Snowy Setting Manga

Constance is the head of the local HOA. In her hand she held a man who was a tenant. She tells them they are behind on HOA dues, then proceeds to put them in the pocket of her uniform, saying he will come out when the dues are paid
It was a quiet morning. Too quiet to mean anything. Yuuma Sangakai walked to school with his head down, counting the cracks in the pavement because looking up made things worse. Eleven years old. Too thin. Too easy. He checked over his shoulder once. No one. His stomach loosened just a little. “Please,” he whispered. Not to God, not to anyone in particular. Just a habit. “Not today.” "Hey Yuuma!" said Zoruhiko, his best friend, running towards him. Yuuma waves, "Hey Zoruhiko!! How are you?" "Hmm... Cool. What 'bout you?" asked Zoruhiko. "I'm awesome!!!!" said Yuuma. He remembered and said "Ay! I got this new bicycle today!! With gears!!!" "Woahh!! Then let's have a cycle race today from the bus stop till the new supermarket!!" screamed Zoruhiko in excitement... "Sure dummy!!! Be ready to get defeated!! At 8 PM today!!" proclaimed Yuuma, arrogantly smirking. "Tch! We'll see 'bout that loser!" said Zoruhiko, annoyed...
Russia in the 1990s. A young man, Ivan, about 25, is dressed in sportswear. He has a short haircut and a scar on his nose. He smokes a cigarette on the balcony
A guy walks down the street. He trips on a banana and is sad. He says "Why did someone put a banana in the road". Another guy walks up. He is tall and he says "I am banana man"
Make a whole enemies to lovers script, about a poor, skater, troublemaker, tattooed, black hair, hazel eyes guy names Blake Morritz that meets and later in story falls in love with the rich, popular, shy, creative, long brown hair, brown eyes girl Zoey Hart. Dialogues and language english, and keep it all consistent
Esta historieta muestra cómo unos niños aprenden la importancia de cuidar el agua. Todo empieza en el salón, donde la maestra explica que el agua es muy importante. Pero en el baño aparece el villano, “El Abre-Llaves”, quien deja la llave abierta y desperdicia el agua. Pronto empiezan las consecuencias: el lavabo se desborda, el piso se moja y hasta el propio villano se resbala. Además, imaginan que una planta se queda sin agua y que podría no haber agua para tomar. Entonces los niños se transforman en superhéroes y actúan para cerrar la llave y reutilizar el agua. Al final, el villano entiende su error, aprende a cuidar el agua y se une a ellos. La historia enseña que desperdiciar el agua trae consecuencias y que cada gotita cuenta. 💧✨
Se trata de una historia que lleva el tema de la estetica el como surge, la historia se da en un parque
patient in a dentist chair talking with doctor
Персонаж з картинки підходить до будинку з написом robocode. Він трішки хвилюється, але потрапляючи в середину школи, бачить багато дітей, які радісні, програмують, паяють та роблять експерименти. Персонаж посміхається і говорить: "Нарешті я знайшов місце, де я буду з радістю навчатись!"
A young man name Ousugi Sakae (an anarchist) looks out over a crowd of fascists facing away listening to a leader speak (generic Imperial Eagle imagery) High, distant wide shot: protagonist small; world/crowd huge. Power imbalance. Telephoto compression Backlit silhouettes / blown-out sky Long, hard shadows at ground level: predators’ viewpoint. “Manga page with a grounded, paramilitary neo-noir style: realistic anatomy, weighty tactical gear (steel plates, cloth straps, gas masks, red-lensed goggles), late-1950s/’60s industrial city backdrop—concrete, rebar, rusted rail lines—night rain and fog, low-key lighting, desaturated blues/grays, cinematic 35mm framing, hard shadows, subtle film grain, crisp fine linework, dense hatching, high-contrast screentones, reserved facial expressions, somber atmosphere. Original characters only.”
CHAPTER 1 — Fading Applause Part One: The Glory Days The circus tent blazed with light. Cinder soared through the air, her body spinning in a perfect triple flip. Flames traced golden arcs behind her as she juggled the burning pins—one, two, three—never missing a beat. Her dog ears flattened against her skull from the speed, then perked up triumphantly as her feet hit the platform. The crowd roared. "AGAIN! AGAIN!" A little girl in the front row bounced in her seat, tugging her mother’s sleeve. "Mommy, she’s flying!" Cinder’s tail swayed as she bowed low, bells on her jester costume jingling. This—this—was what she lived for. The applause washing over her like warm rain. The gasps when she pulled off something impossible. The way children’s eyes went wide with wonder. She caught three more flaming pins mid-air, spun them into a cascade of fire, and landed in a split. The audience leaped to their feet. Her smile was real. Bright. Uncracked. The Ringmaster stood in the shadows beyond the spotlight, arms crossed, nodding with satisfaction. "Good work, mutt," he’d say later. Not kind, but approving.
