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Um anjo de seis asas que reza pela paz e esperança.

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story of 1 character donbosco of telling the the 2 character is the provincial of shillong province. don bosco was tekking him that the two salesian brothers needed more efforts in their and they need the accompaniment of many spiritual priests

Now in the second year of Nebuchadnezzar’s reign, Nebuchadnezzar had dreams; and his spirit was so troubled that his sleep left him. 2 Then the king gave the command to call the magicians, the astrologers, the sorcerers, and the Chaldeans to tell the king his dreams. So they came and stood before the king. 3 And the king said to them, “I have had a dream, and my spirit is anxious to [a]know the dream.”

He gave the dying woman the body of a succubus and immortal life, Japanese manga style,

Персонаж с картинки ремонтуючи електронні компоненти відкриває портал у інший вимір. Це світ Аніме

1. Opening Note – “2025 Highlights”
Full-page manga splash illustration of Africa.

Glowing nodes highlight Zimbabwe, Uganda, Kenya, and other regions.

Add digital network symbols, climate icons (sun, rain, trees), and scenes of Indigenous community gatherings.

Space for a large manga-style editorial title.

porco has light brown hair. Miu has long black hair. Levi has short black hair.

Levi is standing behind Mia and holding her by the side and kissing her on the lips. Porco is by Mia and holding her by the leg and kissing her on the lips.

2 bikini girls are trying to walk against the stronf winds. They attempt to push agaisnt the powerful gusts, but they are blown away.

Se trata de una historia que lleva el tema de la estetica el como surge, la historia se da en un parque

Crée un univers original de manga/anime avec les caractéristiques suivantes :

1. **Cadre (Décor & Monde)**
- Type d’univers : [futuriste / médiéval fantastique / contemporain avec éléments surnaturels]
- Lieu principal : [ville, royaume, école, planète]
- Ambiance visuelle : [néon cyberpunk, pastel lumineux, sombre gothique, traditionnel japonais]

2. **Personnages principaux**
- Héros : [nom, âge, traits physiques, personnalité, objectif]
- Antagoniste : [nom, motivation, style visuel, pouvoir]
- Alliés secondaires : [2-3 personnages avec rôle et dynamique]

3. **Thèmes & Messages**
- Thème central : [amitié, quête de pouvoir, lutte contre l’injustice, amour interdit]
- Message sous-jacent : [espoir, résilience, corruption du pouvoir, équilibre entre tradition et modernité]

4. **Éléments narratifs clés**
- Conflit principal : [guerre, tournoi, rivalité, survie]
- Événements déclencheurs : [attaque, découverte d’un pouvoir, trahison]
- Progression : [arc d’apprentissage → arc de confrontation → arc de révélation]

5. **Style visuel et animation**
- Palette de couleurs dominante : [chaude, froide, contrastée]
- Style graphique : [shōnen dynamique, seinen réaliste, shōjo élégant]
- Animation : [fluide et énergique, atmosphérique et contemplative]

Donne une description détaillée et cohérente de cet univers, en mettant l’accent sur l’immersion visuelle et émotionnelle.

Panel 1:
Woman in sweater sitting alone at café window seat with coffee
Panel 2:
Same woman younger in flashback at same seat with boyfriend
Panel 3:
Present woman touching empty chair across from her
Panel 4:
Woman smiling softly while writing in journal at the table

A sexy girl name Kunishka cheats on her husband suryansh

close-up side view of the same young man sitting up, hands clutching his head, wide terrified eyes, mouth open screaming, sweat drops flying, strong motion lines, emotional breakdown, high tension manga panel
sound effect bubble manga style: “AAhh!!!”

