Unique Setting Manga

A guy walks down the street. He trips on a banana and is sad. He says "Why did someone put a banana in the road". Another guy walks up. He is tall and he says "I am banana man"
Russia in the 1990s. A young man, Ivan, about 25, is dressed in sportswear. He has a short haircut and a scar on his nose. He smokes a cigarette on the balcony
The Spy From China
đŸ–€ PLANCHE 5 — L’abri Âge d’Aris : 15 ans Style : manga noir et blanc Ambiance : silence, isolement, vent Nombre de cases : 6 Tenue (canon, inchangĂ©e) : haut type kimono simple, blanc Ă  l’origine, trĂšs sale, rapiĂ©cĂ© pantalon large dĂ©chirĂ© pieds nus posture fermĂ©e, fatiguĂ©e aucun Ă©lĂ©ment moderne 🟩 CASE 1 — PLAN LARGE (haut de page) Description visuelle : Une ancienne ferme abandonnĂ©e, hors de la ville. Herbes hautes. ClĂŽture cassĂ©e. Grange Ă  moitiĂ© effondrĂ©e. Maison principale encore debout, sombre. Le ciel est gris. Le vent fait bouger les herbes. Texte : Aucun. 🟩 CASE 2 — PLAN MOYEN (Aris de dos) Description visuelle : Aris, 15 ans, debout face Ă  la ferme. Il est petit dans le cadre. Le livre est serrĂ© contre lui. Ambiance : HĂ©sitation silencieuse. Texte : Aucun. 🟩 CASE 3 — DÉTAIL (la porte) Description visuelle : La porte de la maison est entrouverte. Elle grince lĂ©gĂšrement sous le vent. L’intĂ©rieur est noir. Texte : Aucun. 🟩 CASE 4 — PLAN RAPPROCHÉ (Aris) Description visuelle : Le visage d’Aris. FatiguĂ©. Neutre. Pas de peur visible, juste l’habitude. Ambiance : Il a dĂ©jĂ  Ă©tĂ© chassĂ© ailleurs. Texte (trĂšs petit) : Aucun. 🟩 CASE 5 — PLAN MOYEN (intĂ©rieur) Description visuelle : IntĂ©rieur de la maison. Vide. PoussiĂšre au sol. Murs fissurĂ©s. Un pan de toit laisse passer un peu de lumiĂšre. Aris est assis contre un mur. Le livre posĂ© devant lui. Texte : Aucun. 🟩 CASE 6 — CASE FINALE Description visuelle : Gros plan sur le livre fermĂ©. Les mains d’Aris hĂ©sitent au-dessus de la couverture. Silence total. Texte : Aucun. 🎯 INTENTION (VERROUILLÉE) Aris cherche le calme Il ne fuit pas → il s’isole Il n’attend rien du livre La maison est dĂ©jĂ  morte Rien de magique encore 👉 La tension vient du silence, pas de l’action.
yury era a reencarnação da besta mais temida, o bapihomit, algo que o próprio não sabia e sempre questiona o que acontecia quando ela se estressava muito, seu pai dizia que era devido que ele ativava a adrenalina e entrava em estado de flow, ela nunca acreditou nisso e buscou estudar isso, se formando em química
Esta historieta muestra cĂłmo unos niños aprenden la importancia de cuidar el agua. Todo empieza en el salĂłn, donde la maestra explica que el agua es muy importante. Pero en el baño aparece el villano, “El Abre-Llaves”, quien deja la llave abierta y desperdicia el agua. Pronto empiezan las consecuencias: el lavabo se desborda, el piso se moja y hasta el propio villano se resbala. AdemĂĄs, imaginan que una planta se queda sin agua y que podrĂ­a no haber agua para tomar. Entonces los niños se transforman en superhĂ©roes y actĂșan para cerrar la llave y reutilizar el agua. Al final, el villano entiende su error, aprende a cuidar el agua y se une a ellos. La historia enseña que desperdiciar el agua trae consecuencias y que cada gotita cuenta. 💧✹
Se trata de una historia que lleva el tema de la estetica el como surge, la historia se da en un parque
PAGE 2 — FLASHBACK (3 PANELS) Panel 1: Bright kitchen. Young Jay (5 years old) dancing with his mom. Mom (laughing): “Keep your rhythm, baby!” Panel 2: Hospital room. Beeping monitor. SFX: BEEP
 BEEP
 BEEEE— Panel 3: Her hand goes limp. Rain transitions back to present.
