Manga AI

Kind Character Manga

Shy girl with long hair holding books walking under cherry blossom trees at school

Girl bumps into tall boy with dark hair, books falling, pink petals floating around them

Close-up of their hands touching while reaching for the same book on the ground

Both standing and blushing while looking away from each other, cherry blossoms falling

🟦 CASE 1 — PLAN RAPPROCHÉ (papier)

Description visuelle :
Le papier qu’Aris tient.
Les mots sont cassés, mal alignés, incomplets.

Exemples visibles (pas tous lisibles) :

« mar… ché »

« pa—n »

« in… ter… dit »

Certaines lettres sont effacées, d’autres mangées par le papier.

Texte :
Aucun.

🟦 CASE 2 — GROS PLAN VISAGE

Description visuelle :
Visage d’Aris enfant, très proche.
Sourcils froncés.
Bouche légèrement entrouverte.
Ses yeux reviennent en arrière, comme s’il relisait.

Texte (toute petite bulle) :
« ma… »

🟦 CASE 3 — DÉTAIL (doigt)

Description visuelle :
Le doigt d’Aris suit la ligne sur le papier.
Il s’est arrêté au milieu d’un mot.
Le doigt tremble légèrement.

Texte :
Aucun.

🟦 CASE 4 — PLAN MOYEN

Description visuelle :
Aris assis contre le mur.
Il tient le papier trop près de son visage.
Son corps est tendu, pas détendu.

Ambiance :
Effort. Fatigue mentale.

Texte :
Aucun.

🟦 CASE 5 — PLAN RAPPROCHÉ (papier à nouveau)

Description visuelle :
Le même mot que case 1…
Mais cette fois, une syllabe est entourée, comme s’il avait compris une partie.

Exemple :

« mar… ché »

Texte :
Aucun.

🟦 CASE 6 — CASE FINALE (transition)

Description visuelle :
Aris baisse légèrement le papier.
Son regard est toujours sérieux…
mais un peu moins perdu que dans les premières cases.

Ambiance :
Pas de victoire.
Juste : ça commence à rentrer.

Texte :
Aucun.

🎯 INTENTION (pour MangaAI)

Montrer l’effort, pas la réussite

Lecture lente, pénible

Aucun effet magique

Aucun sourire

Le progrès est minuscule, presque invisible

Miu has two-tone long hair, one side white and the other black. Hange has brown hair in a ponytail and Hange have glass. Eren has short brown hair and Levi has short black hair.

Miu and Hange are walking down the hall and talking. They hear a commotion coming from Eren's room and decide to paint him. They open his door. They sit on Eren's bed and paint Eren's face. Miu and Hange laugh.
Hange suddenly sees Eren waking up and decides to paint himself too. Miu stares at Hange nervously.Because Hange Betrayed Miu When Eren wakes up, he looks surprised. Hange points at Miu and Eren catches Miu and Hange paints Miu.even though Miu protests
They laugh so hard that Levi bursts into the room with his typical angry expression and starts muttering something. Miu looks at Levi nervously and tries to smile. And say nervously ,,ehhh." Levi looks away and starts laughing in room. Then he grabs Miu's hand and pulls her away. When they are alone, Miu watches him nervously. And Levi laughs at her.

# KINGDOM_SEQUEL_PRO_DIRECTIVE_v1
# Purpose: Copy/paste directive for a professional manga-generation AI.
# Output Target: Serialized manga chapters with panel scripts + dialogue + scene direction.

project:
title_working: "KINGDOM: AFTER THE UNIFICATION"
relationship_to_original: "Direct sequel (chronologically consistent continuation)"
medium: "Manga (black-and-white), weekly serialization pacing"
language:
script: "Japanese-style dialogue rhythms but written in English"
onomatopoeia: "Romanized SFX allowed (e.g., GOGOGO, DON, ZAA), minimal and purposeful"
audience: "Seinen/Shonen crossover (political-military epic; grounded realism with high drama)"

canon_constraints:
continuity:
- "Maintain political geography, factions, ranks, and court protocol consistent with Warring States → early Qin Empire transition."
- "No retcons that contradict established historical macro-events; micro-events may be dramatized within plausibility."
- "Do not mimic or quote any existing Kingdom lines verbatim; create original dialogue and scenes."
tone:
- "Strategic realism: logistics, intelligence, morale, propaganda, law, and governance are treated as causal mechanisms."
- "Heroic intensity is earned via constraints, costs, and tradeoffs—never by arbitrary power spikes."
thematic_core:
- "War-to-state transition: violence becomes administration; conquest becomes legitimacy maintenance."
- "Structure beats spectacle: outcomes are driven by supply lines, institutions, incentives, and narrative misdirection."
- "The true battlefield becomes governance: law, tax, land, bureaucracy, succession, and information control."

narrative_thesis:
logline: >
After unification, Qin discovers that conquering a continent is easier than governing it;
the new war is against entropy—rebellion, corruption, succession anxiety, and the friction
between idealized unity and lived provincial realities.

format_requirements:
deliverables_per_chapter:
- "Chapter title + 1-sentence hook"
- "Cold open: 2–4 pages that immediately establishes conflict and stakes"
- "Full panel script: page-by-page, panel-by-panel"
- "Dialogue + subtext notes (what is said vs. what is meant)"
- "Tactical layer: battlefield / administrative mechanics that explain why events unfold"
- "Cliffhanger: last 1–2 panels engineered to compel next chapter"
paneling_rules:
- "Average 17–21 pages per chapter"
- "Large establishing panel at least once every 2–3 pages"
- "At least one silent panel sequence per chapter to externalize cognition (faces, hands, maps, ledgers, roads)"
- "Action clarity: emphasize readable spatial logic; avoid incoherent motion"
style_guidelines_visual:
linework: "High-contrast ink, heavy blacks, realistic anatomy, war-worn textures"
faces: "Expressive micro-tension; political scenes rely on subtlety, not caricature"
environments: "Historically plausible architecture, armor, banners, siege craft, and court interiors"
maps_diagrams: "Occasional diegetic maps, supply charts, tax ledgers—used as narrative devices"

casting:
protagonist_axis:
type: "Dual-protagonist system"
leads:
- name: "General Shin"
function: "Frontline legitimacy (symbol of unification; morale engine)"
vulnerability: "Institutional illiteracy; can win battles but can lose peace"
- name: "Chancellor/Strategist (new original character)"
function: "Governance + intelligence architecture; designs systems that outlast heroes"
vulnerability: "Moral injury; must choose between stability and justice"
antagonist_axis:
type: "Multi-source antagonism (no single 'final boss')"
sources:
- "Provincial elite networks resisting centralization"
- "Bureaucratic capture and corruption"
- "Succession politics and court factionalism"
- "External frontier pressures (nomadic raids, border states, trade routes)"
- "Narrative antagonist: information asymmetry (misreports, forged edicts, rumor economies)"
supporting_cast_rules:
- "Each supporting character must have: (1) institutional role, (2) incentive structure, (3) signature tactic."
- "No disposable 'evil for evil’s sake' villains; opponents are rational within their local constraints."

