angle is side view / three-quarter view, positioned parallel to the character, not top-down. His hair flows backward due to air resistance, eyes wide in shock, mouth open. The cityscape appears far below and slightly blurred to emphasize height and motion. Strong speed lines flowing backward only. Clean monochrome manga lineart, dramatic perspective. A white speech bubble near his head contains the text: “Ah, Shit.” Negative prompt: vertical falling pose, skydiving pose, spread arms, T-pose, front-facing fall, top-down camera, floating pose, superhero landing, arms fully extended sideways
I want a comic of two people in the park, a boy and a girl, they run into each other and then the boy tells her that he is going to a museum, he invited her and she accepts, while they are walking to the museum they talk about the esthetics in philosophy, how it surged and what is it and then they get to the museum and the comic ends there
6. Feature IV – Nurturing the Next Generation Youth creators in Nairobi in mentorship sessions. Laptops, cameras, manga-style brainstorming scenes with chibi inserts for humor. Energetic, youthful layout.
Miu has two-tone long hair, one side white and the other black. Hange has brown hair in a ponytail and Hange have glass. Eren has short brown hair and Levi has short black hair.exactly as they are in the picture Miu and Hange are walking down the hall and talking. They hear a commotion coming from Eren's room and decide to paint him. They open his door. They sit on Eren's bed and paint Eren's face. Miu and Hange laugh. Hange suddenly sees Eren waking up and decides to paint himself too. Miu stares at Hange nervously.Because Hange Betrayed Miu When Eren wakes up, he looks surprised. Hange points at Miu and Eren catches Miu and Hange paints Miu.even though Miu protests They laugh so hard that Levi bursts into the room with his typical angry expression and starts muttering something. Miu looks at Levi nervously and tries to smile. And say nervously ,,ehhh." Levi looks away and starts laughing in room. Then he grabs Miu's hand and pulls Levis room. When they are alone, Miu watches him nervously. And Levi laughs at her.
Miu has two-tone long hair, one side white and the other black. Hange has brown hair in a ponytail and Hange have glass. Eren has short brown hair and Levi has short black hair.exactly as they are in the picture Miu and Hange are walking down the hall and talking. They hear a commotion coming from Eren's room and decide to paint him. They open his door. They sit on Eren's bed and paint Eren's face. Miu and Hange laugh. Hange suddenly sees Eren waking up and decides to paint himself too. Miu stares at Hange nervously.Because Hange Betrayed Miu When Eren wakes up, he looks surprised. Hange points at Miu and Eren catches Miu and Hange paints Miu.even though Miu protests They laugh so hard that Levi bursts into the room with his typical angry expression and starts muttering something. Miu looks at Levi nervously and tries to smile. And say nervously ,,ehhh." Levi looks away and starts laughing in room. Then he grabs Miu's hand and pulls Levis room. When they are alone, Miu watches him nervously. And Levi laughs at her.
A 18 year old Japanese woman named Mika, who gets turned into the Venus de Milo. She has a short black hair with a bang covering her left eye and with a heart necklace and has grey eyes. She's seminude and armless after the petrification. She's the copy of the Venus de Milo in a museum.
A 18 year old Japanese woman named Mika, who gets turned into the Venus de Milo. She has a short black hair with a bang covering her left eye and with a heart necklace and has grey eyes. She's seminude and armless after the petrification. She's the copy of the Venus de Milo in a museum with her likeness intact.
first panel: a black screen saying "Namakura Gatana (なまくら刀)" on the screen. rest of panels: a samurai enters a swordsmith's house, and asks for a sword. he gets a very dull sword and breaks it, and leaves annoyed.
Miu has two-tone hair, one side white and the other black. Hange has brown hair in a ponytail. Eren has short brown hair and Levi has short black hair. Miu and Hange are walking down the hall and talking. They hear a commotion coming from Eren's room and decide to paint him. They open his door. They sit on Eren's bed and paint Eren's face. Miu and Hange laugh. Hange suddenly sees Eren waking up and decides to paint himself too. Miu stares at Hange nervously.Because Hange Betrayed Miu When Eren wakes up, he looks surprised. Hange points at Miu and Eren catches Miu and Hange paints her. They laugh so hard that Levi bursts into the room with his typical angry expression and starts muttering something. Miu looks at Levi nervously and tries to smile. And say nervously ,,Hi Levi." Levi looks away and starts laughing in room. Then he grabs Miu's hand and pulls her away. When they are alone, Miu watches him nervously. And Levi laughs at her.
