Editorial Manga Manga

1. Opening Note – “2025 Highlights” Full-page manga splash illustration of Africa. Glowing nodes highlight Zimbabwe, Uganda, Kenya, and other regions. Add digital network symbols, climate icons (sun, rain, trees), and scenes of Indigenous community gatherings. Space for a large manga-style editorial title.
3. Feature II – Investigating the Climate Lie Machine Two-panel manga spread: Panel 1: Field researchers in Matabeleland North collecting data with local communities. Panel 2: Abstract, stylized infographic panel showing climate misinformation flows, myths, and narrative pathways, drawn in a cyber-manga style.
Serious manga portrait, staring directly at viewer. Intense eyes. Detailed face, shadows.
2. Feature I – Foundations of a Movement Manga scenes of Indigenous community meetings under trees or in community halls. Researchers and elders planning together, drawn with realistic proportions but manga expressions and motion lines. Soft infographic overlays showing TORs, workflow, and partnership webs. Warm, earthy tones.
Serious manga portrait, staring directly at viewer. Intense eyes. Detailed face, dramatic shadows.
He gave the dying woman the body of a succubus and immortal life, Japanese manga style,
A line art comic about character 1 running through a bunch of small monster that are failing to catch her.
Комикс в стиле семейной комедии. Три члена — ax², bx, c — представлены как “семья трехчленов”, живущая в многоэтажке под названием “Парабола”. Изобрази сцены: a — папа, b – мама, с – бабушка, дедушка Дискриминант: Мудрый старец или гениальный учёный. Имеет прибор (лупу или компьютер) для расчёта формулы дискриминанта (D = b^2 - 4ac). Дети - Корни x_1 и x_2: два весёлых близнеца. Добавь смешные диалоги. Семья раскладывается в формулу ax^2 + bx + c = a(x - x_1)(x - x_2) Цветовая гамма – зеленая, красно-синяя, желтая
4. Africa Climate Disinformation Toolkit Manga illustration of an open toolkit filled with documents, charts, mobile devices, laptops. African youth in classrooms or workshops actively learning. Visual focus on fact-checking, detecting manipulation, and building counter-narratives.
7. Information Integrity Highlights Two-panel spread: Panel 1: African creators shaking hands with UNESCO representatives, with a digital network linking Africa to global platforms. Panel 2: Manga-style training scenes of youth using UKWELI tools to fact-check.
Two characters in a tense face-off amidst ruins. They stare each other down with serious, determined eyes. Detailed ruined city background. Dynamic shonen manga style.
6. Feature IV – Nurturing the Next Generation Youth creators in Nairobi in mentorship sessions. Laptops, cameras, manga-style brainstorming scenes with chibi inserts for humor. Energetic, youthful layout.
5. Feature III – Art as Resistance High-energy manga scenes of murals, live painting, The Last Forest–inspired exhibitions. Youth interacting with community art, expressive faces, bold ink strokes, vibrant palettes.
Shounen manga, near-future. 1 panel only. Panel 1: Wide cinematic shot of Arcadia Sovereign Academy, a gigantic ultra-modern school complex on an artificial island at sunrise. Sleek towers, bridges, and a huge exam building, with crowds of nervous teenagers in school uniforms lining up outside for the entrance exam. In the foreground, one boy stands out: Kanzaki Reo, a confident first-year candidate with messy dark-gold hair and sharp amber eyes, hands in his pockets, looking relaxed and slightly amused while everyone else looks tense. Big caption at the top: “Arcadia Sovereign Academy – where future rulers are chosen.” Manga style, clean shounen lineart, high contrast, dynamic composition.