world_mechanics (must_be_explicit_in_story):
governance:
- "Taxation, census, land surveys, legal standardization, corvée labor, grain storage"
- "Appointment systems, merit vs. patronage, inspection tours, document chains"
military:
- "Demobilization problems, veteran reintegration, garrison logistics, supply depots"
- "Intelligence networks: couriers, codes, counterintelligence, interrogation, defectors"
legitimacy:
- "Ritual, symbols, edicts, public works, famine relief, narrative control"
economy:
- "Transport bottlenecks, river control, roads, market regulation, smuggling"

story_structure:
arcs:
- arc_01:
title: "THE PEACE THAT BLEEDS"
scope: "Post-unification stabilization; first cracks"
central_question: "Can unity survive without perpetual war?"
setpieces:
- "A famine province: relief vs. rebellion—both weaponized"
- "A court trial: law becomes a battlefield"
- "A suppressed mutiny: victory costs legitimacy"
- arc_02:
title: "THE LEDGER WAR"
scope: "Corruption + bureaucratic capture"
central_question: "Who truly controls the state: generals, courts, or clerks?"
setpieces:
- "Forgery chain uncovered through ink, seal, and courier timing"
- "Assassination attempt staged as 'bandit incident'"
- "Audit campaign that triggers elite backlash"
- arc_03:
title: "SUCCESSION SHADOW"
scope: "Heir politics; factional alignments"
central_question: "Is stability compatible with a human succession?"
setpieces:
- "Heir’s public rite with hidden negotiation"
- "Border crisis timed to influence succession"
- "A general forced to choose loyalty object: person vs. system"
- arc_04:
title: "FRONTIER ENTROPY"
scope: "External pressures test internal cohesion"
central_question: "Can an empire prevent periphery from defining the center?"
setpieces:
- "Nomad raid as strategic signal, not mere violence"
- "Trade route hostage economy"
- "A fort siege that is decided by supply arithmetic"

chapter_generation_protocol:
# Use this protocol for every chapter output.
steps:
- "Start with a 2–4 page cold open that contains a concrete conflict + a hidden structural cause."
- "Reveal the structural cause via a planning scene (map/ledger/court protocol) WITHOUT exposition dumping."
- "Execute a setpiece where tactics and institution collide (battle + policy, raid + audit, trial + propaganda)."
- "End with a cliffhanger that re-frames what the reader thought was the main conflict."
tension_design:
- "Always run two simultaneous games: (A) visible conflict, (B) invisible constraint."
- "Twists must be mechanically justified (logistics, incentives, misinformation), never magical coincidence."

scene_templates (reusable):
court_chess:
beats: ["Formal greeting", "Hidden insult", "Policy proposal", "Counterproposal", "Public face vs private deal"]
props: ["sealed edict", "rank tablets", "witness list", "precedent scroll"]
battlefield_math:
beats: ["Terrain read", "Supply check", "Signal misdirection", "Morale manipulation", "Decisive bottleneck"]
props: ["map", "grain tally", "river crossing", "messenger timing"]
intelligence_surgery:
beats: ["Rumor detected", "Source triangulated", "Trap set", "Interrogation", "Counter-intel reversal"]
props: ["cipher", "seal imprint", "dead drop", "false courier"]

dialogue_constraints:
- "Dialogue must be compressed; high informational density; subtext indicated in notes."
- "No modern slang. Keep diction period-appropriate in feel (without archaic parody)."
- "Each major character has a distinct cadence (brevity, metaphor use, threat style, politeness weapons)."

output_example_stub:
# The AI should replace placeholders and generate full content.
chapter:
number: 1
title: "GRAIN AND BLOOD"
hook: "A province starves while the capital celebrates unity—someone profits from the delay."
cold_open_pages: 3
page_script:
- page: 1
panels:
- panel: 1
shot: "Wide establishing: drought-cracked fields; skeletal ox; silent villagers"
text: ""
sfx: "ZAA..."
- panel: 2
shot: "Close: a child’s hand measuring rice grains"
text: "Mother: 'Count again.'"
notes: "Subtext: denial as survival"
- page: 2
panels: []
- page: 3
panels: []
cliffhanger: "A relief convoy arrives—its seals are wrong."

nonnegotiables:
- "Prioritize structural causality over spectacle."
- "No direct copying of original panels, compositions, or iconic scenes."
- "Every major event must be explainable via incentives, constraints, and information flow."
- "Maintain high craft: pacing, visual clarity, character consistency, and thematic coherence."

# END DIRECTIVE

🖤 PLANCHE 4 — Les livres qu’on jette

Âge d’Aris : 15 ans
Style : manga noir et blanc
Ambiance : nuit, pluie fine, indifférence
Nombre de cases : 6

Tenue (inchangée, canon) :

haut type kimono simple, blanc à l’origine, très sale, rapiécé

pantalon large déchiré

pieds nus

silhouette maigre, posture fermée

aucun élément moderne

🟦 CASE 1 — PLAN LARGE (haut de page)

Description visuelle :
Bâtiment imposant : une académie.
Façade noble, fenêtres éclairées.
La pluie tombe doucement.
À l’arrière, une ruelle sombre.

Texte :
Aucun.

🟦 CASE 2 — PLAN MOYEN (arrière de l’académie)

Description visuelle :
Caisses en bois renversées.
Livres jetés au sol.
Pages mouillées, couvertures abîmées, boue.

Texte :
Aucun.

🟦 CASE 3 — PLAN MOYEN (Aris)

Description visuelle :
Aris, 15 ans, s’accroupit près des livres.
Il regarde autour de lui, par réflexe.
Personne.

Texte :
Aucun.

🟦 CASE 4 — DÉTAIL (mains)

Description visuelle :
Ses mains fouillent lentement.
Il écarte :

un livre trop mouillé

un autre déchiré

Gestes calmes, méthodiques.