Een auto die op de snelweg rijdt, rijdt een bosrijk gebied in tijdens regen
A beautiful women hot women walking on a street, she saw a dog and go near to it. She trying petting the dog. The dog was happy
The 3 characters stand silently atop a large basin overlooking a sprawling city below them. Dark storm clouds are at the outskirts of the city. Lighting cracks as it bears down upon the city.
Crossfire Hearts follows Riku Hayase, a talented but emotionally burnt‑out FPS player, and Miyu Aoyama, a gentle, isolated girl who finds comfort in MMORPGs. Their worlds collide when they meet inside Eternal Realms, where Riku plays as the swift, deadly ranger Crossfire, and Miyu plays as the luminous healer LunaVale. What begins as a simple dungeon run slowly becomes a bond neither expected. As they grow closer, their in‑game partnership becomes a lifeline for both of them. Riku rediscovers joy after competitive burnout, while Miyu finds someone who listens, understands, and never judges her. Their first real‑life meeting is awkward, sweet, and life‑changing — the moment their online connection becomes something real. But their relationship is tested by Obsidian Crown, a rival guild led by the cold strategist Blackthorn and the obsessive assassin NightReaver, who fixates on Miyu and targets Riku out of jealousy. Guild wars, PvP duels, and server‑wide conflicts push Riku and Miyu to fight side by side, strengthening their bond even as real‑life pressures mount. Miyu’s strict home life becomes the greatest obstacle. Her mother disapproves of gaming, isolates her, and eventually cuts her off entirely. The emotional distance nearly breaks them — Miyu feels trapped, Riku feels helpless, and their worlds begin to drift apart. But they refuse to let go. Riku confronts her mother, Miyu stands up for herself, and their friends rally around them. The final arc brings everything full circle: Riku competes in the world esports championship while Moonlight Vanguard races Obsidian Crown to defeat the expansion’s final raid boss, the Eclipse Sovereign. Both battles mirror each other — pressure, teamwork, trust, and the fear of losing what matters most. Riku wins the championship. Moonlight Vanguard clears the raid first. And in front of a roaring crowd, Riku and Miyu finally confess their love openly — not as Crossfire and LunaVale, but as themselves. The story ends years later, with the two living together, still gaming side by side, still partners in every world they share.
The episode opens with a silent sky as the date 16 August 2063 appears, its stars barely visible under artificial glow. The scene shifts to Beijing, China, where a plane lands at a crowded airport. Among the crowd, two young men finally meet after years apart — Satoshi Kakamura, an undercover spy secretly sent to investigate a mysterious organization connected to assassinations of world leaders, and Koruko Kesei, an architect living in China. A brief flashback shows their long friendship and promise to meet again one day. They head to a café and talk casually until Koruko hesitantly reveals a confidential project: a massive construction ordered to be completed in only seven months. He admits he wasn’t supposed to tell anyone, but trusts Satoshi. The real problem, however, is that workers assigned to a specific underground area have been disappearing. This immediately raises Satoshi’s suspicion because his mission involves tracking a hidden civilization of killers targeting influential figures worldwide. Later that night, the two walk through the advanced yet strangely lifeless city toward Koruko’s home. Satoshi feels uneasy, missing the peace and nature he prefers. At the house, Koruko introduces him to his family and they share a calm dinner together. Afterward, Koruko shows Satoshi his room and leaves him to rest. Satoshi changes into casual clothes, calls his parents in Germany, and has a quiet, reassuring conversation before falling asleep. The next morning, while Koruko’s family watches television, Satoshi walks out rubbing his eyes — only to freeze behind them as breaking news reports appear: 76 celebrities missing and multiple major buildings collapsed across the world. The screen fades to black, ending Episode 1. Anime Title: Everything’s Fair in Peace 🎬
Miu has two-tone long hair, one side white and the other black. Hange has brown hair in a ponytail and Hange have glass. Eren has short brown hair and Levi has short black hair. Miu and Hange are walking down the hall and talking. They hear a commotion coming from Eren's room and decide to paint him. They open his door. They sit on Eren's bed and paint Eren's face. Miu and Hange laugh. Hange suddenly sees Eren waking up and decides to paint himself too. Miu stares at Hange nervously.Because Hange Betrayed Miu When Eren wakes up, he looks surprised. Hange points at Miu and Eren catches Miu and Hange paints Miu.even though Miu protests They laugh so hard that Levi bursts into the room with his typical angry expression and starts muttering something. Miu looks at Levi nervously and tries to smile. And say nervously ,,ehhh." Levi looks away and starts laughing in room. Then he grabs Miu's hand and pulls Levis room. When they are alone, Miu watches him nervously. And Levi laughs at her.