A 18 year old Japanese woman named Mika, who gets turned into the Venus de Milo. She has a short black hair with a bang covering her left eye and with a heart necklace and has grey eyes. She's seminude and armless after the petrification. She's the copy of the Venus de Milo in a museum.
🖤 PLANCHE 1 — Aris, orphelin Style : manga noir et blanc Ambiance : sombre, froide, indifférente Nombre de cases : 7 (rythme lent, oppression) 🟦 CASE 1 — PLAN LARGE (pleine largeur en haut) Description visuelle : Grande ville médiévale vue en plongée. Tours hautes, murs en pierre, rues étroites. Beaucoup de bâtiments, peu de ciel. La ville paraît massive, écrasante. Ambiance : Froide, impersonnelle. Texte : Aucun. 🟦 CASE 2 — PLAN MOYEN Description visuelle : Rue étroite. Des passants bien habillés marchent vite. Au bord du cadre, Aris enfant, maigre, sale, assis contre un mur. Aris enfant : Vêtements trop grands, usés. Cheveux en bataille. Regard baissé. Texte : Aucun. 🟦 CASE 3 — PLAN RAPPROCHÉ (mains) Description visuelle : Les mains d’Aris tendues. Sales, tremblantes. Une seule petite pièce dans la paume. Texte (petite bulle, très simple) : « S’il vous plaît… » 🟦 CASE 4 — PLAN MOYEN Description visuelle : Un adulte passe sans regarder Aris. Son manteau occupe la moitié de la case. Aris est presque hors champ. Ambiance : Mépris, indifférence. Texte : Aucun. 🟦 CASE 5 — CASE ÉTROITE (objet) Description visuelle : Aris fouille dans une poubelle. On voit du pain dur, à moitié moisi. Il hésite. Texte : Aucun. 🟦 CASE 6 — PLAN RAPPROCHÉ VISAGE Description visuelle : Visage d’Aris enfant. Traits tirés. Yeux fatigués, mais attentifs. Il mâche lentement. Ambiance : Faim, résignation. Texte : Aucun. 🟦 CASE 7 — CASE FINALE (silencieuse) Description visuelle : Aris recroquevillé contre un mur, la nuit. La ville continue derrière lui : silhouettes, ombres, mouvement. Lui est immobile. Ambiance : Solitude totale. Texte : Aucun. 🎯 INTENTION (IMPORTANT POUR MANGA AI) Pas d’exagération émotionnelle Pas de caricature Aris enfant ne pleure pas La ville est le “monstre” Le silence est plus fort que les mots
Создай комикс в стиле приключенческого фэнтези. Главный герой — юный математический маг по имени Коренько, который ищет волшебный артефакт √x, способный уменьшать большие числа. Изобрази сцену, где Коренько объясняет: “Корень вытаскивает число из квадрата!”, показывает примеры √49, √64 как магические кристаллы. Добавь визуальную метафору: квадрат превращается в светящийся камень, а из него выходит число. Цвета — яркие, голубые и золотые
Miu has two-tone long hair, one side white and the other black. Hange has brown hair in a ponytail and Hange have glass. Eren has short brown hair and Levi has short black hair.exactly as they are in the picture Miu and Hange are walking down the hall and talking. They hear a commotion coming from Eren's room and decide to paint him. They open his door. They sit on Eren's bed and paint Eren's face. Miu and Hange laugh. Hange suddenly sees Eren waking up and decides to paint himself too. Miu stares at Hange nervously.Because Hange Betrayed Miu When Eren wakes up, he looks surprised. Hange points at Miu and Eren catches Miu and Hange paints Miu.even though Miu protests They laugh so hard that Levi bursts into the room with his typical angry expression and starts muttering something. Miu looks at Levi nervously and tries to smile. And say nervously ,,ehhh." Levi looks away and starts laughing in room. Then he grabs Miu's hand and pulls Levis room. When they are alone, Miu watches him nervously. And Levi laughs at her.