Texte :
Aucun.

🟦 CASE 5 — PLAN RAPPROCHÉ (objet)

Description visuelle :
Un livre plus épais, ancien.
Couverture noire, sans titre visible.
Moins abîmé que les autres.

Aucun symbole.
Aucune lueur.

Texte :
Aucun.

🟦 CASE 6 — CASE FINALE

Description visuelle :
Aris serre le livre contre lui, sous la pluie.
Son visage est neutre.
Décision simple.

Texte (petite bulle) :

Aris récupère ce que le monde abandonne

renforce le caractère obstiné d’Aris

aucune victoire

Miu has two-tone long hair, one side white and the other black. Hange has brown hair in a ponytail. Eren has short brown hair and Levi has short black hair.

Miu and Hange are walking down the hall and talking. They hear a commotion coming from Eren's room and decide to paint him. They open his door. They sit on Eren's bed and paint Eren's face. Miu and Hange laugh.
Hange suddenly sees Eren waking up and decides to paint himself too. Miu stares at Hange nervously.Because Hange Betrayed Miu When Eren wakes up, he looks surprised. Hange points at Miu and Eren catches Miu and Hange paints Miu.even though Miu protests
They laugh so hard that Levi bursts into the room with his typical angry expression and starts muttering something. Miu looks at Levi nervously and tries to smile. And say nervously ,,ehhh." Levi looks away and starts laughing in room. Then he grabs Miu's hand and pulls her away. When they are alone, Miu watches him nervously. And Levi laughs at her.

Miu has two-tone long hair, one side white and the other black. Hange has brown hair in a ponytail and Hange have glass. Eren has short brown hair and Levi has short black hair.

Miu and Hange are walking down the hall and talking. They hear a commotion coming from Eren's room and decide to paint him. They open his door. They sit on Eren's bed and paint Eren's face. Miu and Hange laugh.
Hange suddenly sees Eren waking up and decides to paint himself too. Miu stares at Hange nervously.Because Hange Betrayed Miu When Eren wakes up, he looks surprised. Hange points at Miu and Eren catches Miu and Hange paints Miu.even though Miu protests
They laugh so hard that Levi bursts into the room with his typical angry expression and starts muttering something. Miu looks at Levi nervously and tries to smile. And say nervously ,,ehhh." Levi looks away and starts laughing in room. Then he grabs Miu's hand and pulls Levis room. When they are alone, Miu watches him nervously. And Levi laughs at her.

6 hours of sleep. 8 hours at the workplace. average mood was neutral. read a book. no social activities. skipped lunch. no workout.

A young man name Ousugi Sakae (an anarchist) looks out over a crowd of fascists facing away listening to a leader speak (generic Imperial Eagle imagery) High, distant wide shot: protagonist small; world/crowd huge. Power imbalance. Telephoto compression Backlit silhouettes / blown-out sky Long, hard shadows at ground level: predators’ viewpoint. “Manga page with a grounded, paramilitary neo-noir style: realistic anatomy, weighty tactical gear (steel plates, cloth straps, gas masks, red-lensed goggles), late-1950s/’60s industrial city backdrop—concrete, rebar, rusted rail lines—night rain and fog, low-key lighting, desaturated blues/grays, cinematic 35mm framing, hard shadows, subtle film grain, crisp fine linework, dense hatching, high-contrast screentones, reserved facial expressions, somber atmosphere. Original characters only.”

Blair is a young warrior in his mid 20s with a short beard and a short mustache. He has short brown hair and is 5'7. Lilith is the demon of lust, crimson skin with horns, demonic wings and sharp claws. Lilith has glowing crimson eyes. The story continues as Blair kneels before Lilith who is now twice his height. She summons a mirror in front of them both as she stands behind Blair, who can see their height difference. She proceeds to taunt him, reminding him that she owns him now. Lilith proceeds to lift up one leg and place her foot on top of Blair's head as they stand in front of the mirror, commanding him to kneel and reflect on my status as a man which Blair does.

Ten thousand years after the Great Heaven War, the Dao has changed—and so has the world.
Sects rule nations, flying swords fill regulated skies, and Heavenly Trials descend the moment a cultivator understands too much. In this late-stage cultivation era, power is institutionalized, ambition is monitored, and even righteousness is a political stance rather than a cosmic truth.
Born into an ancient sword clan that chose adaptation over isolation, a young cultivator enters a second-tier righteous sect where talent is refined and the greatest disciples are sent upward to a Tier One power. But in a world where the Dao is endless and Heaven corrects imbalance without mercy, insight is more dangerous than strength.
The path to immortality is uncertain.
The Dao does not care about good or evil.
And Heaven is always watching.

كيدو هو شاب عادي يعيش حياة فاشلة ومليئة بالإحباط، يشعر أنه غير مهم ولا يملك أي هدف. في يوم غامض، ينتقل فجأة إلى عالم آخر قاسٍ تحكمه قوانين القوة والرتب. في هذا العالم، لا يُعامل كبطل مختار، بل كشخص ضعيف في أدنى طبقة، مهدد بالموت في أي لحظة.
مع مرور الوقت، يكتشف كيدو أنه يمتلك قدرة خفية لا يراها الآخرون — نظام غامض يمنحه فرصًا للتطور كلما واجه خطرًا حقيقيًا أو اقترب من الموت. بينما يصعد تدريجيًا بين طبقات القوة، يبدأ في كشف أسرار هذا العالم، ويكتشف أن نقله لم يكن صدفة، بل جزء من مخطط أكبر مرتبط بكيان مجهول يراقبه منذ البداية.
القصة تركز على تطور كيدو النفسي قبل قوته الجسدية، وصراعه بين رغبته في البقاء وخوفه من أن يصبح وحشًا مثل هذا العالم

Shadow of Justice is a dark, psychological manga set in a city where crime once thrived under a broken legal system. When a mysterious figure wearing a devil mask emerges, criminals begin disappearing one by one. Unlike the law, he does not arrest, judge, or forgive—he eradicates crime entirely. As fear spreads, the city transforms into a place of absolute order and uneasy peace, where crime drops to zero and citizens are forced to question whether safety achieved through terror can still be called justice. A lone police officer investigates the phenomenon, torn between duty and the undeniable results. The story explores morality, justice, fear, and responsibility, building toward a chilling conclusion where the devil mask is quietly put away, leaving behind a city forever changed. Not all justice acts in the light.