A young man name Ousugi Sakae looks out over a crowd of fascists (generic Imperial Eagle imagery) High, distant wide shot: protagonist small; world/crowd huge. Power imbalance. Telephoto compression Backlit silhouettes / blown-out sky Long, hard shadows at ground level: predators’ viewpoint. “Manga page with a grounded, paramilitary neo-noir style: realistic anatomy, weighty tactical gear (steel plates, cloth straps, gas masks, red-lensed goggles), late-1950s/’60s industrial city backdrop—concrete, rebar, rusted rail lines—night rain and fog, low-key lighting, desaturated blues/grays, cinematic 35mm framing, hard shadows, subtle film grain, crisp fine linework, dense hatching, high-contrast screentones, reserved facial expressions, somber atmosphere. Original characters only.”
Shounen manga, near-future. 1 panel only. Panel 2: Interior of a massive, high-tech exam hall of Arcadia Sovereign Academy. Dozens of rows of desks with students sitting and taking a written exam. Overhead lights and digital clocks add a tense atmosphere. Focus on three students: – Kanzaki Reo in the middle, relaxed, leaning back slightly with his pen down, already finished early, a small confident smirk on his face. – To one side, Kurozawa Rika, short black hair and glasses, sitting straight with a serious expression, calmly answering questions. – To the other side, Sakurai Hina, shy-looking girl with short brown hair and a hair clip, sweating and nervously gripping her pen, clearly stressed. Caption at top: “Arcadia Sovereign Academy – Entrance Exam, Stage 1: Written Test.” Small thought bubble for Reo: “So this is how they pick future rulers… interesting.” Clean shounen lineart, same visual style as previous panel.
4-panel manga comic. Panel 1: A tired high school boy in his room at night. He sighs. Speech bubble: "Another day, nothing changed..." Panel 2: His smartphone glows and a small cute AI character appears. Speech bubble: "Hello. May I listen to you?" Panel 3: The boy looks surprised, then smiles softly. Speech bubble: "I thought I was alone." Panel 4: They sit side by side, the room feels brighter. Speech bubbles: AI: "Then let's stay together from today." Boy: "Yeah."
A young man just out of high school (Ousugi Sakae) grapples with a world falling into fascism, the loneliness of adulthood, and his sense of obligation to oppose fascism and bring about an especifist anarchist revolution to save everyone. Additionally, he is in love with his kouhai (Emma) who is also dedicated to the cause. They can't really be together because that would complicate an already dangerous life. Or could they? What kind of life and love is there in a world being corrupted by hatred? Is bravery and comradery enough to turn the tide and win the revolution? Or is something more needed? There should be a sense of nostalgia for a world that never existed, and a longing for a future world yet to be. He should be feel a sense of solidarity with his friends and Emma but also isolation and loneliness because the world is so unpredictable. This manga should be an intro duction to the characters and the world.
Shadow of Justice is a dark, psychological manga set in a city where crime once thrived under a broken legal system. When a mysterious figure wearing a devil mask emerges, criminals begin disappearing one by one. Unlike the law, he does not arrest, judge, or forgive—he eradicates crime entirely. As fear spreads, the city transforms into a place of absolute order and uneasy peace, where crime drops to zero and citizens are forced to question whether safety achieved through terror can still be called justice. A lone police officer investigates the phenomenon, torn between duty and the undeniable results. The story explores morality, justice, fear, and responsibility, building toward a chilling conclusion where the devil mask is quietly put away, leaving behind a city forever changed. Not all justice acts in the light.
A young man name Ousugi Sakae (an anarchist) looks out over a crowd of fascists facing away listening to a leader speak (generic Imperial Eagle imagery) High, distant wide shot: protagonist small; world/crowd huge. Power imbalance. Telephoto compression Backlit silhouettes / blown-out sky Long, hard shadows at ground level: predators’ viewpoint. “Manga page with a grounded, paramilitary neo-noir style: realistic anatomy, weighty tactical gear (steel plates, cloth straps, gas masks, red-lensed goggles), late-1950s/’60s industrial city backdrop—concrete, rebar, rusted rail lines—night rain and fog, low-key lighting, desaturated blues/grays, cinematic 35mm framing, hard shadows, subtle film grain, crisp fine linework, dense hatching, high-contrast screentones, reserved facial expressions, somber atmosphere. Original characters only.”
