Action Adventure Manga

Aiko spends her days working between two jobs, one of them a small bakery filled with the scent of warmth and routine. It’s there that she meets Kaito—a quiet boy who becomes a regular customer, always ordering the same thing, always lingering just a little longer than necessary. What Aiko doesn’t realize is that, somewhere between shared smiles and late-afternoon conversations, Kaito has fallen in love with her. Aiko’s heart, however, remains tied to Ren, her childhood friend. Even as Ren grows distant and emotionally unavailable, she continues to chase the comfort of what they once were, unaware of how much she is losing by holding on. Mina watches from the sidelines, as she corrupts Ren’s mind even more only loving him for his money isolating him from all his friends and making him hurt aiko. Kaito stays silent, offering kindness without expectation, choosing patience over confession. He listens when Aiko talks about Ren. He smiles even when her pain has nothing to do with him. And each day, as he leaves the bakery, he carries his unreturned love with him. Four hearts move in the wrong directions, bound by timing, silence, and fear. In a world where everyone is loving someone who cannot love them back, happiness feels impossibly far away. A bittersweet manga about quiet devotion, missed chances, and the kind of love that exists even when it is never chosen.
Kurisutīna is a short, shy blonde girl who fled her homeland because of war. Her father died in the conflict, and her mother, consumed by grief, escapes into alcohol and neglects her emotionally. In a foreign country, Kurisutīna struggles at school, is rejected because of her origin, and feels isolated despite her constant efforts. Lost and fragile, she searches for her identity and a reason to keep going. One day, she meets Māseru — a tall, quiet, and mysterious boy whose face is never fully shown. Calm and distant, he helps Kurisutīna see the world differently, teaching her that life is not built on grades, status, or material things, but on inner peace, self-understanding, and finding one’s own happiness. Later, another person enters her life — more direct and grounded in reality. They become close, and through this friendship Kurisutīna becomes aware of the cruelty, injustice, and emptiness of the world around her. Suddenly, this person disappears, leaving behind only words that linger in her mind. Kurisutīna continues attending school, but slowly begins to understand the meaning of those words. Eventually, she runs away from home to truly discover herself. During her journey, she encounters situations that reveal both the good and evil of humanity. Each experience helps her confront her fears, emotions, and desires. Step by step, Kurisutīna begins to understand who she is — realizing that the answers she was searching for in others had always existed within her.
Miu is girl and Levi is boy . I need colored manga "I'll be fine." Miu drink more Levi blood than was healthy, but it wouldn't harm Levi health. Levi picked Miu up before Miu passed out. A few days later Miu woke up and felt better. Someone was holding my hand and sleeping in chair close to bed. Miu moved a little and it woke Levi up. It was deep in the night It was Levi. "Miu.." Levi whispered and Miu blinked. "Levi" smiled and Levi hugged Miu. "I was so scared. Why aren't you taking care of yourself?" Levi asks and Miu start to cry. "I'm sorry." Levi puts his forehead against mine. "Don't apologize." Levi says and gets on the bed and hugs Miu tightly. It felt good. "I thought I was going to lose you when Finn was carrying you." He whispered and this time Miu held him close. "Am I okay?" Miu say to reassure Levi and his breathing calms down. Levi looks into Miu eyes again and Miu look into his. "Will it be okay how long have I been away?" "A week and a half." Levi replies and Miu widen eyes. "That's not possible." Miu say and he chuckles ironically. "That's right." Levi says and Miu kiss him. Levi kisses Miu back and caresses Miu cheek. Miu feel more sorry for scaring Levi than for almost dying. "I love you so much, Mia." "I love you too." Miu whisper and kiss Levi and pull Levi closer. Miu stroke Levis hair until both fall asleep again.
Miu is girl qnd Levi is boy "I'll be fine." I drink more than was healthy, but it wouldn't harm his health. He picked me up before I passed out. A few days later I woke up and felt better. Someone was holding my hand and sleeping. I moved a little and it woke him up. It was deep in the night It was Levi. "Miu.." He whispered and I blinked. "Levi" smiled and then hugged me. "I was so scared. Why aren't you taking care of yourself?" He asks and I start to cry. "I'm sorry." He puts his forehead against mine. "Don't apologize." He says and gets on the bed and hugs me tightly. It felt good. "I thought I was going to lose you when Finn was carrying you." He whispered and this time I held him close. "Am I okay?" I say to reassure him and his breathing calms down. He looks into my eyes again and I look into his. "Will it be okay how long have I been away?" "A week and a half." He replies and I widen my eyes. "That's not possible." I say and he chuckles ironically. "That's right." He says and I kiss him. He kisses me back and caresses my cheek. I feel more sorry for scaring him than for almost dying. "I love you so much, Mia." "I love you too." I whisper and kiss him as a friend. I stroke his hair until we both fall asleep again.
Miu have long hair black and white Levi have short hair .Levi is vampire . The door opened and I looked in the mirror, so I knew who was standing behind me. "Hello Levi, it's been a long time, maybe 1000 years." Mia beep quietly. "Hello Mia." He said it for the first time, so calmly. "When did you remember your previous life?" Levi asks and Miu already smiling. "Five years ago Levi." LEVI grits his teeth. "I knew you would find me and I waited for you to do it. It was fate." I stand up and walk over to him. We look into each other's eyes. "In the diary you left me, none of it made sense. You just died, why? Mia, why the hell." A tear falls from my eye. "Because if you died, I would lose the reason to live. I love you Levi. I never stopped. Our souls were connected when we first met. Since you are bound to me, you are not a Ymir subject." I say and he straightens up. "What did you say?" His eyes widen in surprise. "Let's move somewhere else please I don't want to talk about this here." He nods and grabs my hand. "I promise I won't die again. Neither will you. We will be together." He squeezes my hand even tighter.
Miu have long hair black and white Levi have short hair .Levi is vampire . The door opened and I looked in the mirror,I look who came. so I knew who was standing behind me. "Hello Levi, it's been a long time, maybe years." Mia beep quietly. "Hello Mia." He said it for the first time, so calmly. "When did you remember your previous life?" Levi asks and Miu already smiling. "Five years ago Levi." LEVI grits his teeth. "I knew you would find me and I waited for you to do it. It was fate." I stand up and walk over to him. We look into each other's eyes. "In the diary you left me, none of it made sense. You just died, why? Mia, why the hell." A tear falls from my eye. "Because if you died, I would lose the reason to live. I love you Levi. I never stopped. Our souls were connected when we first met. Since you are bound to me, you are not a Ymir subject." I say and he straightens up. "What did you say?" His eyes widen in surprise. "Let's move somewhere else please I don't want to talk about this here." He nods and grabs my hand. "I promise I won't die again. Neither will you. We will be together." He squeezes my hand even tighter.
Miu is girl and Levi is boy . I need colored manga "I'll be fine." Miu drink more Levi blood than was healthy, but it wouldn't harm Levi health. Levi picked Miu up before Miu passed out. A few days later Miu woke up and felt better. Someone was holding my hand and sleeping in chair close to bed. Miu moved a little and it woke Levi up. It was deep in the night It was Levi. "Miu.." Levi whispered and Miu blinked. "Levi" smiled and Levi hugged Miu. "I was so scared. Why aren't you taking care of yourself?" Levi asks and Miu start to cry. "I'm sorry." Levi puts his forehead against mine. "Don't apologize." Levi says and gets on the bed and hugs Miu tightly. It felt good. "I thought I was going to lose you when Finn was carrying you." He whispered and this time Miu held him close. "Am I okay?" Miu say to reassure Levi and his breathing calms down. Levi looks into Miu eyes again and Miu look into his. "Will it be okay how long have I been away?" "A week and a half." Levi replies and Miu widen eyes. "That's not possible." Miu say and he chuckles ironically. "That's right." Levi says and Miu kiss him. Levi kisses Miu back and caresses Miu cheek. Miu feel more sorry for scaring Levi than for almost dying. "I love you so much, Mia." "I love you too." Miu whisper and kiss Levi and pull Levi closer. Miu stroke Levis hair until both fall asleep again.