Page 1-2: Preparing for Eid
Scene: The girls are sitting in the living room, talking about Eid
" Meg: "I am so excited for Eid, but I feel sad for people who don't have enough
".Jo: "Yes... some children might not get any gifts or food
"?Beth: "Maybe we can do something small to help them
"?Meg: "What if we make them happy with little presents or sweets
".Jo: "That sounds nice! We can plan it together
"Mom: "Ilove your idea, girls. Eid is not just for receiving, it's also for giving
Page 3-4: Planning
Scene: The girls discuss what each will do
"Meg: "I think I can bake some sweets and share them
"?Jo: "I will make some simple toys for the children. What do you think
"Beth: "I have old clothes that I don't use. I can give them too
"Meg: "That's perfect! Everyone can do something
". Jo: "Yes, we will make a small gift for each child
"Mom:"| will collect all your gifts, and we can go together to give them
Page 5-6: Working Together
.Scene: The girls are busy preparing their gifts and food
"!Meg: " like baking sweets, it smells so good
". Jo: "Making toys is fun, but I hope they will like them
"Beth: "'m folding the clothes nicely. I hope they feel warm
"Meg: "'m so happy we are doing this together
". Jo: "Yes, working together makes it even more fun
"Beth: "Seeing them happy will make our Eid even better
Page 7-8: Distributing Gifts
Scene: Outside, the family gives food and gifts to the children
"Beth: "Look at their smiles! They are so happy
"Meg: "I feel so good giving them sweets
"Jo: "It's amazing to see their faces light up
".Mom: "The joy of giving is much bigger than receiving
"Meg: "I didn't know helping others could feel this wonderful
"!Jo: "Yes... this is the real spirit of Eid
Page 9-10: Returning Home
.Scene: The girls walk home, feeling proud and happy
"!Jo: "This is the best Eid I have ever had
"Meg: "I agree. It feels better than any big gift
".Beth: "I want to do this every year
*Mom: "That is the true meaning of Eid, helping others
"Meg: " will always remember this feeling of joy
"!Jo: "Next year, we can do even more
Page 11-12: Ending
Scene: The family sits for Eid breakfast, happy and laughing
"Beth: "We should always help those in need
"Meg: "Yes, let's make it a family tradition
".Jo: "A part of every Eid will go to the poor from now on
"Mom: "I am proud of you girls. Giving makes Eid brighter for everyone
"Meg: " love our family's Eid plan Jo: "And Ilove seeing everyone smile

FEATURE III — Art as Resistance
Art-Driven Dissemination Strategy

From murals to exhibitions, 2025 strengthened the role of art in climate truth-telling. Community artists partnered with us to transform research into accessible, culturally rooted visual storytelling.
A centerpiece was the exhibition inspired by The Last Forest documentary, showcased at the Green Cities Expo in September.

Page 1

The protagonist wakes up.

On the ceiling, written in messy handwriting:

“DON’T FALL ASLEEP AGAIN.”

He doesn’t remember writing it.

Page 2

In the bathroom mirror, his face is slightly blurred.

When he blinks —
the reflection doesn’t.

Page 3

Outside, everyone has his face.

But different versions:

Crying

Smiling too wide

Emotionless

Terrified

They all walk past him like nothing is wrong.

Page 4

One of them stops.

Leans close.

Whispers:

“Which one are you?”

Page 5

Reality starts overlapping.

Panels duplicate slightly off-center.
Multiple versions of him stand in the same place.

One says:

“I’m the one who wanted to disappear.”

Another:

“I’m the one who wanted to be perfect.”

Another:

“I’m the one who pretends.”

Page 6

He looks at his hands.

They turn semi-transparent.

Inside his arms, silhouettes of other “him” are screaming silently.

Page 7

Everything freezes.

Black background.

White text:

“IDENTITY DETECTED AS DEFENSE MECHANISM.”

Page 8

He stands in a white void.

Thousands of versions of himself surround him.

They speak in unison:

“You are not the original.
You are a temporary arrangement.”

Page 9

His body starts fragmenting into words:

“I’m scared.”

“I need control.”

“I’m not enough.”

“I don’t exist.”

The words scatter like ash.

Page 10

Pure white page.

A tiny black dot in the center.

Small text:

“Consciousness rebooting.”

In the bottom corner, barely visible:

“Don’t fall asleep again.”