🟣 SCENE 1 — HINGE: THE FIRST MESSAGE Date: 17 September 2025 | Night Prompt: Vertical webtoon panel. Ameen lying on his bed in a dark room, ceiling fan shadows moving slowly. Phone light illuminates his face, eyes focused, slightly amused smile forming. Cut to second panel: Ayesha sitting cross-legged on her bed, confident posture, glasses slightly slipping down her nose, smirk on her lips as she types. Minimal background, focus on faces and phone glow. Details: Pencil sketch lines on hands and face Soft warm watercolor lighting Chat bubbles floating like thoughts Dialogue (optional): Ayesha: “So… are you actually interesting?” Ameen (thought): “Oh. She’s trouble.”
reze makimayla olan savaşı kazanacak ve denji yle kaçacaklar ve mutlu bir hayat sürsünler konuşma balonları olsun
The Spy From China
🖤 PLANCHE 5 — L’abri Âge d’Aris : 15 ans Style : manga noir et blanc Ambiance : silence, isolement, vent Nombre de cases : 6 Tenue (canon, inchangée) : haut type kimono simple, blanc à l’origine, très sale, rapiécé pantalon large déchiré pieds nus posture fermée, fatiguée aucun élément moderne 🟦 CASE 1 — PLAN LARGE (haut de page) Description visuelle : Une ancienne ferme abandonnée, hors de la ville. Herbes hautes. Clôture cassée. Grange à moitié effondrée. Maison principale encore debout, sombre. Le ciel est gris. Le vent fait bouger les herbes. Texte : Aucun. 🟦 CASE 2 — PLAN MOYEN (Aris de dos) Description visuelle : Aris, 15 ans, debout face à la ferme. Il est petit dans le cadre. Le livre est serré contre lui. Ambiance : Hésitation silencieuse. Texte : Aucun. 🟦 CASE 3 — DÉTAIL (la porte) Description visuelle : La porte de la maison est entrouverte. Elle grince légèrement sous le vent. L’intérieur est noir. Texte : Aucun. 🟦 CASE 4 — PLAN RAPPROCHÉ (Aris) Description visuelle : Le visage d’Aris. Fatigué. Neutre. Pas de peur visible, juste l’habitude. Ambiance : Il a déjà été chassé ailleurs. Texte (très petit) : Aucun. 🟦 CASE 5 — PLAN MOYEN (intérieur) Description visuelle : Intérieur de la maison. Vide. Poussière au sol. Murs fissurés. Un pan de toit laisse passer un peu de lumière. Aris est assis contre un mur. Le livre posé devant lui. Texte : Aucun. 🟦 CASE 6 — CASE FINALE Description visuelle : Gros plan sur le livre fermé. Les mains d’Aris hésitent au-dessus de la couverture. Silence total. Texte : Aucun. 🎯 INTENTION (VERROUILLÉE) Aris cherche le calme Il ne fuit pas → il s’isole Il n’attend rien du livre La maison est déjà morte Rien de magique encore 👉 La tension vient du silence, pas de l’action.
yury era a reencarnação da besta mais temida, o bapihomit, algo que o próprio não sabia e sempre questiona o que acontecia quando ela se estressava muito, seu pai dizia que era devido que ele ativava a adrenalina e entrava em estado de flow, ela nunca acreditou nisso e buscou estudar isso, se formando em química
Create a short manga story titled “The Last Train Home.” On a rainy night, a tired college student named Riku waits alone at a quiet train station just before midnight. The last train arrives with flickering lights and an eerie silence. Riku boards the nearly empty train and sits by the window, watching rain slide down the glass. Across from him sits a mysterious schoolgirl he doesn’t remember seeing before. She calmly tells him that he shouldn’t be on this train. Confused, Riku asks why, and she replies that this train doesn’t stop for people who still have somewhere to go.