Ten thousand years after the Great Heaven War, the Dao has changed—and so has the world. Sects rule nations, flying swords fill regulated skies, and Heavenly Trials descend the moment a cultivator understands too much. In this late-stage cultivation era, power is institutionalized, ambition is monitored, and even righteousness is a political stance rather than a cosmic truth. Born into an ancient sword clan that chose adaptation over isolation, a young cultivator enters a second-tier righteous sect where talent is refined and the greatest disciples are sent upward to a Tier One power. But in a world where the Dao is endless and Heaven corrects imbalance without mercy, insight is more dangerous than strength. The path to immortality is uncertain. The Dao does not care about good or evil. And Heaven is always watching.
A giant Toriel holding tiny Frisk in the palm of her hand, and smiling at how cute the little human is
Style: Colored, mature realistic manga. Natural indoor lighting. No fantasy effects. Layout: 4 panels. ⸻ Panel 1 (Top – close-up phone screen) Tinder screen. “It’s a match.” Two separate profile photos. No caption. ⸻ Panel 2 She at her place. Evening lighting. Phone glow on her face. Slight smile. Small caption: He wrote first. ⸻ Panel 3 He at the gym. Shirtless after workout. Chest tattoo visible on the right side. Slightly fuller beard. Looking at his phone. No romantic exaggeration. Small chat bubble: “Hey.” ⸻ Panel 4 (Split panel – phone call) Left side: her at home, phone to ear. Right side: him at his place (after gym), casual clothes. Soft, calm expressions. Small caption at bottom: We hadn’t met yet. But we were already talking.
2. Feature I – Foundations of a Movement Manga scenes of Indigenous community meetings under trees or in community halls. Researchers and elders planning together, drawn with realistic proportions but manga expressions and motion lines. Soft infographic overlays showing TORs, workflow, and partnership webs. Warm, earthy tones.
YOU have black and white hair and hange have brown hair with ponytail look up eren yeager have short brown hair room and see hee fall asleep. Hange and you painting his face. Eren wake up and hange Fast painting her face and Eren and hange paiting your face. Levi have black short hair and sounds laugh and Come to this room and Levi see you ,hangii and eren. youu look on him with scary face. Levi have pokerface and later laugh. And later Levi take your hand and
Título del cómic “Un rumor no define quién soy” Personajes Laura: niña amable, tranquila y buena amiga Elizabeth: compañera que inicia el conflicto Amigas del grupo Maestra (figura mediadora) Historia dividida en viñetas (escenas) Viñeta 1: La amistad Patio de la escuela primaria Laura aparece jugando y riendo con su grupo de amigas. Laura: —Me gusta mucho estar con ustedes, somos muy buenas amigas. Amiga: —¡Sí! Siempre nos apoyamos. Viñeta 2: El cambio Salón de clases Elizabeth está hablando en secreto con otras niñas. Elizabeth (susurrando): —Laura dijo cosas feas de ustedes… Amiga (confundida): —¿De verdad? Viñeta 3: El rumor Pasillo de la escuela Las amigas comienzan a alejarse de Laura. Laura (pensando): —¿Por qué ya no me hablan? ¿Qué hice mal? Viñeta 4: El conflicto Recreo Laura escucha a Elizabeth hablando mal de ella. Elizabeth: —No confíen en Laura, ella no es buena amiga. Laura (triste): —Eso no es verdad… Viñeta 5: El dolor Baño o banca del patio Laura está sola, con expresión triste. Laura (pensamiento): —Me duele que hablen de mí sin conocer la verdad. Viñeta 6: Pedir ayuda Salón de clases Laura se acerca a la maestra. Laura: —Maestra, alguien está diciendo cosas falsas sobre mí. Maestra: —Gracias por decirlo, vamos a hablarlo con respeto. Viñeta 7: La verdad Reunión del grupo La maestra reúne a las niñas. Maestra: —Hablar mal de alguien puede lastimar mucho. Aquí escucharemos la verdad. Laura: —Yo nunca hablé mal de ustedes. Las quiero como amigas. Viñeta 8: Reflexión Elizabeth con expresión de arrepentimiento Elizabeth: —Lo siento… hablé sin pensar y causé un problema. Viñeta 9: Perdón y aprendizaje Patio Las amigas vuelven a estar juntas. Amiga: —Perdón por no preguntarte antes, Laura. Laura: —Gracias por escucharme. Aprendimos algo importante. Viñeta 10: Final Todas juntas Narrador: —Los rumores pueden causar daño, pero hablar con la verdad y respeto puede sanar las amistades. Mensaje del cómic (puede ir al final) Moraleja: Hablar mal de los demás puede causar conflictos, pero la comunicación, la honestidad y el respeto ayudan a resolverlos. EN ESPAÑOL
6 year old blonde girl with wearing a blue hairband with ribbon on top, wearing blue denim pinafore dress, underneath a white top, and white high knee socks with light blue ribbons.