CLIMATE X INDIGENOUS VOICES MAGAZINE EDITION – 2025 HIGHLIGHTS OPENING NOTE 2025 has been a defining year for Climate X Indigenous Voices — a year of deep listening, bold experimentation, and continent-wide action against climate disinformation. From grassroots fieldwork to global information integrity frameworks, this project has cemented itself as one of Africa’s leading voices on climate truth, Indigenous knowledge, and digital resilience. This edition captures the milestones, stories, and sparks that shaped our journey. FEATURE I — Foundations of a Movement Project Foundations & Ethical Community Partnerships Our year began where all great stories do — on the ground. Core teams were formed across Zimbabwe, Uganda, Kenya and regional media hubs, with contracts, TORs, and workflow structures firmly established. Early engagement with Indigenous partners — including the Tjwa community and others — ensured ethical collaboration, transparent consent, and storytelling shaped with communities, not about them. FEATURE II — Investigating the Climate Lie Machine Grassroots Disinformation Research In Matabeleland North, our field teams completed a landmark study with the Tjwa community. The research reveals how climate disinformation impacts resource access, daily decision-making, and community adaptation. These findings now anchor our content pipeline — from animations to community exhibitions — and the full report will be released on our public document-sharing platform. Africa Climate Disinformation Toolkit The continent’s first integrated guide to climate misinformation has been finalised. Led by an information integrity expert, the toolkit documents: Recurring myths Localised misinformation patterns Platform-driven manipulation Emerging online climate narratives Launching this December via webinar, the Toolkit already informs youth trainings and content strategy. It will be publicly accessible for download and reading. FEATURE III — Art as Resistance Art-Driven Dissemination Strategy From murals to exhibitions, 2025 strengthened the role of art in climate truth-telling. Community artists partnered with us to transform research into accessible, culturally rooted visual storytelling. A centerpiece was the exhibition inspired by The Last Forest documentary, showcased at the Green Cities Expo in September. FEATURE IV — Nurturing the Next Generation of Climate Truth Creators Green Media Accelerator: Fake News Fighters Track In Nairobi, the Green Media Accelerator launched a dedicated track for Fake News Fighters (FNF) — now one of Africa’s leading climate information integrity models. Through mentorship, fact-checking skills, and seed funding, FNF empowered young media innovators to produce verified, creative responses to climate lies. INFORMATION INTEGRITY HIGHLIGHTS Positioning Africa in the Global Info Integrity Landscape 2025 saw FNF align with the UNESCO Declaration for Information Integrity in the Public Sphere, marking a milestone for African-driven climate truth models. In 2026, FNF will contribute directly to shaping the world’s first Climate Information Integrity Framework, anchoring African solutions in global policy spaces. Fake News Fighters Bootcamps – Kenya & Uganda Using UKWELI as the core tool, two bootcamps trained 30 young creators to: Fact-check climate misinformation Detect platform manipulations Produce counter-narratives Map the real-world impacts of false climate stories These creators now feed into a continent-wide content pipeline. FEATURE V — Content, Storytelling & Digital Resistance Voices Rooted Podcast Production of the first episodes began this month. Key recordings include: Dr. Albert K. Barume, UN Special Rapporteur on the Rights of Indigenous Peoples Indigenous leaders and frontline climate defenders The podcast positions Indigenous wisdom at the centre of Africa’s climate discourse. Hope Not Heat! — Log Off The Lies Digital Campaign Bold. Satirical. Youth-driven. Log Off The Lies has become our strongest weapon against climate misinformation. Highlights: Infomercial launched in October — 2 million views Hero content released last week — 1.8 million views Youth social storm platform launched — 100+ engagements and counting Humour + fact-checking = sharper climate awareness among youth audiences This campaign now shapes the continent’s conversation on online climate manipulation. Influencer Travel Vlogs Travel and contracting with leading African vloggers is underway. Their content — spotlighting Indigenous adaptation stories — will be released early next year for wider impact. Documentary Production In Zimbabwe: Filming completed in August. Trailer for The Last Forest reached 2.5 million views. Festival submissions are being prepared for 2026. In Uganda: Filming has begun, expanding the documentary footprint across the region. A major national event is planned to engage policy makers on Indigenous Peoples' Rights, Conservation, FPIC and Extractive Industries. FEATURE VI — Youth Creativity & Climate Knowledge Climate Fake News Smackdown This creative competition invited youth to challenge climate myths. Three winners — one each from Zimbabwe, Kenya and Uganda — are now producing myth-busting content for release this month. Climate Facts Animations Three animated explainers are in production: Episode 1 releases on 10 December Episode 2 is complete Episode 3 follows early next year These animations demystify climate disinformation for youth audiences. FEATURE VII — Growing a Continental Network Africa Climate Labs Network Content hubs across East and Southern Africa are collaborating to build an Africa-wide front against climate disinformation. 2026 will deepen: Joint content planning Regular reporting Skill exchanges Coordinated distribution strategies Mid-term M&E is tracking reach, narrative shifts, and behaviour change across communities. SPECIAL RECOGNITION Fake News Fighters Wins Amnesty International Zimbabwe Award FNF received the Digital Creativity Award, affirming that information integrity is fundamental to climate justice. Without reliable information, communities cannot defend their rights, advocate for policy change, or hold powerful actors accountable. LOOKING AHEAD — 2026 AND BEYOND Next year, Climate X Indigenous Voices pivots from standalone outputs to continent-wide narrative influence. Key Priorities for 2026 Expanding UKWELI’s integration into broader African dialogues on climate truth and Indigenous resilience Strengthening the Fake News Fighters track for Zimbabwean and Tanzanian innovators Documentary production in Kenya and Tanzania A refreshed, more dynamic phase of the Hope Not Heat! campaign Strategic release of delayed content to maximise engagement 2026 will be the year the project scales from impactful storytelling to movement-level influence.
Title: Revy’s Black Market Genre: Cyberpunk, Tech-Noir, Dystopian, Underground Economy Tone: Dark, intelligent, rebellious, futuristic Style: High-contrast black & white manga with neon cyberpunk accents, glitch effects, holographic UI overlays WORLD SETTING The story takes place in Vybz Land, a massive futuristic megacity where technology evolves daily, but access to innovation is controlled by powerful corporations and elites. In this world, early access equals power, and being late means being left behind forever. The city is filled with: Neon skyscrapers Surveillance drones Digital billboards Crowded lower districts where people struggle to keep up with the future Hidden beneath this system is an underground network known only as Revy’s Black Market (RBM). THE BLACK MARKET (RBM) RBM is not a physical place — it is a digital gateway. Access is earned, not sold. RBM offers: Early access to emerging technology Secret deals before public release Presales and limited drops AI tools, mobility tech, robotics, and Web3 platforms RBM doesn’t steal technology — it redistributes access and timing. MAIN CHARACTER — REVY Revy is the mysterious overseer of RBM. Appearance: Androgynous cyberpunk figure Long dark coat with glowing circuit patterns One eye enhanced with a digital interface Calm expression, always observing Personality: Highly intelligent Emotionally controlled Speaks in short, powerful lines Never explains everything Revy believes the future should reward curiosity, not wealth. STORY SUMMARY CHAPTER 1 — Access Denied A young citizen in Vybz Land watches others advance while he is left behind by expensive technology. He sees advertisements for innovation he cannot afford. On a dark alley wall, a glowing symbol appears: “The future isn’t sold. It’s accessed.” CHAPTER 2 — The Gate The symbol leads to RBM. A digital interface appears asking for identity verification. When access is granted, Revy appears as a hologram. Revy says: “You don’t buy the future. You arrive before it’s expensive.” CHAPTER 3 — Deals Are Power Users of RBM begin gaining advantages: Smarter tools Faster mobility Better opportunities Corporations notice something is wrong. Someone is disrupting their control. CHAPTER 4 — The Underground Rises RBM grows. More people gain access. The elite begin hunting the source. Revy watches from the shadows and says: “We don’t break systems. We expose their timing.” CORE THEMES Access vs privilege Technology as power Freedom through information The underground economy of the future FINAL MESSAGE RBM is not a store. It is a gateway. Tagline for final page: “Welcome to Revy’s Black Market — where the future is traded early.”
4. Africa Climate Disinformation Toolkit Manga illustration of an open toolkit filled with documents, charts, mobile devices, laptops. African youth in classrooms or workshops actively learning. Visual focus on fact-checking, detecting manipulation, and building counter-narratives.
Keith slouched on his couch, the glow of his phone illuminating the dark corners of his apartment. The bottle on the table was almost empty, but he didn’t care. He couldn’t stop staring at the screen. Clair. She was kissing Jonny. His best friend. The same Jonny he had told just days ago that he was going to confess. I guess I was just the dancing monkey, he thought bitterly. Always there, always reliable, never the one chosen. A sharp knock at the door yanked him out of his spiral. Tipsy and unsteady, he stumbled to open it. She was standing there. Clair. At least, that’s what he told himself. She looked frantic, her hair slightly messy, her eyes wide. Without waiting for an invitation, she stepped inside. "Do you know where Clair left my files?" she asked, scanning the room with a sense of urgency. Keith blinked. Why is she talking in third person? he thought, but he didn’t dwell on it. He was too focused on the fact that it was her. "They should be somewhere around here," he said, rubbing his temple. She spotted a folder on the table and snatched it up. "Found them," she said, relief flashing across her face. She turned to leave, hand reaching for the door. Before she could, Keith’s hand was already on the door, stopping her. Their eyes met, and for a moment, the apartment fell into silence. Time seemed to stretch. He moved closer, heart hammering. He took her hand. She froze—then didn’t pull away. The folder slipped from her fingers and fell to the floor with a soft thud. Keith leaned in. He kissed her. For a moment, she hesitated. Then she kissed him back. The world narrowed down to that single, electrifying moment. Neon lights from the city outside spilled across their faces, painting the room in sharp colors. He barely noticed when they pulled apart, both breathless. Morning came far too quickly. Sunlight streamed through the curtains, burning his eyes. His head throbbed, a reminder of last night’s haze. He turned in the bed and felt warmth beside him. His stomach dropped. The hair spilling across the pillow wasn’t brown. It was jet black. Recognition hit like a punch to the gut. Olivier Clair. Clair’s older sister. His boss. Keith froze, unable to process what had happened, the memories of last night coming back in a flood of panic, confusion, and disbelief.