tydasuk estaria treinando seus golpes de Taekwondo, ansioso para o próximo torneio que ira vir, usando um kimono que japoneses usam, então seu vÎ interfer seu treino, acalmando tydasuk e que ele precisa acreditar na própria força, então tydasuk fica aliviado, e agradece seu vÎ pela mensagem positiva, então seu vÎ diz que ira treinar junto com eles, e ambos acabam treinando juntos, para tydasuk fica mais forte para o próximo torneio
Two boys Heading to a store to buys some clothes only choose a white tank top and black speedo as they try it on and likes it
Miu is girl and Levi is boy . I need colored manga "I'll be fine." Miu drink more Levi blood than was healthy, but it wouldn't harm Levi health. Levi picked Miu up before Miu passed out. A few days later Miu woke up and felt better. Someone was holding my hand and sleeping in chair close to bed. Miu moved a little and it woke Levi up. It was deep in the night It was Levi. "Miu.." Levi whispered and Miu blinked. "Levi" smiled and Levi hugged Miu. "I was so scared. Why aren't you taking care of yourself?" Levi asks and Miu start to cry. "I'm sorry." Levi puts his forehead against mine. "Don't apologize." Levi says and gets on the bed and hugs Miu tightly. It felt good. "I thought I was going to lose you when Finn was carrying you." He whispered and this time Miu held him close. "Am I okay?" Miu say to reassure Levi and his breathing calms down. Levi looks into Miu eyes again and Miu look into his. "Will it be okay how long have I been away?" "A week and a half." Levi replies and Miu widen eyes. "That's not possible." Miu say and he chuckles ironically. "That's right." Levi says and Miu kiss him. Levi kisses Miu back and caresses Miu cheek. Miu feel more sorry for scaring Levi than for almost dying. "I love you so much, Mia." "I love you too." Miu whisper and kiss Levi and pull Levi closer. Miu stroke Levis hair until both fall asleep again.
Black and white manga-style illustration of a young male character falling forward from a tall building, body positioned almost horizontally, not vertical. The character is leaning forward mid-air, as if being thrown off balance, with one arm stretched forward and the other trailing behind, legs angled backward. Camera angle is side view / three-quarter view, positioned parallel to the character, not top-down. His hair flows backward due to air resistance, eyes wide in shock, mouth open. The cityscape appears far below and slightly blurred to emphasize height and motion. Strong speed lines flowing backward only. Clean monochrome manga lineart, dramatic perspective. A white speech bubble near his head contains the text: “Ah, Shit.” Negative prompt: vertical falling pose, skydiving pose, spread arms, T-pose, front-facing fall, top-down camera, floating pose, superhero landing, arms fully extended sideways
porco has light brown hair. Miu has long black hair. Levi has short black hair. Levi is standing behind Mia and holding her by the side and kissing her on the lips. Porco is by Mia and holding her by the leg and kissing her on the lips.
a east asian man age 40S and filming a soccer his sons match using a tripod
6 hours of sleep. 8 hours at the workplace. average mood was neutral. read a book. no social activities. skipped lunch. no workout.
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A young man name Ousugi Sakae (an anarchist) looks out over a crowd of fascists facing away listening to a leader speak (generic Imperial Eagle imagery) High, distant wide shot: protagonist small; world/crowd huge. Power imbalance. Telephoto compression Backlit silhouettes / blown-out sky Long, hard shadows at ground level: predators’ viewpoint. “Manga page with a grounded, paramilitary neo-noir style: realistic anatomy, weighty tactical gear (steel plates, cloth straps, gas masks, red-lensed goggles), late-1950s/’60s industrial city backdrop—concrete, rebar, rusted rail lines—night rain and fog, low-key lighting, desaturated blues/grays, cinematic 35mm framing, hard shadows, subtle film grain, crisp fine linework, dense hatching, high-contrast screentones, reserved facial expressions, somber atmosphere. Original characters only.”