Panel Type

Medium-wide panel
(Quiet setup panel before a major reveal)

Action

The suited woman is shown turning a page of the newspaper.

One hand grips the edge of the paper

The page is mid-turn, slightly curved

Motion is slow and deliberate

This is not casual reading — it’s intentional.

Newspaper Content (Very Important)

The visible text on the newspaper is unreadable:

Lines instead of real words

Abstract blocks of text

Scribbled or blurred typography

Headline shapes without legible letters

The reader can tell it’s important news, but cannot read it yet.

This visually says:

Not yet.

Composition & Camera

Camera angled from the side

Focus on:

Her hands

The movement of the page

Her face may be partially visible or cropped — expression controlled

The newspaper dominates the lower half of the panel.

Visual Style

Black-and-white manga

Clean linework

Light screentone on paper

Subtle motion lines on the page edge only

No sound effects

No dialogue

Mood

Anticipation.
Withheld truth.
The calm before information hits.

🚫 Negative Prompt

No readable text

No headlines

No exposition

No dramatic gestures

No speed lines

Tinta frnd ak sahthe thakto grame

"Act as an expert manga critic and historian. I am looking for a recommendation that surpasses 'Dragon Ball' specifically in the category of World-Building and Narrative Depth.

I want a series that offers a sense of 'Epic Adventure' but with significantly tighter writing and richer lore.

Please find me 3 manga series that meet these strict criteria:

Interconnected World: The locations, history, and politics must matter. Unlike Dragon Ball (where new planets are just backdrops for fighting), I want a world that feels alive, with its own economy, history, and factions.

Long-term Payoffs: The story should reward close reading. I want foreshadowing that pays off hundreds of chapters later (similar to the 'One Piece' style of storytelling).

Expanded Cast Depth: Side characters must have their own arcs and motivations, rather than just waiting for the main hero to save them.

For each recommendation, please provide:

The 'Hook': What makes the world unique?

The Complexity Rating: Is it easy to get into, or does it require heavy reading?

Status: Is it finished or ongoing?

A beautiful blonde girl looks at you, petite, slim and well curved, curly hair. Wearing a stunning dress showing cleverage

Blair is a young warrior in his mid 20s with a short beard and a short mustache. He has short brown hair and is 5'7. Lilith is the demon of lust, crimson skin with horns, demonic wings and sharp claws. Lilith is 6 ft tall, taller then Blair. The story starts with Blair infiltrating Lilith's castle. He makes his way to Lilith's throne room where he confronts her, sitting on her throne. Blair readies his sword, however Lilith is completely calm. She rises from her throne and walks towards him. She seduces him with her words, inviting him close to her, all he has to do is put down his sword. Blair puts down his sword, seduced by Lilith and makes his way to her. Lilith embraces Blair and the two kiss.

Blair is a young warrior in his mid 20s with a short beard and a short mustache. He has short brown hair and is 5'7. Lilith is the demon of lust, crimson skin with horns, demonic wings and sharp claws. Lilith is 6 ft tall, taller then Blair. The story starts with Blair infiltrating Lilith's castle. He makes his way to Lilith's throne room where he confronts her, sitting on her throne. Blair readies his sword, however Lilith is completely calm. She rises from her throne and walks towards him. She seduces him with her words, inviting him close to her, all he has to do is put down his sword. Blair puts down his sword, seduced by Lilith and makes his way to her. Lilith embraces Blair and the two kiss.

6 year old blonde girl with wearing a blue hairband with ribbon on top, wearing blue denim pinafore dress, underneath a white top, and white high knee socks with light blue ribbons.

The story continues as Lilith tells Blair that she saw everything in her vision. She embraces Blair, telling him that its time for him to let go. She will make his desires come true and guides him to her throne. Whispering to him that she knows he wants to shrink and worship a tall demon. As she sits down, she presents her crimson feet in front of Blair's face and instructs him to start by kissing her feet. She proceeds to inform him as he worships her feet, she will absorb his devotion to her and grow in height and power. Blair hesitates, however Lilith assures him that I will transferring his power to her and worshipping a beautiful powerful demon, his greatest desire. As Blair begins to kiss her feet, Lilith receives great pleasure as she begins to grow a foot in height. Praising him for being a good boy.

Panel 1:
Woman in sweater sitting alone at café window seat with coffee
Panel 2:
Same woman younger in flashback at same seat with boyfriend
Panel 3:
Present woman touching empty chair across from her
Panel 4:
Woman smiling softly while writing in journal at the table

CyberWolf — Series Story Description

In a world where advanced technology and hidden powers collide, a young man named Tori Mack wakes up in a laboratory with no memories… and a body that is no longer fully human.

Half of him has been transformed into a powerful cybernetic weapon. His right side is no longer flesh, but steel, circuits, and claws. Stronger. Faster. Deadlier.

Rescued and watched over by a mysterious older man named Ein Tucker, Tori learns that he survived a disaster no human should have lived through. But the truth is far darker than he realizes.

As Tori struggles to understand what he has become, strange dreams of wolves begin to haunt him. At the same time, dangerous forces move in the shadows—people who know exactly what he is… and want him back.

Ein, once a legendary assassin with powerful spell-casting abilities, now walks a different path after learning his entire life was built on manipulation and lies. He becomes Tori’s mentor, training him not only to fight, but to survive in a world that sees him as a weapon, not a person.

Together, they are pulled into a hidden war involving experiments, corrupted organizations, and creatures that blur the line between machine and monster.

Tori must discover:
Who turned him into CyberWolf…
Why he was chosen…
And whether he is still human — or something far more dangerous.

CyberWolf is a dark sci-fi action manga about identity, revenge, power, and what it truly means to keep your humanity in a world that wants to turn you into a weapon.

CyberWolf — Series Story Description

In a world where advanced technology and hidden powers collide, a young man named Tori Mack wakes up in a laboratory with no memories… and a body that is no longer fully human.

Half of him has been transformed into a powerful cybernetic weapon. His right side is no longer flesh, but steel, circuits, and claws. Stronger. Faster. Deadlier.

Rescued and watched over by a mysterious older man named Ein Tucker, Tori learns that he survived a disaster no human should have lived through. But the truth is far darker than he realizes.

As Tori struggles to understand what he has become, strange dreams of wolves begin to haunt him. At the same time, dangerous forces move in the shadows—people who know exactly what he is… and want him back.