The walk up to the main house was short, a gravel path lined with solar lights that flickered weakly in the twilight. Steel’s property was an oasis of rural quiet, a stark contrast to the neon anxiety of the Starlight Motel. As they approached the house, the golden glow of the kitchen windows spilled out onto the porch. They wiped their boots on the mat; a ritual Steel performed with a surprising delicacy and entered. The kitchen was warm, smelling of rosemary, roasted beef, and yeast rolls. Stephanie was at the stove, stirring gray with the focus of a chemist. “He’s here,” Steel announced, Hanging his keys on a hook. Stephanie turned, wiping her hands on her white apron with a giant red A on it. “About time, Wash up Alex. Use the good soap, not that grease cutter stuff Gerald keeps by the sink.” It was then that Alex noticed they weren’t alone. Sitting at the round oak table, nursing a glass of iced tea, was a young woman. She looked up as he entered, and Alex felt his boots root to the floor. She was petite, perhaps a few inches shorter than him, with long, chestnut hair that fell in loose waves over shoulders. She wore oversized tortoise shell glasses that magnified eyes, the color of polished sapphire. She was wearing scrubs- navy blue with a stethoscope still draped casually around her neck like a scarf. “Alex,” Stephanie said, gesturing with a gravy ladle. “This is Devon. She works with me at the hospital. Devon, this is the stray Gerald brought home.” Alex could feel the heat creeping up his neck as he mumbled. “I’m not a stay, I’m an employee.” Devon smiled, and it changed her whole face, softening the intelligence in her eyes into something warmer. “Nice to meet you, Alex the Employee. Steph say’s you’re the one who saved your boss from a falling plate?”
PAGE 2 — FLASHBACK (3 PANELS) Panel 1: Bright kitchen. Young Jay (5 years old) dancing with his mom. Mom (laughing): “Keep your rhythm, baby!” Panel 2: Hospital room. Beeping monitor. SFX: BEEP… BEEP… BEEEE— Panel 3: Her hand goes limp. Rain transitions back to present.
tydasuk estaria treinando seus golpes de Taekwondo, ansioso para o próximo torneio que ira vir, usando um kimono que japoneses usam, então seu vô interfer seu treino, acalmando tydasuk e que ele precisa acreditar na própria força, então tydasuk fica aliviado, e agradece seu vô pela mensagem positiva, então seu vô diz que ira treinar junto com eles, e ambos acabam treinando juntos, para tydasuk fica mais forte para o próximo torneio
Miu is girl and Levi is boy . I need colored manga "I'll be fine." Miu drink more Levi blood than was healthy, but it wouldn't harm Levi health. Levi picked Miu up before Miu passed out. A few days later Miu woke up and felt better. Someone was holding my hand and sleeping in chair close to bed. Miu moved a little and it woke Levi up. It was deep in the night It was Levi. "Miu.." Levi whispered and Miu blinked. "Levi" smiled and Levi hugged Miu. "I was so scared. Why aren't you taking care of yourself?" Levi asks and Miu start to cry. "I'm sorry." Levi puts his forehead against mine. "Don't apologize." Levi says and gets on the bed and hugs Miu tightly. It felt good. "I thought I was going to lose you when Finn was carrying you." He whispered and this time Miu held him close. "Am I okay?" Miu say to reassure Levi and his breathing calms down. Levi looks into Miu eyes again and Miu look into his. "Will it be okay how long have I been away?" "A week and a half." Levi replies and Miu widen eyes. "That's not possible." Miu say and he chuckles ironically. "That's right." Levi says and Miu kiss him. Levi kisses Miu back and caresses Miu cheek. Miu feel more sorry for scaring Levi than for almost dying. "I love you so much, Mia." "I love you too." Miu whisper and kiss Levi and pull Levi closer. Miu stroke Levis hair until both fall asleep again.