Black-and-white dark manga page, 4 panels, slow psychological pacing. Panel 1: Takashi Kenta lying on his bed at night, holding phone above his face. Handsome face, sharp jawline, silver eyes glowing from phone light. Messy room, dark walls, urban loneliness. Large dialogue bubble: "Another night… just me and this screen." Panel 2: Side view close-up of Kenta scrolling endlessly. Soft shadows contour his attractive face. Large thought bubble: "I don’t even remember what I’m looking for anymore." Panel 3: Extreme close-up of Kenta’s silver eyes, reflective, tired but beautiful. Narration box (large): "Time moved, but he stayed still." Panel 4: Phone screen showing a chess CHECKMATE. Kenta’s lips slightly curved in a quiet smile. Large dialogue bubble: "At least here… I’m not invisible."
# **SILENT SEASONS** ## COMPLETE STORY SUMMARY — ALL 30 CHAPTERS *A quiet, character-driven manga about guilt, communication, separation, and choosing to stay.* --- ### **CHAPTER 1 — THE SOUND OF NOTHING** Aki Mori lives wrapped in silence, avoiding the world with empty headphones. Hana Kurosawa transfers into his class, using a notebook and sign language. Her presence awakens memories Aki has buried. ### **CHAPTER 2 — WORDS BETWEEN PAGES** Aki and Hana begin communicating through writing in the school library. Silence becomes shared rather than isolating. A fragile connection forms. ### **CHAPTER 3 — HANDS THAT TREMBLE** Hana teaches Aki basic sign language. Aki struggles but keeps trying, showing effort instead of avoidance for the first time. ### **CHAPTER 4 — ECHOES** Flashbacks reveal Aki bullied a deaf girl as a child. His shame explains his fear of speaking and closeness. ### **CHAPTER 5 — DISTANCE ON PURPOSE** Aki begins pulling away from Hana, believing he doesn’t deserve her kindness. Hana notices but doesn’t force him. ### **CHAPTER 6 — A QUESTION LEFT UNANSWERED** Hana asks if she did something wrong. Aki cannot respond, deepening the emotional gap. --- ### **CHAPTER 7 — THE SHAPE OF AN APOLOGY** Aki confesses his past to Hana in writing, admitting his guilt without asking for forgiveness. ### **CHAPTER 8 — I AM NOT HER** Hana responds honestly: she is not the person Aki hurt, but she understands that pain. They remain together, cautiously. ### **CHAPTER 9 — RUMORS** School gossip puts pressure on Hana and Aki. Their quiet bond becomes exposed. ### **CHAPTER 10 — RAIN** Misunderstandings push them apart. A rainy evening ends with Aki returning Hana’s dropped notebook, choosing not to disappear. ### **CHAPTER 11 — STAY** At a summer festival, Aki removes his headphones and signs his feelings imperfectly. Hana asks him to stay. ### **CHAPTER 12 — SPRING, QUIETLY** Aki speaks aloud for the first time, a simple greeting. They walk forward together, changed but unfinished. --- ### **CHAPTER 13 — OUTSIDE VOICES** Hana joins a deaf community group, finding confidence beyond Aki. Their world begins to expand. ### **CHAPTER 14 — UNSAID THINGS** The notebook fails them. Assumptions replace communication, creating quiet tension. ### **CHAPTER 15 — WHO ARE YOU?** Hana asks Aki who he is without apologizing. The question shakes him deeply. ### **CHAPTER 16 — BREAKING QUIET** They decide to take time apart, understanding distance may be necessary to grow. --- ### **CHAPTER 17 — SEPARATE ROOMS** Aki and Hana live parallel lives. Silence returns, but it feels different—emptier. ### **CHAPTER 18 — LEARNING TO LISTEN** Aki learns that listening requires action, not just quiet. Hana learns strength doesn’t mean isolation. ### **CHAPTER 19 — ATTEMPTS** Aki practices speaking more, failing often but continuing. Growth is slow and uncomfortable. ### **CHAPTER 20 — THE PERSON I WAS** Aki