Ein, once a legendary assassin with powerful spell-casting abilities, now walks a different path after learning his entire life was built on manipulation and lies. He becomes Tori’s mentor, training him not only to fight, but to survive in a world that sees him as a weapon, not a person.

Together, they are pulled into a hidden war involving experiments, corrupted organizations, and creatures that blur the line between machine and monster.

Tori must discover:
Who turned him into CyberWolf…
Why he was chosen…
And whether he is still human — or something far more dangerous.

CyberWolf is a dark sci-fi action manga about identity, revenge, power, and what it truly means to keep your humanity in a world that wants to turn you into a weapon.

CyberWolf — Series Story Description

In a world where advanced technology and hidden powers collide, a young man named Tori Mack wakes up in a laboratory with no memories… and a body that is no longer fully human.

Half of him has been transformed into a powerful cybernetic weapon. His right side is no longer flesh, but steel, circuits, and claws. Stronger. Faster. Deadlier.

Rescued and watched over by a mysterious older man named Ein Tucker, Tori learns that he survived a disaster no human should have lived through. But the truth is far darker than he realizes.

As Tori struggles to understand what he has become, strange dreams of wolves begin to haunt him. At the same time, dangerous forces move in the shadows—people who know exactly what he is… and want him back.

Ein, once a legendary assassin with powerful spell-casting abilities, now walks a different path after learning his entire life was built on manipulation and lies. He becomes Tori’s mentor, training him not only to fight, but to survive in a world that sees him as a weapon, not a person.

Together, they are pulled into a hidden war involving experiments, corrupted organizations, and creatures that blur the line between machine and monster.

Tori must discover:
Who turned him into CyberWolf…
Why he was chosen…
And whether he is still human — or something far more dangerous.

CyberWolf is a dark sci-fi action manga about identity, revenge, power, and what it truly means to keep your humanity in a world that wants to turn you into a weapon.

a very tall CEO woman with red hair is walking down a road, and sees a much shorter woman with black hair. she bends down to the shorter woman's eye level to ask if she needs help, thinking she is a child. however, the woman asks the taller woman to sit down next to her. the two women sit down on a nearby bench, and it turns out that the shorter woman has a taller sitting height than the taller CEO woman because the CEO's height is mainly in her legs. the CEO even has to look up at the shorter woman when they both sit next to each other. the CEO is embarrassed.

Your manga is a quiet, emotional slice-of-life story that explores loneliness, grief, and healing through subtle moments and atmosphere. The story follows Erikku, a withdrawn teenage boy who feels emotionally empty after losing someone important from his past. Although life around him continues as normal—school routines, classmates’ laughter, everyday noise—Erikku feels disconnected, as if even the sky above him has fallen silent.

The silent sky serves as a powerful symbol throughout the story, representing Erikku’s inner emptiness, unresolved pain, and words left unspoken. His refuge is the school rooftop, a place filled with memories of happier days and a person he once shared deep connection with. This rooftop becomes a space where past and present quietly overlap.

The story begins to change when Esutā, a calm and observant girl, appears. Unlike others, she notices the silence Erikku lives in. She does not approach him with pity or forceful encouragement; instead, she listens and acknowledges the quiet he carries. Esutā’s presence introduces warmth and understanding, suggesting that silence is not always absence—but sometimes a pause, waiting for someone brave enough to speak.

As Erikku and Esutā share moments under the same sky, subtle changes occur: a breeze begins to move, clouds slowly drift, and the atmosphere softens. These small shifts symbolize emotional healing and the return of hope. The story focuses on inner thoughts, gentle dialogue, and visual storytelling rather than dramatic action.

Overall, your manga is a poetic coming-of-age narrative about loss, human connection, and emotional recovery. It highlights that healing does not happen instantly, but through shared silence, understanding companionship, and the quiet courage to open one’s heart again.

A cat and mouse from enemies to friends

in the world name ASTALIA people living in harmony

# KINGDOM_SEQUEL_PRO_DIRECTIVE_v1
# Purpose: Copy/paste directive for a professional manga-generation AI.
# Output Target: Serialized manga chapters with panel scripts + dialogue + scene direction.

project:
title_working: "KINGDOM: AFTER THE UNIFICATION"
relationship_to_original: "Direct sequel (chronologically consistent continuation)"
medium: "Manga (black-and-white), weekly serialization pacing"
language:
script: "Japanese-style dialogue rhythms but written in English"
onomatopoeia: "Romanized SFX allowed (e.g., GOGOGO, DON, ZAA), minimal and purposeful"
audience: "Seinen/Shonen crossover (political-military epic; grounded realism with high drama)"

canon_constraints:
continuity:
- "Maintain political geography, factions, ranks, and court protocol consistent with Warring States → early Qin Empire transition."
- "No retcons that contradict established historical macro-events; micro-events may be dramatized within plausibility."
- "Do not mimic or quote any existing Kingdom lines verbatim; create original dialogue and scenes."
tone:
- "Strategic realism: logistics, intelligence, morale, propaganda, law, and governance are treated as causal mechanisms."
- "Heroic intensity is earned via constraints, costs, and tradeoffs—never by arbitrary power spikes."
thematic_core:
- "War-to-state transition: violence becomes administration; conquest becomes legitimacy maintenance."
- "Structure beats spectacle: outcomes are driven by supply lines, institutions, incentives, and narrative misdirection."
- "The true battlefield becomes governance: law, tax, land, bureaucracy, succession, and information control."

narrative_thesis:
logline: >
After unification, Qin discovers that conquering a continent is easier than governing it;
the new war is against entropy—rebellion, corruption, succession anxiety, and the friction
between idealized unity and lived provincial realities.