Ten thousand years after the Great Heaven War, the Dao has changed—and so has the world.
Sects rule nations, flying swords fill regulated skies, and Heavenly Trials descend the moment a cultivator understands too much. In this late-stage cultivation era, power is institutionalized, ambition is monitored, and even righteousness is a political stance rather than a cosmic truth.
Born into an ancient sword clan that chose adaptation over isolation, a young cultivator enters a second-tier righteous sect where talent is refined and the greatest disciples are sent upward to a Tier One power. But in a world where the Dao is endless and Heaven corrects imbalance without mercy, insight is more dangerous than strength.
The path to immortality is uncertain.
The Dao does not care about good or evil.
And Heaven is always watching.

Blair is a young warrior in his mid 20s with a short beard and a short mustache. He has short brown hair and is 5'7. Lilith is the demon of lust, crimson skin with horns, demonic wings and sharp claws. Lilith is 6 ft tall, taller then Blair. The story starts with Blair infiltrating Lilith's castle. He makes his way to Lilith's throne room where he confronts her, sitting on her throne. Blair readies his sword, however Lilith is completely calm. She rises from her throne and walks towards him. She seduces him with her words, inviting him close to her, all he has to do is put down his sword. Blair puts down his sword, seduced by Lilith and makes his way to her. Lilith embraces Blair and the two kiss.

등장인물은 민수(성인,인기 bj다현의 거액후원자,3년간 다현에게 거액의 별풍선을 결제),영준(성인,다현의 남사친,다현과 섹스하는 사이다.),다현(성인,영준에게 푹 빠져있고 민수를 배려하지만 남자로 안본다.) 1컷:다현이 영준앞에서 엉덩이를 흔든다.
2컷:다현이 영준앞에서 방귀를 뀐다 이모든장면에 민수는 출현하지않는다

🖤 PLANCHE 2 — Lire pour survivre

Style : manga noir et blanc
Ambiance : sombre, froide, mais avec une petite respiration
Nombre de cases : 6

🟦 CASE 1 — PLAN MOYEN

Description visuelle :
Même rue que la planche 1.
Aris enfant marche seul, tête baissée.
Des affiches sont collées sur les murs (avis, annonces, lois).

Ambiance :
Indifférence totale.

Texte :
Aucun.

🟦 CASE 2 — PLAN RAPPROCHÉ (mur)

Description visuelle :
Affiche à moitié déchirée.
Du texte visible, pas entièrement lisible.
On comprend qu’il y a des mots.

Ambiance :
Le monde écrit, mais inaccessible.

Texte :
Aucun.

🟦 CASE 3 — PLAN RAPPROCHÉ (Aris)

Description visuelle :
Aris enfant arrêté devant le mur.
Il regarde l’affiche.
Son regard est concentré, sérieux.

Ambiance :
Curiosité, attention.

Texte :
Aucun.

🟦 CASE 4 — DÉTAIL (mains)

Description visuelle :
Aris décolle soigneusement un morceau de l’affiche.
Ses doigts sont sales, mais délicats.

Ambiance :
Précaution, respect.

Texte :
Aucun.

🟦 CASE 5 — PLAN MOYEN

Description visuelle :
Aris assis dans une ruelle, dos au mur.
Il tient le papier.
Ses lèvres bougent légèrement.

Ambiance :
Concentration silencieuse.

Texte (très petit, discret) :
Des fragments de mots lisibles sur le papier
(ex : “marché”, “pain”, “rue”, “interdit”).

🟦 CASE 6 — CASE FINALE

Description visuelle :
Aris appuyé contre le mur, lisant.
Autour de lui, la rue est sombre.
Son visage est un peu moins fermé que sur la planche 1.

Ambiance :
Calme. Refuge intérieur.

Texte :
Aucun.

🎯 INTENTION (pour MangaAI)

La lecture = seule échappatoire

Pas de sourire exagéré

Pas de lumière magique

Juste un peu moins d’ombre sur le visage d’Aris

Le monde reste dur, lui trouve un refuge

Style:
Colored, mature realistic manga.
Night atmosphere. Intimate, cinematic lighting.