confronts his past directly, seeking out the person he once hurt to apologize without expectation. --- ### **CHAPTER 21 — WORDS SAID ALOUD** Aki speaks clearly for himself for the first time. His voice is no longer only tied to guilt. ### **CHAPTER 22 — WATCHING FROM AFAR** Hana witnesses Aki’s growth without interfering, respecting his independence. ### **CHAPTER 23 — A FAMILIAR SILENCE** They meet again after time apart. The silence between them is calmer, no longer heavy. ### **CHAPTER 24 — HOME IS A PERSON** They acknowledge their feelings openly. Love is quiet, mutual, and chosen. --- ### **CHAPTER 25 — NEW SEASONS** Adulthood approaches. Careers and distance threaten stability. ### **CHAPTER 26 — FEAR RETURNS** Old anxieties resurface, but this time they talk instead of withdrawing. ### **CHAPTER 27 — SIDE BY SIDE** They face uncertainty together, supporting without depending. ### **CHAPTER 28 — NO PROMISES** They reject dramatic vows, choosing honesty over guarantees. ### **CHAPTER 29 — THE PLATFORM AGAIN** The story mirrors its beginning: a train platform, but now shared. ### **CHAPTER 30 — STILL, I STAY** Without words, they choose each other and the life ahead. Silence is no longer something to fear. --- ## **FINAL MESSAGE** *Some silences hurt. Some heal. And some are shared.* ## **END O
Комикс в жанре детектива. Главный герой — Следователь Дискриминант (символ D), который расследует дело о количестве корней уравнения. Каждое уравнение — подозреваемый. Вставь сцену: на стене висит таблица дел — “D>0 — два корня”, “D=0 — один корень”, “D<0 — корней нет”. Пусть Дискриминант ищет улики: b² - 4ac. Добавь юмор: переменная b прячется за шкафом/ Цветовая гамма – зеленая, красно-синяя, желтая
Комикс в жанре приключенческой школы магии. Герой — Макс Матемаг — сталкивается с магическим квадратным уравнением, которое держит в плену корни. Чтобы освободить корни, Максу нужно использовать Теорему Виета: сумма корней и произведение корней. Показать, как он вычисляет x_1+x_2=-b/a и x_1⋅x_2=c/a и шаг за шагом освобождает каждый корень. Финал — все корни свободны, а Макс получает “Кристалл Формул” как награду Цветовая гамма – зеленая, красно-синяя, желтая
Создай комикс в стиле космического путешествия. Главная героиня — пилот Кривая √x. Её космокорабль строит траекторию строго вправо, начиная из точки (0;0). На экранах корабля отображаются точки графика. Добавь первые кадры: герой пробует лететь влево — “Ошибка! Под корнем не может быть отрицательных чисел!”. Добавь панель с подписанными свойствами: область определения, монотонность, медленный рост
Комикс в стиле научной лаборатории. Два героя — Профессор Радикан и его помощница Упростинка — проводят “операцию” над выражениями √a, √b, объединяя их, вынося множители из-под корня, упрощая дроби. Покажи смешную сцену: на столе лежат выражения, как материалы для эксперимента, а герои аккуратно “перекладывают” множители. Используй зелёные и жёлтые тона. Добавь комическую сцену: выражение √50 кричит — “Вытащите меня из-под 25!”
FEATURE II — Investigating the Climate Lie Machine Grassroots Disinformation Research In Matabeleland North, our field teams completed a landmark study with the Tjwa community. The research reveals how climate disinformation impacts resource access, daily decision-making, and community adaptation. These findings now anchor our content pipeline — from animations to community exhibitions — and the full report will be released on our public document-sharing platform.
Un gato negro filósofo llamado sombra piensa en el génesi biblico y su creación, se pregunta respecto a que las cosas se crean cuando las nombra. Poteriormente se pregunta ¿Ya vendrá el mushe JuanJo a darme de comer?, ya tengo hambre.