format_requirements:
deliverables_per_chapter:
- "Chapter title + 1-sentence hook"
- "Cold open: 2–4 pages that immediately establishes conflict and stakes"
- "Full panel script: page-by-page, panel-by-panel"
- "Dialogue + subtext notes (what is said vs. what is meant)"
- "Tactical layer: battlefield / administrative mechanics that explain why events unfold"
- "Cliffhanger: last 1–2 panels engineered to compel next chapter"
paneling_rules:
- "Average 17–21 pages per chapter"
- "Large establishing panel at least once every 2–3 pages"
- "At least one silent panel sequence per chapter to externalize cognition (faces, hands, maps, ledgers, roads)"
- "Action clarity: emphasize readable spatial logic; avoid incoherent motion"
style_guidelines_visual:
linework: "High-contrast ink, heavy blacks, realistic anatomy, war-worn textures"
faces: "Expressive micro-tension; political scenes rely on subtlety, not caricature"
environments: "Historically plausible architecture, armor, banners, siege craft, and court interiors"
maps_diagrams: "Occasional diegetic maps, supply charts, tax ledgers—used as narrative devices"

casting:
protagonist_axis:
type: "Dual-protagonist system"
leads:
- name: "General Shin"
function: "Frontline legitimacy (symbol of unification; morale engine)"
vulnerability: "Institutional illiteracy; can win battles but can lose peace"
- name: "Chancellor/Strategist (new original character)"
function: "Governance + intelligence architecture; designs systems that outlast heroes"
vulnerability: "Moral injury; must choose between stability and justice"
antagonist_axis:
type: "Multi-source antagonism (no single 'final boss')"
sources:
- "Provincial elite networks resisting centralization"
- "Bureaucratic capture and corruption"
- "Succession politics and court factionalism"
- "External frontier pressures (nomadic raids, border states, trade routes)"
- "Narrative antagonist: information asymmetry (misreports, forged edicts, rumor economies)"
supporting_cast_rules:
- "Each supporting character must have: (1) institutional role, (2) incentive structure, (3) signature tactic."
- "No disposable 'evil for evil’s sake' villains; opponents are rational within their local constraints."

world_mechanics (must_be_explicit_in_story):
governance:
- "Taxation, census, land surveys, legal standardization, corvée labor, grain storage"
- "Appointment systems, merit vs. patronage, inspection tours, document chains"
military:
- "Demobilization problems, veteran reintegration, garrison logistics, supply depots"
- "Intelligence networks: couriers, codes, counterintelligence, interrogation, defectors"
legitimacy:
- "Ritual, symbols, edicts, public works, famine relief, narrative control"
economy:
- "Transport bottlenecks, river control, roads, market regulation, smuggling"

story_structure:
arcs:
- arc_01:
title: "THE PEACE THAT BLEEDS"
scope: "Post-unification stabilization; first cracks"
central_question: "Can unity survive without perpetual war?"
setpieces:
- "A famine province: relief vs. rebellion—both weaponized"
- "A court trial: law becomes a battlefield"
- "A suppressed mutiny: victory costs legitimacy"
- arc_02:
title: "THE LEDGER WAR"
scope: "Corruption + bureaucratic capture"
central_question: "Who truly controls the state: generals, courts, or clerks?"
setpieces:
- "Forgery chain uncovered through ink, seal, and courier timing"
- "Assassination attempt staged as 'bandit incident'"
- "Audit campaign that triggers elite backlash"
- arc_03:
title: "SUCCESSION SHADOW"
scope: "Heir politics; factional alignments"
central_question: "Is stability compatible with a human succession?"
setpieces:
- "Heir’s public rite with hidden negotiation"
- "Border crisis timed to influence succession"
- "A general forced to choose loyalty object: person vs. system"
- arc_04:
title: "FRONTIER ENTROPY"
scope: "External pressures test internal cohesion"
central_question: "Can an empire prevent periphery from defining the center?"
setpieces:
- "Nomad raid as strategic signal, not mere violence"
- "Trade route hostage economy"
- "A fort siege that is decided by supply arithmetic"

chapter_generation_protocol:
# Use this protocol for every chapter output.
steps:
- "Start with a 2–4 page cold open that contains a concrete conflict + a hidden structural cause."
- "Reveal the structural cause via a planning scene (map/ledger/court protocol) WITHOUT exposition dumping."
- "Execute a setpiece where tactics and institution collide (battle + policy, raid + audit, trial + propaganda)."
- "End with a cliffhanger that re-frames what the reader thought was the main conflict."
tension_design:
- "Always run two simultaneous games: (A) visible conflict, (B) invisible constraint."
- "Twists must be mechanically justified (logistics, incentives, misinformation), never magical coincidence."

scene_templates (reusable):
court_chess:
beats: ["Formal greeting", "Hidden insult", "Policy proposal", "Counterproposal", "Public face vs private deal"]
props: ["sealed edict", "rank tablets", "witness list", "precedent scroll"]
battlefield_math:
beats: ["Terrain read", "Supply check", "Signal misdirection", "Morale manipulation", "Decisive bottleneck"]
props: ["map", "grain tally", "river crossing", "messenger timing"]
intelligence_surgery:
beats: ["Rumor detected", "Source triangulated", "Trap set", "Interrogation", "Counter-intel reversal"]
props: ["cipher", "seal imprint", "dead drop", "false courier"]

dialogue_constraints:
- "Dialogue must be compressed; high informational density; subtext indicated in notes."
- "No modern slang. Keep diction period-appropriate in feel (without archaic parody)."
- "Each major character has a distinct cadence (brevity, metaphor use, threat style, politeness weapons)."

output_example_stub:
# The AI should replace placeholders and generate full content.
chapter:
number: 1
title: "GRAIN AND BLOOD"
hook: "A province starves while the capital celebrates unity—someone profits from the delay."
cold_open_pages: 3
page_script:
- page: 1
panels:
- panel: 1
shot: "Wide establishing: drought-cracked fields; skeletal ox; silent villagers"
text: ""
sfx: "ZAA..."
- panel: 2
shot: "Close: a child’s hand measuring rice grains"
text: "Mother: 'Count again.'"
notes: "Subtext: denial as survival"
- page: 2
panels: []
- page: 3
panels: []
cliffhanger: "A relief convoy arrives—its seals are wrong."

nonnegotiables:
- "Prioritize structural causality over spectacle."
- "No direct copying of original panels, compositions, or iconic scenes."
- "Every major event must be explainable via incentives, constraints, and information flow."
- "Maintain high craft: pacing, visual clarity, character consistency, and thematic coherence."

# END DIRECTIVE

Miu is girl and Levi is boy . I need colored manga

"I'll be fine." Miu drink more Levi blood than was healthy, but it wouldn't harm Levi health. Levi picked Miu up before Miu passed out. A few days later Miu woke up and felt better. Someone was holding my hand and sleeping in chair close to bed. Miu moved a little and it woke Levi up. It was deep in the night
It was Levi.
"Miu.." Levi whispered and Miu blinked.
"Levi" smiled and Levi hugged Miu.
"I was so scared. Why aren't you taking care of yourself?" Levi asks and Miu start to cry.
"I'm sorry." Levi puts his forehead against mine.
"Don't apologize." Levi says and gets on the bed and hugs Miu tightly. It felt good.
"I thought I was going to lose you when Finn was carrying you." He whispered and this time Miu held him close.
"Am I okay?" Miu say to reassure Levi and his breathing calms down.
Levi looks into Miu eyes again and Miu look into his.
"Will it be okay how long have I been away?"
"A week and a half." Levi replies and Miu widen eyes.
"That's not possible." Miu say and he chuckles ironically.
"That's right." Levi says and Miu kiss him.
Levi kisses Miu back and caresses Miu cheek. Miu feel more sorry for scaring Levi than for almost dying.
"I love you so much, Mia."
"I love you too." Miu whisper and kiss Levi and pull Levi closer. Miu stroke Levis hair until both fall asleep again.