A 18 year old Japanese woman named Mika, who gets turned into the Venus de Milo. She has a short black hair with a bang covering her left eye and with a heart necklace and has grey eyes. She's seminude and armless after the petrification. She's the copy of the Venus de Milo in a museum.
Ten thousand years after the Great Heaven War, the Dao has changed—and so has the world. Sects rule nations, flying swords fill regulated skies, and Heavenly Trials descend the moment a cultivator understands too much. In this late-stage cultivation era, power is institutionalized, ambition is monitored, and even righteousness is a political stance rather than a cosmic truth. Born into an ancient sword clan that chose adaptation over isolation, a young cultivator enters a second-tier righteous sect where talent is refined and the greatest disciples are sent upward to a Tier One power. But in a world where the Dao is endless and Heaven corrects imbalance without mercy, insight is more dangerous than strength. The path to immortality is uncertain. The Dao does not care about good or evil. And Heaven is always watching.
Character 1 looks out over the other characters before him. Character 1 mockingly says, "My, my, my... look at all the brave heroes assembled to face me." Defiant expressions appear on characters 2, 3 and 4's faces. Character 1 arrogantly says; "Show me what the City of Tueri can do."
The episode opens with a silent sky as the date 16 August 2063 appears, its stars barely visible under artificial glow. The scene shifts to Beijing, China, where a plane lands at a crowded airport. Among the crowd, two young men finally meet after years apart — Satoshi Kakamura, an undercover spy secretly sent to investigate a mysterious organization connected to assassinations of world leaders, and Koruko Kesei, an architect living in China. A brief flashback shows their long friendship and promise to meet again one day. They head to a cafĂ© and talk casually until Koruko hesitantly reveals a confidential project: a massive construction ordered to be completed in only seven months. He admits he wasn’t supposed to tell anyone, but trusts Satoshi. The real problem, however, is that workers assigned to a specific underground area have been disappearing. This immediately raises Satoshi’s suspicion because his mission involves tracking a hidden civilization of killers targeting influential figures worldwide. Later that night, the two walk through the advanced yet strangely lifeless city toward Koruko’s home. Satoshi feels uneasy, missing the peace and nature he prefers. At the house, Koruko introduces him to his family and they share a calm dinner together. Afterward, Koruko shows Satoshi his room and leaves him to rest. Satoshi changes into casual clothes, calls his parents in Germany, and has a quiet, reassuring conversation before falling asleep. The next morning, while Koruko’s family watches television, Satoshi walks out rubbing his eyes — only to freeze behind them as breaking news reports appear: 76 celebrities missing and multiple major buildings collapsed across the world. The screen fades to black, ending Episode 1. Anime Title: Everything’s Fair in Peace 🎬
Character 1 and character 2 are 18 year olds are in love and are about to kiss when her sister (character 3) walks in on them
Xochi, 19 and Mexican-American, gets turned into the Angel of Independence, a seminude and golden statue located in Mexico City. Xochi has dark brown short hair with a bang nearly covering her right eye and has light green eyes. Xochi is seminude and has golden wings along with a laurel wreath in the right hand and a broken chain with the left with the original pose.