Panel Type Extra-wide cinematic panel (double-page spread feeling) Camera High-angle camera, positioned near the ceiling Looking downward at a slight diagonal tilt Emphasizes scale, complexity, and secrecy Characters appear small compared to the environment 🧪 Environment – Underground Laboratory (Tokyo 2030) A large underground laboratory hidden deep beneath the city, industrial and functional rather than clean or futuristic-glossy. Central Area A large workstation hub in the middle Multiple computer terminals with stacked screens (2025-level tech, not holograms) Screens show: Code Brain scan data System diagnostics Surveillance-style feeds Thick cables snake across the floor, connecting systems Left Side – Power & Network Systems Inspired by your server rack reference: Tall server towers lining the wall Blinking indicator lights Heavy power conduits running along walls and floor Backup batteries, transformers, exposed cabling Feels noisy and energy-dense, like the lab must stay powered at all costs Right Side – Brain Scanner Room Inspired by the brain scanner chamber: A sealed scanning pod or chair inside a recessed alcove Mechanical armature above it with a focused light Thick padding, restraint-like elements (medical, not violent) Glass or transparent barrier partially enclosing it Clearly the most unsettling object in the room Rear / Side Areas – Planning & Research Inspired by the planning boards: One or two mobile whiteboards Covered with: Maps Red and blue marker lines Handwritten notes Sticky notes Diagrams and timelines Papers taped unevenly Suggest long-term planning and obsession 👥 Characters (All Three Present) Positioning They stand together but not unified: Scientist near the central workstation Slightly forward, familiar with the space Calm, focused posture Suited Woman a step behind Arms crossed or rigid stance Body language skeptical and tense Visibly evaluating the lab Younger Woman slightly apart Curious, relaxed Looking around rather than at the others They are small compared to the lab, reinforcing how big and serious this place is. 🎨 Art Style Black-and-white manga illustration Heavy use of screentone for depth Strong industrial textures Clean but dense linework No exaggerated sci-fi glow Realistic near-future technology 🎭 Mood Overwhelming scale. Hidden knowledge. A place built over years for something dangerous and important. 🚫 Negative Prompt No chibi style, no fantasy magic, no bright cyberpunk neon, no known characters, no cartoon proportions, no text bubbles.
Page 1-2: Preparing for Eid Scene: The girls are sitting in the living room, talking about Eid " Meg: "I am so excited for Eid, but I feel sad for people who don't have enough ".Jo: "Yes... some children might not get any gifts or food "?Beth: "Maybe we can do something small to help them "?Meg: "What if we make them happy with little presents or sweets ".Jo: "That sounds nice! We can plan it together "Mom: "Ilove your idea, girls. Eid is not just for receiving, it's also for giving Page 3-4: Planning Scene: The girls discuss what each will do "Meg: "I think I can bake some sweets and share them "?Jo: "I will make some simple toys for the children. What do you think "Beth: "I have old clothes that I don't use. I can give them too "Meg: "That's perfect! Everyone can do something ". Jo: "Yes, we will make a small gift for each child "Mom:"| will collect all your gifts, and we can go together to give them Page 5-6: Working Together .Scene: The girls are busy preparing their gifts and food "!Meg: " like baking sweets, it smells so good ". Jo: "Making toys is fun, but I hope they will like them "Beth: "'m folding the clothes nicely. I hope they feel warm "Meg: "'m so happy we are doing this together ". Jo: "Yes, working together makes it even more fun "Beth: "Seeing them happy will make our Eid even better Page 7-8: Distributing Gifts Scene: Outside, the family gives food and gifts to the children "Beth: "Look at their smiles! They are so happy "Meg: "I feel so good giving them sweets "Jo: "It's amazing to see their faces light up ".Mom: "The joy of giving is much bigger than receiving "Meg: "I didn't know helping others could feel this wonderful "!Jo: "Yes... this is the real spirit of Eid Page 9-10: Returning Home .Scene: The girls walk home, feeling proud and happy "!Jo: "This is the best Eid I have ever had "Meg: "I agree. It feels better than any big gift ".Beth: "I want to do this every year *Mom: "That is the true meaning of Eid, helping others "Meg: " will always remember this feeling of joy "!Jo: "Next year, we can do even more Page 11-12: Ending Scene: The family sits for Eid breakfast, happy and laughing "Beth: "We should always help those in need "Meg: "Yes, let's make it a family tradition ".Jo: "A part of every Eid will go to the poor from now on "Mom: "I am proud of you girls. Giving makes Eid brighter for everyone "Meg: " love our family's Eid plan Jo: "And Ilove seeing everyone smile
**Panel 1** *Wide establishing shot of the pristine academy hallway—marble floors gleaming under crystal chandeliers, lockers lining walls that look like they belong in a palace rather than a school. Students in expensive uniforms part like the Red Sea. At the far end, a procession approaches: Furina, flanked by four perfectly groomed hangers-on, moves with the fluid arrogance of someone who owns the ground she walks on.* **Panel 2** *Close-up on Furina's face. Sunlight from tall windows catches the blue highlights in her hair and the diamond earrings that probably cost more than a car. Her eyes—sharp, theatrical, scanning the crowd with practiced disdain—suddenly lock onto something off-panel. The corner of her mouth twitches. Not a smile. A predator spotting prey.* **Panel 3** *Dramatic low angle from the protagonist's perspective (Riccardo, brown hair slightly messy, glasses catching the light, worn blazer clearly not from the same tailor as everyone else's). Furina's silhouette blocks the hallway light, her friends fanning out behind her like wings. The perspective makes her seem towering, inevitable.* **Panel 4** *Medium shot. Furina stops abruptly, one hand on her hip, the other adjusting her designer bag strap with deliberate casualness. Her friends giggle behind manicured hands, but Furina's attention is laser-focused. Her cheeks show the faintest hint of pink—barely visible, easily mistaken for the flush of excitement rather than what it really is.* **Panel 5** *Extreme close-up of Furina's lips. Glossy, curled into that cruel, performative smirk. The dialogue balloon drips with theatrical venom:* **"Well, well, well. Look who it is!"** **Panel 6** *Cut to her eyes—wide, almost too bright. The reflection in her pupils shows a tiny, distorted image of you. Her fingers, hidden behind her back in this shot, are clutching her phone so tight her knuckles are white. A small text bubble near her head, small and wavering, reveals her internal monologue (manga-style, grayed out):* *"He wore the blue shirt today... the one that matches his eyes..."* **Panel 7** *Wide shot of the confrontation. The hallway has gone quiet. Other students press against the walls, watching the ritual humiliation. Furina takes one step forward, invading personal space, her head tilted back to look down her nose at you despite the fact that you're taller. Her friends lean in, expecting the usual performance—the comments about your secondhand shoes, your patched bag, your "peasant" glasses.* **Panel 8** *Close-up on Furina's hand. It reaches out as if to flick your collar or snatch your glasses—her usual taunts—but freezes mid-air. The fingers tremble almost imperceptibly. She pulls back, crossing her arms instead, maintaining the fortress of her arrogance.*
Título del cómic “Un rumor no define quién soy” Personajes Laura: niña amable, tranquila y buena amiga Elizabeth: compañera que inicia el conflicto Amigas del grupo Maestra (figura mediadora) Historia dividida en viñetas (escenas) Viñeta 1: La amistad Patio de la escuela primaria Laura aparece jugando y riendo con su grupo de amigas. Laura: —Me gusta mucho estar con ustedes, somos muy buenas amigas. Amiga: —¡Sí! Siempre nos apoyamos. Viñeta 2: El cambio Salón de clases Elizabeth está hablando en secreto con otras niñas. Elizabeth (susurrando): —Laura dijo cosas feas de ustedes… Amiga (confundida): —¿De verdad? Viñeta 3: El rumor Pasillo de la escuela Las amigas comienzan a alejarse de Laura. Laura (pensando): —¿Por qué ya no me hablan? ¿Qué hice mal? Viñeta 4: El conflicto Recreo Laura escucha a Elizabeth hablando mal de ella. Elizabeth: —No confíen en Laura, ella no es buena amiga. Laura (triste): —Eso no es verdad… Viñeta 5: El dolor Baño o banca del patio Laura está sola, con expresión triste. Laura (pensamiento): —Me duele que hablen de mí sin conocer la verdad. Viñeta 6: Pedir ayuda Salón de clases Laura se acerca a la maestra. Laura: —Maestra, alguien está diciendo cosas falsas sobre mí. Maestra: —Gracias por decirlo, vamos a hablarlo con respeto. Viñeta 7: La verdad Reunión del grupo La maestra reúne a las niñas. Maestra: —Hablar mal de alguien puede lastimar mucho. Aquí escucharemos la verdad. Laura: —Yo nunca hablé mal de ustedes. Las quiero como amigas. Viñeta 8: Reflexión Elizabeth con expresión de arrepentimiento Elizabeth: —Lo siento… hablé sin pensar y causé un problema. Viñeta 9: Perdón y aprendizaje Patio Las amigas vuelven a estar juntas. Amiga: —Perdón por no preguntarte antes, Laura. Laura: —Gracias por escucharme. Aprendimos algo importante. Viñeta 10: Final Todas juntas Narrador: —Los rumores pueden causar daño, pero hablar con la verdad y respeto puede sanar las amistades. Mensaje del cómic (puede ir al final) Moraleja: Hablar mal de los demás puede causar conflictos, pero la comunicación, la honestidad y el respeto ayudan a resolverlos. EN ESPAÑOL