A 18 year old Japanese woman named Mika, who gets turned into the Venus de Milo. She has a short black hair with a bang covering her left eye and with a heart necklace and has grey eyes. She's seminude and armless after the petrification. She's the copy of the Venus de Milo in a museum with her likeness intact.
Anime watercolor style illustration of melui walking through a sunflower field, wind blowing petals, warm tones, serene mood, gentle lighting
CLIMATE X INDIGENOUS VOICES MAGAZINE EDITION – 2025 HIGHLIGHTS OPENING NOTE 2025 has been a defining year for Climate X Indigenous Voices — a year of deep listening, bold experimentation, and continent-wide action against climate disinformation. From grassroots fieldwork to global information integrity frameworks, this project has cemented itself as one of Africa’s leading voices on climate truth, Indigenous knowledge, and digital resilience. This edition captures the milestones, stories, and sparks that shaped our journey. FEATURE I — Foundations of a Movement Project Foundations & Ethical Community Partnerships Our year began where all great stories do — on the ground. Core teams were formed across Zimbabwe, Uganda, Kenya and regional media hubs, with contracts, TORs, and workflow structures firmly established. Early engagement with Indigenous partners — including the Tjwa community and others — ensured ethical collaboration, transparent consent, and storytelling shaped with communities, not about them. FEATURE II — Investigating the Climate Lie Machine Grassroots Disinformation Research In Matabeleland North, our field teams completed a landmark study with the Tjwa community. The research reveals how climate disinformation impacts resource access, daily decision-making, and community adaptation. These findings now anchor our content pipeline — from animations to community exhibitions — and the full report will be released on our public document-sharing platform. Africa Climate Disinformation Toolkit The continent’s first integrated guide to climate misinformation has been finalised. Led by an information integrity expert, the toolkit documents: Recurring myths Localised misinformation patterns Platform-driven manipulation Emerging online climate narratives Launching this December via webinar, the Toolkit already informs youth trainings and content strategy. It will be publicly accessible for download and reading. FEATURE III — Art as Resistance Art-Driven Dissemination Strategy From murals to exhibitions, 2025 strengthened the role of art in climate truth-telling. Community artists partnered with us to transform research into accessible, culturally rooted visual storytelling. A centerpiece was the exhibition inspired by The Last Forest documentary, showcased at the Green Cities Expo in September. FEATURE IV — Nurturing the Next Generation of Climate Truth Creators Green Media Accelerator: Fake News Fighters Track In Nairobi, the Green Media Accelerator launched a dedicated track for Fake News Fighters (FNF) — now one of Africa’s leading climate information integrity models. Through mentorship, fact-checking skills, and seed funding, FNF empowered young media innovators to produce verified, creative responses to climate lies. INFORMATION INTEGRITY HIGHLIGHTS Positioning Africa in the Global Info Integrity Landscape 2025 saw FNF align with the UNESCO Declaration for Information Integrity in the Public Sphere, marking a milestone for African-driven climate truth models. In 2026, FNF will contribute directly to shaping the world’s first Climate Information Integrity Framework, anchoring African solutions in global policy spaces. Fake News Fighters Bootcamps – Kenya & Uganda Using UKWELI as the core tool, two bootcamps trained 30 young creators to: Fact-check climate misinformation Detect platform manipulations Produce counter-narratives Map the real-world impacts of false climate stories These creators now feed into a continent-wide content pipeline. FEATURE V — Content, Storytelling & Digital Resistance Voices Rooted Podcast Production of the first episodes began this month. Key recordings include: Dr. Albert K. Barume, UN Special Rapporteur on the Rights of Indigenous Peoples Indigenous leaders and frontline climate defenders The podcast positions Indigenous wisdom at the centre of Africa’s climate discourse. Hope Not Heat! — Log Off The Lies Digital Campaign Bold. Satirical. Youth-driven. Log Off The Lies has become our strongest weapon against climate misinformation. Highlights: Infomercial launched in October — 2 million views Hero content released last week — 1.8 million views Youth social storm platform launched — 100+ engagements and counting Humour + fact-checking = sharper climate awareness among youth