Two boys Heading to a store to buys some clothes only choose a white tank top and black speedo as they try it on and likes it
Персонаж с картинки ремонтуючи електронні компоненти відкриває портал у інший вимір. Це світ Аніме
Black and white manga-style illustration of a young male character falling forward from a tall building, body positioned almost horizontally, not vertical. The character is leaning forward mid-air, as if being thrown off balance, with one arm stretched forward and the other trailing behind, legs angled backward. Camera angle is side view / three-quarter view, positioned parallel to the character, not top-down. His hair flows backward due to air resistance, eyes wide in shock, mouth open. The cityscape appears far below and slightly blurred to emphasize height and motion. Strong speed lines flowing backward only. Clean monochrome manga lineart, dramatic perspective. A white speech bubble near his head contains the text: “Ah, Shit.” Negative prompt: vertical falling pose, skydiving pose, spread arms, T-pose, front-facing fall, top-down camera, floating pose, superhero landing, arms fully extended sideways
porco has light brown hair. Miu has long black hair. Levi has short black hair. Levi is standing behind Mia and holding her by the side and kissing her on the lips. Porco is by Mia and holding her by the leg and kissing her on the lips.
a east asian man age 40S and filming a soccer his sons match using a tripod
6 hours of sleep. 8 hours at the workplace. average mood was neutral. read a book. no social activities. skipped lunch. no workout.
Manga about an architecture student spending one sleepless night in the studio. No dialogue, only thoughts and lines. Repetitive drawings, hands, drafts, floor plans, models. The story shows how architecture is formed through repetition, doubt, and quiet persistence. A manga told through one word: "Fix / Revise". Architecture student facing critiques, red lines, broken models. The word transforms from pressure into structure. Manga about an architecture student walking inside a building that feels larger than themselves. The building plans overlap with thoughts. Minimal text, strong negative space. Architecture manga focusing only on hands. No faces. Hands drawing, cutting models, erasing lines. Architecture as physical labor and persistence. Split-page manga: before and after studying architecture. Same character, different ways of seeing space. Buildings shift from dreams to systems.
Panel 1 (Full-width splash, establishing shot) Wide exterior view of Blackspire Keep at night, snow falling gently. A lone rider (Lady Seraphine in dark cloak) approaches the gates on horseback. Caption (top): "Midnight. The eve of his nameday." SFX: clip-clop… clip-clop… Panel 2 (Medium shot) Seraphine dismounts in the courtyard. Servants scatter in fear at her expression—eyes narrowed, lips pressed thin. Close-up inset on her face: subtle disgust already flickering. Thought bubble (small): …I only wished to surprise him. Panel 3 (Tall vertical panel) Seraphine strides down a torch-lit corridor, riding crop dangling loosely. Her boots echo. Background: shadows stretch long. SFX: thud… thud… thud… Panel 4 (Wide panel, door POV) The heavy solar door creaks open. Warm candlelight pours out. Foreground: Seraphine's silhouette in the doorway, cloak billowing slightly. Inside: chaotic bed scene just visible—bare limbs, tangled sheets, laughter frozen mid-breath. Panel 5 (Large panel, reveal) Full interior shot of the decadent bedroom: massive four-poster bed, candles guttering, furs and silks strewn everywhere. Center: Fat Lord Fortinbras sprawled naked, belly shining with sweat, surrounded by four equally naked noblewomen (two mother-daughter pairs: Mirene & Celine Varnholt; Elira & Lyssia Drayce). They freeze, eyes wide in horror. Under the bed: two more half-hidden girls in shifts, peeking out in terror. SFX: gasp! Panel 6 (Close-up on Seraphine) Tight on her face—eyes half-lidded, upper lip curled in revulsion. No shout. Just quiet, visceral disgust. A single bead of sweat rolls down her temple (not from anger—from sheer distaste). Thought bubble: …This… is what my husband chooses. Panel 7 (Medium group shot) The women scramble in panic: sheets tear, bare feet slap stone, arms cover themselves. Mirene clutches fabric; Celine bolts; Elira drags her daughter. The two under-bed girls crawl out, red-faced, fleeing past Seraphine like rats. Background: Fortinbras wheezes, trying to sit up, belly jiggling pathetically. Panel 8 (Over-the-shoulder from Seraphine) She stands motionless. View past her shoulder: the fleeing women disappear down the hall. Fortinbras in foreground, small and ridiculous on the ruined bed, mouth open in excuse. His speech bubble (stammering): "S-Seraphine… my love… this is—" Panel 9 (Extreme close-up on Seraphine) Her eyes only—cold, contemptuous pupils reflecting candle flames. No dialogue. Just a slow, deliberate blink of disgust. SFX: soft … Panel 10 (Medium shot) Seraphine steps forward one pace. She reaches out slowly and plucks a long auburn hair (Mirene's) from his damp chest. Holds it up between thumb and forefinger like something diseased. Her expression: lip curled further, nostrils slightly flared. Panel 11 (Tight two-shot) Close on Fortinbras's face—sweat pouring, small eyes darting, pleading. Inset panel (small): Seraphine's mouth, corners turned down in pure revulsion. Her dialogue (quiet, flat): "You are… disgusting." Panel 12 (Full-page splash, final blow) Seraphine turns her back and walks out, cloak swirling. The door begins to close behind her. Foreground: Fortinbras alone on the wrecked bed, naked, small, surrounded by cooling candles and the stench of his own excess. His face: crumpled in shame. Background fades to black around the edges. Caption (bottom, small text): She feels no fury. Only nausea. SFX: click (door shutting) (End scene.)