Role / Style Instruction (keep at top): You are a professional black-and-white manga artist illustrating a finished manga page. Follow panel composition, camera direction, tone, and pacing exactly. Do not redesign characters or alter story content. PAGE GOAL Establish a calm fantasy village where magic is ordinary, subtly introduce social distance around the main character, and clearly define his relaxed, grounded personality. The page should feel warm and normal, with an underlying sense of quiet separation. PAGE LAYOUT One large horizontal establishing panel at the top Two stacked panels beneath it Clean gutters Natural left-to-right reading flow No extreme angles, no dramatic effects PANEL 1 — ESTABLISHING THE WORLD Wide village street in the morning. Warm light. Lived-in fantasy environment. Show everyday magic, treated as routine: A baker flicks a small controlled flame from his fingertip like striking a match Water floats smoothly into jars, shaping itself gently A woman calmly pulls glowing thread from thin air; it spins briefly before wrapping neatly onto a spool No one reacts to the magic. This is normal life. Dialogue placement (light, unobtrusive): Villager 1: “Morning already? Wind’s lively today.” Villager 2 (smiling): “Better than yesterday. Fire mage nearly burned the stall again.” Magic should feel subtle and practical, not flashy. PANEL 2 — THE WATCHING EYES Kaisen Lorenin walks down the street with dual swords crossed on his back. He is centered, walking calmly. Villagers are half-hidden: Faces peeking from doorways and windows Eyes visible before mouths Whispering posture Composition should isolate Kaisen within the crowd. Dialogue (small, quiet speech bubbles): Villager 3 (whispering): “That’s Lorenin’s boy.” Villager 4: “He got time magic, right?” Villager 3: “…Yeah. Something like that.” PANEL 3 — KAISEN’S RESPONSE Close-medium, three-quarter view of Kaisen. Relaxed posture Genuine, casual smile Small wave No visible magic Clean background with fewer villagers This panel belongs entirely to him. Dialogue: Kaisen: “Morning.” CHARACTER NOTES (DO NOT ALTER) Kaisen Lorenin: calm, approachable, grounded, no visible magic use Dual swords on his back at all times No dramatic expressions yet TONE & STYLE Black and white manga style Clean linework Minimal effects Subtle shading Realistic proportions Calm pacing Magic integrated into daily life IMPORTANT CONSTRAINTS Do NOT add extra characters Do NOT change dialogue Do NOT add dramatic magic effects Do NOT make villagers openly hostile Do NOT change panel layout This page should feel peaceful, normal, and quietly distant.
Título del cómic “Un rumor no define quién soy” 🟨 Personajes Laura: niña amable, tranquila y buena amiga Elizabeth: compañera que inicia el conflicto Amigas del grupo Maestra (figura mediadora) 🟩 Historia dividida en viñetas (escenas) Viñeta 1: La amistad 📍 Patio de la escuela primaria Laura aparece jugando y riendo con su grupo de amigas. 💬 Laura: —Me gusta mucho estar con ustedes, somos muy buenas amigas. 💬 Amiga: —¡Sí! Siempre nos apoyamos. Viñeta 2: El cambio 📍 Salón de clases Elizabeth está hablando en secreto con otras niñas. 💬 Elizabeth (susurrando): —Laura dijo cosas feas de ustedes… 💬 Amiga (confundida): —¿De verdad? Viñeta 3: El rumor 📍 Pasillo de la escuela Las amigas comienzan a alejarse de Laura. 💬 Laura (pensando): —¿Por qué ya no me hablan? ¿Qué hice mal? Viñeta 4: El conflicto 📍 Recreo Laura escucha a Elizabeth hablando mal de ella. 💬 Elizabeth: —No confíen en Laura, ella no es buena amiga. 💬 Laura (triste): —Eso no es verdad… Viñeta 5: El dolor 📍 Baño o banca del patio Laura está sola, con expresión triste. 💬 Laura (pensamiento): —Me duele que hablen de mí sin conocer la verdad. Viñeta 6: Pedir ayuda 📍 Salón de clases Laura se acerca a la maestra. 💬 Laura: —Maestra, alguien está diciendo cosas falsas sobre mí. 💬 Maestra: —Gracias por decirlo, vamos a hablarlo con respeto. Viñeta 7: La verdad 📍 Reunión del grupo La maestra reúne a las niñas. 💬 Maestra: —Hablar mal de alguien puede lastimar mucho. Aquí escucharemos la verdad. 💬 Laura: —Yo nunca hablé mal de ustedes. Las quiero como amigas. Viñeta 8: Reflexión 📍 Elizabeth con expresión de arrepentimiento 💬 Elizabeth: —Lo siento… hablé sin pensar y causé un problema. Viñeta 9: Perdón y aprendizaje 📍 Patio Las amigas vuelven a estar juntas. 💬 Amiga: —Perdón por no preguntarte antes, Laura. 💬 Laura: —Gracias por escucharme. Aprendimos algo importante. Viñeta 10: Final 📍 Todas juntas 💬 Narrador: —Los rumores pueden causar daño, pero hablar con la verdad y respeto puede sanar las amistades. 🟪 Mensaje del cómic (puede ir al final) 📝 Moraleja: Hablar mal de los demás puede causar conflictos, pero la comunicación, la honestidad y el respeto ayudan a resolverlos.
A pleasant day in Swastik Residency, Thane. Children can be heard playing games in the Society playground. Amidst the Jolly mood of the society, A rather timid boy sits in the verandah glancing over his book, on the blissful interactions he sought after. Enter Archit, our main character. He was a bright boy and a quick learner. However, appearance-wise, He was just any other boy, you'd find every 2 doors. He would have loved to go play with others if not for his series of tests at his school soon. However, he had some friends who’d come to visit him & study with him. One of them was Jash, also known as "J wala Jash”. Archit hoped at least he would visit on this gloomy day, and so did he. Jash came in and started bothering Archit. He pulled him and asked him to stop being a bookworm for once. Archit was enraged, yet Jash had a point. It had been ages since he had a nice walk, so he agreed. Jash told him he had something to show Archit. Curious, yet nonchalant, they walked the length of their lodge all the way to the nearest elevator. But something was strange. Archit had never seen Jash so excited about something. The elevator dinged and they teetered out the apartment into the large open space. That’s when Archit realised Jash was dressed rather well for a normal day. A matte-brown corduroy over a pleasant white Tee. His trousers hung low yet went well with his outfit he had a musk essence coming off of him. While our man, well, he looked as if he had just woke up from a nightmare and wet his pants. Yet they trotted their way all the way through the society gates to the main road. Archit having not walked for a while, felt tired and uninterested in whatever Jash was so excited about. Jash took Archit to the famous “Tapas Ke Golgappe”. It was a Pani puri shop famous for its “Dhaakan Pani Puri”. Archit slightly annoyed asked the reason for visiting a Pani Puri shop, when he had so much work to do. Jash informed that they were waiting for someone, just a few more minutes. Jash convinced Archit to stay by buying him a ‘Golgappa’ plate while treating himself to Sev puri. While eating a golgappa, Archit saw a charming girl come over. She was gorgeous and stunning. Her smile kept his mouth gape open. Then all of a sudden, Jash took hold of her and introduced her to Archit as his girlfriend. Bamboozled, Archita choked on his golgappa and coughed the life out of him. The girl pitied and grinned at Archit's sorry state. The girl introduced herself as Paulami, Her voice, honey to Archit's ears. At that moment, Archit experienced something, he had never experienced before. his stomach. tickled and his face turned red. Her voice echoed in his ears and his face couldn't stop smiling. Jash & Paulami held each other's hands and started talking like lovebirds. The conversation could be interpreted as a script for a romantic movie. The more they talked, the closer they got. Even the reader could predict what was gonna happen next. Both the lovebirds leaned in for a kiss when it was interrupted by a loud, hoarse voice. from the owner Tapas, “DON'T DO THIS TAATI POTTY IN FRONT OF MY SHOP, DHAAKAN". Scared the shit out of them. The Trio ran all the way home never stopping once. Jash bid Archit farewell and led Paulami to his house. Archit walked back home, thinking of this Newfound feeling. Was it Love? Or was it Hormones? He could never know until they met again. The only thing he could focus on now was recovering from Tapas’ Trauma.