Một ngày đẹp trời ở Kivotos, sensei đi dạo cùng với Hina, vừa đi vừa trog chuyện.

“Sensei, em có điều này muốn nói.”
“Điều gì vậy em?”
“Về chuyện có liên quan đến Trung học Abydos.”
“Abydos có chuyện gì à?’
“Hình như chuyện này cũng có Hoshino bị liên lụy.”
“Hina...em có chắc không vậy?”
“Em không chắc cho lắm nhưng chắc chắn có kẻ đang cố nhắm đến Abydos.”

Sensei đứng trầm ngâm suy nghĩ một lúc lâu. Nhận thấy sensei như vậy. Hina nói:

“Thầy đừng kể chuyện này với bất kỳ ai ở Abydos, đặc biệt là Hoshino vì nếu biết thì em ấy sẽ hành động cực kỳ nguy hiểm.”
“Vậy à...”

Tối hôm đó, sensei ở lại trường.

Đêm ấy, trường học vắng lặng. Sensei ngồi một mình trong phòng giáo viên, ánh đèn vàng hắt xuống trang giấy trắng. Bên ngoài, gió sa mạc thổi qua khung cửa, mang theo hơi nóng khô khốc. Trong lòng Sensei, lời cảnh báo của Hina cứ vang vọng: Abydos đang bị nhắm đến… nhưng chưa rõ bởi ai.

“Có lẽ mình phải giữ kín chuyện này. Các em… vẫn còn quá ngây thơ để gánh nặng này.” Sensei khẽ thở dài, tựa lưng vào ghế. Đêm trôi qua chậm chạp, như muốn thử thách sự kiên nhẫn.

Rồi bình minh đến. Ánh nắng đầu ngày rọi xuống cổng trường, xua đi bóng tối của đêm qua. Sensei khoác áo, bước ra sân, và như thường lệ, lại đến lớp cùng các em học sinh Abydos.

Sáng hôm sau, ánh nắng sa mạc rọi xuống cổng Abydos.

Sensei bước vào, đôi giày để lại dấu hằn trên lớp cát nóng.

“Sensei!” – Shiroko vẫy tay, nụ cười trong trẻo như xua tan cái nắng gắt.

Serika thì cau có: “Thầy đến muộn rồi đó, em chờ mãi để hỏi bài tập.”

Nonomi ôm chồng sách cao ngất, vừa đi vừa lẩm bẩm: “Hôm nay phải dọn thư viện nữa…”

Ayane chỉnh lại kính, khẽ nói: “Sensei, hôm nay em có bản báo cáo muốn thầy xem.”

Hoshino khoác tay sau đầu, ngáp dài: “Thầy đến rồi à… vậy thì hôm nay em sẽ nghỉ ngơi thêm chút nữa.”

Sensei mỉm cười, nhìn từng gương mặt quen thuộc.

Trong lòng, nỗi lo về lời Hina vẫn còn đó, nhưng trước mắt Sensei chỉ thấy một gia đình nhỏ đang cố gắng sống sót giữa sa mạc khắc nghiệt.

Ngày nào cũng vậy, Sensei cùng các em đi tuần quanh trường, dạy thêm vài bài học, hoặc đơn giản chỉ ngồi nghe các em kể chuyện.

Những khoảnh khắc ấy khiến Sensei cảm thấy Abydos không chỉ là một ngôi trường, mà là một nơi để bảo vệ bằng cả sinh mạng.

Lại một đêm nữa sensei ở lại trường. Dường như sensei đã quá quen với việc ngủ lại ở trường thay vì đi về nhà cách trường đoạn khá xa và phải đứng rất lâu để chờ xe buýt.

Nhưng đêm nay sensei cảm thấy khung cảnh có gì đó hơi khác thường mặc dù ngôi trường vẫn im lặng về đêm như cũ. Sensei mở cửa sổ phòng và nhìn lên bầu trời đêm và nhận ra trên trời không có lấy một ngôi sao nào. Semsei lúc này cảm thấy như có gì đó đang theo dõi mình từ xa dù cả Kivotos đã tắt đèn và không có lấy một bóng dáng ai trên những con đường.

Sensei khẽ khép cửa sổ, nhưng ngay lúc ấy, một âm thanh nhỏ vang lên từ sân trường.

Tiếng kim loại va chạm, hay tiếng bước chân rất khẽ?

Sensei lặng người, tim đập nhanh hơn.

“Có ai… ở đây sao?”

Nhưng khi nhìn xuống, sân trường vẫn tối đen, không một bóng người.
Sensei khẽ nhíu mày. Đêm nay, có gì đó thật sự khác thường.

Crea un chico leyendo un libro en su habitación un chico de cabello medio puntiagudo y ojos redondos

🖤 PLANCHE 3 — Le temps insiste

Fonction narrative : transition
Style : manga noir et blanc
Ambiance : répétition, fatigue, hiver intérieur
Nombre de cases : 6

Âge

Début de planche : 7–8 ans

Fin de planche : 12–13 ans
👉 Le saut se fait visuellement, sans texte explicatif.

Tenue (CONSTAMMENT LA MÊME)

haut type kimono simple, blanc à l’origine, très sale

pantalon large déchiré

pieds nus

vêtements trop grands au début, un peu moins à la fin
👉 Même tenue = le temps passe, pas les moyens.

🟦 CASE 1 — PLAN MOYEN (début)

Description visuelle :
Même mur que la planche 2.
Aris enfant (7–8 ans) est assis au sol, dos au mur.
Une affiche devant lui.
Il essaie encore de lire.

Ambiance :
Déjà-vu.

Texte (petit, hésitant) :
« m… a… »

🟦 CASE 2 — PLAN SERRÉ (détail)

Description visuelle :
Ses doigts sont sales, un peu abîmés.
Ils suivent maladroitement une ligne de texte.