Africa Climate Disinformation Toolkit The continent’s first integrated guide to climate misinformation has been finalised. Led by an information integrity expert, the toolkit documents: Recurring myths Localised misinformation patterns Platform-driven manipulation Emerging online climate narratives Launching this December via webinar, the Toolkit already informs youth trainings and content strategy. It will be publicly accessible for download and reading.
"Hungry Cat" Panel 1: Cat stares at empty food bowl. Panel 2: Cat meows loudly at sleeping owner in bed. Panel 3: Owner fills the food bowl, looking sleepy and annoyed. Panel 4: Cat ignores the food and sleeps in the empty box the cat food came in.
Комикс в жанре супергероики. Три супергероя — “Тип без b”, “Тип без c” и “Тип без b и c”. Каждый спасает мир своим методом решения. Герой без b умеет делить на x, герой без c умеет извлекать корень, третий герой решает мгновенно. Вставь динамичные кадры, где они показывают свои формулы как суперсилы. Цветовая гамма – зеленая, красно-синяя
Ami, a curvy, 19-year old, African American girl from Chicago wakes up in a new world ruled by dungeons and dragons. This world is based off Japan's Oda era, so she wakes up in a kimono and caught between the affections of three male suitors.
A line art comic about character 1 running through a bunch of small monster that are failing to catch her.
Комикс в жанре детектива. Главный герой — Следователь Дискриминант (символ D), который расследует дело о количестве корней уравнения. Каждое уравнение — подозреваемый. Вставь сцену: на стене висит таблица дел — “D>0 — два корня”, “D=0 — один корень”, “D<0 — корней нет”. Пусть Дискриминант ищет улики: b² - 4ac. Добавь юмор: переменная b прячется за шкафом/ Цветовая гамма – зеленая, красно-синяя, желтая
Love story
Создай комикс в стиле приключенческого фэнтези. Главный герой — юный математический маг по имени Коренько, который ищет волшебный артефакт √x, способный уменьшать большие числа. Изобрази сцену, где Коренько объясняет: “Корень вытаскивает число из квадрата!”, показывает примеры √49, √64 как магические кристаллы. Добавь визуальную метафору: квадрат превращается в светящийся камень, а из него выходит число. Цвета — яркие, голубые и золотые
love story
Персонаж з картинки підходить до будинку з написом "robocode", він хвилюється і дивиться на запрошення в руках до ціїє школи програмування та робототехніки. Зайшовши в школу, він бачить багато щасливих дітей, які програмують і роблять роботів. Персонаж радісно каже: "Нарешті я знайшов місце, де буду вчитись з радістю!"
CLIMATE X INDIGENOUS VOICES MAGAZINE EDITION – 2025 HIGHLIGHTS OPENING NOTE 2025 has been a defining year for Climate X Indigenous Voices — a year of deep listening, bold experimentation, and continent-wide action against climate disinformation. From grassroots fieldwork to global information integrity frameworks, this project has cemented itself as one of Africa’s leading voices on climate truth, Indigenous knowledge, and digital resilience. This edition captures the milestones, stories, and sparks that shaped our journey.
Watching fire from football
CLIMATE X INDIGENOUS VOICES MAGAZINE EDITION – 2025 HIGHLIGHTS OPENING NOTE 2025 has been a defining year for Climate X Indigenous Voices — a year of deep listening, bold experimentation, and continent-wide action against climate disinformation. From grassroots fieldwork to global information integrity frameworks, this project has cemented itself as one of Africa’s leading voices on climate truth, Indigenous knowledge, and digital resilience. This edition captures the milestones, stories, and sparks that shaped our journey.
**Panel 1:** Shy girl with long hair holding books walking under cherry blossom trees at school **Panel 2:** Girl bumps into tall boy with dark hair, books falling, pink petals floating around them **Panel 3:** Close-up of their hands touching while reaching for the same book on the ground **Panel 4:** Both standing and blushing while looking away from each other, cherry blossoms falling