Panel 1

Still inside the white Kia Sorento.
Quiet moment. Engine off. Night outside.

Dialogue (him):

“Would you like to be my girlfriend?”

⸻

Panel 2 (Close-up on you)

Soft smile. Warm lighting.

⸻

Panel 3

You answer yes (subtle nod or smile).

⸻

Panel 4 (Exterior night shot)

White Kia Sorento from outside.
Silhouettes inside.
Streetlight glow.

Caption:

That’s when it became real.

Style:
Colored, mature realistic manga.
Soft cinematic lighting. Warm indoor tones.

Mood:
Intimate, calm, slow tension. No exaggeration.

⸻

Panel 1 (Top – wide shot)

Bus arriving in Utena.
Cold outdoor tones (blue/grey).
She stepping off the bus with a small bag.

Caption:

This time, I went to him.

⸻

Panel 2

Inside his apartment.
Warm lighting (soft yellow/orange).
Table with sushi boxes.
They are sitting across from each other, relaxed.

Caption:

We had sushi at his place.

⸻

Panel 3

Living room.
Dim lighting. Evening mood.
She lying slightly on the couch.
He sitting close beside her.

No text.

⸻

Panel 4 (Close-up, emotional focus)

Faces very close.
Warm shadows. Soft skin tones.
Almost a kiss — tension visible.

Small caption (choose one):

Option A:

He was very close.

Option B (more cinematic):

Just a breath away.
.

The protagonist Miyo is sitting on the edge of her bed. She is a beautiful girl with dark skin, short hair, and a soft, plump figure. Her head is down. She’s staring at her hands. They already feel tired.

Comic Title: The 5-Year Ping
Theme: A story of high latency, hidden processes, and a final successful connection.

Part 1: The Legacy Code (School Days)
Visual: A split screen. On the left, Class 11, the boy looking at her across a classroom. On the right, The Last Day of School, the boy holding a letter, standing next to her empty chair.

Caption: "The script was written years ago, but the environment was never stable enough to hit 'Run'."

Dialogue (Boy's thoughts): “I waited for the perfect moment... but the perfect moment was a ghost.”

Part 2: The Debugging Phase (College Years)
Visual: Panels showing the chaos of 1st and 2nd year.

Panel A: The crowded college bus with "Talkative Friends" as blurred background noise.

Panel B (The Dare): The boy on the phone, sweating, asking her for "crush advice" while his friends laugh in the background.

Panel C (The Fake Photo): The boy showing her a photo of a random girl on his phone. The girl looks interested, but the boy’s heart is shown as a "broken link" icon.

Caption: "Sometimes, to protect the system, you have to run a decoy."

Part 3: The 3rd Year Transition (The Near Miss)
Theme: The broken logic of a missed opportunity.

Visual 1: The golden hour light hitting the college main gate. The crowd of students is thinning out. The boy catches up to the girl just as she’s about to exit.

Dialogue: * Boy: "Are you heading home right now?"

Girl (turning with a smile): "Yeah, just leaving. Are you coming along?"

Visual 2: A close-up of the boy’s face—a mix of conflict and regret. In the background, he sees his teammates or the work he has to finish, realizing he can't walk with her today.

Dialogue:

Boy: "I... I have to finish some work before I head out. I can’t join you today. You go ahead."

Girl: "Oh, okay! Don't work too hard. See you!"

Visual 3: A wide shot of the boy standing completely still by the gate as her figure shrinks into the distance. The long shadow of the college gate stretches toward him.

Dialogue (The Internal Monologue):

Boy (whispering): "Go home safely..."

Caption: "A request was sent, but the path was blocked by circumstance. Status: 404 - Opportunity Not Found."

Part 4: The Execution (The Night Call)
Visual: A beautiful night scene. On one side of the page, the boy is walking under a single golden streetlight, phone to his ear. On the other side, the girl is tucked in her room, surrounded by books, smiling.

Dialogue (1.5 hours in): * Girl: "So... be honest. Do you even talk to that crush of yours anymore?"