Boy with half white half black hair walks in Girl with blue hair walks in Boy says: ohayou Girl says :ohayo They greet eacho other
a scene of a school farewell where 2 friends Adam and Jhonny came for attending they were of class 11th , Adam had a crush on girl which was 2 years older than her , she was very hot , adam was also handsome but she dint like him she hated him , adam spots her she was also attending the farewell , adam starting going towards her jhonny tried to stop him but he dint stop he went to her and confessed his love she rejected and him and insulted him very badly
Miu has two-tone long hair, one side white and the other black. Hange has brown hair in a ponytail and Hange have glass. Eren has short brown hair and Levi has short black hair. Miu and Hange are walking down the hall and talking. They hear a commotion coming from Eren's room and decide to paint him. They open his door. They sit on Eren's bed and paint Eren's face. Miu and Hange laugh. Hange suddenly sees Eren waking up and decides to paint himself too. Miu stares at Hange nervously.Because Hange Betrayed Miu When Eren wakes up, he looks surprised. Hange points at Miu and Eren catches Miu and Hange paints Miu.even though Miu protests They laugh so hard that Levi bursts into the room with his typical angry expression and starts muttering something. Miu looks at Levi nervously and tries to smile. And say nervously ,,ehhh." Levi looks away and starts laughing in room. Then he grabs Miu's hand and pulls Levis room. When they are alone, Miu watches him nervously. And Levi laughs at her.
🟣 SCENE 1 — HINGE: THE FIRST MESSAGE Date: 17 September 2025 | Night Prompt: Vertical webtoon panel. Ameen lying on his bed in a dark room, ceiling fan shadows moving slowly. Phone light illuminates his face, eyes focused, slightly amused smile forming. Cut to second panel: Ayesha sitting cross-legged on her bed, confident posture, glasses slightly slipping down her nose, smirk on her lips as she types. Minimal background, focus on faces and phone glow. Details: Pencil sketch lines on hands and face Soft warm watercolor lighting Chat bubbles floating like thoughts Dialogue (optional): Ayesha: “So
 are you actually interesting?” Ameen (thought): “Oh. She’s trouble.”
Ten thousand years after the Great Heaven War, the Dao has changed—and so has the world. Sects rule nations, flying swords fill regulated skies, and Heavenly Trials descend the moment a cultivator understands too much. In this late-stage cultivation era, power is institutionalized, ambition is monitored, and even righteousness is a political stance rather than a cosmic truth. Born into an ancient sword clan that chose adaptation over isolation, a young cultivator enters a second-tier righteous sect where talent is refined and the greatest disciples are sent upward to a Tier One power. But in a world where the Dao is endless and Heaven corrects imbalance without mercy, insight is more dangerous than strength. The path to immortality is uncertain. The Dao does not care about good or evil. And Heaven is always watching.
PAGE 1 — OPENING SPLASH (Atmosphere First) Panel 1 (Full-width horizontal splash) A sweeping view of the Himalayan range at night. Endless jagged peaks rise above a glowing sea of clouds. Northern lights twist slowly across the sky. Narration (top left, small, thin box): At the roof of the world
 Snow drifts heavily in the wind. The atmosphere feels sacred — and wrong.
FEATURE III — Art as Resistance Art-Driven Dissemination Strategy From murals to exhibitions, 2025 strengthened the role of art in climate truth-telling. Community artists partnered with us to transform research into accessible, culturally rooted visual storytelling. A centerpiece was the exhibition inspired by The Last Forest documentary, showcased at the Green Cities Expo in September.
Tinta frnd ak sahthe thakto grame
Han Seojun is a quiet photography major who hates crowds but loves observing people through a lens. Online, he runs a faceless late-night stream under the name “VelvetRoom.” He doesn’t show his face. He doesn’t share personal details. He doesn’t do requests. He performs slowly, sensually, like he’s teasing someone specific. And someone always watches. Username: Locke. Never chats. Never spams. Never begs. Just tips. And waits.