# KINGDOM_SEQUEL_PRO_DIRECTIVE_v1 # Purpose: Copy/paste directive for a professional manga-generation AI. # Output Target: Serialized manga chapters with panel scripts + dialogue + scene direction. project: title_working: "KINGDOM: AFTER THE UNIFICATION" relationship_to_original: "Direct sequel (chronologically consistent continuation)" medium: "Manga (black-and-white), weekly serialization pacing" language: script: "Japanese-style dialogue rhythms but written in English" onomatopoeia: "Romanized SFX allowed (e.g., GOGOGO, DON, ZAA), minimal and purposeful" audience: "Seinen/Shonen crossover (political-military epic; grounded realism with high drama)" canon_constraints: continuity: - "Maintain political geography, factions, ranks, and court protocol consistent with Warring States → early Qin Empire transition." - "No retcons that contradict established historical macro-events; micro-events may be dramatized within plausibility." - "Do not mimic or quote any existing Kingdom lines verbatim; create original dialogue and scenes." tone: - "Strategic realism: logistics, intelligence, morale, propaganda, law, and governance are treated as causal mechanisms." - "Heroic intensity is earned via constraints, costs, and tradeoffs—never by arbitrary power spikes." thematic_core: - "War-to-state transition: violence becomes administration; conquest becomes legitimacy maintenance." - "Structure beats spectacle: outcomes are driven by supply lines, institutions, incentives, and narrative misdirection." - "The true battlefield becomes governance: law, tax, land, bureaucracy, succession, and information control." narrative_thesis: logline: > After unification, Qin discovers that conquering a continent is easier than governing it; the new war is against entropy—rebellion, corruption, succession anxiety, and the friction between idealized unity and lived provincial realities. format_requirements: deliverables_per_chapter: - "Chapter title + 1-sentence hook" - "Cold open: 2–4 pages that immediately establishes conflict and stakes" - "Full panel script: page-by-page, panel-by-panel" - "Dialogue + subtext notes (what is said vs. what is meant)" - "Tactical layer: battlefield / administrative mechanics that explain why events unfold" - "Cliffhanger: last 1–2 panels engineered to compel next chapter" paneling_rules: - "Average 17–21 pages per chapter" - "Large establishing panel at least once every 2–3 pages" - "At least one silent panel sequence per chapter to externalize cognition (faces, hands, maps, ledgers, roads)" - "Action clarity: emphasize readable spatial logic; avoid incoherent motion" style_guidelines_visual: linework: "High-contrast ink, heavy blacks, realistic anatomy, war-worn textures" faces: "Expressive micro-tension; political scenes rely on subtlety, not caricature" environments: "Historically plausible architecture, armor, banners, siege craft, and court interiors" maps_diagrams: "Occasional diegetic maps, supply charts, tax ledgers—used as narrative devices" casting: protagonist_axis: type: "Dual-protagonist system" leads: - name: "General Shin" function: "Frontline legitimacy (symbol of unification; morale engine)" vulnerability: "Institutional illiteracy; can win battles but can lose peace" - name: "Chancellor/Strategist (new original character)" function: "Governance + intelligence architecture; designs systems that outlast heroes" vulnerability: "Moral injury; must choose between stability and justice" antagonist_axis: type: "Multi-source antagonism (no single 'final boss')" sources: - "Provincial elite networks resisting centralization" - "Bureaucratic capture and corruption" - "Succession politics and court factionalism" - "External frontier pressures (nomadic raids, border states, trade routes)" - "Narrative antagonist: information asymmetry (misreports, forged edicts, rumor economies)" supporting_cast_rules: - "Each supporting character must have: (1) institutional role, (2) incentive structure, (3) signature tactic." - "No disposable 'evil for evil’s sake' villains; opponents are rational within their local constraints." world_mechanics (must_be_explicit_in_story): governance: - "Taxation, census, land surveys, legal standardization, corvée labor, grain storage" - "Appointment systems, merit vs. patronage, inspection tours, document chains" military: - "Demobilization problems, veteran reintegration, garrison logistics, supply depots" - "Intelligence networks: couriers, codes, counterintelligence, interrogation, defectors" legitimacy: - "Ritual, symbols, edicts, public works, famine relief, narrative control" economy: - "Transport bottlenecks, river control, roads, market regulation, smuggling" story_structure: arcs: - arc_01: title: "THE PEACE THAT BLEEDS" scope: "Post-unification stabilization; first cracks" central_question: "Can unity survive without perpetual war?" setpieces: - "A famine province: relief vs. rebellion—both weaponized" - "A court trial: law becomes a battlefield" - "A suppressed mutiny: victory costs legitimacy" - arc_02: title: "THE LEDGER WAR" scope: "Corruption + bureaucratic capture" central_question: "Who truly controls the state: generals, courts, or clerks?" setpieces: - "Forgery chain uncovered through ink, seal, and courier timing" - "Assassination attempt staged as 'bandit incident'" - "Audit campaign that triggers elite backlash" - arc_03: title: "SUCCESSION SHADOW" scope: "Heir politics; factional alignments" central_question: "Is stability compatible with a human succession?" setpieces: - "Heir’s public rite with hidden negotiation" - "Border crisis timed to influence succession" - "A general forced to choose loyalty object: person vs. system" - arc_04: title: "FRONTIER ENTROPY" scope: "External pressures test internal cohesion" central_question: "Can an empire prevent periphery from defining the center?" setpieces: - "Nomad raid as strategic signal, not mere violence" - "Trade route hostage economy" - "A fort siege that is decided by supply arithmetic" chapter_generation_protocol: # Use this protocol for every chapter output. steps: - "Start with a 2–4 page cold open that contains a concrete conflict + a hidden structural cause." - "Reveal the structural cause via a planning scene (map/ledger/court protocol) WITHOUT exposition dumping." - "Execute a setpiece where tactics and institution collide (battle + policy, raid + audit, trial + propaganda)." - "End with a cliffhanger that re-frames what the reader thought was the main conflict." tension_design: - "Always run two simultaneous games: (A) visible conflict, (B) invisible constraint." - "Twists must be mechanically justified (logistics, incentives, misinformation), never magical coincidence." scene_templates (reusable): court_chess: beats: ["Formal greeting", "Hidden insult", "Policy proposal", "Counterproposal", "Public face vs private deal"] props: ["sealed edict", "rank tablets", "witness list", "precedent scroll"] battlefield_math: beats: ["Terrain read", "Supply check", "Signal misdirection", "Morale manipulation", "Decisive bottleneck"] props: ["map", "grain tally", "river crossing", "messenger timing"] intelligence_surgery: beats: ["Rumor detected", "Source triangulated", "Trap set", "Interrogation", "Counter-intel reversal"] props: ["cipher", "seal imprint", "dead drop", "false courier"] dialogue_constraints: - "Dialogue must be compressed; high informational density; subtext indicated in notes." - "No modern slang. Keep diction period-appropriate in feel (without archaic parody)." - "Each major character has a distinct cadence (brevity, metaphor use, threat style, politeness weapons)." output_example_stub: # The AI should replace placeholders and generate full content. chapter: number: 1 title: "GRAIN AND BLOOD" hook: "A province starves while the capital celebrates unity—someone profits from the delay." cold_open_pages: 3 page_script: - page: 1 panels: - panel: 1 shot: "Wide establishing: drought-cracked fields; skeletal ox; silent villagers" text: "" sfx: "ZAA..." - panel: 2 shot: "Close: a child’s hand measuring rice grains" text: "Mother: 'Count again.'" notes: "Subtext: denial as survival" - page: 2 panels: [] - page: 3 panels: [] cliffhanger: "A relief convoy arrives—its seals are wrong." nonnegotiables: - "Prioritize structural causality over spectacle." - "No direct copying of original panels, compositions, or iconic scenes." - "Every major event must be explainable via incentives, constraints, and information flow." - "Maintain high craft: pacing, visual clarity, character consistency, and thematic coherence." # END DIRECTIVE
Một ngày đẹp trời ở Kivotos, sensei đi dạo cùng với Hina, vừa đi vừa trog chuyện. “Sensei, em có điều này muốn nói.” “Điều gì vậy em?” “Về chuyện có liên quan đến Trung học Abydos.” “Abydos có chuyện gì à?’ “Hình như chuyện này cũng có Hoshino bị liên lụy.” “Hina...em có chắc không vậy?” “Em không chắc cho lắm nhưng chắc chắn có kẻ đang cố nhắm đến Abydos.” Sensei đứng trầm ngâm suy nghĩ một lúc lâu. Nhận thấy sensei như vậy. Hina nói: “Thầy đừng kể chuyện này với bất kỳ ai ở Abydos, đặc biệt là Hoshino vì nếu biết thì em ấy sẽ hành động cực kỳ nguy hiểm.” “Vậy à...” Tối hôm đó, sensei ở lại trường. Đêm ấy, trường học vắng lặng. Sensei ngồi một mình trong phòng giáo viên, ánh đèn vàng hắt xuống trang giấy trắng. Bên ngoài, gió sa mạc thổi qua khung cửa, mang theo hơi nóng khô khốc. Trong lòng Sensei, lời cảnh báo của Hina cứ vang vọng: Abydos đang bị nhắm đến… nhưng chưa rõ bởi ai. “Có lẽ mình phải giữ kín chuyện này. Các em… vẫn còn quá ngây thơ để gánh nặng này.” Sensei khẽ thở dài, tựa lưng vào ghế. Đêm trôi qua chậm chạp, như muốn thử thách sự kiên nhẫn. Rồi bình minh đến. Ánh nắng đầu ngày rọi xuống cổng trường, xua đi bóng tối của đêm qua. Sensei khoác áo, bước ra sân, và như thường lệ, lại đến lớp cùng các em học sinh Abydos. Sáng hôm sau, ánh nắng sa mạc rọi xuống cổng Abydos. Sensei bước vào, đôi giày để lại dấu hằn trên lớp cát nóng. “Sensei!” – Shiroko vẫy tay, nụ cười trong trẻo như xua tan cái nắng gắt. Serika thì cau có: “Thầy đến muộn rồi đó, em chờ mãi để hỏi bài tập.” Nonomi ôm chồng sách cao ngất, vừa đi vừa lẩm bẩm: “Hôm nay phải dọn thư viện nữa…” Ayane chỉnh lại kính, khẽ nói: “Sensei, hôm nay em có bản báo cáo muốn thầy xem.” Hoshino khoác tay sau đầu, ngáp dài: “Thầy đến rồi à… vậy thì hôm nay em sẽ nghỉ ngơi thêm chút nữa.” Sensei mỉm cười, nhìn từng gương mặt quen thuộc. Trong lòng, nỗi lo về lời Hina vẫn còn đó, nhưng trước mắt Sensei chỉ thấy một gia đình nhỏ đang cố gắng sống sót giữa sa mạc khắc nghiệt. Ngày nào cũng vậy, Sensei cùng các em đi tuần quanh trường, dạy thêm vài bài học, hoặc đơn giản chỉ ngồi nghe các em kể chuyện. Những khoảnh khắc ấy khiến Sensei cảm thấy Abydos không chỉ là một ngôi trường, mà là một nơi để bảo vệ bằng cả sinh mạng. Lại một đêm nữa sensei ở lại trường. Dường như sensei đã quá quen với việc ngủ lại ở trường thay vì đi về nhà cách trường đoạn khá xa và phải đứng rất lâu để chờ xe buýt. Nhưng đêm nay sensei cảm thấy khung cảnh có gì đó hơi khác thường mặc dù ngôi trường vẫn im lặng về đêm như cũ. Sensei mở cửa sổ phòng và nhìn lên bầu trời đêm và nhận ra trên trời không có lấy một ngôi sao nào. Semsei lúc này cảm thấy như có gì đó đang theo dõi mình từ xa dù cả Kivotos đã tắt đèn và không có lấy một bóng dáng ai trên những con đường. Sensei khẽ khép cửa sổ, nhưng ngay lúc ấy, một âm thanh nhỏ vang lên từ sân trường. Tiếng kim loại va chạm, hay tiếng bước chân rất khẽ? Sensei lặng người, tim đập nhanh hơn. “Có ai… ở đây sao?” Nhưng khi nhìn xuống, sân trường vẫn tối đen, không một bóng người. Sensei khẽ nhíu mày. Đêm nay, có gì đó thật sự khác thường.
2. Feature I – Foundations of a Movement Manga scenes of Indigenous community meetings under trees or in community halls. Researchers and elders planning together, drawn with realistic proportions but manga expressions and motion lines. Soft infographic overlays showing TORs, workflow, and partnership webs. Warm, earthy tones.
Volume 1 – Spring & First Love Title: When the Bell Rang Twice – Volume 1 Chapters: 10 Tone: Light, tender, school romance, slow-burn ⸻ Chapter 1 – The Seat by the Window Page 1 • Panel 1: Wide shot of classroom, morning sun through windows. Students settling. • Narration (Mio’s thoughts): “Another spring… another year at this school.” • Panel 2: Teacher at front, pointing to empty desk. • Teacher: “New student, Akiyama Haru. Window seat, next to Yamada Mio.” • Panel 3: Close-up of Mio, surprised, glancing at new student entering. • Mio (thought): He looks… different. Page 2 • Panel 1: Haru sits beside Mio, smiling awkwardly. • Haru: “Hi… hope I’m not in your way.” • Panel 2: Mio blushes slightly, returning a small smile. • Mio (thought): Why does my heart feel funny? • Panel 3: Close-up of both hands reaching for an eraser at the same time. Fingers touch. • Panel 4: Soft focus on their surprised expressions. • Narration: “A spark, small as it was, somehow lingered.” ⸻ Chapter 2 – Small Gestures Page 3 • Panel 1: Lunchtime, Mio eating alone at her desk. • Panel 2: Haru walks up, holding a milk carton. • Haru: “You forgot this.” • Panel 3: Mio blushes, accepting it. • Mio (thought): He notices me… • Panel 4: Hallway shot of them walking side by side after class. • Narration: “We didn’t say much, but every step together felt meaningful.” Page 4 • Panel 1: Rainstorm outside. Students rushing. • Panel 2: Haru holding an umbrella for Mio. • Haru: “We can share.” • Panel 3: Close-up: their shoulders touching. • Panel 4: Mio’s inner thought: Please don’t let this end. ⸻ Chapter 3 – Cultural Festival Page 5 • Panel 1: Festival night, lanterns glowing. Wide shot of the school yard. • Panel 2: Mio in a simple yukata, looking around nervously. • Panel 3: Haru approaches, pauses, amazed. • Haru: “…Wow.” • Panel 4: Close-up: fireworks exploding behind them, illuminating their faces. • Narration (Mio’s thoughts): “A perfect moment I wished could last forever.” ⸻ Chapter 4 – Illness Revealed Page 6 • Panel 1: Haru coughing during class, looking pale. • Panel 2: Mio discreetly slides a note: “Are you okay?” • Panel 3: Haru writes back on paper: “Just tired. Don’t worry.” with a small smile. Page 7 • Panel 1: Hallway after school. Mio watches him leave. • Panel 2: Inner thought: Something feels wrong… but I can’t ask. ⸻ Chapter 5 – Growing Closer Page 8 • Panel 1: Rooftop scene at sunset. Haru looks out over the school yard. • Panel 2: Mio approaches, hesitant. • Mio: “Do you come here often?” • Haru: “Yeah… it’s peaceful.” • Panel 3: Their hands almost touch. Close-up. • Narration: “Small closeness became our secret.” Page 9 • Panel 1: Side-by-side flashback panels of their shared laughs, sketching together, walking home in rain. • Panel 2: Close-up of their intertwined fingers, subtle blushes. • Panel 3: Wide rooftop shot, petals drifting in the wind. • Narration: “I didn’t know then that this happiness was fragile.” Chapter 6 – Rainy Confession (Foreshadowing) Page 10 • Panel 1: Heavy rain outside school. Students rush with umbrellas. • Panel 2: Mio walks alone, holding her sketchbook. Haru appears under a nearby umbrella. • Haru: “Hey… want to walk together?” • Panel 3: They walk, shoulders touching slightly. Close-up on their hands almost brushing. • Panel 4: Mio’s thoughts: Every time we touch, my heart skips… Page 11 • Panel 1: Close-up of Haru, smiling softly, slightly pale. • Haru (thought): I wish this moment could last forever. • Panel 2: Mio looks down, quiet blush. • Panel 3: Their feet step in the same puddle accidentally. Splash. • Panel 4: They both laugh. Narration: “Little things became everything.” ⸻ Chapter 7 – Festival Confession Attempt Page 12 • Panel 1: Rooftop at school festival, night sky, fireworks. • Panel 2: Mio hesitates, looking at Haru. • Mio (thinking): I want to tell him… but… • Panel 3: Haru leans against the railing, smiling nervously. • Haru: “Mio… I—” • Panel 4: He staggers slightly, clutching his chest. Mio catches him. • Panel 5: Close-up of their shocked faces. • Narration: “Life has a way of interrupting perfect moments.” ⸻ Chapter 8 – Hospital White Page 13 • Panel 1: Hospital hallway. Soft sunlight through windows. • Panel 2: Mio sits outside Haru’s room, clutching her sketchbook. • Panel 3: Doctor approaches. • Doctor: “He’s hiding a serious illness… it’s better you know the truth now.” • Panel 4: Close-up of Mio’s tear-filled eyes. • Mio (thought): I should have known… Page 14 • Panel 1: Haru lies in hospital bed, pale but smiling at Mio. • Panel 2: Mio holds his hand. • Mio: “Please… don’t leave me.” • Panel 3: Haru gently squeezes her hand. • Haru: “I’ll