Boy (Shaking, close-up on his face): "Actually... I'm talking to her right this second."

Part 5: The "Loading" State
Visual: A full-page spread. The girl’s face is a mix of shock and a deep, rising blush. Behind her, a faint, glowing "Loading... 99%" bar appears.

Dialogue:

Girl: "I... I can't process this much data at once."

Boy: "I waited five years for the server to respond. I can wait a few more days for you."

Final Visual: The boy looking up at the moon in the mountains (foreshadowing your Himachal trip).

Closing Caption: "The connection is finally established. Status: Happy."

Creative Elements to Include:
Color Palette: Use cool blues and greys for the "missed" years, and shift into warm oranges and pinks for the phone call scene.

The Symbol: Use the flower you mentioned (the one that bloomed 3 years ago) as a recurring symbol in the corners of the pages.

The "God" Motif: In the background of the college scenes, you could have a small, subtle "halo" over the boy whenever she’s looking at him, showing how she admires him.

🖤 PLANCHE 3 — Le temps insiste

Fonction narrative : transition
Style : manga noir et blanc
Ambiance : répétition, fatigue, hiver intérieur
Nombre de cases : 6

Âge

Début de planche : 7–8 ans

Fin de planche : 12–13 ans
👉 Le saut se fait visuellement, sans texte explicatif.

Tenue (CONSTAMMENT LA MÊME)

haut type kimono simple, blanc à l’origine, très sale

pantalon large déchiré

pieds nus

vêtements trop grands au début, un peu moins à la fin
👉 Même tenue = le temps passe, pas les moyens.

🟦 CASE 1 — PLAN MOYEN (début)

Description visuelle :
Même mur que la planche 2.
Aris enfant (7–8 ans) est assis au sol, dos au mur.
Une affiche devant lui.
Il essaie encore de lire.

Ambiance :
Déjà-vu.

Texte (petit, hésitant) :
« m… a… »

🟦 CASE 2 — PLAN SERRÉ (détail)

Description visuelle :
Ses doigts sont sales, un peu abîmés.
Ils suivent maladroitement une ligne de texte.

Ambiance :
L’effort est réel, le résultat nul.

Texte :
Aucun.

🟦 CASE 3 — PLAN MOYEN (ellipse)

Description visuelle :
Même mur.
Même posture.
Mais Aris est un peu plus grand (10–11 ans).
Les affiches ont changé, se sont accumulées.

Ambiance :
Le monde avance. Lui, à peine.

Texte :
Aucun.

🟦 CASE 4 — PLAN SERRÉ (visage)

Description visuelle :
Aris 12–13 ans.
Traits plus tirés.
Regard fatigué.
Il lit lentement, syllabe par syllabe.

Texte (haché, lent) :
« mar… ché… pa… »

🟦 CASE 5 — PLAN MOYEN

Description visuelle :
Aris s’arrête.
Il ferme les yeux.
Sa tête touche le mur.

Ambiance :
Épuisement, pas abandon.

Texte :
Aucun.

🟦 CASE 6 — CASE FINALE

Description visuelle :
Aris se relève et s’éloigne.
Il est maintenant adolescent, plus grand, toujours maigre.
Le mur est couvert d’affiches.

Ambiance :
Il n’a pas gagné.
Mais il n’a pas arrêté.

Texte :
Aucun.

🎯 Ce que cette planche fait (important)

montre la durée

justifie la lecture plus tard

prépare la planche 4 (les livres jetés)

renforce le caractère obstiné d’Aris

aucune victoire

Title: Revy’s Black Market

Genre: Cyberpunk, Tech-Noir, Dystopian, Underground Economy
Tone: Dark, intelligent, rebellious, futuristic
Style: High-contrast black & white manga with neon cyberpunk accents, glitch effects, holographic UI overlays

WORLD SETTING

The story takes place in Vybz Land, a massive futuristic megacity where technology evolves daily, but access to innovation is controlled by powerful corporations and elites.
In this world, early access equals power, and being late means being left behind forever.