um jovem negro que ganha seus poderes acidentalmente depois de um acidente, tem o poder de eletricidade raios e controlar a luz, outra contra bandidos pra proteger sua cidade da violĂȘncia tema " Savage "
Boy and girl After a long-distance relationship, Amal and Moncif finally meet for the first time in Meknes, near the train station, on a rainy day. They feel shy but instantly connected. They go together to a small cafĂ© and drink coffee while talking and laughing. Later, they take an Uber to Cocopark, where they play bowling, laugh a lot, and forget about time. They walk outside under the rain, sharing their first kiss beneath the falling rain. After that, they go to the cinema and watch a movie together, then eat at KFC. As they walk again in the rain, Amal talks nonstop, telling Moncif stories about her city, Meknes, and her favorite places. When they return to the train station, the mood changes. Amal starts crying because she doesn’t want Moncif to leave. They hug tightly, holding onto each other for a long time. Moncif finally leaves on the train, and Amal goes home in a taxi, sad but holding beautiful memories of their first meeting
Example – 4-Panel Comic (Light Humor): Genre: Comedy / Slice of Life Panel 1: A young man wakes up to his alarm clock. The alarm says: “Snooze again?” Panel 2: He looks at the mirror. His reflection talks: “Today we change our life
 maybe.” Panel 3: His phone shows an AI assistant saying: “Motivation speech or coffee?” Panel 4: He chooses coffee and leaves the house smiling. Caption: “Progress is still progress.
Tassi HangbĂ©, la reine rossignol SƓur jumelle du roi Akaba, Tassi HangbĂ©, un peu oubliĂ©e par l’histoire, est la 5Ăšme reine de la dynastie royale d’Abomey. LittĂ©ralement le nom hangbĂ© signifie “la voix de la chanson” en langue fon d’Abomey. Depuis son enfance, celle qui n’était encore qu’une princesse du royaume avait pour passion la musique et chantait remarquablement bien. Avec ses belles chansons, elle Ă©gayait chaque soir les rĂ©unions entre son pĂšre et ses frĂšres. L’histoire rĂ©vĂšle mĂȘme que les soirs oĂč elle Ă©tait absente, le roi et ses frĂšres envoyaient des serviteurs l’appeler car ne pouvant se passer des douces mĂ©lodies de la princesse Ă  qui le sobriquet ” hangbĂ© ” fut donnĂ©. Cette appellation deviendra plus tard son nom officiel dans tout le royaume. La gouvernance de la reine HangbĂ© En 1708, alors que le roi Akaba meurt des suites d’une courte maladie pendant la guerre, sa sƓur Tassi HangbĂ© prĂ©sente Ă  ses cĂŽtĂ©s dĂ©cide de de garder le secret de sa mort pour ne pas dĂ©moraliser les troupes. DĂ©guisĂ©e en son frĂšre, elle prend le commandement de l’armĂ©e et mĂšne les combats jusqu’à la victoire finale Ă  LissĂšzoun, oĂč elle vainc le royaume de WĂ©mĂš. À son retour Ă  Abomey, le fils d’Akaba Ă©tant encore trop jeune pour rĂ©gner, c’est HangbĂ© qui prend les rĂȘnes du royaume du DanxomĂš. Bien qu’aucune cĂ©rĂ©monie officielle n’ait eu lieu, elle portait tous les symboles du pouvoir royal : les sandales sacrĂ©es (saloubata), le grand pagne dĂ©corĂ© (avotita), la rĂ©cade (mankpo). Reconnue et respectĂ©e comme souveraine, elle Ă©tait toujours accompagnĂ©e du siĂšge et du parasol royal. Elle recevait de tous le respect dĂ» Ă  son rang mais les rĂ©alitĂ©s phallocratiques du royaume n’ont pas tardĂ© Ă  la rattraper. Le rĂšgne d’une femme dĂ©rangeait dans un contexte fortement dominĂ© par les hommes. Au palais comme dans le reste du royaume, certains hommes manifestaient ouvertement leur indignation Ă  l’idĂ©e de laisser une femme sur le trĂŽne de HouĂ©gbadja. Subissant complots et tensions familiales, qui lui coĂ»tent notamment l’annulation de son mariage et la perte de deux fils, HangbĂš finit par cĂ©der le pouvoir Ă  son frĂšre Dossou, intronisĂ© en 1711 sous le nom d’Agadja. MalgrĂ© son rĂšgne trĂšs court, Tassi HangbĂ© reste une figure majeure de l’histoire du DanxomĂš. Proche de son peuple, attachĂ©e Ă  la religion et aux arts, elle a surtout marquĂ© son Ă©poque en mettant en valeur le rĂŽle des femmes, notamment par la crĂ©ation du corps des Amazones, un hĂ©ritage