fight… but if I can’t… remember me, okay?” • Panel 4: Close-up: Mio nods, tears streaming. • Narration: “Even in fragile moments, love feels eternal.” ⸻ Chapter 9 – First Kiss Page 15 • Panel 1: Sunlight streams into hospital room. Haru awake, Mio sitting beside him. • Panel 2: Haru reaches out, touching her cheek softly. • Haru: “I’ve wanted to do this for a long time…” • Panel 3: They kiss gently. Soft panel borders, focus on intimacy, not graphic. • Panel 4: Mio pulls back, smiling through tears. • Narration: “A moment too precious for words, too fragile for time.” ⸻ Chapter 10 – The Empty Desk Page 16 • Panel 1: Back at school, Haru’s desk is empty. • Panel 2: Mio places a small flower on it, lingering. • Panel 3: Flashback panels: laughter, shared sketches, rainy walks, festival rooftop. • Panel 4: Close-up of Mio’s hand holding a note from Haru: • “Thank you for loving me. Keep smiling, Mio.” Page 17 • Panel 1: Wide classroom shot, sunlight through windows, empty chair in back. • Panel 2: Mio stands, looking out the window at cherry blossoms. • Narration: “Love doesn’t disappear when someone is gone… it stays, like petals in the wind.” • Panel 3 (Final Page Panel): Close-up of Mio’s hand resting on the desk, eyes soft but resolute. • Narration: “And some memories are forever.” Volume 2 – Confession & Loss Title: When the Bell Rang Twice – Volume 2 Chapters: 10 Tone: Bittersweet, emotional, hospital drama, first heartbreak ⸻ Chapter 1 – Winter Illness Page 1 • Panel 1: Classroom in winter. Snow visible outside the windows. Students in jackets. • Panel 2: Haru coughs into his sleeve, looking pale. Close-up of his strained smile. • Panel 3: Mio notices, worried, writing a note: “Are you okay?” • Panel 4: Haru writes back, faintly smiling: “Just tired. Don’t worry.” Page 2 • Panel 1: Hallway after class. Students rush past. • Panel 2: Mio watches Haru’s back as he leaves. • Panel 3: Close-up of her worried face. • Narration (Mio’s thoughts): “I felt a shadow over the happiness we’d built.” ⸻ Chapter 2 – Feverish Days Page 3 • Panel 1: Hospital exterior, snow lightly falling. • Panel 2: Mio arrives, coat buttoned tight, holding a sketchbook. • Panel 3: Haru lies in bed, pale but smiling. • Haru: “Hey… didn’t think you’d come today.” • Panel 4: Mio sits beside him, gently taking his hand. • Mio: “Of course I came. I’m not letting you face this alone.” Page 4 • Panel 1: Haru coughs softly. Mio wipes his forehead. • Panel 2: Close-up: Haru’s hand holding hers tightly. • Haru: “I didn’t want to worry you… but maybe I’ve been too weak.” • Panel 3: Mio looks determined. • Mio: “We’ll face it together. Always.” ⸻ Chapter 3 – Confession Attempt Page 5 • Panel 1: Hospital rooftop, late afternoon. Sun casting long shadows. • Panel 2: Haru leans against railing, eyes distant. • Panel 3: Mio approaches. • Mio: “I… I want to say something.” • Panel 4: Haru glances at her, softly smiling. • Haru: “Me too…” Page 6 • Panel 1: Close-up of their hands almost touching. • Panel 2: Haru sways slightly, Mio catches him instinctively. • Panel 3: Both faces close. • Panel 4: Narration: “In that fragile moment, words felt too heavy to speak.” ⸻ Chapter 4 – Winter Memories Page 7 • Panel 1: Flashback panels of winter school days: shared lunches, walking in snow, laughing. • Panel 2: Close-up of sketchbook pages with drawings of each other. • Panel 3: Haru coughing in the classroom. Mio’s worried glance. • Panel 4: Narration: “Every memory felt more precious, because I knew it might be all we’d have.” ⸻ Chapter 5 – The First Kiss Page 8 • Panel 1: Hospital room, sunlight soft through blinds. • Panel 2: Haru reaches out, touching Mio’s cheek gently. • Haru: “I’ve wanted to do this for so long…” • Panel 3: They kiss softly. Focus on emotion, not graphic. • Panel 4: Mio pulls back, eyes wet, smiling faintly. • Narration: “A kiss, fleeting but eternal, marked the start of a memory that could never fade.” ⸻ Chapter 6 – Days of Waiting Page 9 • Panel 1: Hospital corridor, empty. Mio sketches quietly. • Panel 2: Close-up of sketches of Haru smiling, laughing, and in hospital bed. • Panel 3: Narration: “I tried to hold onto him… even as he grew weaker.” • Panel 4: Haru sleeps, Mio watching, softly crying. ⸻ Chapter 7 – Farewell Page 10 • Panel 1: Haru’s hand slips slightly from hers. • Panel 2: Close-up of Mio’s eyes widening, heart pounding. • Panel 3: Haru murmurs faintly, smiling. • Haru: “Remember me… always.” • Panel 4: Mio holds his hand tighter, tears streaming. • Narration: “I whispered my love… but the world had other plans.” Page 11 • Panel 1: Wide shot: Haru’s hospital bed, sunlight breaking through clouds. • Panel 2: Mio alone in the hallway, holding her sketchbook to her chest. • Panel 3: Flashbacks: laughter, rooftop, rain, first handshake, first shared umbrella. • Panel 4: Narration: “And just like that… the seat beside me was empty forever.” ⸻ Chapter 8 – The Empty Desk Page 12 • Panel 1: Back at school, Haru’s desk empty. Snow falling outside. • Panel 2: Mio places a small flower on the desk. • Panel 3: Close-up of her fingers brushing carved initials in the wood. • Narration: “Love doesn’t vanish. It lingers in the smallest spaces, in the quietest moments.” Page 13 • Panel 1: Wide shot of Mio looking out the window at falling snow. • Panel 2: Close-up: tear slides down her cheek. • Panel 3: Mio clutches Haru’s note: “Thank you for loving me. Keep smiling.” • Panel 4: Narration: “Some memories are too precious to let go, even when hearts ache.” ⸻ Chapter 9 – The First Goodbye Page 14 • Panel 1: Flashback: rooftop festival, fireworks. Haru laughing, holding Mio’s hand. • Panel 2: Cut to hospital: Mio alone, looking at petals falling outside window. • Panel 3: Narration: “I had learned that love is sometimes measured in fleeting moments, not time.” • Panel 4: Close-up of sketchbook page with both their faces smiling. ⸻ Chapter 10 – Volume 2 Closing Page 15 • Panel 1: Wide shot: classroom empty except Mio’s silhouette. • Panel 2: Soft sunlight illuminates the empty desk. • Panel 3: Close-up of Mio writing in her notebook: • “Haru, I’ll always remember you. Always.” • Panel 4 (Final Panel): Snow falls outside. Narration: • “Even as life moves on, some love stays eternal… etched in the heart like petals in the wind. Volume 3 – Adult Mio & Reflections Title: When the Bell Rang Twice – Volume 3 Chapters: 8 Tone: Nostalgic, reflective, bittersweet, healing ⸻ Chapter 1 – Return to the School Page 1 • Panel 1: Wide exterior of the school in spring. Cherry blossoms bloom, petals drifting in the wind. • Panel 2: Adult Mio (mid-20s) stands at the gate, briefcase in hand, soft smile. • Mio (thought): I haven’t been here in ten years… • Panel 3: Close-up of her hand brushing against the gate, remembering. • Panel 4: Wide shot of school yard, empty, echoing past laughter. Page 2 • Panel 1: Mio walks through the familiar hallway, dust motes in sunlight. • Panel 2: Close-up of her gaze stopping at the back corner — Haru’s empty desk. • Panel 3: Mio (whispering): “You’re still here, aren’t you?” • Panel 4: Flashback panel: Haru laughing, giving her a playful wink in the same seat. ⸻ Chapter 2 – Memories in the Classroom Page 3 • Panel 1: Mio sits at Haru’s desk, fingers tracing carved initials. • Panel 2: Close-up of old sketches she kept in a notebook: shared doodles, cherry blossoms, small moments. • Panel 3: Mio smiles softly, eyes misty. • Narration: “I carry these memories like treasure… even now.” • Panel 4: Wide panel of empty classroom, sunlight streaming in. Page 4 • Panel 1: Mio notices a little girl outside the window, sketching petals in her notebook. • Panel 2: Close-up: Mio smiles, heartwarming. • Panel 3: Mio kneels beside the girl. • Mio: “Mind if I watch?” • Panel 4: Girl smiles shyly: “Sure!” ⸻ Chapter 3 – Haru’s Letter Page 5 • Panel 1: Mio finds a yellowed envelope tucked under the desk. • Panel 2: Close-up of handwriting: “If you’re reading this, it means you’ve remembered me. Thank you for loving me. Live fully, Mio. Promise me.” • Panel 3: Tears roll down Mio’s cheeks. She clutches the note to her chest. • Mio (thought): I did, Haru… every day. • Panel 4: Wide panel: cherry petals swirl around her, sunlight hitting her face. ⸻ Chapter 4 – Life Moves On Page 6 • Panel 1: Mio walking down