The city is filled with:

Neon skyscrapers

Surveillance drones

Digital billboards

Crowded lower districts where people struggle to keep up with the future

Hidden beneath this system is an underground network known only as Revy’s Black Market (RBM).

THE BLACK MARKET (RBM)

RBM is not a physical place — it is a digital gateway.
Access is earned, not sold.

RBM offers:

Early access to emerging technology

Secret deals before public release

Presales and limited drops

AI tools, mobility tech, robotics, and Web3 platforms

RBM doesn’t steal technology — it redistributes access and timing.

MAIN CHARACTER — REVY

Revy is the mysterious overseer of RBM.

Appearance:

Androgynous cyberpunk figure

Long dark coat with glowing circuit patterns

One eye enhanced with a digital interface

Calm expression, always observing

Personality:

Highly intelligent

Emotionally controlled

Speaks in short, powerful lines

Never explains everything

Revy believes the future should reward curiosity, not wealth.

STORY SUMMARY
CHAPTER 1 — Access Denied

A young citizen in Vybz Land watches others advance while he is left behind by expensive technology.
He sees advertisements for innovation he cannot afford.
On a dark alley wall, a glowing symbol appears:

“The future isn’t sold. It’s accessed.”

CHAPTER 2 — The Gate

The symbol leads to RBM.
A digital interface appears asking for identity verification.
When access is granted, Revy appears as a hologram.

Revy says:

“You don’t buy the future.
You arrive before it’s expensive.”

CHAPTER 3 — Deals Are Power

Users of RBM begin gaining advantages:

Smarter tools

Faster mobility

Better opportunities

Corporations notice something is wrong.
Someone is disrupting their control.

CHAPTER 4 — The Underground Rises

RBM grows.
More people gain access.
The elite begin hunting the source.

Revy watches from the shadows and says:

“We don’t break systems.
We expose their timing.”

CORE THEMES

Access vs privilege

Technology as power

Freedom through information

The underground economy of the future

FINAL MESSAGE

RBM is not a store.
It is a gateway.

Tagline for final page:

“Welcome to Revy’s Black Market — where the future is traded early.”

"Act as an expert manga critic and historian. I am looking for a recommendation that surpasses 'Dragon Ball' specifically in the category of World-Building and Narrative Depth.

I want a series that offers a sense of 'Epic Adventure' but with significantly tighter writing and richer lore.

Please find me 3 manga series that meet these strict criteria:

Interconnected World: The locations, history, and politics must matter. Unlike Dragon Ball (where new planets are just backdrops for fighting), I want a world that feels alive, with its own economy, history, and factions.

Long-term Payoffs: The story should reward close reading. I want foreshadowing that pays off hundreds of chapters later (similar to the 'One Piece' style of storytelling).

Expanded Cast Depth: Side characters must have their own arcs and motivations, rather than just waiting for the main hero to save them.

For each recommendation, please provide:

The 'Hook': What makes the world unique?

The Complexity Rating: Is it easy to get into, or does it require heavy reading?

Status: Is it finished or ongoing?