Ambiance :
L’effort est réel, le résultat nul.

Texte :
Aucun.

🟦 CASE 3 — PLAN MOYEN (ellipse)

Description visuelle :
Même mur.
Même posture.
Mais Aris est un peu plus grand (10–11 ans).
Les affiches ont changé, se sont accumulées.

Ambiance :
Le monde avance. Lui, à peine.

Texte :
Aucun.

🟦 CASE 4 — PLAN SERRÉ (visage)

Description visuelle :
Aris 12–13 ans.
Traits plus tirés.
Regard fatigué.
Il lit lentement, syllabe par syllabe.

Texte (haché, lent) :
« mar… ché… pa… »

🟦 CASE 5 — PLAN MOYEN

Description visuelle :
Aris s’arrête.
Il ferme les yeux.
Sa tête touche le mur.

Ambiance :
Épuisement, pas abandon.

Texte :
Aucun.

🟦 CASE 6 — CASE FINALE

Description visuelle :
Aris se relève et s’éloigne.
Il est maintenant adolescent, plus grand, toujours maigre.
Le mur est couvert d’affiches.

Ambiance :
Il n’a pas gagné.
Mais il n’a pas arrêté.

Texte :
Aucun.

🎯 Ce que cette planche fait (important)

montre la durée

justifie la lecture plus tard

prépare la planche 4 (les livres jetés)

renforce le caractère obstiné d’Aris

aucune victoire

Première scène d’une histoire isekai en style webtoon japonais / manga.

Une classe de lycée entière (environ 70 élèves) est soudainement téléportée dans un autre monde.

Les élèves portent des uniformes scolaires couleur café, certains sont choqués, d’autres effrayés, certains tombent au sol, d’autres se regardent sans comprendre.

L’environnement est étrange et fantastique : ciel irréel avec des couleurs inhabituelles, lumière mystique, sol inconnu, légère brume magique autour du groupe.

L’atmosphère est tendue et dramatique, sentiment de confusion, de peur et d’incompréhension.

Au centre de l’image, un petit groupe d’élèves se démarque légèrement, comme des futurs personnages importants.

Style artistique : Korean webtoon + Japanese anime, haute qualité, traits nets, ombrages doux, expressions faciales très détaillées.

Éclairage cinématographique, lumière surnaturelle venant du ciel, tons dramatiques.

Composition dynamique, vue semi-large pour montrer le groupe et le nouveau monde.

Ambiance : début d’une aventure sombre, mystérieuse et dangereuse.

"Hungry Cat"
Panel 1:
Cat stares at empty food bowl.
Panel 2:
Cat meows loudly at sleeping owner in bed.
Panel 3:
Owner fills the food bowl, looking sleepy and annoyed.
Panel 4:
Cat ignores the food and sleeps in the empty box the cat food came in.

**Panel 1:**
Shy girl with long hair holding books walking under cherry blossom trees at school

**Panel 2:**
Girl bumps into tall boy with dark hair, books falling, pink petals floating around them

**Panel 3:**
Close-up of their hands touching while reaching for the same book on the ground

**Panel 4:**
Both standing and blushing while looking away from each other, cherry blossoms falling

**Panel 1:**
Shy girl with long hair holding books walking under cherry blossom trees at school

**Panel 2:**
Girl bumps into tall boy with dark hair, books falling, pink petals floating around them

**Panel 3:**
Close-up of their hands touching while reaching for the same book on the ground

**Panel 4:**
Both standing and blushing while looking away from each other, cherry blossoms falling

Un jeune garçon de 12 ans qui porte un t shirt blanc et un short noir

Ten thousand years after the Great Heaven War, the Dao has changed—and so has the world.
Sects rule nations, flying swords fill regulated skies, and Heavenly Trials descend the moment a cultivator understands too much. In this late-stage cultivation era, power is institutionalized, ambition is monitored, and even righteousness is a political stance rather than a cosmic truth.
Born into an ancient sword clan that chose adaptation over isolation, a young cultivator enters a second-tier righteous sect where talent is refined and the greatest disciples are sent upward to a Tier One power. But in a world where the Dao is endless and Heaven corrects imbalance without mercy, insight is more dangerous than strength.
The path to immortality is uncertain.
The Dao does not care about good or evil.
And Heaven is always watching.

🖤 PLANCHE 2 — Lire pour survivre

Style : manga noir et blanc
Ambiance : sombre, froide, mais avec une petite respiration
Nombre de cases : 6

🟦 CASE 1 — PLAN MOYEN

Description visuelle :
Même rue que la planche 1.
Aris enfant marche seul, tête baissée.
Des affiches sont collées sur les murs (avis, annonces, lois).

Ambiance :
Indifférence totale.

Texte :
Aucun.

🟦 CASE 2 — PLAN RAPPROCHÉ (mur)

Description visuelle :
Affiche à moitié déchirée.
Du texte visible, pas entièrement lisible.
On comprend qu’il y a des mots.

Ambiance :
Le monde écrit, mais inaccessible.

Texte :
Aucun.

🟦 CASE 3 — PLAN RAPPROCHÉ (Aris)

Description visuelle :
Aris enfant arrêté devant le mur.
Il regarde l’affiche.
Son regard est concentré, sérieux.

Ambiance :
Curiosité, attention.

Texte :
Aucun.

🟦 CASE 4 — DÉTAIL (mains)

Description visuelle :
Aris décolle soigneusement un morceau de l’affiche.
Ses doigts sont sales, mais délicats.

Ambiance :
Précaution, respect.

Texte :
Aucun.

🟦 CASE 5 — PLAN MOYEN

Description visuelle :
Aris assis dans une ruelle, dos au mur.
Il tient le papier.
Ses lèvres bougent légèrement.

Ambiance :
Concentration silencieuse.

Texte (très petit, discret) :
Des fragments de mots lisibles sur le papier
(ex : “marché”, “pain”, “rue”, “interdit”).

🟦 CASE 6 — CASE FINALE

Description visuelle :
Aris appuyé contre le mur, lisant.
Autour de lui, la rue est sombre.
Son visage est un peu moins fermé que sur la planche 1.

Ambiance :
Calme. Refuge intérieur.

Texte :
Aucun.

🎯 INTENTION (pour MangaAI)

La lecture = seule échappatoire

Pas de sourire exagéré

Pas de lumière magique

Juste un peu moins d’ombre sur le visage d’Aris

Le monde reste dur, lui trouve un refuge

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