restructurĂ© et renforcĂ© par la suite plus tard par le roi GhĂ©zo. Le combat fĂ©ministe de la mĂšre des amazones Selon Damien Mariano Agliti, guide Ă  l’Office de tourisme de la rĂ©gion d’Abomey, « Tassi HangbĂ© a pris cette initiative pour donner une vĂ©ritable place aux femmes au sein du royaume ». Son influence ne s’est pas arrĂȘtĂ©e Ă  ses quatre annĂ©es de rĂšgne. MĂȘme aprĂšs avoir quittĂ© le trĂŽne, Nan HangbĂ© est restĂ©e une haute dignitaire respectĂ©e, intervenant activement dans les affaires du royaume — notamment lorsqu’elle s’opposa Ă  son frĂšre qui refusa de retourner le pouvoir au fils d’Akaba une fois celui-ci en Ăąge de rĂ©gner.Elle a aussi jouĂ© un rĂŽle clĂ© dans la reconnaissance des femmes dignitaires, appelĂ©es Tassi, facilement identifiables grĂące Ă  leurs pagnes souvent posĂ©s sur la tĂȘte. Aujourd’hui encore, Ă  Abomey, une femme perpĂ©tue la tradition de la reine guerriĂšre : elle occupe le trĂŽne de Tassi HangbĂ©, dirige les cultes annuels et veille sur les affaires de la collectivitĂ© HangbĂ©
7. Information Integrity Highlights Two-panel spread: Panel 1: African creators shaking hands with UNESCO representatives, with a digital network linking Africa to global platforms. Panel 2: Manga-style training scenes of youth using UKWELI tools to fact-check.
4. Africa Climate Disinformation Toolkit Manga illustration of an open toolkit filled with documents, charts, mobile devices, laptops. African youth in classrooms or workshops actively learning. Visual focus on fact-checking, detecting manipulation, and building counter-narratives.
Miu has two-tone long hair, one side white and the other black. Hange has brown hair in a ponytail and Hange have glass. Eren has short brown hair and Levi has short black hair. Miu and Hange are walking down the hall and talking. They hear a commotion coming from Eren's room and decide to paint him. They open his door. They sit on Eren's bed and paint Eren's face. Miu and Hange laugh. Hange suddenly sees Eren waking up and decides to paint himself too. Miu stares at Hange nervously.Because Hange Betrayed Miu When Eren wakes up, he looks surprised. Hange points at Miu and Eren catches Miu and Hange paints Miu.even though Miu protests They laugh so hard that Levi bursts into the room with his typical angry expression and starts muttering something. Miu looks at Levi nervously and tries to smile. And say nervously ,,ehhh." Levi looks away and starts laughing in room. Then he grabs Miu's hand and pulls Levis room. When they are alone, Miu watches him nervously. And Levi laughs at her.
a very tall CEO woman with red hair is walking down a road, and sees a much shorter woman with black hair. she bends down to the shorter woman's eye level to ask if she needs help, thinking she is a child. however, the woman asks the taller woman to sit down next to her. the two women sit down on a nearby bench, and it turns out that the shorter woman has a taller sitting height than the taller CEO woman because the CEO's height is mainly in her legs. the CEO even has to look up at the shorter woman when they both sit next to each other. the CEO is embarrassed.
Manga about an architecture student spending one sleepless night in the studio. No dialogue, only thoughts and lines. Repetitive drawings, hands, drafts, floor plans, models. The story shows how architecture is formed through repetition, doubt, and quiet persistence. A manga told through one word: "Fix / Revise". Architecture student facing critiques, red lines, broken models. The word transforms from pressure into structure. Manga about an architecture student walking inside a building that feels larger than themselves. The building plans overlap with thoughts. Minimal text, strong negative space. Architecture manga focusing only on hands. No faces. Hands drawing, cutting models, erasing lines. Architecture as physical labor and persistence. Split-page manga: before and after studying architecture. Same character, different ways of seeing space. Buildings shift from dreams to systems.
A young man is walking calmly when a red-haired girl bumps into him.