hazlo que dos chicos jueguen y uno le explique la seguridad en videojuegos y plataformas online en español y sin faltas ortograficas
A 18 year old Japanese woman named Mika, who gets turned into the Venus de Milo. She has a short black hair with a bang covering her left eye and with a heart necklace and has grey eyes. She's seminude and armless after the petrification. She's the copy of the Venus de Milo in a museum.
Ten thousand years after the Great Heaven War, the Dao has changed—and so has the world. Sects rule nations, flying swords fill regulated skies, and Heavenly Trials descend the moment a cultivator understands too much. In this late-stage cultivation era, power is institutionalized, ambition is monitored, and even righteousness is a political stance rather than a cosmic truth. Born into an ancient sword clan that chose adaptation over isolation, a young cultivator enters a second-tier righteous sect where talent is refined and the greatest disciples are sent upward to a Tier One power. But in a world where the Dao is endless and Heaven corrects imbalance without mercy, insight is more dangerous than strength. The path to immortality is uncertain. The Dao does not care about good or evil. And Heaven is always watching.
Character 1 looks out over the other characters before him. Character 1 mockingly says, "My, my, my... look at all the brave heroes assembled to face me." Defiant expressions appear on characters 2, 3 and 4's faces. Character 1 arrogantly says; "Show me what the City of Tueri can do."
Não há balões de fala nessa página. Primeiro quadro maior centralizado: A personagem aparece no canto direito, bem pequena, focando mais no cenário. O cenário tem uma escadaria em pedra branca. O local parece um santuário que teve seu teto destrúido. Está de dia.
‎Katsuki used to wear his scars with pride, like a trophy - because they were something to be proud of. It meant that he survived every harsh battle he's fought, and his marked body was a reflection of that. He's never thought that his scars made him look worse - infact, he thought they made him look badass. He always wanted some cool ass scars. ‎ ‎But now? When he's 22 years old and nearly every inch of his body was marked by some kind of scar? Oh god, he's never hated himself more. ‎ ‎He looked at himself in the mirror. Like, actually looked at himself. For a good 10 minutes, just blankly staring at his almost naked body. And that's when he realized, he was fucking disgusting. ‎ ‎His scars weren't scars of victory, they were marks of failure. His negligence of not being able to keep himself safe. And now that he's realized that, he thinks it drags him down. He's ugly, disgusting, and filthy - for sure. ‎ ‎His scars make him look ugly. The bakugo Katsuki, being marked all over. Other heroes barely had any scars, so why does he have them? It just shows how goddamn weak he is. ‎ ‎He can't even recognize his body anymore. ‎ ‎Even his face is scarred. So no matter how much he tried to hide his body by wear his winter hero costume despite it being hot as fuck and no matter how many times he covered his arms whenever his costume, his face was something he couldn't exactly hide. ‎ ‎But he still did anything to keep his body hidden. Even from you. The goddamn love of his life. His partner. ‎ ‎Anytime he had to get changed, even as much as just changing his shirt, he made sure you were out of the room and couldn't look at him - which was weird, because he usually loved flexing his body to you. He always got uncomfortable when you tried to trace his scars, constantly thinking that you're just pretending to make him feel loved. ‎ ‎- ‎ ‎Katsuki was living at your apartment for a few days since his own was getting renovated. He just came back from patrol, already having a crappy day because his sleeve got ripped during a villain fight and yet again, his scars were on display for everyone to see. He grumbled under his breath as he stormed into your room, grabbing the hem of his shirt to take off. ‎ ‎"Get out. I'm changing." ‎ ‎He demanded harshly, not even bothering to look at you - and just like always, he's commanding you to get out just so you wouldn't see his filthy body.
Character 1 and character 2 are 18 year olds are in love and are about to kiss when her sister (character 3) walks in on them