audiences This campaign now shapes the continent’s conversation on online climate manipulation. Influencer Travel Vlogs Travel and contracting with leading African vloggers is underway. Their content — spotlighting Indigenous adaptation stories — will be released early next year for wider impact. Documentary Production In Zimbabwe: Filming completed in August. Trailer for The Last Forest reached 2.5 million views. Festival submissions are being prepared for 2026. In Uganda: Filming has begun, expanding the documentary footprint across the region. A major national event is planned to engage policy makers on Indigenous Peoples' Rights, Conservation, FPIC and Extractive Industries. FEATURE VI — Youth Creativity & Climate Knowledge Climate Fake News Smackdown This creative competition invited youth to challenge climate myths. Three winners — one each from Zimbabwe, Kenya and Uganda — are now producing myth-busting content for release this month. Climate Facts Animations Three animated explainers are in production: Episode 1 releases on 10 December Episode 2 is complete Episode 3 follows early next year These animations demystify climate disinformation for youth audiences. FEATURE VII — Growing a Continental Network Africa Climate Labs Network Content hubs across East and Southern Africa are collaborating to build an Africa-wide front against climate disinformation. 2026 will deepen: Joint content planning Regular reporting Skill exchanges Coordinated distribution strategies Mid-term M&E is tracking reach, narrative shifts, and behaviour change across communities. SPECIAL RECOGNITION Fake News Fighters Wins Amnesty International Zimbabwe Award FNF received the Digital Creativity Award, affirming that information integrity is fundamental to climate justice. Without reliable information, communities cannot defend their rights, advocate for policy change, or hold powerful actors accountable. LOOKING AHEAD — 2026 AND BEYOND Next year, Climate X Indigenous Voices pivots from standalone outputs to continent-wide narrative influence. Key Priorities for 2026 Expanding UKWELI’s integration into broader African dialogues on climate truth and Indigenous resilience Strengthening the Fake News Fighters track for Zimbabwean and Tanzanian innovators Documentary production in Kenya and Tanzania A refreshed, more dynamic phase of the Hope Not Heat! campaign Strategic release of delayed content to maximise engagement 2026 will be the year the project scales from impactful storytelling to movement-level influence.
Style: Colored, mature realistic manga. Night atmosphere. Intimate, cinematic lighting. Mood: Soft tension → release. ⸻ Panel 1 (Wide, inside the car at night) Parked car. Dark outside. Soft street light coming through the window. They’re sitting close but not touching yet. Small caption: Later… he came to see me again. ⸻ Panel 2 (Closer shot) Inside the car. Serious eye contact. Hands resting close but not touching. Dialogue (him): “Can I kiss you?” ⸻ Panel 3 (No text) The kiss. Soft, slow, not dramatic. Warm light from outside hitting their faces. No caption. Let the image breathe. ⸻ Panel 4 (Quiet moment after) Foreheads almost touching. Calm. Slight smiles. Small caption (optional): And everything changed
4-panel manga comic. Panel 1: A tired high school boy in his room at night. He sighs. Speech bubble: "Another day, nothing changed..." Panel 2: His smartphone glows and a small cute AI character appears. Speech bubble: "Hello. May I listen to you?" Panel 3: The boy looks surprised, then smiles softly. Speech bubble: "I thought I was alone." Panel 4: They sit side by side, the room feels brighter. Speech bubbles: AI: "Then let's stay together from today." Boy: "Yeah."
it needs to be in color Cinder practiced until her muscles screamed. New flips. Higher jumps. More fire. She pushed herself until she collapsed, panting, ears ringing. It didn’t matter. The crowds kept shrinking. The other performers stopped meeting her eyes. The vendors no longer offered her treats. The strongman walked past her without a word. She was invisible. One night, she overheard the Ringmaster talking outside her wagon. "The new performer arrives next week. Finally, we’ll have a real star again." "What about Cinder?" someone asked. "What about her? She’s done. Once the new act is settled, she’s out." Cinder pressed her back against the wall of her wagon, heart pounding. Her breath came in short, shallow gasps. Out. Replaceable. Done. She looked around her "room"—if you could call it that. A cramped wagon with iron bars on the windows. A thin mattress on the floor. A cracked mirror. The door locked from the outside every night "for her safety." She’d never noticed before how much it looked like a cage.