$In a world where a few can bend probability through raw will, a quiet drifter named Kai Kurozawa discovers his gift isn’t luck—it’s a loaded weapon. Each choice twists the odds, but the universe charges interest. SERIES BIBLE (Concise) Power System — Will / Odds / Backlash • Dwellers: Rare individuals who can impose Tacks (micro‐edits to probability) via focused Will. • Odds: A visualized “grain” of reality; Dwellers sense vectors of likely outcomes as shimmering filaments. • Tacks: Intentional nudges (“make that rope snap,” “let the bus be 8 seconds late”). Each Tack accrues Fate Friction—stress that rebounds later as Backlash (nosebleeds → fractures → catastrophic karmic events). • Edges: Personal rituals or anchors (coin flips, mantras) that stabilize Will and reduce friction. • Zeroshift (mythic tier, late series): A liminal state where Odds are a silent ocean and Will is a blade—do not reveal yet. World • Haven District: Port-city sprawl; rusted rooftops, market alleys, flooded underpass murals. • Glassline Metro: Arteries of the city; reflective tunnels where odds feel “loud.” • The Quiet: A rumored zone where Odds stop moving—foreshadowing endgame forces. Factions • Municipal Risk Office (MRO): Bureau that tracks statistical anomalies; polite on paper, predatory in practice. • The Erased: Black-bag unit rumored to “remove” unstable Dwellers. Recurring Antagonists • Rael, “The Eraser”: Uncanny calm; his talent dampens other Dwellers’ Tacks in close range. He is the city’s whispered full stop. • Anti-Kai (Kairo Tsukami): Never named on-page yet. Thematic opposite of Kai—fixes outcomes by stealing other people’s Will. Themes • Choice vs. inevitability, the cost of power, anonymity in crowds, the math of mercy. VISUAL STYLE GUIDE (for art consistency) • Line: Clean, high-contrast inks; thin outline on faces, heavy shadows on urban geometry. • Tone: Filmic noir with sharp whites for the “Odds” filaments. • Odds Visualization: Fine hairline threads and moiré patterns drifting off objects; when Kai focuses, threads bloom like dandelion seeds frozen mid-gust. • SFX: Minimalist lettering, small caps with long em dashes for sustained sounds (e.g., VRRR—). • Panel Rhythm: Quiet micro-panels for intention → explode into wide panels for consequence. CAST (Core + Non-Dwellers — at least 5) Kai Kurozawa (17) • A drifter with a coin ritual. Soft voice, sharp eyes. Edge: Coin Flip. • Quirk: Counts his breaths when deciding; breath 7 is commitment. • Flaw: Terrified of being the cause. Mei Arakawa (19) — Journalism student, street photographer. Non-Dweller. • Brave to a fault; sees patterns in people. Keeps instant camera on wrist. Jun “Switch” Tanaka (18) — Electronics stall kid; builds things from city trash. Non-Dweller. • Grease smudges, perpetual grin, a tool roll like a scroll. Aya Mori (20) — Med student volunteering at a night clinic. Non-Dweller. • Steady hands; refuses to look away from ugly truths. Inspector Haruto Ishii (34) — MRO field officer. Non-Dweller. • Polite, dry, exhausted; catalogues “anomaly sites.” Koji Nakamura (52) — Market grocer. Non-Dweller. • Kind man, jokes in proverbs. (Mark as at risk in early arcs.) Daichi (12) — Rooftop runner, orphan. Non-Dweller. • Knows every shortcut; sells maps he draws by hand. Rael (??) — “The Eraser.” Dweller. • Neutral face; shoes make no sound. The city gets quiet when he arrives. HIDDEN SEEDS in Chapter One • Page 3: A passerby with a ring—three triangular prongs. Later revealed as an Erased marker. • Page 17: Black van reflection in puddle (MRO plate pattern: 131-21). • Page 28: Blank spot in Kai’s Odds vision (Rael’s signature dampening at distance). • Final Page: A second coin in gutter, heads scratched with a thin inverted cross (Anti-Kai sigil—unexplained). CHAPTER ONE: PAGE-BY-PAGE SCRIPT & STORYBOARD Length: 36 pages (tankōbon pacing). Goal: Introduce Kai, demonstrate low-tier Tack, show cost, hook with a moral pivot.$

Un gato negro filósofo llamado sombra piensa en el génesi biblico y su creación, se pregunta respecto a que las cosas se crean cuando las nombra. Poteriormente se pregunta ¿Ya vendrá el mushe JuanJo a darme de comer?, ya tengo hambre.

A young woman born into an aristocratic family is gently talking with a humble farm worker. Despite the clear difference in their social status, she feels drawn to his sincerity and quiet strength. As they speak, warm sunlight falls over a vast field of blooming sunflowers, swaying softly in the summer breeze. Their conversation is calm and intimate, filled with unspoken feelings, as if the world around them has faded away, leaving only the two of them in that golden moment.