a cherry blossom-lined street. • Panel 2: She watches children playing, couples laughing. • Panel 3: Close-up: little girl from before showing Mio her sketch. • Panel 4: Mio opens her old sketchbook, inspired to draw again. • Narration: “Love doesn’t end with loss. It continues in memories, kindness, and inspiration.” ⸻ Chapter 5 – Reflection at Sunset Page 7 • Panel 1: Mio revisits the school one last time, sitting on the steps outside. • Panel 2: Cherry blossoms fall around her. • Panel 3: Soft, imaginary voice of Haru: “I’m proud of you, Mio.” • Panel 4: Mio smiles, eyes glistening: • Mio: “Me too, Haru… always me too.” ⸻ Chapter 6 – Moving Forward Page 8 • Panel 1: Wide shot: Mio walking away from school gate, briefcase in hand. • Panel 2: Close-up: her sketchbook tucked under her arm, pages fluttering in the wind. • Panel 3: Narration: “Some love never fades… it simply guides the next steps of our lives.” • Panel 4 (Final Panel): Cherry blossoms fall, school bell rings faintly in distance, symbolizing past and hope for the future. Volume 4 – Teacher Mio & Mentorship Title: When the Bell Rang Twice – Volume 4 Chapters: 8 Tone: Reflective, mentoring, subtle hope, echoes of past love ⸻ Chapter 1 – First Day as a Teacher Page 1 • Panel 1: Exterior: School in spring. Cherry blossoms in full bloom. • Panel 2: Adult Mio stands in front of a classroom, smiling warmly. • Narration: “I never imagined returning… but life brings us full circle.” • Panel 3: Wide shot of students settling in. • Panel 4: Mio notices a boy at the back, sketching quietly. Page 2 • Panel 1: Close-up of boy, Riku, focused, messy hair, serious expression. • Panel 2: Mio’s inner thought: There’s something familiar about him… • Panel 3: Students chatting around him. Mio approaches. • Mio: “Hello, I’m your new art teacher. Can I see what you’re drawing?” • Panel 4: Riku hands her a sketch. • Riku: “It’s nothing special.” ⸻ Chapter 2 – Echoes of Haru Page 3 • Panel 1: Mio studies the sketch. Wide shot shows her gentle smile. • Mio: “No, this is wonderful. I see a lot of feeling here.” • Panel 2: Close-up: Riku blushes slightly, looking down. • Panel 3: Flashback panel: Mio sketching with Haru in school. • Panel 4: Narration: “It reminded me of someone I once knew… someone who changed me.” ⸻ Chapter 3 – Mentoring Moments Page 4 • Panel 1: Art club room, students painting, drawing. Riku sits quietly sketching. • Panel 2: Mio kneels beside him, pointing at a detail. • Mio: “Try feeling the wind in the petals… imagine it moving through your brush.” • Panel 3: Riku nods, focused, inspired. • Panel 4: Close-up of Mio’s thoughtful face. • Narration: “Teaching him reminded me that love isn’t just for the heart… it’s for the soul.” ⸻ Chapter 4 – Festival Preparations Page 5 • Panel 1: Students decorate school for cultural festival, Mio supervising. • Panel 2: Riku approaches, holding a folded sketch. • Panel 3: Close-up: sketch shows Mio at the school steps surrounded by cherry blossoms. • Panel 4: Mio gasps softly, tears welling up. • Mio: “You… captured something I didn’t even know I remembered.” • Panel 5: Riku smiles shyly. • Riku: “I wanted you to see what your presence does… even without knowing it.” ⸻ Chapter 5 – Graduation Day Page 6 • Panel 1: Graduation ceremony, students in caps and gowns. Wide shot. • Panel 2: Riku approaches Mio, holding a sketchbook. • Riku: “Thank you for believing in me.” • Panel 3: Mio hugs him briefly. • Mio: “Carry your feelings with you. That’s how people live on.” • Panel 4: Close-up: Mio watching Riku walk away, cherry petals swirling. • Narration: “Haru’s memory guided me here… and now I could guide others.” ⸻ Chapter 6 – Reflection on Love and Mentorship Page 7 • Panel 1: Mio stands on the school rooftop at sunset. • Panel 2: Soft, imaginary voice of Haru: “I’m proud of you, Mio.” • Panel 3: Mio smiles, eyes soft, remembering. • Mio: “I hope you see… I’ve carried you in everything I do.” • Panel 4: Close-up of sketchbook in her hands, sketches of students, cherry blossoms, and memories of Haru. ⸻ Chapter 7 – Passing the Torch Page 8 • Panel 1: Classroom empty after school, sunlight streaming in. • Panel 2: Mio tidies up Riku’s art supplies. • Panel 3: Narration: “Some love leaves only memories… some leaves a legacy.” • Panel 4: Wide panel: Mio walking through school gate, cherry petals falling. • Narration: “Haru’s presence lingered, but life moves forward… and so must I.” Volume 5 – Adult Romance & New Love Title: When the Bell Rang Twice – Volume 5 Chapters: 8 Tone: Bittersweet romance, healing, hope ⸻ Chapter 1 – A Chance Encounter Page 1 • Panel 1: Mio walking home after school, cherry blossoms drifting in the wind. • Panel 2: She bumps into Kaoru, books flying everywhere. • Kaoru: “Oh no! I’m so sorry!” • Panel 3: Mio kneels to help him gather the papers. Their hands brush. • Panel 4: Mio (thought): There’s something… calming about him. Page 2 • Panel 1: Kaoru hands her a book with a shy smile. • Kaoru: “I think fate wants us to meet like this.” • Panel 2: Mio blushes slightly, smiling faintly. • Panel 3: Wide shot of cherry petals swirling around them. • Panel 4: Narration: “Life has a way of introducing new stories… even after heartbreak.” ⸻ Chapter 2 – Shared Memories Page 3 • Panel 1: Mio and Kaoru walking side by side under cherry trees. • Panel 2: Kaoru glances at her. • Kaoru: “Do you like cherry blossoms?” • Panel 3: Mio smiles softly, thinking of Haru. • Mio: “I do… they remind me of fleeting moments.” • Panel 4: Kaoru takes a deep breath. • Kaoru: “Then maybe we can make new moments together.” ⸻ Chapter 3 – Past and Present Page 4 • Panel 1: Mio visits her old school with Kaoru, showing him the classroom and Haru’s desk. • Panel 2: Kaoru: “He must have been very special.” • Panel 3: Mio nods, tearful but smiling. • Mio: “He still is… in a way.” • Panel 4: Kaoru gently squeezes her hand. • Kaoru: “And I’ll try to be special too… without replacing him.” ⸻ Chapter 4 – Confession Under Cherry Blossoms Page 5 • Panel 1: Spring festival at school, petals falling everywhere. • Panel 2: Kaoru nervously presents a small sketchbook to Mio. • Kaoru: “I drew this… it’s us, walking here together.” • Panel 3: Mio flips through it, softly laughing and tearing up. • Mio: “You captured… something I didn’t even realize I remembered.” • Panel 4: Close-up: Kaoru leans slightly closer. • Kaoru: “Mio… will you give me a chance?” ⸻ Chapter 5 – Acceptance Page 6 • Panel 1: Mio’s eyes glisten with tears. • Panel 2: Close-up of Mio’s hands hesitating, then intertwining with Kaoru’s. • Panel 3: Mio (thought): Haru… it’s okay to love again. • Panel 4: Wide panel: both walking hand in hand, petals falling around them. ⸻ Chapter 6 – New Beginnings Page 7 • Panel 1: Mio and Kaoru strolling under cherry trees, soft sunlight. • Panel 2: Close-up: sketchbook in Mio’s bag, showing drawings of Haru and past memories. • Panel 3: Mio (thought): “Love can exist in layers… the past shapes the present.” • Panel 4: Kaoru smiles at her. • Kaoru: “Thank you for letting me walk with you.” ⸻ Chapter 7 – Life and Memory Page 8 • Panel 1: Mio pauses, looking at the school from afar. • Panel 2: Soft voice of Haru in memory: “I’m proud of you, Mio.” • Panel 3: Mio smiles, holding Kaoru’s hand. • Mio: “I am too… for both of us.” • Panel 4 (Final Panel): Wide shot of cherry blossoms falling, school bell ringing in the background. • Narration: “The bell rings for past love… and for new beginnings.” Manga
FEATURE III — Art as Resistance Art-Driven Dissemination Strategy From murals to exhibitions, 2025 strengthened the role of art in climate truth-telling. Community artists partnered with us to transform research into accessible, culturally rooted visual storytelling. A centerpiece was the exhibition inspired by The Last Forest documentary, showcased at the Green Cities Expo in September.
FEATURE IV — Nurturing the Next Generation of Climate Truth Creators Green Media Accelerator: Fake News Fighters Track In Nairobi, the Green Media Accelerator launched a dedicated track for Fake News Fighters (FNF) — now one of Africa’s leading climate information integrity models. Through mentorship, fact-checking skills, and seed funding, FNF empowered young media innovators to produce verified, creative responses to climate lies.