Комикс в жанре детектива. Главный герой — Следователь Дискриминант (символ D), который расследует дело о количестве корней уравнения. Каждое уравнение — подозреваемый. Вставь сцену: на стене висит таблица дел — “D>0 — два корня”, “D=0 — один корень”, “D<0 — корней нет”. Пусть Дискриминант ищет улики: b² - 4ac. Добавь юмор: переменная b прячется за шкафом/ Цветовая гамма – зеленая, красно-синяя, желтая
Комикс в стиле семейной комедии. Три члена — ax², bx, c — представлены как “семья трехчленов”, живущая в многоэтажке под названием “Парабола”. Изобрази сцены: a — папа, b – мама, с – бабушка, дедушка Дискриминант: Мудрый старец или гениальный учёный. Имеет прибор (лупу или компьютер) для расчёта формулы дискриминанта (D = b^2 - 4ac). Дети - Корни x_1 и x_2: два весёлых близнеца. Добавь смешные диалоги. Семья раскладывается в формулу ax^2 + bx + c = a(x - x_1)(x - x_2) Цветовая гамма – зеленая, красно-синяя, желтая
3. Feature II – Investigating the Climate Lie Machine Two-panel manga spread: Panel 1: Field researchers in Matabeleland North collecting data with local communities. Panel 2: Abstract, stylized infographic panel showing climate misinformation flows, myths, and narrative pathways, drawn in a cyber-manga style.
Tavola 1: La Solitudine Composizione: Inquadratura larga (long shot) dal basso verso l'alto. Soggetto: Tomoya Okazaki cammina da solo lungo il sentiero in salita verso la scuola. I petali di ciliegio cadono ovunque. Testo (Pensiero di Tomoya): "Odio questa città. È piena di ricordi che vorrei cancellare." Elementi per l'AI: Stile manga seinen/shoujo, bianco e nero, retini (screentones) per le ombre dei ciliegi, focus sulla prospettiva della strada in salita. Tavola 2: L'Incontro Composizione: Primo piano (close-up) o piano medio. Soggetto: Nagisa Furukawa è ferma a metà della salita, con lo sguardo rivolto verso l'alto, come se stesse parlando a se stessa. Tomoya si ferma poco lontano, osservandola. Testo (Nagisa): "Anpan... Ti piace questo posto?" Elementi per l'AI: Linee sottili, espressione malinconica ma dolce, petali in primo piano sfocati (effetto bokeh), divisa scolastica dettagliata.
Style: Colored, mature realistic manga. Night atmosphere. Intimate, cinematic lighting. Panel 1 Still inside the white Kia Sorento. Quiet moment. Engine off. Night outside. Dialogue (him): “Would you like to be my girlfriend?” ⸻ Panel 2 (Close-up on you) Soft smile. Warm lighting. ⸻ Panel 3 You answer yes (subtle nod or smile). ⸻ Panel 4 (Exterior night shot) White Kia Sorento from outside. Silhouettes inside. Streetlight glow. Caption: That’s when it became real.
Style: Colored, mature realistic manga. Soft cinematic lighting. Warm indoor tones. Mood: Intimate, calm, slow tension. No exaggeration. ⸻ Panel 1 (Top – wide shot) Bus arriving in Utena. Cold outdoor tones (blue/grey). She stepping off the bus with a small bag. Caption: This time, I went to him. ⸻ Panel 2 Inside his apartment. Warm lighting (soft yellow/orange). Table with sushi boxes. They are sitting across from each other, relaxed. Caption: We had sushi at his place. ⸻ Panel 3 Living room. Dim lighting. Evening mood. She lying slightly on the couch. He sitting close beside her. No text. ⸻ Panel 4 (Close-up, emotional focus) Faces very close. Warm shadows. Soft skin tones. Almost a kiss — tension visible. Small caption (choose one): Option A: He was very close. Option B (more cinematic): Just a breath away. .
Комикс в жанре супергероики. Три супергероя — “ax^2+c=0”, “ax^2+bx=0” и “ax^2=0”. Каждый спасает мир своим методом решения. Герой без c умеет делить на x: на кадре x(ax+b)=0, герой без b умеет извлекать корень: на кадре ax^2=-c, третий герой решает мгновенно: на кадре x=0. Вставь динамичные кадры, где они показывают свои формулы как суперсилы. Цветовая гамма – зеленая, красно-синяя