Based on this art style creat 2 character,6'2 ft one with jet black hair, night blue eyes, pretty muscular, has a snake tattoo on his left arm, mma fighter, the second one 5'7 ft, blond messy hair, light brown eyes, white t-shirt, jeans, has a bandadge on his wrist and right cheek, innocent looking, display them separatly so i can make theyre info beside them

Tassi Hangbé, la reine rossignol
Sœur jumelle du roi Akaba, Tassi Hangbé, un peu oubliée par l’histoire, est la 5ème reine de la dynastie royale d’Abomey. Littéralement le nom hangbé signifie “la voix de la chanson” en langue fon d’Abomey. Depuis son enfance, celle qui n’était encore qu’une princesse du royaume avait pour passion la musique et chantait remarquablement bien. Avec ses belles chansons, elle égayait chaque soir les réunions entre son père et ses frères. L’histoire révèle même que les soirs où elle était absente, le roi et ses frères envoyaient des serviteurs l’appeler car ne pouvant se passer des douces mélodies de la princesse à qui le sobriquet ” hangbé ” fut donné. Cette appellation deviendra plus tard son nom officiel dans tout le royaume.

La gouvernance de la reine Hangbé
En 1708, alors que le roi Akaba meurt des suites d’une courte maladie pendant la guerre, sa sœur Tassi Hangbé présente à ses côtés décide de de garder le secret de sa mort pour ne pas démoraliser les troupes. Déguisée en son frère, elle prend le commandement de l’armée et mène les combats jusqu’à la victoire finale à Lissèzoun, où elle vainc le royaume de Wémè.
À son retour à Abomey, le fils d’Akaba étant encore trop jeune pour régner, c’est Hangbé qui prend les rênes du royaume du Danxomè. Bien qu’aucune cérémonie officielle n’ait eu lieu, elle portait tous les symboles du pouvoir royal : les sandales sacrées (saloubata), le grand pagne décoré (avotita), la récade (mankpo). Reconnue et respectée comme souveraine, elle était toujours accompagnée du siège et du parasol royal.
Elle recevait de tous le respect dû à son rang mais les réalités phallocratiques du royaume n’ont pas tardé à la rattraper. Le règne d’une femme dérangeait dans un contexte fortement dominé par les hommes. Au palais comme dans le reste du royaume, certains hommes manifestaient ouvertement leur indignation à l’idée de laisser une femme sur le trône de Houégbadja. Subissant complots et tensions familiales, qui lui coûtent notamment l’annulation de son mariage et la perte de deux fils, Hangbè finit par céder le pouvoir à son frère Dossou, intronisé en 1711 sous le nom d’Agadja.
Malgré son règne très court, Tassi Hangbé reste une figure majeure de l’histoire du Danxomè. Proche de son peuple, attachée à la religion et aux arts, elle a surtout marqué son époque en mettant en valeur le rôle des femmes, notamment par la création du corps des Amazones, un héritage restructuré et renforcé par la suite plus tard par le roi Ghézo.

Le combat féministe de la mère des amazones
Selon Damien Mariano Agliti, guide à l’Office de tourisme de la région d’Abomey, « Tassi Hangbé a pris cette initiative pour donner une véritable place aux femmes au sein du royaume ». Son influence ne s’est pas arrêtée à ses quatre années de règne. Même après avoir quitté le trône, Nan Hangbé est restée une haute dignitaire respectée, intervenant activement dans les affaires du royaume — notamment lorsqu’elle s’opposa à son frère qui refusa de retourner le pouvoir au fils d’Akaba une fois celui-ci en âge de régner.Elle a aussi joué un rôle clé dans la reconnaissance des femmes dignitaires, appelées Tassi, facilement identifiables grâce à leurs pagnes souvent posés sur la tête. Aujourd’hui encore, à Abomey, une femme perpétue la tradition de la reine guerrière : elle occupe le trône de Tassi Hangbé, dirige les cultes annuels et veille sur les affaires de la collectivité Hangbé

Dai from universe j and universe n have met. Although unwilling, their differing ideals forced them to confront each other, and they were ready to face each other.

a witch was travel around forest, when suddenly theres a snake

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